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Doll In A Carriage

She wants to be like her mommy
so she places her doll in a carriage.
She does not know that a mommy
should precede this event with marriage.
She covers the doll with a blanket
to keep her dolly warm.
She does not know that a mommy
is always in uniform.
White as a nurse for the babe that's sick,
an umbrella for the storm,
frazzeled, unkempt from nights awake,
worn out from lack of sleep.
Bedecked and proper for her husband
whose love she wants to keep.

She's unaware of all of this
but her innate mothering is there.
So she pushes her doll and is happy.
She has no mother's care.

poem by Edwina Reizer
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You Made Me Love You

The power of love
The power of love
Listen
Said I
Said I didnt, said I didnt, said I didnt want to fall in love (didnt want to fall in love)
Oh oh oh oh oh oh oh oh oh oh
The power of love yall
Anybody anybody anybody(help)
Anybody anybody anybody(help me)
Anybody anybody anybody(oh yeah)
Listen
I was just minding my business when
Ms. Purdy you came walking
My heart stopped said what is this just
As soon as you started talking
Something happened deep within me (well)
All of a sudden I got this feeling
A chill came from feet to head and then I
Turned away from you and said to myself
This is not supposed to happen brother youve been hurt too many times before
First I tripped, then I slipped, then I fell
You made me love you
You made me love you babe, made me love you babe
Made me love you babe, (oh Lord) made me love you babe
Said you made me love you
You made me love you babe, made me love you babe
Made me love you babe, (good Lord) made me love you babe
You made me love you babe, made me love you babe
Made me love you babe, (said it wasnt in my plans) made me love you babe
Ooh, look at you
Said you must be one of the top models
Body curved like a pop bottle
Got me sweating like a boxer baby
I done stumbled up on a perfect lady (awww)
Could this be what heaven sent to me
An angel come to set me free
Love has been a stranger to me
And myself keeps telling me that
This is not supposed to happen brother youve been hurt too many times before
First I tripped, then I slipped, then I fell
You made me love you
You made me love you babe, (oh yes) made me love you babe
Made me love you babe, (hoo) made me love you babe
Hey you made me love you
You made me love you babe, made me love you babe (yeah)
Made me love you babe, (aw baby) made me love you babe
You made love you
You made me love you babe, made me love you babe (aw love)
Made me love you babe, made me love you babe
Said the power of love you see

[...] Read more

song performed by R. Kelly
Added by Lucian Velea
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by Robert Browning from The Ring and the Book
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Sneakin' Around

(((((From the movie The Best Little Whorehouse in Texas)))))
((((Dolly Parton & Burt Reynolds sings))))
DOLLY:I like fancy,frilly things
High-heeld shoes and diamond rings
Ragtime bands and western swing
And sneakin' around with you
BURT:Well I like beer and rodeos
Detective books and dominoes
Footballgames and Cheerios
And sneakin' around with you
DOLLY & BURT:Sneakin' around with you
Goin' a round or two
Doin' what lovers do
Whenever they're sneakin' around
DOLLY:I like lots of cash on hand
And dirty jokes about the Fuller Brush Man
BURT:I like stuff I understand,like sneakin' around with you
DOLLY:You know I like a thrill that has no strings
BURT:Friendship that don't ever change
DOLLY:And laughter from the joy of things
DOLLY & BURT:And sneakin' around with you
Sneakin' around with you
Goin' a round or two
Doin' what lovers do
Whenever they're sneakin' around
DOLLY:I like drive-in picture shows
Kissin' long and lovin' slow
BURT:The secret places lovers go,whenever they're sneakin' around
DOLLY:I like the crazy things we try
BURT:And the sexy things we fantasie
DOLLY:Just a-makin' out in the broad daylight
DOLLY & BURT:And sneakin' around with you
Sneakin' around with you
Keeping it all brand-new
Gettin' the best of you
Whenever we're sneakin' around
Sneakin' around that's all
DOLLY:I'm gonna lay down the law
BURT:Watchin' the rise and fall
DOLLy & BURT:Of lovers sneaking' around
BURT:We're just sneaking' around
DOLLY:Oh we're just
DOLLY & BURT:Sneakin'!

