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Journey to the End of the Night

Cast: Brendan Fraser, Mos Def, Scott Glenn, Alice Braga, Catalina Sandino Moreno

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Z. Comments

CRYSTAL GLOW

Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!

Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.

Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.


FRAGRANT JASMINE

Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!

Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.


I WENT THERE TO BID HER ADIEU

Kente Lucy Comment: wow great writing, what a way to bid farewell

Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.


I’M INCOMPLETE WITHOUT YOU

Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.

Margaret Alice Comment:

'To a resplendent glow of celestial flow
And two split halves unite never to part.'

Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!


IN CELESTIAL WINGS

Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.

Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!

Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.

'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'

Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.


RAGING FIRE

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Def Jam In The Motherland

(Intro: LL Cool J)
Yeah, yeah, checkin' 'em out
Special shout-out, keepin' on
Check it out y'all, my man in the house...
(LL Cool J)
Corkunrun absolute killer of all
Take her blood, bouncin' heads like balls
Murderer, somethin' mutilater of Amiga
I get ill, so blood spills, everytime I speak
Drivin' Bombs that inveterate your ego
Suckers all weird, no let the best go migo
They talk and talk, I invade and take over
Forget Mako, you gonna need a make-over
I'm ferocious, animalistic, an animal
On the mic - I'm a cannibal
I eat livers, hearts, legs and arms
They crown me the King of doin' nothin' but harm
I'm two with the Universe and I'ma make you
diverse, make I kill quick, so you'll win from crew to hers
I'ma Titan, keepin' you frightened
I went to the Motherland, so now I'm enlightened
There's a...
(Chorus: LL Cool J)
Def Jam in the Motherland, Def Jam in the Motherland
Def Jam in the Motherland, in the Motherland
It's a Def Jam in the Motherland, Def Jam in the Motherland
Def Jam in the Motherland, in the Motherland
(LL Cool J)
For bow-take to far cynical of Egypt
Cool J I'm slay and I'm fully equipped
to decapatate, amputate and take titles
The legend of leather, I'ma real live idol
Damn I take souls, condemn we men
and make microphones men again and again
Cause, I'm blood thirsty watch and try to curse me
You'll lose the battle even if you out re-hearsed me
I'ma rip holes watch heads roll, like a mole
when I'm strollin' with my neck on a goal
My battles' like a blackout, you can't back out
Only difference, no time to feel a track out
It's a...
(Chorus: LL Cool J)
Def Jam in the Motherland, Def Jam in the Motherland
Def Jam in the Motherland, in the Motherland
It's a Def Jam in the Motherland, Def Jam in the Motherland
Def Jam in the Motherland, in the Motherland
(LL Cool J)
So come forward, admit you're guilty
Admit that your thoughts of New Jack killed me
Admit you were sleepin' on the skills of L

[...] Read more

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To My Godchild Alice

ALICE, Alice, little Alice,
My new-christened baby Alice,
Can there ever rhymes be found
To express my wishes for thee
In a silvery flowing, worthy
Of that silvery sound?
Bonnie Alice, Lady Alice,
Sure, this sweetest name must be
A true omen to thee, Alice,
Of a life's long melody.

Alice, Alice, little Alice,
Mayst thou prove a golden chalice,
Filled with holiness like wine:
With rich blessings running o'er
Yet replenished evermore
From a fount divine:
Alice, Alice, little Alice,
When this future comes to thee,
In thy young life's brimming chalice
Keep some drops of balm for me!

Alice, Alice, little Alice,
Mayst thou grow a goodly palace,
Fitly framed from roof to floors,
Pure unto the inmost centre,
While high thoughts like angels enter
At the open doors:
Alice, Alice, little Alice,
When this beauteous sight I see,
In thy woman-heart's wide palace
Keep one nook of love for me.

Alice, Alice, little Alice,--
Sure the verse halts out of malice
To the thoughts it feebly bears,
And thy name's soft echoes, ranging
From quaint rhyme to rhyme, are changing
Into silent prayers.
God be with thee, little Alice,
Of His bounteousness may He
Fill the chalice, build the palace,
Here, unto eternity!

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Alice Deejay

Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
I close my eyes
Im music
Im rhythm
Im a dj, I am alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
I close my eyes
Im music
Im rhythm
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
I am alice deejay

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

[...] Read more

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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.


