What anybody else thinks about you is really of no consequence. It's what you think of yourself.
quote by David Coverdale
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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She Thinks Shes Edith Head
Back in high school I knew a girl
Not too simple and not too kind
We both grew up, but I heard shed changed
From a new wave fan to another kind
She thinks shes edith head
But you might know shes not
The accent in her speech
She didnt have growing up
She thinks shes edith head
Or helen girlie brown
Or some other cultural figure
We dont know a lot about
Its been years since I moved away
But at christmas I come home
And I saw her reflection
In the window of a store
She was talking to herself
Not too simple and not too kind
I walked on by, it was complicated
And it stuck in my mind
She thinks shes edith head
But you might know shes not
The accent in her speech
She didnt have growing up
The accent in her speech
She didnt have growing up
The accent in her speech
She didnt have growing up
She thinks shes edith head
She thinks shes edith head now
She thinks shes edith head
She thinks shes edith head now
She thinks shes edith head
She thinks shes edith head now
She thinks shes edith head
She thinks shes edith head now
song performed by They Might Be Giants
Added by Lucian Velea
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Gracie
Gracie takes the bottles from the porch where you have left them
There are age old dregs of wine you never shared
Drivin' down the motorway with all the best intentions
She's a picture of perfection with her cotton colored hair
But its you she thinks of in the hours while she's awake
She takes her lipstick from her case to make a smile
You she thinks of when she thinks of her mistakes
Regret's an open road that stretches out for miles
Coffee pots and bottles cups and all of this disorder
She soaks the plates in the dishwater 'till it's cold
Her reflection in the windows of the stores around the corner
Walk beside her while she's striding down the road
But its you she thinks of in the hours while she's awake
She takes her lipstick from her case to make a smile
You she thinks of when she thinks of her mistakes
Regret's an open road that stretches out for miles
La la la la la
But its you she thinks of in the hours while she's awake
She takes her lipstick from her case to make a smile
You she thinks of when she thinks of her mistakes
Regret's an open road that stretches out for miles
song performed by Bic Runga
Added by Lucian Velea
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She Thinks My Tractor's Sexy
Plowin' these fields in the hot summer sun
Over by the gate lordy here she comes
With a basket full of chicken and a big cold jug of sweet tea
I make a little room and she climbs on up
Open up a throttle and stir a little dust
Just look at her face she ain't a foolin' me
She thinks my tractor's sexy
It really turns her on
She's always starin' at me
While I'm chuggin' along
She likes the way it's pullin' while we're tillin' up the land
She's even kind of crazy 'bout my farmer's tan
She's the only one who really understands what gets me
She thinks my tractor's sexy
We ride back and forth 'til we run out of light
Take it to the barn put it up for the night
Climb up in the loft sit and talk with the radio on
She said she's got a dream and I asked what it is
She wants a little farm and a yard full of kids
One more teeny weeny ride before take her home
She thinks my tractor's sexy
It really turns her on
She's always starin' at me
While I'm chuggin' along
She likes the way it's pullin' while we're tillin' up the land
She's even kind of crazy 'bout my farmer's tan
She's the only one who really understands what gets me
She thinks my tractor's sexy
Well she ain't into cars or pickup trucks
But if it runs like a Deere man her eyes light up
She thinks my tractor's
She thinks my tractor's sexy
It really turns her on
She's always starin' at me
While I'm chuggin' along
She likes the way it's pullin' while we're tillin' up the land
She's even kind of crazy 'bout my farmer's tan
She's the only one who really understands what gets me
She thinks my tractor's sexy
She thinks my tractor's sexy
She thinks my tractor's sexy
song performed by Kenny Chesney from Everywhere We Go
Added by Lucian Velea
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She Thinks My Tractors Sexy
(paul overstreet/jim collins)
Plowing these fields in the hot summer sun
Over by the gate lordy here she comes
With a basket full of chicken and a big cold jug of sweet tea
I make a little room and she climbs on up
Open up a throttle and stir a little dust
Just look at her face she aint a foolin me
She thinks my tractors sexy
It really turns her on
Shes always staring at me
While Im chuggin along
She likes the way its pullin while were tillin up the land
Shes even kind of crazy bout my farmers tan
Shes the only one who really understands what gets me
She thinks my tractors sexy
We ride back and forth until we run out of light
Take it to the barn put it up for the night
Climb up in the loft sit and talk with the radio on
She said shes got a dream and I asked what it is
She wants a little farm and a yard full of kids
One more teeny weeny ride before take her home
She thinks my tractors sexy
It really turns her on
Shes always staring at me
While Im chuggin along
She likes the way its pullin while were tillin up the land
Shes even kind of crazy bout my farmers tan
Shes the only one who really understands what gets me
She thinks my tractors sexy
Well she aint into cars or pick up trucks
But if it runs like a deere man her eyes light up
She thinks my tractors....