song performed by Dolly Parton
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The Moat House

PART I

I

UNDER the shade of convent towers,
Where fast and vigil mark the hours,
From childhood into youth there grew
A maid as fresh as April dew,
And sweet as May's ideal flowers,

Brighter than dawn in wind-swept skies,
Like children's dreams most pure, unwise,
Yet with a slumbering soul-fire too,
That sometimes shone a moment through
Her wondrous unawakened eyes.

The nuns, who loved her coldly, meant
The twig should grow as it was bent;
That she, like them, should watch youth's bier,
Should watch her day-dreams disappear,
And go the loveless way they went.

The convent walls were high and grey;
How could Love hope to find a way
Into that citadel forlorn,
Where his dear name was put to scorn,
Or called a sinful thing to say?

Yet Love did come; what need to tell
Of flowers downcast, that sometimes fell
Across her feet when dreamily
She paced, with unused breviary,
Down paths made still with August's spell--

Of looks cast through the chapel grate,
Of letters helped by Love and Fate,
That to cold fingers did not come
But lay within a warmer home,
Upon her heart inviolate?

Somehow he loved her--she loved him:
Then filled her soul's cup to the brim,
And all her daily life grew bright
With such a flood of rosy light
As turned the altar candles dim.

[...] Read more

poem by Edith Nesbit
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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R B Thug

Ooh, ooh, ooh
Ahh, ahh, ahh
Uhh, uhh, uhh, yeah, yeah, yeah
Ooh, ooh, ooh
Ahh, ahh, ahh
Yeah, yeah, yeah
Mmm, mmm, mmm
In the playas club
Checkin at your body baby
Steadily tossin that cash flow baby
Cause you drive me crazy
Wont you be my lady?
Betcha I can make your body talk to me
(talk to me)
All I need is my cd, bag of weed and some cristie (yeah)
Then Im gonna stroke you up and down
Messin with your head
And when you leave up out my room
Youll be walkin bow leg
I can keep your body comin like a cta
Youre dealin with a true baller baby
Givin you the keys to my mercedes
Im not gonna stop til you scream my name
And say ooh kelly you make me holla
Keep on jumpin like an impala
You slidin that sexy ass down the pole like what
(what, what, what, what, what)
Come and get some of this
R&b thug baby
Im just an r&b thug babe
Tryin to get some ass babe
Do you wanna thug babe?
Im just an r&b thug babe
Lookin for some love babe
Do you wanna date babe
Youre gonna trip, gonna trip
Gonna trip, gonna trip, gonna trip
When I show you my love jones babe
And make the room go black
Baby girl keep your body right there
Im gonna sock it to you baby
I wanna hear you say yeah, yeah
Now the sign of the knob says privacy
You and me
On the low, fruit bowls and whipped cream
We can get up on a fancy suite
Thugged out with some hennessy
See, see, see
Lock your body up and throw away the key
Im not gonna stop til you scream my name

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song performed by R. Kelly
Added by Lucian Velea
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R&b Thug