Sir Peter

So-
What are their names?


John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-


Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?


John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?


Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.


John Curzon


going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

[...] Read more

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Buckingham Palace

They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
Alice is marrying one of the guard.
"A soldier's life is terrible hard,"
Says Alice.

They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
We saw a guard in a sentry-box.
"One of the sergeants looks after their socks,"
Says Alice.

They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
We looked for the King, but he never came.
"Well, God take care of him, all the same,"
Says Alice.

They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
They've great big parties inside the grounds.
"I wouldn't be King for a hundred pounds,"
Says Alice.

They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
A face looked out, but it wasn't the King's.
"He's much too busy a-signing things,"
Says Alice.

They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
"Do you think the King knows all about me?"
"Sure to, dear, but it's time for tea,"
Says Alice.

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Amy Lowell

The Grocery

'Hullo, Alice!'
'Hullo, Leon!'
'Say, Alice, gi' me a couple
O' them two for five cigars,
Will yer?'
'Where's your nickel?'
'My! Ain't you close!
Can't trust a feller, can yer.'
'Trust you! Why
What you owe this store
Would set you up in business.
I can't think why Father 'lows it.'
'Yer Father's a sight more neighbourly
Than you be. That's a fact.
Besides, he knows I got a vote.'
'A vote! Oh, yes, you got a vote!
A lot o' good the Senate'll be to Father
When all his bank account
Has run away in credits.
There's your cigars,
If you can relish smokin'
With all you owe us standin'.'
'I dunno as that makes 'em taste any diff'rent.
You ain't fair to me, Alice, 'deed you ain't.
I work when anythin's doin'.
I'll get a carpenterin' job next Summer sure.
Cleve was tellin' me to-day he'd take me on come Spring.'
'Come Spring, and this December!
I've no patience with you, Leon,
Shilly-shallyin' the way you do.
Here, lift over them crates o' oranges
I wanter fix 'em in the winder.'
'It riles yer, don't it, me not havin' work.
You pepper up about it somethin' good.
You pick an' pick, and that don't help a mite.
Say, Alice, do come in out o' that winder.
Th' oranges c'n wait,
An' I don't like talkin' to yer back.'
'Don't you! Well, you'd better make the best o' what
you can git.
Maybe you won't have my back to talk to soon.
They look good in pyramids with the 'lectric light on 'em,
Don't they?
Now hand me them bananas
An' I'll string 'em right acrost.'
'What do yer mean
'Bout me not havin' you to talk to?
Are yer springin' somethin' on me?'
'I don't know 'bout springin'
When I'm tellin' you right out.

[...] Read more

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Death At Ones Elbow

Oh glenn
Dont come to the house tonight
Oh glenn
Oh glenn
Dont come to the house tonight
Oh glenn
Because theres somebody here
Who really really loves you
Oh glenn
Stay home
Be bored
(its crap, I know)
Tonight
Oh glenn
Oh glenn
Dont come to the house tonight
Oh glenn
Oh glenn
Dont come to the house tonight
Because theres somebody here
Wholl take a hatchet to your ear
The frustration it renders me
Hateful, oh ...
Oh, dont come to the house tonight
Oh, dont come to the house tonight
Because youll slip on the
Trail of all my sad remains
Thats why, thats why
Goodbye my love, goodbye my love
Goodbye my love, goodbye my love
Goodbye my love, goodbye my love
Belch

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Wat Tyler - Act I

ACT I.

SCENE, A BLACKSMITH'S-SHOP

Wat Tyler at work within. A May-pole
before the Door.

ALICE, PIERS, &c.

SONG.

CHEERFUL on this holiday,
Welcome we the merry May.

On ev'ry sunny hillock spread,
The pale primrose rears her head;
Rich with sweets the western gale
Sweeps along the cowslip'd dale.
Every bank with violets gay,
Smiles to welcome in the May.

The linnet from the budding grove,
Chirps her vernal song of love.
The copse resounds the throstle's notes,
On each wild gale sweet music floats;
And melody from every spray,
Welcomes in the merry May.

Cheerful on this holiday,
Welcome we the merry May.

[Dance.

During the Dance, Tyler lays down his
Hammer, and sits mournfully down before
his Door.

