Elevating Communication
Numbers mean not a thing to me
but words to me are ecstasy.
To add or subtract
to me seems absurd
when I can be busy with a word.
poem by Edwina Reizer
Added by Poetry Lover
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Related quotes
Add Some Music
The sunday mornin' gospel goes good with the soul
There's blues, folk, and country, and rock like a rollin' stone
The world could come together as one
If everybody under the sun
Add some music to your day
(Add some music add some add some music to your day)
A bob didit a bop didit
You'll hear it while you're walkin' by a neighbor's home
You'll hear it faintly in the distance when you're on the phone
You're sittin' in a dentist's chair
And they've got music for you there
To add some music
(Add some music add some add some music to your)
To your day
A bob didit a bop didit
Add some music music everywhere (add some music)
Add some add some add some add some music (add some music)
Your doctor knows it keeps you calm
Your preacher adds it to his psalms
So add some music
(Add some music add some add some music to your)
To your day
Music
(Add some music add some music)
When you're alone
(Add some music add some music)
Is like a companion
(Add some music add some music)
For your lonely soul
Oo oo oo woo oo woo oo oo oo oooo
When day is over (when day is over)
I close my tired eyes (I close my tired)
Music is in my soul
At a movie you can feel it touching your heart
And on every day of the summertime
You'll hear children chasing ice cream carts
They'll play it on your wedding day
There must be 'bout a million ways
To add some music
(Add some music add some add some music to your)
To your day
Add some music to your day
Add some music to your day
Add some music to your day
Add some music to your day
Add some music to your day
song performed by Beach Boys
Added by Lucian Velea
Comment! | Vote! | Copy!
Add Some Music To Your Day
The sunday mornin gospel goes good with the soul
Theres blues, folk, and country, and rock like a rollin stone
The world could come together as one
If everybody under the sun
Add some music to your day
(add some music add some add some music to your day)
A bob didit a bop didit
Youll hear it while youre walkin by a neighbors home
Youll hear it faintly in the distance when youre on the phone
Youre sittin in a dentists chair
And theyve got music for you there
To add some music
(add some music add some add some music to your)
To your day
A bob didit a bop didit
Add some music music everywhere (add some music)
Add some add some add some add some music (add some music)
Your doctor knows it keeps you calm
Your preacher adds it to his psalms
So add some music
(add some music add some add some music to your)
To your day
Music
(add some music add some music)
When youre alone
(add some music add some music)
Is like a companion
(add some music add some music)
For your lonely soul
Oo oo oo woo oo woo oo oo oo oooo
When day is over (when day is over)
I close my tired eyes (I close my tired)
Music is in my soul
At a movie you can feel it touching your heart
And on every day of the summertime
Youll hear children chasing ice cream carts
Theyll play it on your wedding day
There must be bout a million ways
To add some music
(add some music add some add some music to your)
To your day
Add some music to your day
Add some music to your day
Add some music to your day
Add some music to your day
Add some music to your day
song performed by Beach Boys
Added by Lucian Velea
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Ecstasy
They call you ecstasy
Nothing ever sticks to you
Not velcro, not scotch tape
Not my arms dipped in glue
Not if I wrap myself in nylon
A piece of duct tape down my back
Love pierced the arrow with the twelve
And I cant get you back
Ah, ecstasy
Ecstasy
Ah, ecstasy
Across the streets an old ford, they took off its wheels
The engine is gone
In its seat sits a box
With a note that says, goodbye charlie, thanks a lot
I see a child through a window with a bib
And I think of us and what we almost did
The hudson rocketing with light
The ships pass the statue of liberty at night
They call it ecstasy, ah
Ecstasy
Ecstasy, ah
Ecstasy
Some men call me st. ivory
Some call me st. maurice
Im smooth as alabaster
With white veins runnin through my cheeks
A big stud through my eyebrow
A scar on my arm that says, domain
I put it over the tattoo
That contained your name
They called you ecstasy, ecstasy
Ecstasy
They call you ecstasy, ecstasy
Ecstasy
The moon passing through a cloud
A body facing up is floating towards a crowd
And I think of a time and what I couldnt do
I couldnt hold you close, I couldnt, I couldnt become you
They call you ecstasy, I cant hold you down
I cant hold you up
I feel like that car that I saw today, no radio
No engine, no hood
Im going to the cafe, I hope theyve got music
And I hope that they can play
But if we have to part
Ill have a new scar right over my heart
Ill call it ecstasy
Oh, ecstasy, ecstasy
Ecstasy
[...] Read more
song performed by Lou Reed
Added by Lucian Velea
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Ecstasy
(eric carmen)
