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Kristen Johnston

I don't consider myself a goody-goody, but I like to be perceived as classy.

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Goody Goody

So you met someone who set you back on your heels, goody goody!
So you met someone and now you know how it feels, goody goody!
Well you gave her your heart too, just as I gave mine to you
And she broke it in little pieces, now how do you do?
So you lie awake just singing the blues all night, goody goody!
And you found that loves a barrell of dynamite!
Hurray and halleluyah, you had it comin to ya
Goody goody for you! goody goody for me! ya I hope youre
Satisfied you rascal you!
Do you remember me sittin all alone waitin for the tinkle of the telephone?
Now the action jacksons turned right around, goody goody!
Yes you remember me, I was all for you, sittin waitin hoping like you told me
Too. now the action jacksons turned right around
So you met someone who set you back on your heels, goody goody!
So you met someone and now you know how it feels,
Hurray and halleluyah, you had it comin to ya.
Goody goody for her. goody goody for me. and I hope she tans your hide you
Rascal, I hope your satisfied you rascal. so goody good good for me you rascal
You!

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Goody Goody

(hey, got yourself a good thing, its a good thing
Its a good thing, got yourself a good thing
I wont let you go.)
So you met someone who set you back on your heels,
Goody goody!
So you met someone and now you know how it feels,
Goody goody!
So you gave him your heart too, just as I gave mine to you.
And he broke it in little pieces, now how do you do?
So you lie awake just singin the blues all night,
Goody goody!
So you think that loves a barrel of dynamite.
Hooray and hallelujah!
You had it comin to ya.
Goody goody for him, goody goody for me,
And I hope youre satisfied, you rascal you.
(good thing, got yourself a good thing
Its a good thing, got yourself a good thing
I wont let you go.)
So you met someone who set you back on your heels,
Goody goody!
So you met somebody and now you know how it feels,
Goody goody!
So you gave him your heart too just as I gave mine to you.
And he stuck it in his collection, section ninety-two.
So you lie awake just singin the blues all night,
So you think that loves a barrel of dynamite.
Hooray and hallelujah!
You had it comin to ya.
Goody goody for him, goody goody for me,
And I hope youre satisfied, you rascal you.

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The Witch's frolic

[Scene, the 'Snuggery' at Tappington.-- Grandpapa in a high-backed cane-bottomed elbow-chair of carved walnut-tree, dozing; his nose at an angle of forty-five degrees,--his thumbs slowly perform the rotatory motion described by lexicographers as 'twiddling.'--The 'Hope of the family' astride on a walking-stick, with burnt-cork mustachios, and a pheasant's tail pinned in his cap, solaceth himself with martial music.-- Roused by a strain of surpassing dissonance, Grandpapa Loquitur. ]

Come hither, come hither, my little boy Ned!
Come hither unto my knee--
I cannot away with that horrible din,
That sixpenny drum, and that trumpet of tin.
Oh, better to wander frank and free
Through the Fair of good Saint Bartlemy,
Than list to such awful minstrelsie.
Now lay, little Ned, those nuisances by,
And I'll rede ye a lay of Grammarye.

[Grandpapa riseth, yawneth like the crater of an extinct volcano, proceedeth slowly to the window, and apostrophizeth the Abbey in the distance.]

I love thy tower, Grey Ruin,
I joy thy form to see,
Though reft of all,
Cell, cloister, and hall,
Nothing is left save a tottering wall,
That, awfully grand and darkly dull,
Threaten'd to fall and demolish my skull,
As, ages ago, I wander'd along
Careless thy grass-grown courts among,
In sky-blue jacket and trowsers laced,
The latter uncommonly short in the waist.
Thou art dearer to me, thou Ruin grey,
Than the Squire's verandah over the way;
And fairer, I ween,
The ivy sheen
That thy mouldering turret binds,
Than the Alderman's house about half a mile off,
With the green Venetian blinds.

Full many a tale would my Grandam tell,
In many a bygone day,
Of darksome deeds, which of old befell
In thee, thou Ruin grey!
And I the readiest ear would lend,
And stare like frighten'd pig;
While my Grandfather's hair would have stood up an end,
Had he not worn a wig.

One tale I remember of mickle dread--
Now lithe and listen, my little boy Ned!

