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On the shop

He wrapped them carefully, neatly
in costly green silk.

Roses of ruby, lilies of pearl,
violets of amethyst. As he himself judged,

as he wanted them, they look beautiful to him; not as he saw
or studied them in nature. He will leave them in the safe,

a sample of his daring and skillful craft.
When a buyer enters the shop

he takes from the cases other wares and sells -- superb jewels --
bracelets, chains, necklaces, and rings.

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Roses Are Red (Jessica)

Roses are red Violets are blue,
Honey is so sweet and so are you darling!

Roses are red Violets are blue,
You've made my dreams come true!

Roses are red Violets are blue,
I have my brown eyes glued on YOU!

Roses are red Violets are blue,
I feel like i have known you!

Roses are red Violets are blue,
You are so FINE that you give me the BLUES!

Roses are red Violets are blue,
Lord knows that im falling for you!

Roses are red Violets are blue,
I just want to Rock with you!

Roses are red Violets are blue,
These lips can't wait to be kissing you!

Roses are red Violets are blue,
I do anything to claim you!

Roses are red Violets are blue,
I bow down to you!

Roses are red Violets are blue,
I've never met anyone as HOT as you!

Roses are red Violets are blue,
never knew i would meet you!

Roses are red Violets are blue,
I'm going to bed would you like to come too!

Roses are red Violets are blue,
I rather spend my precious time with you!

Roses are red Violets are blue,
You are beautiful as sparkling DIAMOND!

Roses are red Violets are blue,
You have me speechless everytime i talk to you!

Roses are red Violets are blue,
May i have this dance with you (JESSICA)

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Pearl

Pearl of delight that a prince doth please
To grace in gold enclosed so clear,
I vow that from over orient seas
Never proved I any in price her peer.
So round, so radiant ranged by these,
So fine, so smooth did her sides appear
That ever in judging gems that please
Her only alone I deemed as dear.
Alas! I lost her in garden near:
Through grass to the ground from me it shot;
I pine now oppressed by love-wound drear
For that pearl, mine own, without a spot.

2
Since in that spot it sped from me,
I have looked and longed for that precious thing
That me once was wont from woe to free,
To uplift my lot and healing bring,
But my heart doth hurt now cruelly,
My breast with burning torment sting.
Yet in secret hour came soft to me
The sweetest song I e'er heard sing;
Yea, many a thought in mind did spring
To think that her radiance in clay should rot.
O mould! Thou marrest a lovely thing,
My pearl, mine own, without a spot.

3
In that spot must needs be spices spread
Where away such wealth to waste hath run;
Blossoms pale and blue and red
There shimmer shining in the sun;
No flower nor fruit their hue may shed
Where it down into darkling earth was done,
For all grass must grow from grains that are dead,
No wheat would else to barn be won.
From good all good is ever begun,
And fail so fair a seed could not,
So that sprang and sprouted spices none
From that precious pearl without a spot.

4
That spot whereof I speak I found
When I entered in that garden green,
As August's season high came round
When corn is cut with sickles keen.
There, where that pearl rolled down, a mound
With herbs was shadowed fair and sheen,
With gillyflower, ginger, and gromwell crowned,
And peonies powdered all between.

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Ruby Baby (Party LP Outtake)

No, Rock and Roll, this is how you do rock n' roll
Rockin' Ruby
Here's how you sing it
Well now I gotta girl now and Ruby is her name
Let's see I need some beat boys
Well this girl don't love me, but I love her just the same
Pick it up boys
Woah oh oh Ruby Ruby
How I want you
Like a ghost I'm a gonna haunt you
Ruby Ruby, Ruby will you be mine
Ruby Ruby Ruby Baby
Well now each time I see you, baby my heart cries
Ruby Ruby Ruby Baby
Ah it does Ruby
Well now I'm gonna steal you away from all those guys
Ruby Ruby Ruby Baby
Whoa oh oh oh oh oh
From the happy day I met you
I made a bet that I was gonna get you
Umm?
Ruby will you be mine
Let's oink awhile
oink oink
oink oink
bow
oink oink bow
Whoa oh oh oh oh
bow
oink oink
woof woof
Well I gotta girl I said Ruby is her name
What's her name?
Ruby
Carol
When this girl looks at me she just sets my soul aflame
Ruby Ruby Ruby Baby
Whoa oh oh oh oh
Forgot it
What are you gonna do now?
Aba zaba aba zaba zaba doo
Ruby Ruby Ruby Ruby Ruby Ruby Baby
You always forget the words, every time