She thinks my tractors sexy
It really turns her on
Shes always staring at me
While Im chuggin along
She likes the way its pullin while were tillin up the land
Shes even kind of crazy bout my farmers tan
Shes the only one who really understands what gets me
She thinks my tractors sexy
She thinks my tractors sexy
She thinks my tractors sexy
song performed by Kenny Chesney
Added by Lucian Velea
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If You Got It, Flaunt It
Youll never compete with the others!
Why, look at the way youre dressed!
Come on now, get yourself together!
Baby if you got it
You have got to flaunt it now
Baby if you flaunt it
You can make them want it now baby
Yes, I got it
And Im gonna flaunt it now
Gonna make him want it
Yeah Im gonna flaunt it now
Sister thinks shes got it
And shes gonna flaunt it now
(who do you think you are?
Who do you think you are? )
Sister thinks shes got it
And shes gonna flaunt it now
(who do you think you are?
Who do you think you are? )
Sister thinks shes got it
And shes gonna flaunt it now
(who do you think you are?
Who do you think you are? )
All you catty creatures,
Ive got my better features too
So step aside you leeches,
Im gonna teach a little trick to you
Baby if you got it
You had better flaunt it now
Baby if you flaunt it
You can make him want it now
Baby yes, I got it
And Im gonna flaunt it now
Gonna make him want it
cause Im gonna flaunt it now
Sister thinks shes got it,
And shes gonna flaunt it now
(who do you think you are?
Who do you think you are? )
Sister thinks shes got it,
And shes gonna flaunt it now
(who do you think you are?
Who do you think you are? )
Sister thinks shes got it,
And shes gonna flaunt it now
(who do you think you are?
Who do you think you are? )
All you catty creatures
Ive got my better features too
Step aside you leeches
[...] Read more
song performed by Donna Summer
Added by Lucian Velea
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III. The Other Half-Rome
Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!
There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Prince Of The Punks
A well known groover, rock n roll user,
Wanted to be a star.
But he failed the blues, and hes back to loser,
Playing folk in a country bar.
Reggae music didnt seem to satisfy his needs.
He couldnt handle modern jazz,
cause they play it in difficult keys.
But now hes found a music he can call his own,
Some people call it junk, but he dont care,
Hes found a home.
Hes the prince of the punks and hes finally made it,
Thinks he looks cool but his act is dated.
He acts working class but its all bologna,
Hes really middle class and hes just a phony.
He acts tough but its just a front,
Hes the prince of the punks.
Hes the prince of the punks and hes finally made it,
Thinks he looks cool but his act is dated.
He tried to be gay, but it didnt pay,
So he bought a motorbike instead.
He failed at funk, so he became a punk,
cause he thought hed make a little more bread.
Hes been through all of the changes,
From rock opera to mantovani.
Now he wears a swastika band
And leather boots up past his knees.
Hes much too old for twenty-eight,
But he thinks hes seventeen,
He thinks hes a stud,
But I think he looks more like a queen.
Hes the prince of the punks and hes finally made it,
Thinks he looks cool but his act is dated.
He talks like a cockney but its all bologna,
Hes really middle class and hes just a phony.
He acts tough but its just a front.
Hes the prince of the punks and hes finally made it,
Thinks he looks cool but his act is dated.
He acts working class but its all bologna,
Hes really middle class and hes just a phony.
He acts tough but its just a front,
Hes the prince of the punks and hes finally made it,
Thinks he looks cool but his act is dated.
He acts working class but its all bologna,
Hes really middle class and hes just a phony.
He acts tough but its just a front,
Hes the prince of the punks.
song performed by Kinks
Added by Lucian Velea
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A Fable For Critics
Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'
Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.
Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,
[...] Read more
poem by James Russell Lowell
Added by Poetry Lover
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She Thinks I Still Care
(words & music by s. duffy - d. l. lipscomb)
Oh just because I asked a friend about her
Just because I spoke her name somewhere
Just because I rang her number by mistake today
You know she thinks i, I still care
And just because I haunt the same old places
With a memory I will linger everywhere
Just because Im not the happy guy I used to be
Lord, you know, she thinks I still care
Well, if shes happy thinking I still need her
Yeh, let that silly notion bring her cheer
Oh how could she ever be so foolish
Tell me where did she get, lord such an idea
Yeh, oh lord
Just because I asked a friend about her
And you know, just because I spoke her name somewhere
Just because, lord I saw her and went to pieces
Lord, you know, she thinks i, lord, still care
You know, she thinks i, I still care
Lord, she thinks I still care
Oh no she thinks I still care
song performed by Elvis Presley
Added by Lucian Velea
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
[...] Read more
poem by Conrad Potter Aiken
Added by Poetry Lover
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Prince Of Punks
A well known groover, rock 'n' roll user,
Wanted to be a star.
But he failed the blues, and he's back to loser,
Playing folk in a country bar.
Reggae music didn't seem to satisfy his needs.
He couldn't handle modern jazz,
'Cause they play it in difficult keys.
But now he's found a music he can call his own,
Some people call it junk, but he don't care,
He's found a home.
He's the prince of the punks and he's finally made it,
Thinks he looks cool but his act is dated.
He acts working class but it's all bologna,
He's really middle class and he's just a phony.
He acts tough but it's just a front,
He's the prince of the punks.
He's the prince of the punks and he's finally made it,
Thinks he looks cool but his act is dated.
He tried to be gay, but it didn't pay,
So he bought a motorbike instead.
He failed at funk, so he became a punk,
'Cause he thought he'd make a little more bread.
He's been through all of the changes,
From rock opera to Mantovani.
Now he wears a swastika band
And leather boots up past his knees.
He's much too old for twenty-eight,
But he thinks he's seventeen,
He thinks he's a stud,
But I think he looks more like a queen.
He's the prince of the punks and he's finally made it,
Thinks he looks cool but his act is dated.
He talks like a Cockney but it's all bologna,
He's really middle class and he's just a phony.
He acts tough but it's just a front.
He's the prince of the punks and he's finally made it,
Thinks he looks cool but his act is dated.
He acts working class but it's all bologna, -acapo
song performed by Kinks
Added by Lucian Velea
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Freedom Now
They throwed him in jail
And they kept him there
Hoping soo hed die
That his body and spirit would waste away
And soon after that his mind
But every day is born a fool
One who thinks that he can rule
One who says tomorrows mine
One who wakes one day to find
The prison doors open the shackles broken
And chaos in the street
Everybody sing were free free free free
Everybody sing were free free free free
Everybody sing were free free free free
They throwed him in jail
And they kept him there
Hoping his memoryd die
That the people forget how he once led
And fought for justice in their lives
But every day is born a man
Who hates what he cant understand
Who thinks the answer is to kill
Who thinks his actions are gods will
And he thinks hes free free free free
Yes he thinks hes free free free free
He thinks hes free free free free
Soon must come the day
Whe the righteous have their way
Unjustly tried are free
And people live in peace I say
Give the man release
Go on and set your conscience free
Right the wrongs you made
Even a fool can have his day
Let us all be free free free free
Let us all be free free free free
Let us all be free free free free
Free our bodies free our minds
Free our hearts
Freedom for everyone
And freedom now
Freedom now
Freedom now
Freedom now
Let us all be free free free free
Let us all be free free free free
Let us all be free free free free
song performed by Tracy Chapman
Added by Lucian Velea
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Rael
The wretched in their millions
The red chins in their millions
Will overspill their borders
Will overspill their borders
And chaos then will reign in our rael
And chaos then will reign in our rael
Rael, the home of my religion
Rael, the home of my religion
To me the center of the earth
To me the center of the earth
The red chins in their millions
The red chins in their millions
Will overspill their borders
Will overspill their borders
And chaos then will reign in our rael
And chaos then will reign in our rael
My heritage is threatened
My heritage is threatened
My roots are torn and cornered
My roots are torn and cornered
And so to do my best Ill homeward sail
And so to do my best Ill homeward sail
And so to do my best Ill homeward sail
And so to do my best Ill homeward sail
Now captain, listen to my instructions
Now captain, listen to my instructions
Return to this spot on christmas day
Return to this spot on christmas day
Look toward the shore for my signal
Look toward the shore for my signal
And then youll know if in rael Ill stay
And then youll know if in rael Ill stay
If a yellow flag is fluttering
If a yellow flag is fluttering
Sickly herald against the morn
Sickly herald against the morn
Then youll know my courage has ended
Then youll know my courage has ended
And youll send your boat ashore
And youll send your boat ashore
But if a red flag is flying
But if a red flag is flying
Brazen bold against the blue
Brazen bold against the blue
Then youll know that I am staying
Then youll know that I am staying
And my yacht belongs to you
And my yacht belongs to you
Now captain, listen to my instructions
Now captain, listen to my instructions
[...] Read more
song performed by Who
Added by Lucian Velea
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The Third Monarchy, being the Grecian, beginning under Alexander the Great in the 112. Olympiad.