When I think of all your lovin, it makes me shiver
cause when I get home just wait till I get you alone
Ecstasy, when you touch me Im in ecstasy
No one else could do the thing you do
Let me please you, too, tonight
Ecstasy, when you kiss me Im in ecstasy
No one else could make me feel this way
Tell me that youll stay tonight
When you wrap your love around me and move so gently
I feel it begin, dont stop, I can feel my head spinning
Ecstasy, when you touch me Im in ecstasy
No one else could do the things you do
Let me please you, too, tonight
Ecstasy, when you kiss me Im in ecstasy
No one else could make me feel this way
Tell me that youll stay tonight
Baby, baby I just wanna make you feel the way I do
You got my back bone shakin
And my poor heart breakin in two
When I think of all your lovin, it makes me shiver
cause when I get home, just wait till I get you alone
Ecstasy, when you touch me Im in ecstasy
No one else could do the things you do
Let me please you, too, tonight
Ecstasy, when you kiss me Im in ecstasy
No one else could make me feel this way
Tell me that youll stay tonight
When you wrap your love around me and move so gently
I feel it begin, dont stop, I can feel my head spinning
Ecstasy, when you touch me Im in ecstasy
No one else could do the things you do
Let me please you, too, tonight
Ecstasy, when you kiss me Im in ecstasy
No one else could make me feel this way
Tell me that youll stay tonight.
Stay tonight, stay today!
song performed by Eric Carmen
Added by Lucian Velea
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Lara. A Tale
The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.
II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.
III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.
IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;
[...] Read more
VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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However Absurd
Ears twitch, like a dog, breaking eggs in a dish.
Do not mock me when I say this is not a lie.
Its funny thing, half serious, with our hands on our ears.
Living dreams with mouths ajar, wide awake, we go to sleep.
However absurd, however absurd... it may seem.
However absurd, however absurd... it may seem.
Something special between us, when we mmade love the game was over.
I couldnt say the words, words wouldnt get ny feelings through,
So I keep talking to you...
However absurd, however absurd... it may seem.
However absurd, however absurd... it may seem.
Custom made dinosaurs, too late now, for a change.
Everything is under the sun, but nothing is for keeps...
However absurd, however absurd... it may seem.
However absurd, however absurd... it may seem.
song performed by Paul McCartney
Added by Lucian Velea
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Too Busy In a Loop
Too busy in a loop,
Leaving snoopers for a scoop.
To pour upon a separate root,
To then loosen and use!
Too busy in a loop,
Leaving snoopers for a scoop.
To pour upon a root,
To then loosen and use!
Many busy in this loop have also been used as tools.
Many busy in this loop have also been used as tools.
Many busy in this loop have also been used as tools.
Many busy in this loop have also been...
Too busy in a loop,
Leaving snoopers for a scoop.
To pour upon a root,
To then loosen and use!
Although these loopers keep their cool,
No matter who could lose...
Positions in this loop,
To control...
And rule!
Ma-many busy in this loop have also been used as tools.
Too many busy in this loop have also been used as tools.
So many busy in this loop have also been used as tools.
Many busy in this loop have also been...
Too busy in a loop,
Leaving snoopers for a scoop.
To pour upon a separate root,
To then loosen and use!
But many busy in this loop have also been used as tools.
Ma-many busy in this loop have also been used as tools.
Too many busy in this loop have also been used as tools.
So many busy in this loop have also been used as tools.
Although these loopers keep their cool,
No matter who could lose...
Positions in this loop,
To control...
And rule!
Too many busy in this loop have also been used as tools.
Too many busy in this loop have also been used as tools.
Too many busy in this loop have also been used as tools.
[...] Read more
poem by Lawrence S. Pertillar
Added by Poetry Lover
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Today... 'The Word
Word of love and the Word made flesh
Word incarnate forever blessed
Word of life and the Word of light
Word of power and Word of might.
Word that was spoken, Word of the Lord
Word of the Law and the Word of God
Word of peace and Word eternal
Word of truth and last Word of all.
Word of wisdom and the Word of healing
Word from heaven, a Word so appealing
Word fulfilling the Word of prophecy
Word of the Spirit and Word of destiny.
Word of exhortation and Word of grace
Word of encouragement and Word of faith
Word of promise and a Word of insight
Word from the beginning and Word of delight.
Word of knowledge and a Word of boldness
Word of peace and the Word of righteousness
Word of the covenant and Word of love
Word of the Father from heaven above.