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Roses Are Red Violets Are Blue

Roses are red 
Violets are blue
I've never found someone as patient
As you

Roses are red
Violets are blue
If you get lost
Then I'll look for you

Roses are red 
Violets are blue
You know I'm always sorry
When I hurt you

Roses are red 
Violets are blue
If I could 
Id turn back to when i first kissed you

Roses are red
Violets are blue
If you don't believe me
Then what else can I do 

Roses are red 
Violets are blue
Baby no one knows me 
As much as you

Roses are red 
Violets are blue
Believe I'll do anything
To get next to you

Roses are red 
Violets are blue
Tell me you still love me 
And I'll run to you 

Roses are red 
Violets are blue
You might not know
But I love you 

Roses are red
Violets are blue
The stars shine bright
But not as bright as you do 

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Of The Shop

He wrapped them carefully, neatly
in costly green silk.

Roses of ruby, lilies of pearl,
violets of amethyst. As he himself judged,

as he wanted them, they look beautiful to him; not as he saw
or studied them in nature. He will leave them in the safe,

a sample of his daring and skillful craft.
When a buyer enters the shop

he takes from the cases other wares and sells -- superb jewels --
bracelets, chains, necklaces, and rings.

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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Daring Night

In the daring night when all the
Stars are shining bright
Squeeze me dont leave me
In the daring night
Galactic swirl in the firmament tonight
Oh with the lord of the dance
With the lord of the dance
In the daring night
I see orion and the hunters
Standing by the light of the moon
In the daring night
In the daring night
And the heart and the soul
As we look up in awe and wonder at the heavens
Oh and we go with the lord of the dance
With the lord of the dance, the lord of the dance
In the daring night
In the daring night when all the stars are
Shining bright
Oh baby squeeze me dont leave me in the daring night
In the firmament we move, we move and we live
And we have our being
Squeeze me dont leave, leave me in the daring night
In the firmament we move and galactic swirl
And we live and we breathe and have our being
Baby in the daring light
Darling squeeze me squeeze me
Dont ever leave me in the daring night
When all the stars are shining bright
And dont let go, and dont let go
Dont let go dont let go in the daring night
And we move and we move, and we move and we move
Baby dont let go in the daring night
In the daring night when all the stars are
Shining bright
Baby squeeze me dont leave me in the daring night
Capture it all oh with the lord of the dance
Oh with the lord of the dance in the daring night
With the lord of the dance in the daring night
With the lord of the dance and the great goddess
Of the eternal wisdom
Standing by the light of the moon in the daring night
And the bodies move and we sweat
And have our being
Dont leave me in the daring night
In the daring night when all the stars are
Shining bright
Squeeze me dont leave me
Baby in the daring night
Squeeze me dont leave me etc.

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Sample And Hold

Hair: Blonde
Eyes: Blue
Weight: 110
Disposition: Even
Mood Code: Rotary Adjustable
I need a unit to sample and hold
But not the angry one
A new design new design
I need a unit to sample and hold
But not the lonely one
A new design new design
I need a unit to sample and hold
But not the lonely one
A new design new design
Sample and Hold
We'll send it out right away
Satisfaction guaranteed
Please specify
The colour of skin and eye
We know you'll be happy
I need a unit to sample and hold
Don't hesitate to give us a call
We know you'll be satisfied
When you energize
And see your unit come alive
We know you'll be happy
I need a unit to sample and hold
I need a unit to sample and hold
But not the lonely one, lonely one, lonely one
Weight: 110
Perfection in every detail
Fabricated from the curl of the hair
To the tip of the nail
Because our units never fail
We know you'll be happy
I need a unit to sample and hold
Don't hesitate to give us a call
We know you'll be satisfied
When you energize
And see your unit come alive
We know you'll be happy
We know you'll be happy
We know you'll be happy
We know you'll be happy
But not the lonely one
A new design, new design
Sample and hold
New design, new design
Sample and hold
I need a unit to sample and hold

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Elizabeth Barrett Browning

Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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The Video Shop