Thou mayest have read, my little boy Ned,
Though thy mother thine idlesse blames,
In Doctor Goldsmith's history book,
Of a gentleman called King James,
In quilted doublet, and great trunk breeches,

[...] Read more

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Some Considerations

Consider this world and also our place in it
and know that time passes by every minute.
Consider those who’re living and also the dead
and know of the ways people earn their bread.
We consider many things but few are of real importance
and know that all those which are not are in abundance.

In consideration of this what can anyone do?
but live one’s life in a way which is true.

Consider the flowers in the garden and the colours they show
and know that with tender loving care from a seed they grow.
Consider all the children somewhere and watch them play
and know that with laughter and fun most pass the day.
Consider the things which are false and those which are true
and know how each one can and does affect all that we do.

In consideration of this what can we all do?
but try and live in a way which is just true.

Consider the march of the spirit of progress and the direction we’re all going
and know that every so often we must turn around and look back knowing.
Consider that which we all know and also that which we do not
and know it’s but knowledge and ignorance that make up the lot.
Consider the beginning and that of the very end
and know it’s terrible to get there without a friend.

In consideration of this what can one do?
but go through life with a friend who’s true.

Consider about each day and then also about each night
and know that without them there’s no darkness or light.
Consider the sunshine and also the shade
and know that with them each day is made.
Consider the evening and also the time we sleep
and know that because of them the night is deep.

In consideration of this what is there to do?
but live one day at a time and remember too.

Consider that which seems right and also what appears wrong
and know that they are both attributes of the weak and strong.
Consider the past and the future and of course the present
and know that all life relates to them and is not an accident.
Consider the labour with the crops and also the extent of the field
and know that with care and nature’s help a rich harvest will yield.

In consideration of this what is there one must do?
but only the best that one can so as to get through.

[...] Read more

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Til The Dawn (feat. Suga Free & Bo)

(talking)
Testing testing, Bosko where they at
Tonight swinger what we getting into
[Chorus: Bosko - 2x]
If you wanna dance we can do it tonight
If you wanna smoke c'mon it's alright
If you wanna drink c'mon we popping Don Perion
Doing the damn thang till the dawn
[E-40: bridge]
Love me tender, love me sweet, I'm a thug, pack my heat
All I do is spit these ki's, L-I-P's, overseas
Get your feddy, stack your bread
Make them duck heads give you head
If it's money, bout them dollas
Jack your stacks and pop your collars
[Verse 1: E-40]
Ooooh, fa shiggedel
So slick, so sly, so slal
Ghost pick, those thighs, those gals
Came prepared, to my last show
Fire it up, wire it up off of the a sal
Hide in the birds trying to throw it at me now
Let me breathe on you for a minute as I snatch up
This fine ass little brusslesprout and I have to apprehend her
[Chorus]
[Verse 2: Suga Free]
Now guess what, what, chicken butt
Bitch goody goody, wait a minute
It wouldn't be cracking if my cousin
4-Tre wasn't in it, goody goody
Now if you wanna dance, smoke, drink
We got the party cracking like all for you baby
Goody goody, god, make a pimp wanna jump back
Goody goody, don't stop, the beat rock
Cause we hot, the heat rock, and don't stop
Believing, just get your money where you're breathing
This is for the thugs set butts in they laps, goody goody
And this is for E-40 and The Click in the land goody goody
[Chorus]
[Verse 3: E-40]
I prosaic, chemically imbalanced
Black folks, lactose and talerance
Red cup, strictly riding gut
Hard licking tricking, bitch playa banked up
Love the baby with the big butt

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Goody Blake and Harry Gill

Oh! what's the matter? what's the matter?
What is't that ails young Harry Gill?
That evermore his teeth they chatter,
Chatter, chatter, chatter still!
Of waistcoats Harry has no lack,
Good duffle grey, and flannel fine;
He has a blanket on his back,
And coats enough to smother nine.

In March, December, and in July,
'Tis all the same with Harry Gill;
The neighbours tell, and tell you truly,
His teeth they chatter, chatter still.
At night, at morning, and at noon,
'Tis all the same with Harry Gill;
Beneath the sun, beneath the moon,
His teeth they chatter, chatter still!