[To him.

HOB CARTER.

Why so sad, neighbour?—do not these gay sports,
This revelry of youth, recall the days
When we too mingled in the revelry;
And lightly tripping in the morris dance
Welcomed the merry month?


TYLER.

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Why's Everybody Always Pickin' On Me?

Why is everbody always pickin' on me?

The morn' that I was born my old man beat up the doctor
He clocked the doctor cause the doctor said I looked like Chewbacca
The doctor said sir you're misled sir which infers you mistook me
I did not mean your lovely wife was shackin' up with a wookie
What I mean is Wolverine is less hairy than your son
He's looks like Chewie Baba Booey Baba Booey and Hong Kong Phooey all in one
To put it mild your new-born child's completely nutty fu-fu lookin'
I'd shove him back into the oven until he is done cookin'
But why's everbody always pickin' on me?
Cause my fifteen year-old cousin has less acne
But why's everbody always pickin' on me?
Ain't brushed them teeth since 1983
But why's everbody always pickin' on me?
Cause you got the grooming habits of a chimpanzee
But why's everbody always pickin' on me?
Cause you're white but you got a nose like Bill Cosby
Why's everbody always pickin' on me?
Always pickin' and rippin' apart poor ol' Jimmy Pop Ali
I got a schnoz like the 'Cos' but there's a lot more wrong with you
So back me up Bill yea and you're ugly too
So what if I brush my teeth with a piece of cheddar cheese
Or where a fish net shirt by Chams with my Sergio Valenti jeans
And my mirror never lies but it always verifies
I got more cheese and pepperoni than a homemade pizza pie
You compare me to a Monchichi but I don't understand
Why I'm scorned like I'm deformed like the Elephant Man
And yea I took my mom to the prom but hey she asked me first
But at least this time I didn't find my date in the back of a hearse
About as popular with the girls with Englebert Humperdink
And that might be 'cause everybody calls me Shrinky Dink
I know I'm known as Polaroid I'm not a total retard
It's cause I'm done in sixty seconds and you'll still want it enlarged
But why's everbody always pickin' on me?
Cause ya wore velour flares until the late Eighties
But why's everbody always pickin' on me?
Cause you run like a girl and sit down to pee
But why's everbody always pickin' on me?
Cause your only school chum was the lunch lady
But why's everbody always pickin' on me?
You took your mom to the prom but still got lucky
Like that episode where Gilligan gets sick of being teased
And he breaks into the Professor's lab and makes some LSD
Peaks freaks and eats the Skipper's brains then beats Ginger with coconuts
As Mr. Howell and Lovey burn alive inside their grass hut
Oh he'll kill again that Gilligan they he should of let him be
And like a postal clerk I'll go beserk if you don't stop teasing me
See the trick is only pick on those that can't do you no harm
Like the drummer from Def Leppard's only got one arm

[...] Read more

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Group Four

3d
A flask I drink of sober tea
While relay cameras monitor me
And the buzz surrounds, it does
Buzz surrounds, buzz surrounds
Liz fraser
Closed eyed sky wide open
Unlimited girl unlimited sigh
Elsewhere
Indefinitely far away
Magnifies and deepens
Ready to sing
My sixth sense peacefully place on my breath
And listening
3d
Keys swing from my hand
Liz fraser
My ears know that my eyes are closed
3d
Perish thoughts like contraband
I train myself in martial arts
As advertised
I reinforce my softened parts
As advertised
Liz fraser
Seen through me little glazed lane
A world in myself
Ready to sing
My sixth sense peacefully place on my breath
3d
Flickering I roam
Liz fraser
And listening
My ears know that my eyes are closed
Ready to sing
My sixth sense peacefully place on my breath
3d
Flickering I roam
Liz fraser
And listening
My ears know that my eyes are closed
3d
I see to bolts, put keys to locks
No boats are rocked, Im free to roam
Among dummy screens and magazines
Liz fraser
Closed eyed sky wide open
Unlimited girl unlimited sigh
3d
To think I lay next to you

[...] Read more

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The Lady of the Lake: Canto IV. - The Prophecy

I.
The rose is fairest when 't is budding new,
And hope is brightest when it dawns from fears;
The rose is sweetest washed with morning dew
And love is loveliest when embalmed in tears.
O wilding rose, whom fancy thus endears,
I bid your blossoms in my bonnet wave,
Emblem of hope and love through future years!'
Thus spoke young Norman, heir of Armandave,
What time the sun arose on Vennachar's broad wave.