The local factorys been pulled down
By an overseas corporation
Now all of my brothers are looking around
For alternative occupation
I was sitting by the telly with my brother, kenny
When suddenly the penny dropped
While all of my brothers are sitting at home
Ive got a bank loan and Ive opened up my very own
Video shop
Video shop
At the video shop
I can fly, fly you away
Comedy and tragedy are all sitting on my shelf
And if youve got a fantasy
For a small rental fee
You can set yourself free
At my video shop
At my video shop
At the video shop
I can fly, fly you away
At the video shop
Let me fly, fly you away
From all of the depression in you head
Caused by all the living in the red
Ive got a bootleg version of citizen kane
A second hand copy of psycho
Ive taped them off the telly so you shouldnt complain
And theres no guarantee youll get your money back again
From my video shop
My video shop
If you want to escape, I can rent you a tape
To relieve your situation
If you feel a bit low, I got a good peep show
cos everybody knows almost anything goes
At my video shop
At my video shop
One fifty a day and Ill fly, fly you away
Its nothing to pay to fly far, far away
I can help you through that lonely night
Ive got technicolour, black and white
I can guide you through those empty days
Make you smile and take your blues away
O let me fly you away
At my video shop
Fly, fly you away
Another factorys been knocked down
But nobody ever complains
And all of my brothers are customers now
We all play video games
I can see it in the eyes of all the lonely wives

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The Four Seasons : Summer

From brightening fields of ether fair disclosed,
Child of the Sun, refulgent Summer comes,
In pride of youth, and felt through Nature's depth:
He comes attended by the sultry Hours,
And ever fanning breezes, on his way;
While, from his ardent look, the turning Spring
Averts her blushful face; and earth, and skies,
All-smiling, to his hot dominion leaves.
Hence, let me haste into the mid-wood shade,
Where scarce a sunbeam wanders through the gloom;
And on the dark-green grass, beside the brink
Of haunted stream, that by the roots of oak
Rolls o'er the rocky channel, lie at large,
And sing the glories of the circling year.
Come, Inspiration! from thy hermit-seat,
By mortal seldom found: may Fancy dare,
From thy fix'd serious eye, and raptured glance
Shot on surrounding Heaven, to steal one look
Creative of the Poet, every power
Exalting to an ecstasy of soul.
And thou, my youthful Muse's early friend,
In whom the human graces all unite:
Pure light of mind, and tenderness of heart;
Genius, and wisdom; the gay social sense,
By decency chastised; goodness and wit,
In seldom-meeting harmony combined;
Unblemish'd honour, and an active zeal
For Britain's glory, liberty, and Man:
O Dodington! attend my rural song,
Stoop to my theme, inspirit every line,
And teach me to deserve thy just applause.
With what an awful world-revolving power
Were first the unwieldy planets launch'd along
The illimitable void! thus to remain,
Amid the flux of many thousand years,
That oft has swept the toiling race of men,
And all their labour'd monuments away,
Firm, unremitting, matchless, in their course;
To the kind-temper'd change of night and day,
And of the seasons ever stealing round,
Minutely faithful: such the All-perfect hand!
That poised, impels, and rules the steady whole.
When now no more the alternate Twins are fired,
And Cancer reddens with the solar blaze,
Short is the doubtful empire of the night;
And soon, observant of approaching day,
The meek'd-eyed Morn appears, mother of dews,
At first faint-gleaming in the dappled east:
Till far o'er ether spreads the widening glow;
And, from before the lustre of her face,