(see also the additional information in the Poet's notes box)
poem by Roy Allen
Added by Poetry Lover
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Lara
LARA. [1]
CANTO THE FIRST.
I.
The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.
II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.
III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.
[...] Read more
Add It Up
The first time that I saw you, you were modestly waiting for a bus
Now youre driving around in hired limousines
And you talk so upper class.
The cost is high, but its not the only price you ultimately pay
Add it up, you might have got some money
But you lost me on the way
Add it up, oh
Add it up, oh
Add it up, oh
Add it up, oh
Ah, gucci, gucci, gucci
Cartier, cartier
Gucci, gucci, gucci
Add it up,
You multiplied and multiplied but whats it leading to?
Add it up,
The only thing subtracted is the love I had for you
So add it up, oh
Add it up, oh
Add it up, oh
Add it up, oh
Symbols of perversion and insanity
Symbols of social immorality
Symbols of economic cruelty
Symbolize all what you did to me
Ah, gucci, gucci, gucci
Cartier, cartier
Gucci, gucci, gucci
Cartier, cartier
Money cant cover up the fact youre getting older every day
And you cant disguise your sad little eyes that give your loneliness away
Add it up, oh
Add it up, oh
Add it up, oh
(repeat)
song performed by Kinks
Added by Lucian Velea
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The Scripture of the Golden Eternity
1
Did I create that sky? Yes, for, if it was anything other than a conception in my mind I wouldnt have said 'Sky'-That is why I am the golden eternity. There are not two of us here, reader and writer, but one, one golden eternity, One-Which-It-Is, That-Which- Everything-Is.
2
The awakened Buddha to show the way, the chosen Messiah to die in the degradation of sentience, is the golden eternity. One that is what is, the golden eternity, or, God, or, Tathagata-the name. The Named One. The human God. Sentient Godhood. Animate Divine. The Deified One. The Verified One. The Free One. The Liberator. The Still One. The settled One. The Established One. Golden Eternity. All is Well. The Empty One. The Ready One. The Quitter. The Sitter. The Justified One. The Happy One.
3
That sky, if it was anything other than an illusion of my mortal mind I wouldnt have said 'that sky.' Thus I made that sky, I am the golden eternity. I am Mortal Golden Eternity.
4
I was awakened to show the way, chosen to die in the degradation of life, because I am Mortal Golden Eternity.
5
I am the golden eternity in mortal animate form.
6
Strictly speaking, there is no me, because all is emptiness. I am empty, I am non-existent. All is bliss.
7
This truth law has no more reality than the world.
8
You are the golden eternity because there is no me and no you, only one golden eternity.
9
The Realizer. Entertain no imaginations whatever, for the thing is a no-thing. Knowing this then is Human Godhood.
10
This world is the movie of what everything is, it is one movie, made of the same stuff throughout, belonging to nobody, which is what everything is.
11
If we were not all the golden eternity we wouldnt be here. Because we are here we cant help being pure. To tell man to be pure on account of the punishing angel that punishes the bad and the rewarding angel that rewards the good would be like telling the water 'Be Wet'-Never the less, all things depend on supreme reality, which is already established as the record of Karma earned-fate.
12
God is not outside us but is just us, the living and the dead, the never-lived and never-died. That we should learn it only now, is supreme reality, it was written a long time ago in the archives of universal mind, it is already done, there's no more to do.
13
This is the knowledge that sees the golden eternity in all things, which is us, you, me, and which is no longer us, you, me.
14
What name shall we give it which hath no name, the common eternal matter of the mind? If we were to call it essence, some might think it meant perfume, or gold, or honey. It is not even mind. It is not even discussible, groupable into words; it is not even endless, in fact it is not even mysterious or inscrutably inexplicable; it is what is; it is that; it is this. We could easily call the golden eternity 'This.' But 'what's in a name?' asked Shakespeare. The golden eternity by another name would be as sweet. A Tathagata, a God, a Buddha by another name, an Allah, a Sri Krishna, a Coyote, a Brahma, a Mazda, a Messiah, an Amida, an Aremedeia, a Maitreya, a Palalakonuh, 1 2 3 4 5 6 7 8 would be as sweet. The golden eternity is X, the golden eternity is A, the golden eternity is /\, the golden eternity is O, the golden eternity is [ ], the golden eternity is t-h-e-g-o-l-d-e-n-e-t-e-r- n-i-t-y. In the beginning was the word; before the beginning, in the beginningless infinite neverendingness, was the essence. Both the word 'god' and the essence of the word, are emptiness. The form of emptiness which is emptiness having taken the form of form, is what you see and hear and feel right now, and what you taste and smell and think as you read this. Wait awhile, close your eyes, let your breathing stop three seconds or so, listen to the inside silence in the womb of the world, let your hands and nerve-ends drop, re-recognize the bliss you forgot, the emptiness and essence and ecstasy of ever having been and ever to be the golden eternity. This is the lesson you forgot.