II.
Such fond conceit, half said, half sung,
Love prompted to the bridegroom's tongue.
All while he stripped the wild-rose spray,
His axe and bow beside him lay,
For on a pass 'twixt lake and wood
A wakeful sentinel he stood.
Hark!-on the rock a footstep rung,
And instant to his arms he sprung.
'Stand, or thou diest!-What, Malise?-soon
Art thou returned from Braes of Doune.
By thy keen step and glance I know,
Thou bring'st us tidings of the foe.'-
For while the Fiery Cross tried on,
On distant scout had Malise gone.-
'Where sleeps the Chief?' the henchman said.
'Apart, in yonder misty glade;
To his lone couch I'll be your guide.'-
Then called a slumberer by his side,
And stirred him with his slackened bow,-
'Up, up, Glentarkin! rouse thee, ho!
We seek the Chieftain; on the track
Keep eagle watch till I come back.'

III.
Together up the pass they sped:
'What of the foeman?' Norman said.-
'Varying reports from near and far;
This certain,-that a band of war
Has for two days been ready boune,
At prompt command to march from Doune;
King James the while, with princely powers,
Holds revelry in Stirling towers.
Soon will this dark and gathering cloud
Speak on our glens in thunder loud.
Inured to bide such bitter bout,
The warrior's plaid may bear it out;
But, Norman, how wilt thou provide
A shelter for thy bonny bride?''-

[...] Read more

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The Brus Book 19

[The conspiracy against King Robert; its discovery]

Than wes the land a quhile in pes,
Bot covatys, that can nocht ces
To set men apon felony
To ger thaim cum to senyoury,
5 Gert lordis off full gret renoune
Mak a fell conjuracioun
Agayn Robert the douchty king,
Thai thocht till bring him till ending
And to bruk eftre his dede
10 The kynrik and to ryng in hys steid.
The lord the Soullis, Schyr Wilyam,
Off that purches had mast defame,
For principale tharoff was he
Off assent of that cruelte.
15 He had gottyn with him sindry,
Gilbert Maleherbe, Jhone of Logy
Thir war knychtis that I tell her
And Richard Broun als a squyer,
And gud Schyr Davy off Breichyn
20 Wes off this deid arettyt syne
As I sall tell you forthermar.
Bot thai ilkane discoveryt war
Throu a lady as I hard say
Or till thar purpos cum mycht thai,
25 For scho tauld all to the king
Thar purpose and thar ordanyng,
And how that he suld haf bene ded
And Soullis ryng intill his steid,
And tauld him werray taknyng
30 This purches wes suthfast thing.
And quhen the king wist it wes sua
Sa sutell purches gan he ma
That he gert tak thaim everilkan,
And quhar the lord Soullis was tane
35 Thre hunder and sexty had he
Off squyeris cled in his lyvere
At that tyme in his cumpany
Outane knychtis that war joly.
Into Berwik takyn wes he
40 That mycht all his mengne se
Sary and wa, bot suth to say
The king lete thaim all pas thar way
And held thaim at he takyn had.

[The trial in parliament; the fate of the conspirators]

The lord Soullis sone eftre maid
45 Plane granting of all that purchas.

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La Fontaine

A Confidant Without Knowing It; Or The Stratagem

NO master sage, nor orator I know,
Who can success, like gentle Cupid show;
His ways and arguments are pleasing smiles,
Engaging looks, soft tears, and winning wiles.
Wars in his empire will at times arise,
And, in the field, his standard meet the eyes;
Now stealing secretly, with skilful lure.
He penetrates to hearts supposed secure,
O'erleaps the ramparts that protect around,
And citadels reduces, most renowned.

I DARE engage, two fortresses besiege
Leave one to Mars, and t'other to this liege.
And though the god of war should numbers bring,
With all the arms that can his thunders fling,
Before the fort he'll vainly waste his time,
While Cupid, unattended, in shall climb,
Obtain possession perfectly at ease,
And grant conditions just as he shall please.