Great Alexander was wise Philips son,
He to Amyntas, Kings of Macedon;
The cruel proud Olympias was his Mother,
She to Epirus warlike King was daughter.
This Prince (his father by Pausanias slain)
The twenty first of's age began to reign.
Great were the Gifts of nature which he had,
His education much to those did adde:
By art and nature both he was made fit,
To 'complish that which long before was writ.
The very day of his Nativity
To ground was burnt Dianaes Temple high:
An Omen to their near approaching woe,
Whose glory to the earth this king did throw.
His Rule to Greece he scorn'd should be confin'd,
The Universe scarce bound his proud vast mind.
This is the He-Goat which from Grecia came,
That ran in Choler on the Persian Ram,
That brake his horns, that threw him on the ground
To save him from his might no man was found:
Philip on this great Conquest had an eye,
But death did terminate those thoughts so high.
The Greeks had chose him Captain General,
Which honour to his Son did now befall.
(For as Worlds Monarch now we speak not on,
But as the King of little Macedon)
Restless both day and night his heart then was,
His high resolves which way to bring to pass;
Yet for a while in Greece is forc'd to stay,
Which makes each moment seem more then a day.
Thebes and stiff Athens both 'gainst him rebel,
Their mutinies by valour doth he quell.
This done against both right and natures Laws,
His kinsmen put to death, who gave no cause;
That no rebellion in in his absence be,
Nor making Title unto Sovereignty.
And all whom he suspects or fears will climbe,
Now taste of death least they deserv'd in time,
Nor wonder is t if he in blood begin,
For Cruelty was his parental sin,
Thus eased now of troubles and of fears,
Next spring his course to Asia he steers;
Leavs Sage Antipater, at home to sway,
And through the Hellispont his Ships made way.
Coming to Land, his dart on shore he throws,
Then with alacrity he after goes;
And with a bount'ous heart and courage brave,
His little wealth among his Souldiers gave.
And being ask'd what for himself was left,
Reply'd, enough, sith only hope he kept.
[...] Read more
poem by Anne Bradstreet
Added by Poetry Lover
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Canto the Sixth
I
"There is a tide in the affairs of men
Which, -- taken at the flood," -- you know the rest,
And most of us have found it now and then;
At least we think so, though but few have guess'd
The moment, till too late to come again.
But no doubt every thing is for the best --
Of which the surest sign is in the end:
When things are at the worst they sometimes mend.
II
There is a tide in the affairs of women
Which, taken at the flood, leads -- God knows where:
Those navigators must be able seamen
Whose charts lay down its current to a hair;
Not all the reveries of Jacob Behmen
With its strange whirls and eddies can compare:
Men with their heads reflect on this and that --
But women with their hearts on heaven knows what!
III
And yet a headlong, headstrong, downright she,
Young, beautiful, and daring -- who would risk
A throne, the world, the universe, to be
Beloved in her own way, and rather whisk
The stars from out the sky, than not be free
As are the billows when the breeze is brisk --
Though such a she's a devil (if that there be one),
Yet she would make full many a Manichean.
IV
Thrones, worlds, et cetera, are so oft upset
By commonest ambition, that when passion
O'erthrows the same, we readily forget,
Or at the least forgive, the loving rash one.
If Antony be well remember'd yet,
'T is not his conquests keep his name in fashion,
But Actium, lost for Cleopatra's eyes,
Outbalances all Caesar's victories.
V
He died at fifty for a queen of forty;
I wish their years had been fifteen and twenty,
For then wealth, kingdoms, worlds are but a sport -- I
Remember when, though I had no great plenty
Of worlds to lose, yet still, to pay my court, I
Gave what I had -- a heart: as the world went, I
Gave what was worth a world; for worlds could never
Restore me those pure feelings, gone forever.