Ooh, ooh, ooh
Ahh, ahh, ahh
Uhh, uhh, uhh, yeah, yeah, yeah
Ooh, ooh, ooh
Ahh, ahh, ahh
Yeah, yeah, yeah
Mmm, mmm, mmm
In the playa's club
Checkin' at your body baby
Steadily tossin that cash flow baby
Cause you drive me crazy
Won't you be my lady?
Betcha i can make your body talk to me
(talk to me)
All i need is my cd, bag of weed and some cristie (yeah)
Then i'm gonna stroke you up and down
Messin' with your head
And when you leave up out my room
You'll be walkin' bow leg
I can keep your body comin' like a cta
You're dealin with a true baller baby
Givin' you the keys to my mercedes
I'm not gonna stop til' you scream my name
And say ooh kelly you make me holla
Keep on jumpin' like an impala
You slidin' that sexy ass down the pole like what
(what, what, what, what, what)
Come and get some of this
R&b thug baby
I'm just an r&b thug babe
Tryin' to get some ass babe
Do you wanna thug babe?
I'm just an r&b thug babe
Lookin' for some love babe
Do you wanna date babe
You're gonna trip, gonna trip
Gonna trip, gonna trip, gonna trip
When i show you my love jones babe
And make the room go black
Baby girl keep your body right there
I"m gonna sock it to you baby
I wanna hear you say yeah, yeah
Now the sign of the knob says privacy
You and me
On the low, fruit bowls and whipped cream
We can get up on a fancy suite
Thugged out with some hennessy
See, see, see
Lock your body up and throw away the key
I'm not gonna stop til' you scream my name

[...] Read more

song performed by R. Kelly
Added by Lucian Velea
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Randb Thing

Ooh ooh ooh
Ahh ahh ahh
Uhh uhh uhh yeah yeah yeah
Ooh ooh ooh
Ahh ahh ahh
Yeah yeah yeah
Mmm mmm mmm
In the playas club
Checkin at your body baby
Steadily tossin that cash flow baby
Cause you drive me crazy
Wont you be my lady
Betcha I can make your body talk to me
Talk to me
All I need is my cd bag of weed and some cristie yeah
Then Im gonna stroke you up and down
Messin with your head
And when you leave up out my room
Youll be walkin bow leg
I can keep your body comin like a cta
Youre dealin with a true baller baby
Givin you the keys to my mercedes
Im not gonna stop til you scream my name
And say ooh kelly you make me holla
Keep on jumpin like an impala
You slidin that sexy ass down the pole like what
What what what what what
Come and get some of this
R and b thug baby
Im just an r and b thug babe
Tryin to get some ass babe
Do you wanna thug babe
Im just an r and b thug babe
Lookin for some love babe
Do you wanna date babe
Youre gonna trip gonna trip
Gonna trip gonna trip gonna trip
When I show you my love jones babe
And make the room go black
Baby girl keep your body right there
Im gonna sock it to you baby
I wanna hear you say yeah yeah
Now the sign of the knob says privacy
You and me
On the low fruit bowls and whipped cream
We can get up on a fancy suite
Thugged out with some hennessy
See see see
Lock your body up and throw away the key
Im not gonna stop til you scream my name

[...] Read more

song performed by R. Kelly
Added by Lucian Velea
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Fourth Book

THEY met still sooner. 'Twas a year from thence
When Lucy Gresham, the sick semptress girl,
Who sewed by Marian's chair so still and quick,
And leant her head upon the back to cough
More freely when, the mistress turning round,
The others took occasion to laugh out,–
Gave up a last. Among the workers, spoke
A bold girl with black eyebrows and red lips,–
'You know the news? Who's dying, do you think?
Our Lucy Gresham. I expected it
As little as Nell Hart's wedding. Blush not, Nell,
Thy curls be red enough without thy cheeks;
And, some day, there'll be found a man to dote
On red curls.–Lucy Gresham swooned last night,
Dropped sudden in the street while going home;
And now the baker says, who took her up
And laid her by her grandmother in bed,
He'll give her a week to die in. Pass the silk.
Let's hope he gave her a loaf too, within reach,
For otherwise they'll starve before they die,
That funny pair of bedfellows! Miss Bell,
I'll thank you for the scissors. The old crone
Is paralytic–that's the reason why
Our Lucy's thread went faster than her breath,
Which went too quick, we all know. Marian Erle!
Why, Marian Erle, you're not the fool to cry?
Your tears spoil Lady Waldemar's new dress,
You piece of pity!'
Marian rose up straight,
And, breaking through the talk and through the work,
Went outward, in the face of their surprise,
To Lucy's home, to nurse her back to life
Or down to death. She knew by such an act,
All place and grace were forfeit in the house,
Whose mistress would supply the missing hand
With necessary, not inhuman haste,
And take no blame. But pity, too, had dues:
She could not leave a solitary soul
To founder in the dark, while she sate still
And lavished stitches on a lady's hem
As if no other work were paramount.
'Why, God,' thought Marian, 'has a missing hand
This moment; Lucy wants a drink, perhaps.
Let others miss me! never miss me, God!'