I NOW propose to give a fav'rite tale :--
The god of Love was never known to fail,
In finding stratagems, as I have read,
And many have I seen most nicely spread.

THE young Aminta was Gerontes' wife,
With whom she lived, it seems, a wretched life.
Far better she deserved than what she had,
For he was jealous, and his temper bad:
An aged hunks, while she was in the hour
When hearts, that never felt LOVE'S mighty pow'r,
Are presently by tender objects caught,
Which ne'er before had entered in the thought.

WHEN first Aminta saw young Cleon's face,
A lad possessing all engaging grace,
Much prudence then she ev'ry way displayed,
E'en more perhaps than necessary made.
For though we may suppose the lovely fair,
Would ev'ry effort use to 'scape the snare,
Yet when the god of soft persuasion takes
The fatal moment, havock soon he makes,
In vain his duty, any thing opposed,
If once the tender sentiment's disclosed.
Aminta consolation had in view
'Twas that alone the passion from her drew,
A meeting innocent, to vent her tears,
And, to a feeling friend, express her fears.
'Tis represented thus I cannot doubt;
But sight of meat brings appetite about;

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La Fontaine

The Progress Of Wit

DIVERTING in extreme there is a play,
Which oft resumes its fascinating sway;
Delights the sex, or ugly, fair, or sour;
By night or day:--'tis sweet at any hour.
The frolick, ev'ry where is known to fame;
Conjecture if you can, and tells its name.

THIS play's chief charm to husbands is unknown;
'Tis with the lover it excels alone;
No lookers-on, as umpires, are required;
No quarrels rise, though each appears inspired;
All seem delighted with the pleasing game:--
Conjecture if you can, and tell its name.

BE this as 'twill, and called whate'er it may;
No longer trifling with it I shall stay,
But now disclose a method to transmit
(As oft we find) to ninnies sense and wit.
Till Alice got instruction in this school,
She was regarded as a silly fool,
Her exercise appeared to spin and sew:--
Not hers indeed, the hands alone would go;
For sense or wit had in it no concern;
Whate'er the foolish girl had got to learn,
No part therein could ever take the mind;
Her doll, for thought, was just as well designed.
The mother would, a hundred times a day,
Abuse the stupid maid, and to her say
Go wretched lump and try some wit to gain.

THE girl, quite overcome with shame and pain;
Her neighbours asked to point her out the spot,
Where useful wit by purchase might be got.
The simple question laughter raised around;
At length they told her, that it might be found
With father Bonadventure, who'd a stock,
Which he at times disposed of to his flock.

AWAY in haste she to the cloister went,
To see the friar she was quite intent,
Though trembling lest she might disturb his ease;
And one of his high character displease.
The girl exclaimed, as on she moved,--Will he
Such presents willingly bestow on me,
Whose age, as yet, has scarcely reached fifteen?
With such can I be worthy to be seen?
Her innocence much added to her charms,
The gentle wily god of soft alarms
Had not a youthful maiden in his book,
That carried more temptation in her look.

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La Fontaine

The Ear-Maker And The Mould-Mender

WHEN William went from home (a trader styled):
Six months his better half he left with child,
A simple, comely, modest, youthful dame,
Whose name was Alice; from Champaign she came.
Her neighbour Andrew visits now would pay;
With what intention, needless 'tis to say:
A master who but rarely spread his net,
But, first or last, with full success he met;
And cunning was the bird that 'scaped his snare;
Without surrendering a feather there.

QUITE raw was Alice; for his purpose fit;
Not overburdened with a store of wit;
Of this indeed she could not be accused,
And Cupid's wiles by her were never used;
Poor lady, all with her was honest part,
And naught she knew of stratagem or art.