[...] Read more
poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Don Juan: Canto The Sixth
'There is a tide in the affairs of men
Which,--taken at the flood,'--you know the rest,
And most of us have found it now and then;
At least we think so, though but few have guess'd
The moment, till too late to come again.
But no doubt every thing is for the best-
Of which the surest sign is in the end:
When things are at the worst they sometimes mend.
There is a tide in the affairs of women
Which, taken at the flood, leads- God knows where:
Those navigators must be able seamen
Whose charts lay down its current to a hair;
Not all the reveries of Jacob Behmen
With its strange whirls and eddies can compare:
Men with their heads reflect on this and that-
But women with their hearts on heaven knows what!
And yet a headlong, headstrong, downright she,
Young, beautiful, and daring- who would risk
A throne, the world, the universe, to be
Beloved in her own way, and rather whisk
The stars from out the sky, than not be free
As are the billows when the breeze is brisk-
Though such a she 's a devil (if that there be one),
Yet she would make full many a Manichean.
Thrones, worlds, et cetera, are so oft upset
By commonest ambition, that when passion
O'erthrows the same, we readily forget,
Or at the least forgive, the loving rash one.
If Antony be well remember'd yet,
'T is not his conquests keep his name in fashion,
But Actium, lost for Cleopatra's eyes,
Outbalances all Caesar's victories.
He died at fifty for a queen of forty;
I wish their years had been fifteen and twenty,
For then wealth, kingdoms, worlds are but a sport- I
Remember when, though I had no great plenty
Of worlds to lose, yet still, to pay my court, I
Gave what I had- a heart: as the world went, I
Gave what was worth a world; for worlds could never
Restore me those pure feelings, gone forever.
'T was the boy's 'mite,' and, like the 'widow's,' may
Perhaps be weigh'd hereafter, if not now;
But whether such things do or do not weigh,
All who have loved, or love, will still allow
Life has nought like it. God is love, they say,
[...] Read more
2 Pieces Of Drama
2 pieces of drama
The hammer's bout' to fall
2 pieces of drama
there's gunplay in the hall
2 pieces of drama
Make peace with your momma, the consequence is dire
2 pieces of drama
Boy you know not to play with fire
He rocks a big ??? caber
A ping pong table for a ring
He's mentally unstable
To him murder it ain't no thing
He'll do you dirty style
He's holding dirty bile
He's out pumping on the corner
Trying to stay warm
And keep it cool like Miles
He keeps it fundamental
He's got the jeans and the bubblegoose on
There's murder on his mental
He's got the deuce deuce in his palm
And y'all know the fable
How cain did able
Ever since the beginning
The world keeps pinning just like a turntable
2 pieces of drama
The hammer's bout' to fall
2 pieces of drama
there's gunplay in the hall
2 pieces of drama
Make peace with your momma, the consequence is dire
2 pieces of drama
Boy you know not to play with fire
La la la la la la la la (B Real Hand on the Pump sample)
When it's selling out back
Likes to pump crack
To the fiends that be getting high
He keeps his hand on the pump
He's ready to dump
On any chump that would even try
He got a finger on the trigger
He ain't scared to pull it
Head full of liquor
Boy you might catch a bullet
They're holes in stable
Drugs on the table
Everybody's sitting round
Watching cops on the cable
Dressed like a slob
Keeps his hair braided
[...] Read more
song performed by Everlast
Added by Lucian Velea
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Seven Stones
I heard the old man tell his tale:
Tinker, alone within a storm,
And losing hope he clears the leaves beneath a tree,
Seven stones
Lay on the ground.
Within the seventh house a friend was found.
And the changes of no consequence will pick up the reins from nowhere.
Sailors, in peril on the sea,
Amongst the waves a rock looms nearer, and not yet seen.
They see a gull
Flying by.
The captain turns the boat and he asks not why.
And the changes of no consequence will pick up the reins from nowhere.
Nowhere.
Despair that tires the world brings the old man laughter.
The laughter of the world only grieves him,
Believe him,
The old mans guide is chance.
I heard the old man tell his tale:
Farmer, who knows not when to sow,
Consults the old man clutching money in his hand.
And with a shrug,
The old man smiled,
Took the money, left the farmer wild.
And the changes of no consequence will pick up the reins from nowhere.
Nowhere.
Despair that tires the world brings the old man laughter.
The laughter of the world only grieves him,
Believe him,
The old mans guide is chance.
song performed by Genesis
Added by Lucian Velea
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