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James Russell Lowell

A Fable For Critics

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,

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2 Whom It May Concern

Ha ha ha ha....
(Here we go) {repeated throughout song}
2 whomever it may concern
U must come 2 your senses
There are no kings on this earth, only princes
(My name is Prince and I am funky) {My Name Is Prince sample}
The New Power Generation just taking control
(Yeah, U sexy mutha...) {Sexy M.F. sample}
Introducing Mayte (Hello darling, so where're we gonna go?)
Tony M., Kirky J. and Damon D.
(I wanna be loved 2 the 9's, 2 the 9's) {Love 2 The 9's sample}
Sonny T., tell us where the party be
(The Max) Yes {The Max sample}
(The Max) Yes
Tommy Barbarella likes it in the dark but we like a (Blue light) {x2}
{Blue Light sample}
And she don't stop (Ahh)
(I got 7 hours baby, so what U wanna do?) (Ooh) {I Wanna Melt With U sample}
And she don't stop (Ahh ooh)
Levi, Michael B. and me
We get funky
(Continental) {x3} {The Continental sample}
Damn the DJ
(Damn U) {Damn U sample}
What's the name of this game?
(Pimp rag, Toostie Pop and a cane) Oww uh {Arrogance sample}
And she don't stop
(God created woman) {And God Created Woman sample}
Temptation sweet and so much
I'd surely die if my baby won't let me touch
Neither one of us shall ye touch
Don't touch that radio {x2}
Don't touch that...
All 7 and we'll watch them learn {7 sample}
And if U try 2 stop us we will burn (...{4e}ver!) {3 Chains O'Gold sample}
We will, we will burn (...ver!)
If U try 2 stop us we will burn (...v-v-ver!)
We will, we will burn (...ver!)
(What is sacrifice?) {x2} (Preach) {The Sacrifice Of Victor sample}
Hold your text deacon
(We sacrifice)
Hold your text deacon
(We sacrifice)
(We, we, we sacrifice)
(We sacrifice)
Can't nobody stop
If they step they drop
The funky new album entitled: O(+>
From Prince and the New Power Generation ({Vic}tor) (Ooh wee!)
On Paisley Park Warner Brothers CD and cassette

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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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William Butler Yeats

Narrative And Dramatic The Wanderings Of Oisin

BOOK I

S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.

S. Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain

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Beautiful

The most beautiful girl in the world
Beautiful
Beautiful
Beautiful
(beautiful)
Beau - beau
Could u be
The most beautiful girl in the world
Its plain 2 see
Ure the reason that God made a girl
When the day turns into the last day of all time
I can say, I hope that u are in these arms of mine (oh yeah) (beautiful)
When the night falls before that day I will cry
I will cry tears of joy cause after u all one can do is die (oh yeah)
Could u be
The most beautiful girl in the world (beautiful)
Its plain 2 see
Ure the reason that God made a girl (beautiful)
How can I get through days when I cant get through hours
(tick tock u dont stop, tick tock u dont stop)
I can try but when I do I see u and Im devoured
Oh yes
Whod allow, whod allow a face 2 be as soft as a flower (oh yeah)
(beautiful)
I could bow and feel proud in the light of this power
Oh yeah (beautiful)
Could u be
The most beautiful girl in the world (beautiful)
Its plain 2 see
Ure the reason that God made a girl (beautiful)
Oh yes u are
(beautiful)
Beautiful beautiful
(beautiful)
Beautiful beautiful
(beautiful)
Beautiful beautiful
(beautiful)
(beautiful)
And when the stars fall one by one from the sky
I know mars could not be 2 far behind
Cuz baby, this kind of beauty has got no reason 2 ever be shy
Cuz honey this kind of beauty is the kind that comes from inside
Could u be (could u be)
The most beautiful girl in the world
So beautiful, beautiful (beautiful)
Its plain 2 see (its plain 2 see)
Ure the reason that God made a girl (beautiful) (ooh yeah yeah yeah yeah)
Could u be
Beautiful (beautiful) (oh yeah)

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Roses In Madrid

Roses, Senors, roses!
Love is subtly hid
In the fragrant roses,
Blown in gay Madrid.
Roses, Senors, roses!
Look, look, look, and see
Love hanging in the roses,
Like a golden bee!
Ha! ha! shake the roses--
Hold a palm below;
Shake him from the roses,
Catch the vagrant so!

High I toss the roses
From my brown palm up;
Like the wine that bubbles
From a golden cup.
Catch the roses, Senors,
Light on finger tips;
He who buys red roses,
Dreams of crimson lips!
Tinkle! my fresh roses,
With the rare dews wet;
Clink! my crisp, red roses,
Like a castanet!

Roses, Senors, roses,
Come, Hidalgo, buy!
Proudly wait my roses
For thy rose's eye
Be thy rose as stately
As a pacing deer;
Worthy are my roses
To burn behind her ear.
Ha I ha! I can see thee,
Where the fountains foam,
Twining my red roses
In her golden comb!

Roses, Donnas, roses,
None so fresh as mine,
Pluck'd at rose of morning
By our Lady's shrine.
Those that first I gather'd
Laid I at her feet,
That is why my roses
Still are fresh and sweet.
Roses, Donnas, roses!
Roses waxen fair!
Acolytes my roses,

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