15
The lesson was taught long ago in the other world systems that have naturally changed into the empty and awake, and are here now smiling in our smile and scowling in our scowl. It is only like the golden eternity pretending to be smiling and scowling to itself; like a ripple on the smooth ocean of knowing. The fate of humanity is to vanish into the golden eternity, return pouring into its hands which are not hands. The navel shall receive, invert, and take back what'd issued forth; the ring of flesh shall close; the personalities of long dead heroes are blank dirt.
16
The point is we're waiting, not how comfortable we are while waiting. Paleolithic man waited by caves for the realization of why he was there, and hunted; modern men wait in beautified homes and try to forget death and birth. We're waiting for the realization that this is the golden eternity.
17
It came on time.
[...] Read more
poem by Jack Kerouac
Added by Poetry Lover
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Down Down
Getting busy
Cannot stop from calling the groove
Getting busy
Cannot stop from calling the groove
You gotta get down down
(Getting busy)
(Cannot stop from calling the groove)
You gotta get down down
(Getting busy)
(Cannot stop from calling the groove)
You gotta get down down
(Getting busy)
(Cannot stop from calling the groove)
You gotta get down down
(Getting busy)
(Cannot stop from calling the groove)
Feeling sexy, dirty thing got his eyes on me
Walks up close, took a stroke, getting down dirty
This is what you want
I'll make it so it goes on the floor
I'll have him begging for more
What you see's, what you're getting
You for me, you will stick it
It's so hot, in this kitchen
So baby let go
Wind yourself around and grab ahold and ride down
You gotta get down down
You gotta get down down
Feel the rythem driving, everybody's thriving
You gotta get down down
You gotta get down down
You gotta get down down
(Getting busy)
(Cannot stop from calling the groove)
You gotta get down down
(Getting busy)
(Cannot stop from calling the groove)
You gotta get down down
(Getting busy)
(Cannot stop from calling the groove)
You gotta get down down
(Getting busy)
(Cannot stop from calling the groove)
Would I like baggy jeans got the hip hop style
Come and slick my embrace take my number down
Well it's for fun I know it turns you on
Wanna bump and grind with me
Pull it out of the bag, yeah yeah
Wind yourself around and grab ahold and ride down
You gotta get down down (down down)
[...] Read more
song performed by Sugababes
Added by Lucian Velea
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The Idols
An Ode
Luce intellettual, piena d' amore
Prelude
Lo, the spirit of a pulsing star within a stone
Born of earth, sprung from night!
Prisoned with the profound fires of the light
That lives like all the tongues of eloquence
Locked in a speech unknown!
The crystal, cold and hard as innocence,
Immures the flame; and yet as if it knew
Raptures or pangs it could not but betray,
As if the light could feel changes of blood and breath
And all--but--human quiverings of the sense,
Throbs of a sudden rose, a frosty blue,
Shoot thrilling in its ray,
Like the far longings of the intellect
Restless in clouding clay.
Who has confined the Light? Who has held it a slave,
Sold and bought, bought and sold?
Who has made of it a mystery to be doled,
Or trophy, to awe with legendary fire,
Where regal banners wave?
And still into the dark it sends Desire.
In the heart's darkness it sows cruelties.
The bright jewel becomes a beacon to the vile,
A lodestar to corruption, envy's own:
Soiled with blood, fought for, clutched at; this world's prize,
Captive Authority. Oh, the star is stone
To all that outward sight,
Yet still, like truth that none has ever used,
Lives lost in its own light.
Troubled I fly. O let me wander again at will
(Far from cries, far from these
Hard blindnesses and frozen certainties!)
Where life proceeds in vastness unaware
And stirs profound and still:
Where leafing thoughts at shy touch of the air
Tremble, and gleams come seeking to be mine,
Or dart, like suddenly remembered youth,
Like the ache of love, a light, lost, found, and lost again.
Surely in the dusk some messenger was there!
But, haunted in the heart, I thirst, I pine.--
Oh, how can truth be truth
Except I taste it close and sweet and sharp
As an apple to the tooth?