Young Harry was a lusty drover,
And who so stout of limb as he?
His cheeks were red as ruddy clover;
His voice was like the voice of three.
Old Goody Blake was old and poor;
Ill fed she was, and thinly clad;
And any man who passed her door
Might see how poor a hut she had.

All day she spun in her poor dwelling:
And then her three hours' work at night,
Alas! 'twas hardly worth the telling,
It would not pay for candle-light.
Remote from sheltered village-green,
On a hill's northern side she dwelt,
Where from sea-blasts the hawthorns lean,
And hoary dews are slow to melt.

By the same fire to boil their pottage,
Two poor old Dames, as I have known,
Will often live in one small cottage;
But she, poor Woman! housed alone.
'Twas well enough when summer came,
The long, warm, lightsome summer-day,
Then at her door the 'canty' Dame
Would sit, as any linnet, gay.

But when the ice our streams did fetter,
Oh then how her old bones would shake!
You would have said, if you had met her,
'Twas a hard time for Goody Blake.
Her evenings then were dull and dead:

[...] Read more

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Goody Santa Claus on a Sleigh Ride

Santa, must I tease in vain, Deer? Let me go and hold the reindeer,
While you clamber down the chimneys. Don't look savage as a Turk!
Why should you have all the glory of the joyous Christmas story,
And poor little Goody Santa Claus have nothing but the work?

It would be so very cozy, you and I, all round and rosy,
Looking like two loving snowballs in our fuzzy Arctic furs,
Tucked in warm and snug together, whisking through the winter weather
Where the tinkle of the sleigh-bells is the only sound that stirs.

You just sit here and grow chubby off the goodies in my cubby
From December to December, till your white beard sweeps your knees;
For you must allow, my Goodman, that you're but a lazy woodman
And rely on me to foster all our fruitful Christmas trees.

While your Saintship waxes holy, year by year, and roly-poly,
Blessed by all the lads and lassies in the limits of the land,
While your toes at home you're toasting, then poor Goody must go posting
Out to plant and prune and garner, where our fir-tree forests stand.

Oh! but when the toil is sorest how I love our fir-tree forest,
Heart of light and heart of beauty in the Northland cold and dim,
All with gifts and candles laden to delight a boy or maiden,
And its dark-green branches ever murmuring the Christmas hymn!

Yet ask young Jack Frost, our neighbor, who but Goody has the labor,
Feeding roots with milk and honey that the bonbons may be sweet!
Who but Goody knows the reason why the playthings bloom in season
And the ripened toys and trinkets rattle gaily to her feet!

From the time the dollies budded, wiry-boned and saw-dust blooded,
With their waxen eyelids winking when the wind the tree-tops plied,
Have I rested for a minute, until now your pack has in it
All the bright, abundant harvest of the merry Christmastide?

Santa, wouldn't it be pleasant to surprise me with a present?
And this ride behind the reindeer is the boon your Goody begs;
Think how hard my extra work is, tending the Thanksgiving turkeys
And our flocks of rainbow chickens — those that lay the Easter eggs.

Home to womankind is suited? Nonsense, Goodman! Let our fruited
Orchards answer for the value of a woman out-of-doors.
Why then bid me chase the thunder, while the roof you're safely under,
All to fashion fire-crackers with the lighting in their cores?

See! I've fetched my snow-flake bonnet, with the sunrise ribbons on it;
I've not worn it since we fled from Fairyland our wedding day;
How we sped through iceberg porches with the Northern Lights for torches!
You were young and slender, Santa, and we had this very sleigh.

[...] Read more

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Are You That Somebody

[timbaland]
Dirty south, can yall really feel me
East coast feel me
West coast feel me
(repeat x 2)
[aaliyah - verse 1 (playa sings the parentheses)]
Boy, I been watching you like a hawk in the sky
That flies, cause you were my prey (my prey)
Boy, I promise you if we keep bumpin heads
I know that one of these days (days)
We gon hook it up while we talk on the phone
But see, I dont know if thats good
I been holding back this secret from you
I probably shouldnt tell it but
[chorus]
If i, if I let you know
You cant tell nobody
Im talking bout nobody
Are you responsible
Boy I gotta watch my back
Cause Im not just anybody
Is it my go, is it your go
Sometimes Im goody-goody
Right now Im naughty naughty
Say yes or say no
Cause I really need somebody
Tell me your that somebody
[aaliyah verse 2]
Boy, wont you pick me up at the park right now
Up the block, while everyone sleeps (sleeps, sleeps)
Ill be waiting there with my tucks, my loads, my hat
Just so Im low key
If you tell the world (dont sleep, you know that well be weak)
Oh boy, see Im trusting you with my heart, my soul
I probably shouldnt let ya but if i
[chorus 2]
If i, if I let this go
You cant tell nobody
Im talking bout nobody
Are you responsible
Boy I gotta watch my back
Cause Im not just anybody
Is it my go, is it your go
Sometimes Im goody-goody
Right now Im naughty naughty
Say yes or say no
Cause I really need somebody
Tell me your that somebody
[timbaland]
Baby girl