So Marian sat by Lucy's bed, content
With duty, and was strong, for recompense,
To hold the lamp of human love arm-high
To catch the death-strained eyes and comfort them,
Until the angels, on the luminous side

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Tell Mama

Alright!!!
Alright!!!
I'm ready, man!
Whoaa yeah!!!
You thought you had found yourself a good girl,
One who would love you and give you the world.
Then you find, babe, that you've been misused,
Come to me, honey, i'll do what you choose.
I want you to
Well, tell mama
All about it.
Well, tell mama
What you need
Tell your mama, babe,
What you want.
Tell your mama, babe.
What you need
What you want.
What you need
What you want
Whoa! an' i'll make everything alright.
That girl you didn't have no sense, babe,
Wasn't worth all the time that you spent.
That same man he throwed you outdoors,
I just heard that he quartered your clothes, hey!
Well, tell mama
All about it.
Tell mama
What you need.
Tell your mama, babe,
What you want
Tell your mama, babe.
What you need
What you want
What you need
What you want,
Whoaaa! an' i'll make everything alright, babe.
Whoaa... rock & roll!
... baby,
Wasn't worth all the time that you spent.
And that same man that throwed you outdoors,
I just heard that he torn all your clothes, hey.
Well, tell mama
All about it
Tell mama
What you need
Tell your mama, babe
What you want
Tell your mama, babe
What you need

[...] Read more

song performed by Janis Joplin
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Seventh Book

'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.

'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.

'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

[...] Read more

poem by Conrad Potter Aiken
Added by Poetry Lover
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What The Deal

Yeah yeah ohh ooehhh

[Verse One] - [Shawn ]
Incredible...
From your legs up to your mouth you look so edible
Don't have to speak your spirit it's just legible
And when you lick your lips I swear girl I go medical
Let the mystery unfold

[Chorus: ]
What the deal mommy
Can you make a deal
Let me show you mommy
That my love is for real
Got the goods baby
Make you wanna reveal your heart (yeahey yeahey)
So let me feel mommy
'Cause I got what you need
Girl I want you (yeaheeyhh yeaheeyhh)
Really close to me
Girl I promise
We will never be apart

[Verse Two] - [Nate ]
Naaauuhhh....
Paradise
Tonight I'll take you there
Lay back and close your eyes
I'll make this loving hurt so good
But you won't wanna cry
So let me put my love inside you
Make you tremble ever so
Gently baby don't let go

[Chorus ]
I want you feel mommy
Can you make the deal (uuohhh)
Let me show mommy
That my love is for real (uuohhh)
Got the goods baby (...yeaahh)
Make you wanna reveal your heart (make you wanna reveal your heart...)
So let me feel mommy
'Cause I got what you need
Girl I want you (girl I want you)
Really close to me (so bad...)
Girl I promise (ohh yeah)
We will never be apart (uuueeeyhhh...)
I want you feel mommy
Can you make the deal (ooehhh)
Let me show mommy

[...] Read more

song performed by Boyz II Men from Nathan Michael Shawn Wanya
Added by Lucian Velea
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Umbrella Man