HER husband then away, and she alone,
This neighbour came, and in a whining tone,
To her observed, when compliments were o'er:--
I'm all astonishment, and you deplore,
To find that neighbour William's gone from hence,
And left your child's completing in suspense,
Which now you bear within, and much I fear,
That when 'tis born you'll find it wants an ear.
Your looks sufficiently the fact proclaim,
For many instances I've known the same.
Good heav'ns! replied the lady in a fright;
What say you, pray?--the infant won't be right!
Shall I be mother to a one-eared child?
And know you no relief that's certain styled?
Oh yes, there is, rejoined the crafty knave,
From such mishap I can the baby save;
Yet solemnly I vow, for none but you
I'd undertake the toilsome job to do.
The ills of others, if I may be plain,
Except your husband's, never give me pain;
But him I'd serve for ever, while I've breath;
To do him good I'd e'en encounter death.
Now let us see, without more talk or fears,
If I know how to forge the bantling ears.
Remember, cried the wife, to make them like.
Leave that to me, said he, I'll justly strike.
Then he prepared for work; the dame gave way;
Not difficult she proved:--well pleased she lay;
Philosophy was never less required,
And Andrew's process much the fair admired,
Who, to his work extreme attention paid;
'Twas now a tendon; then a fold he made,

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Out at Home

Jackie Robinson is exalted
as the first Black man to play,
but far fewer fans remember Glenn Burke,
the first ballplayer openly gay.

Like Jackie, he played for the Dodgers-
(different coast and a different time.)
Glenn came up to the Majors
In the summer of 79'

Burke was strong and tall and fast
And some teammates called him " King Kong"
Though he roomed with Reggie Smith on the road
most nights Reggie Smith slept alone.

Burke befriended Young Tommy Lasorda
which was why he was traded away.
Old Lasorda couldn't deal with the rumors,
Nor acknowledge his own son was gay.

Glenn Burke rode the pines while in Oakland
Billy Martin never gave him much chance
When Burke injured his leg in Spring Training
That ended his time at the dance.

He drifted, his playing days over,
He used, he stole and did time.
An accident left him a cripple
Unprotected sex ended his line.

No shock was the A.I.D.s diagnosis-
His sister had long known he was gay.
When she took him in he was dying
when all others turned him away.

Sandy Alderson, with the Athletics,
took pity on Burke in despair.
The team paid for his A.I.D.S. medication
and covered the cost of his care.

Sad is the fate of the Athlete unsung,
dying apart from his team.
Glenn Burke showed that a gay man could play,
That a Gay Athlete also can dream.

Glenn Burke passed a long time ago
But his story deserves to be told.
He said when your suffering, dying of A.I.D.S.
Even days in the summer are cold.

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Im Def

Can we do that?
Can we do that?
Im def
Im def
Im def
Im listening to the radio
Got a job as a test pilot
Yes I got a job as a test pilot
Im def
I never listen to the
I never listen to
I never listen to the ra-
Im def
Got a job as a test pilot
Yes I got a job as a test pilot
Im listening to the radio
We have our own song and we want to get it recorded
We have our own song and we want to get it recorded
We have our own song and we want to get it recorded
We have our own song and we want to get it recorded*
We have our own song and we want to get it recorded*
Can we do that? *
Why dont you leave a message*

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Jack Corrigan

"It's my shout this time, boys, so come along and
breast the bar,
And kindly mention what you're going to take;
I don't feel extra thirsty, so I'll sample that
“three-star”-
Now, lad! come, look alive, for goodness sake."
So spake he, as he raised the brimming glass towards
the light;
So spake “Long Jack,” the boldest mountaineer
Who ever down from Nungar raced a “brumby” mob
in flight,
Or laid a stockwhip on a stubborn steer.
From Jindabyne to Providence along the Eucumbene
The kindest-hearted fellow to be found;
And when he crossed the saddle not a horse was ever
seen
That could make Jack quit his hold to seek the
ground.
The women smiled with pleasure, the children laughed
aloud,
The very dogs came barking at his feet,
While outside the “Squatter's Arms” the men came
forward in a crowd
To welcome Jack when he rode up the street.

But though the boldest horseman who by midnight
or by day
E'er held a mob of cattle on a camp,
There were squatters on Monaro, who had yet been
known to say
That Jack was an unmitigated scamp.
And true it is Jack Corrigan possessed a serious fault
Which caused his gentle, blue-eyed wife much grief,
And many were the bitter tears she mingled with the
salt
With which she cured their neighbours' tend'rest beef.
And often would she tearful take her smiling spouse
to task,
Who'd answer, as her pretty face he kissed,
That a beast lost all identity when pickled in the
cask,
And a bullock more or less would ne'er be missed.

But now as Jack stood all prepared to toss his
nobbler down,
A softly-murmured whisper met his ear -

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