[...] Read more

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Little Goody Two Shoes

You can take a powder, you can take a drink
You can keep the shrink and the kitchen sink
You can write my name in heaven in invisible ink
Just leave a feeling when theres no time to think
Little goody two shoes is here to clinch
You can miss by a mile or you can miss by an inch
Dont move a muscle, baby, dont even flinch
Or little goody two shoes will feel the pinch
You can tear me under, you can give me lip
You can tear me over, you can give me the slip
You can take off everything or tear me off a strip
With a bullet in the chamber and another in the clip
Little goody two shoes is here to clinch
You can miss by a mile or you can miss by an inch
Dont move a muscle, baby, dont even flinch
Or little goody two shoes will feel the pinch
Just when you thought you got what you deserved
Just when its time to stop trying
A voice says, boy, have you got a nerve--
Why do you have to keep crying and crying?
You can take me outside, you can take me apart
You can take me upstairs, you can take me to heart
You can take the decision that its time to depart
Dont try to stop me when you told me to start
Little goody two shoes is here to clinch
You can miss by a mile or you can miss by an inch
Dont move a muscle, baby, dont even flinch
Or little goody two shoes will feel the pinch

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Good Girls

Come on come on good girls
Hey diggy diggy
Hey diggy diggy what diggy what diggy diggy
Hey diggy diggy what,
No no nooooo,
I know I gotta good girl reputation,
You probably think that Im in bed by ten,
But boy you havent checked my information,
So maybe you should take a look again.
And though I might, not club all night,
Not into e, hennessy, nasty guys,
But treat me right, and I just might,
Take my time blowin your mind.
(goody good girls dont do dat.)
[chorus:]
They dont touchy touch,
They dont make you lus, show you much,
Never mess around or get down.
(goody good girls dont do dat.)
They dont do or dare,
Touch you anywhere, kiss you there,
They dont shake their hips like this.
(goody good girls dont do dat.)
I might be quiet in some situations,
And it might seem like Im a bit too shy,
But theres another half to this equation,
You know theres more to me that meets the eye.
And though I might, not club all night,
Not into e, hennessy, nasty guys,
But treat me right, and I just might,
Take my time blowin your mind.
(goody good girls dont do that.)
[chorus: (x2)]
Good girls, good girls, good girls dont do that. [x4]
Hey diggy diggy
Hey diggy diggy what diggy what diggy diggy
Hey diggy diggy what
And though I might, not club all night,
Not into e, hennessy, nasty guys,
But treat me right, and I just might,
Take my time blowin your mind.
(goody good girls dont do dat.)
[chorus: (x2)]
Hey diggy diggy
Hey diggy diggy what diggy what diggy diggy
Hey diggy diggy what [x2]

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Consider It Done

Consider it done.
Done.
Done.
Done.
Consider it done.
Done.
Done.
Done.
Consider it done.
Done.
Done.
Done.
Consider it done.
Consider it done.

Getting near a fiscal cliff,
And knowing of it.
But...
ignoring all the warnings,
Or it there to exist...
To feed an addiction to greed,
Regardless of the risks.

Well...
Consider it done.
Your feeding.
Done.
And with a greeding.
Done.

Consider it done.
Done.
Done.
Done.
Consider it done.
The feast.
Consider it done.
That feast depleted,
With a wish for more to eat...
Is done!

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Consider Me Gone - Reba McEntire

Verse: 1
Every time I turn the conversation
To something deeper
Than the weather,
I can feel you always shuttin' down,
And when I need an explanation
For the silence, you just tell me
You don't wanna
Talk about it now.