When the sun just refuses to shine on through
And its cats and doggies all over you
You need some protection so what do you do
See the umbrella man
Go and see the umbrella man
When its raining - umbrella man, umbrella man
You can see him when its sunny, when the rain comes down
You ought to find a corner where hes always found
A reflection in a puddle, just turn around
To see the umbrella man
Go and see the umbrella man
When its raining - umbrella man, umbrella man
There are some things in life on which you can depend
Dont try to guess when itll rain again
You dont have to worry cause youve got a friend
Come see the umbrella man
I will be your umbrella man
When its raining - umbrella man
Go and see the umbrella man
Dont forget the umbrella man
When its raining - umbrella man
I will be your umbrella man, umbrella man

song performed by Utopia
Added by Lucian Velea
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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poem by Robinson Jeffers
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Women In Uniform

Beehive hairdo, 45 on the hip
Patrolwoman Saunders, don't you give her no whip
Took me to the station for a breathtest
then back to the bedroom for some house-arrest
[Chorus:]
Women in uniform, sometimes they look so cold
Women in uniform, but, Oh! They feel so warm
Coming back to London on a 747
Stewardess made me feel like I'm in heaven
Looking up the aisle to see what I could see
She leaned over said; Give it to me
White apron, brown leather shoes
The nurse at the clinic left my heart all bruised
Gave me a massage, sprained my right
Now she takes my temperature every night
[Chorus]
Women in uniform, Women in uniform
Women in uniform, Women in uniform
Commando raid on the Lebanese border
Sergeant Anita, she gives the order
Khaki jacket and a love gun
Baby, I surrender, let's have some fun
[Chorus]
[Solo]
[Chorus]
Women in uniform, Women in uniform
Women in uniform, Women in uniform
Women in uniform, Khaki, white and blue
Women in uniform, coming after you
Women, women, Women in uniform
Women, women, Women in uniform
[Chorus]

song performed by Iron Maiden
Added by Lucian Velea
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Lover Doll

(words & music by wayne - silver)
Lover doll, oh lover doll
Lover doll, lover doll
Youre the cutest lover doll
That I ever did ever see
Let me tell you lover doll
You were meant, just meant for me
On the first time that I saw you
How I fell for your cuddly charms
Lover doll Im crazy for you
Let me rock you in my arms
Im so glad I found you
Never thought dollies came full grown
Im gonna tie a ribbon around you
Wrap you up and take you home
I would never treat you badly
Like a cast away broken toy
Lover doll I love you madly
Let me be your lover boy
Im so glad I found you
Never thought dollies came full grown
Im gonna tie a ribbon around you
Wrap you up and take you home
I would never treat you badly
Like a cast away broken toy
Lover doll I love you madly
Let me be your lover boy
Lover doll, lover doll
Lover doll, lover doll
Lover doll, lover doll
Let me be your lover boy
Lover doll, lover doll
Lover doll, lover doll
Lover doll, lover doll
Let me be your lover boy
Let me be your lover boy
Let me be your lover boy

song performed by Elvis Presley
Added by Lucian Velea
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The Marriage of Heaven and Hell

THE ARGUMENT

RINTRAH roars and shakes his
fires in the burdenM air,
Hungry clouds swag on the deep.

Once meek, and in a perilous path

The just man kept his course along

The Vale of Death.

Roses are planted where thorns grow,

And on the barren heath

Sing the honey bees.

Then the perilous path was planted,
And a river and a spring
On every cliff and tomb;

5

THE MARRIAGE OF

And on the bleached bones
Red clay brought forth:
Till the villain left the paths of ease
To walk in perilous paths, and drive
The just man into barren climes.

Now the sneaking serpent walks
In mild humility ;

And the just man rages in the wilds
Where Uons roam.

Rintrah roars and shakes his fires in

the burdened air,
Hungry clouds swag on the deep.

As a new heaven is begun, and it is
now thirty-three years since its advent,
the Eternal Hell revives. And lo!
Swedenborg is the angel sitting at
the tomb: his writings are the Unen

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poem by William Blake
Added by Poetry Lover
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