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poem by Robert Laurence Binyon
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
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poem by Robert Browning from The Ring and the Book
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Kahlo-Christ Conjunctions - Sacrificed Flesh, Broken Bread, Emmaus Vision
[The curious or, better, interested reader may view the images alluded to in this essay at this website: http: //falconwarren.blogspot.com/2011/01/kahlo-christ- conjunctions-sacrificed.html]
Kahlo Strophes
As with love, also the bellows.
Calavera*, the Future stands
hand to mouth, fingers to forehead
unfolding before still instatic shapes.
Hold desperately to frames before
these quaking perceptions.
She could not stop there,
had to flare out, dry paint,
and the dryer flesh peel down
to bone, a sexless esqueleto**,
skull no longer mustached,
a calavera, nothing more,
curved calcium reliant forever
upon canvas, what is congealed
there to fan and burn,
a 'cauda pavonis'***.
- the author, from the text below
*Skull
**Skeleton
***Peacock's Tail (an image in alchemy) .
'Poetry such as this attempts not just a new syntax of the word. Its revolution is aimed at the syntax of the mind itself. Its structuring of experience is purposive, not dreamlike. We are dealing with a self-induced, or naturally or mysteriously come by, creative state from which two of the most fundamental human activities diverge, the aesthetic and the mystic act. The creative matrix is the same in both, and it is that state of being that is most peculiarly and characteristically human, as the resulting aesthetic and mystic experience is the purist form of human act. There is a great deal of overlapping, today especially, when art is all the religion most people have and when they demand of it experiences that few people of the past demanded of religion....A visionary poem is not a vision. The religious experience is necessitated and ultimate.' - Kenneth Rexroth, World Outside the Window, the Selected Essays of Kenneth Rexroth, pg.255-256
Rexroth's words are pertinent to the images used in this essay, Kahlo's painting above is visionary, Grunewald's are religious, and several photos are both, and all are 'aimed at the syntax of the mind itself.. Its restructuring of experience is purposive, not dreamlike.' The images included in this essay, which is more a prose poem than regular prose, are meant to convey equally or more, at least as as much as, the words in their incantatory formations which may induce entrance into 'imaginal' spaces where word and image meet in a practical magic, inspire a felt understanding and perhaps gain a view or actual entrance into what ecstatic poet, Rainer Maria Rilke, calls 'the Greater Relation.'
I've decided to publish this piece-in-progress as it unwinds in spirals 'aimed at the syntax of the mind itself...its restructuring of experience' with the understanding that it may later appear in greatly altered form. In a real sense this writing writes itself; I try to heed, copy, then hone to the bone what might be wanting to be sung, for what is below, and often what I write, is more akin to music, a vocal/verbal lilt beyond a particular solid tilt of view of a world absolute, static logos.
Heraclitus noted thousands of years ago, 'All is flux.'
To this I would only add, and perhaps this is what all of my writing amounts to,
'All is reflux.'
Selah. WF
NYC,1/31/11
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poem by Warren Falcon
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
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poem by Robert Browning from The Ring and the Book
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Busy
I am busy
you are busy
we are busy
but the old woman needs help
to find her way home.
I am busy
you are busy
we are busy
but the dove is too slow
to fly out of the way.
I am busy
you are busy
we are busy
but the children crossing the street
are too many.
I am busy
you are busy
we are busy....
I am busy
you are busy
we are...
busy.
poem by Marites C. Cayetano
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I Don't Want to Go
You know I don't love you,
But you made up in your mind I can not go!
And, you won't let me go.
You know I don't love you,
But you made up in your mind I can not go!
And, you won't let me go.
Oh-ooooh-oh
oh...ooooOOHH!
And...
I don't wanna go!
And I know you don't believe this, but...
You know I don't love you,
But you made up in your mind I can not go!
And, you won't let me go.
You know I don't love you,
But you made up in your mind I can not go!
And, you won't let me go.
Oh-ooooh-oh
oh...ooooOOHH!
And...
I don't wanna go!
Being here ain't easy.
And you won't let me go!
Your nose is just too busy.
And you won't let me go!
A busy body busy.
And you won't let me go!
I'd rather 'tip' and 'dizzy'
And, you won't let me go!
Oh-ooooh-oh
oh...ooooOOHH!
And...
I don't wanna go!
Oh-ooooh-oh
oh...ooooOOHH!
And...
I don't wanna go!
You know I don't love you,
But you made up in your mind I can not go!
And, you won't let me go.
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poem by Lawrence S. Pertillar
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