Bridge: 1
What you're not saying is coming in loud and clear.
We're at a crossroads here...

Chorus:
If I'm not the one thing you can't stand to lose,
If I'm not that arrow to the heart of you,
If you don't get drunk on my kiss,
If you think you can do better than this,
Then I guess we're done.
Let's not drag this on.
Consider me gone.

Verse 2:
With you I've always been wide open,
Like a window or an ocean,
There is nothing
I've ever tried to hide.
So when you leave me not knowin'
Where you're goin',
I start thinkin' that we're lookin',
We're lookin' at goodbye.

Bridge 2:
How about a strong shot of honesty.
Don't you owe that to me...

(chorus)
Consider me a memory.
Consider me the past.
Consider me a smile in an old photograph,
Someone who used to make you laugh.

If I'm not the one thing you can't stand to lose,
If I'm not that arrow to the heart of you,
Then I guess we're done,
Let's not drag this on.
Consider me gone.
Consider me gone.
Consider me gone.

[...] Read more

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Goody-Goody

Swimming with the cadavers of the young,
We pledge allegiance to the flag.
We didn’t quite finish school,
But we dont feel half-bad;
And there’s a bird that doesn’t swim,
And a girl in training wheels quite young in
The retirement home kicked back
Between the palms;
And a good friend of mine takes his paycheck
From the government,
While you come home and cook for him,
And look at him in his eyes,
Goody-goody;
And when I was in the valley listening for the waves,
Weren’t you in a dream I had,
You politely asked me if you couldn’t feed the horses;
But who cares,
You rolled away with him, and the credits rolled
Like caesuras:
I held my hand over my heart; it became that broken
Watch melting in its bows-
Then there was just a prick of sun in the caesuras
And the final scenes they never showed,
As children played a game in the sand:
Goody-goody.

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Goody, Goody Giddiness

I feel a giddiness that’s goody, goody,
but cannot sing like Turandot
about it when awarded with a woody,
because to do so would be not
polite unless the gal who brought my woody on
would join me in my aria,
approving of me as no jerk but John
who’s unprepared to marry her.

Inspired by Anthony Tommasini’s review of the new Metropolitan Opera production of Puccini’s Turandot, with Lise Lindstrom singing the title part, Marcello Giordani taking the part of Prince Calàf and Marina Poplavskaya as Liù (“He’s Come to Melt the Heart of an Ice Princess, ” NYT, October 30,2009) :
Though Ms. Lindstrom may not have the biggest Turandot voice, she sang with chilling power and nailed the top notes. Her sound was impressively focused, with a vibrant vibrato on sustained tones and no wobble. The youthful shimmer of her singing was balanced by rich emotional maturity. Yet there was often a hard edge to her sound, not quite strident but close. Whether this coloring is simply a characteristic of her voice or a sign of strain for a singer in her early 40s is the question. Her performance was strong. But I worry about her future. After Act II, when Ms. Lindstrom took her first curtain call and was greeted by a lusty ovation, she certainly broke character, jumping in place, clapping her hands with “goody, goody” giddiness, looking like the California gal that, after all, she is. It was hard to adjust my perception of her for Act III….The most complete performance came from the elegant Russian soprano Marina Poplavskaya as Liù, the slave girl devoted to Timur and in love with Calàf. She sang with warmth, beautifully earthy colorings and captivating pianissimo high notes. And Zeffirelli fans mourning the retirement of his “Tosca” production can flock to the biggest, grandest Zeffirelli show of them all.

10/30/09

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All Woman

Hes home again from another day
She smiles at him as he walks through the door
She wonders if it will be okay
Its hard for her when he doesnt respond
He says babe you look a mess
You look dowdy in that dress
Its just not like it used to be
Then she says...
Chorus:
I may not be a lady
But Im all woman
From monday to sunday I work harder than you know
Im no classy lady
But Im all woman
And this woman needs a little love to make her strong
Youre not the only one
She stands there and lets the tears flow
Tears that shes been holding back so long
She wonders where did all the loving go
The love they used to share when they were strong
She says yes I look a mess
But I dont love any less
I thought you always thought enough of me to always be impressed
(chorus)
He holds her and hangs his head in shame
He doesnt see her like he used to do
Hes too wrapped up in working for his pay
He hasnt seen the pain hes put her through
Attention that he paid
Just vanished in the haze
He remembers how it used to be
When he used to say
Youll always be a lady
cos youre all woman
From monday to sunday I love you much more than you know
Youre a classy lady
cos youre all woman
This woman needs a loving man to keep her warm
Youre the only one
Youre a classy lady
cos youre all woman
So sweet the love that used to be
So sweet the love that used to be
We can be sweet again...

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The Cross Roads; Or, The Haymaker's Story

Stopt by the storm, that long in sullen black
From the south-west stained its encroaching track,
Haymakers, hustling from the rain to hide,
Sought the grey willows by the pasture-side;
And there, while big drops bow the grassy stems,
And bleb the withering hay with pearly gems,
Dimple the brook, and patter in the leaves,
The song or tale an hour's restraint relieves.
And while the old dames gossip at their ease,
And pinch the snuff-box empty by degrees,
The young ones join in love's delightful themes,
Truths told by gipsies, and expounded dreams;
And mutter things kept secrets from the rest,
As sweethearts' names, and whom they love the best;
And dazzling ribbons they delight to show,
And last new favours of some veigling beau,
Who with such treachery tries their hearts to move,
And, like the highest, bribes the maidens' love.
The old dames, jealous of their whispered praise,
Throw in their hints of man's deluding ways;
And one, to give her counsels more effect,
And by example illustrate the fact
Of innocence oercome by flattering man,
Thrice tapped her box, and pinched, and thus began.

'Now wenches listen, and let lovers lie,
Ye'll hear a story ye may profit by;
I'm your age treble, with some oddments to't,
And right from wrong can tell, if ye'll but do't:
Ye need not giggle underneath your hat,
Mine's no joke-matter, let me tell you that;
So keep ye quiet till my story's told,
And don't despise your betters cause they're old.

'That grave ye've heard of, where the four roads meet,
Where walks the spirit in a winding-sheet,
Oft seen at night, by strangers passing late,
And tarrying neighbours that at market wait,
Stalking along as white as driven snow,
And long as one's shadow when the sun is low;
The girl that's buried there I knew her well,
And her whole history, if ye'll hark, can tell.
Her name was Jane, and neighbour's children we,
And old companions once, as ye may be;
And like to you, on Sundays often strolled
To gipsies' camps to have our fortunes told;
And oft, God rest her, in the fortune-book
Which we at hay-time in our pockets took,
Our pins at blindfold on the wheel we stuck,
When hers would always prick the worst of luck;

[...] Read more

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Jehovah

Consider the lilies of the field,
Solomon dressed in royal robes
Has not the worth of them.
Consider the lilies of the field.
He takes after each and every need.
Leave all your cares behind,
Seek him and you will find
Your father loves you so.
Consider the creatures of the air.
For all of the diamonds in all the earth
Have not the wealth of them.
Consider the creatures of the air.
Jehovah loves them with tender hand.
He knows your every care,
His touch is always there
To see you through the night.
And jehovah I love you so,
And jesus I want you to know,
All youve done for me to set me free,
Ill never let you go.
And jehovah I love you so,
And jesus I want you to know,
All youve done for me to set me free,
Ill never let you go.
Consider the lilies of the field.
For how much more does he love his own,
If yaweh cares for them.
Consider the creatures of the air.
He takes after each and every need.
If we ask him for bread,
Will he give us a stone?
Jehovah loves his own.
And jehovah I love you so,
And jesus I want you to know,
All youve done for me to set me free,
Ill never let you go.
And jehovah I love you so,
And jesus I want you to know,
All youve done for me to set me free,
Ill never let you go.
And jehovah I love you so,
And jesus I want you to know,
All youve done for me to set me free,
Ill never let you go.
And jehovah I love you so,
And jesus I want you to know,
All youve done for me to set me free,
Ill never let you go.
And jehovah I love you so,
And jesus I want you to know,

[...] Read more

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Looking for Work

Consider the pigeons of the city,
how in their filthy swoop and dive they fatten
on dusty Dorito crumbs;
consider their evolution
through generations of squawk and squalor,
peck and fight. (And what did it take for that one,
strutting his kingly amethyst ruff,
his neck sheen of subdued emerald,
his fat gray feathers of survival,
to survive here?)

Consider the homeless man outside Albertson's,
approaching every car with his rags and Windex,
whose far-distant ancestor
was able to track and kill
the wildebeest, the antelope, and the cape hare.
Consider how far he has come,
listening to his ipod between customers,
and yet how faithful he stays to the wild
dictates of seek and hunt and gather,
scoping out the best shelters for meals,
the cleanest beds, the one
tight face still able to open.

Consider your bank account,
dipping like a low-flying bird,
then spreading wings and planing
over the fields of dead numbers,
canceled checks, ancient pay stubs,
long afternoons bought and paid for
in boredom and lost purpose. And the live
bodies of your brothers and sisters, crushed
in the trash compactor of Unwanted Ads.

Consider yourself,
marching in and out of these institutions
in your skirt and nylons, leaving ferocious lipstick tracks
on styrofoam coffee cups,
your name and address on application forms,
like one of your ancestors peeing on a thorn bush.

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Fitration Bags

2.5 gallon shopvac bags
1995 ktm 400 rxc hard bags
2006 black leather prada bags list
24 x 36 shrink bags
18 x 9 padded bag
3m printscape personalized gift bag
20lb bag parrot food
40 inch round duffle bag
2001 explorer air bag light flashes
3rd street sissy bar bag
1997 nissan air bag sensor
12x18 carry bag
1001 grab bag ideas
2000 explorer air bag light flashing
15,000 cfm used bag dustcollector
12 lb turkey recipies in bag
14.1 laptop messenger bags
3306 plan tackle bag
10 pound bag of endives yield
4 mil zip bags
$2 grab bag nsd
1970s bean bag
18th century shooting bags
48 superman bop bag
2006 kawasaki ninja 250r bags
1976 electra glide saddle bags
1940 s english aoutomobiles gas bags
40 lb bag of cement
07 cr-v safety bag plastic pillar
2 gauge ear plug grab bag
1998 saturn sl2 air bag module
40 degree helix sleeping bag
3x4 organza gift bags
3 bags full consignment
2000 mercedes air bag problem
2ply snap handle bag
1987 bmw k75s saddle bags
2003 bozo desktop bop bag
135 approved electronic flight bag
2005 toyota matrix side air bags
2006 bag gucci spring
3 insulated sleeping bags
4in bag ice one
2008 street bob hard bags
45 micron bag
250 ninja nelson-rigg saddle bag
24 wheeled garment bag
1996 lincoln continental air bag suspension
2006 aka boule bag
400d horn bag

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The Wreck Of Rivermouth

Rivermouth Rocks are fair to see,
By dawn or sunset shone across,
When the ebb of the sea has left them free,
To dry their fringes of gold-green moss
For there the river comes winding down,
From salt sea-meadows and uplands brown,
And waves on the outer rocks afoam
Shout to its waters, 'Welcome home!'

And fair are the sunny isles in view
East of the grisly Head of the Boar,
And Agamenticus lifts its blue
Disk of a cloud the woodlands o'er;
And southerly, when the tide is down,
'Twixt white sea-waves and sand-hills brown,
The beach-birds dance and the gray gulls wheel
Over a floor of burnished steel.

Once, in the old Colonial days,
Two hundred years ago and more,
A boat sailed down through the winding ways
Of Hampton River to that low shore,
Full of a goodly company
Sailing out on the summer sea,
Veering to catch the land-breeze light,
With the Boar to left and the Rocks to right.

In Hampton meadows, where mowers laid
Their scythes to the swaths of salted grass,
'Ah, well-a-day! our hay must be made!'
A young man sighed, who saw them pass.
Loud laughed his fellows to see him stand
Whetting his scythe with a listless hand,
Hearing a voice in a far-off song,
Watching a white hand beckoning long.

'Fie on the witch!' cried a merry girl,
As they rounded the point where Goody Cole
Sat by her door with her wheel atwirl,
A bent and blear-eyed poor old soul.
'Oho!' she muttered, 'ye 're brave to-day!
But I hear the little waves laugh and say,
'The broth will be cold that waits at home;
For it 's one to go, but another to come!''

'She's cursed,' said the skipper; 'speak her fair:
I'm scary always to see her shake
Her wicked head, with its wild gray hair,
And nose like a hawk, and eyes like a snake.'
But merrily still, with laugh and shout,

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