For a long time I was embarrassed to say I was a 'B' movie actor. But now that I see what Hollywood's putting out, I realized 'B' actually means 'better'.
quote by Bruce Campbell
Added by Veronica Serbanoiu
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Related quotes
Hollywood
Performed by george clinton
Composed by tracey lewis and dallas austin
San diego freeway northbound around
Culver city westwood into beverly hills
Uve gone hollywood
Im gonna look, I wont touch
Oh its live but then, thanks very much
Where the happening be at 2 night its hollywood
As I stepped out on my front porch
4 miles around I see
Hollywood the way she once was
Hollywood the way she be
As I step back upon my back terrace
Amongst the pretty leaves on my lemon tree
San fernando valley way below
Im struttin 2 the east side of hollywood
Im stompin on the west side of hollywood
Im steppin 2 the north side of hollywood
Im struttin 2 the south side of hollywood
Chorus:
Holly wants 2 go 2 california (livin in hollywood)
Holly would if holly could (livin in hollywood)
Holly she belongs in california (livin in hollywood)
Holly would if holly could (livin in hollywood)
Say u want 2 be in the moviestars
Bourgeois, intercontinental never know where u are
Uve gone hollywood
I was caught out on the beat
Without even a single piece of id
And the man said 2 me its who u know in hollywood
Hollywood
Im funkin on the north side of hollywood
Im kickin on the east side of hollywood
Im steppin 2 the west side of hollywood
Chorus
Holly wants 2 go
San diego freeway northbound around
Culver city westwood into beverly hills
Uve gone hollywood
Im gonna look, I wont touch
Oh its live but then, thanks very much
Where the happening be at 2 night its hollywood
Holly wants 2 go 2 california (california) (livin in hollywood)
Holly would if holly could (livin in hollywood)
Holly needs 2 be in california (livin in hollywood)
And she wants 2 shine (livin in hollywood)
Like the hollywood sign (livin in hollywood)
Oh, sure 7 fine (california) (livin in hollywood)
Hollys going 2 california (livin in hollywood)
Holly would, holly would if holly could (livin in hollywood)
[...] Read more
song performed by Prince
Added by Lucian Velea
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Hollywood Swinging
Ahh now party people!
Now party people getting down!
Now you've got to put your hands together!
Just
Get on down and get on down and
Get on down!!
Alright!
Hey Hey Hey!
Come on now! Gotta sing it now...
What you got to say?
Oh, what you got to say now?
Hey Hey Hey!
Come On Now! Gotta sing it now...
What you got to say?
Oh what you got to say now?
Hollywood
Hollywood Swingin'
We got that, we got that, we got that
Hollywood Swingin'
Hollywood! (Hollywood now)
Hollywood Swingin'!
Oh! Now I got that swingin' Aheheh!
I remember
Not too long ago
I went to the theatre
And I saw the Kool & The Gang show
I always wanted (oh yes I did)
To fit into a band
I got to, I got to:
Sing my songs, sing my songs, sing my songs
And become a big piano playing man
So here I am, here I am, here I am...
Oh, in this Hollywood city
Yeah.. City of stars, movies, women and cars
Well I guess.. I guess I have to stay! Alright!
Hey Hey Hey! (Come On Sing It!)
What you got to say? What you got to say now yeah?
Hey Hey Hey! (Sing It Now!)
What you got to say? What you got to say now yeah?
Hollywood! (Hollywood Yeah)
Hollywood Swingin'!
Yo swing it like that!
Hollywood! (Hollywood now)
The Hollywood swingin'!
Oh.. Hollywood Hollywood Hollywood Hollywood now!
Hollywood Swingin' Oh a hey yeah!
Hollywood Hollywood Hollywood!
Now Hollywood Hollywood
Now they're all swinging in Hollywood!
Hollywood Swingin'
[...] Read more
song performed by Jamiroquai
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Cat People
See these eyes so green
I can stare for a thousand years
Colder than the moon
Feel my blood enraged
It's just the fear of losing you
Don't you know my name
Well, you been so long
And i've been putting out fire
With gasoline
See these eyes so red
Red like jungle burning bright
Those who feel me near
Pull the blinds and change their minds
It's been so long
Still this pulsing night
A plague i call a heartbeat
Just be still with me
But it wouldn't believe what i've been thru
You've been so long
Well it's been so long
And i've been putting out the fire with gasoline
Putting out the fire
With gasoline
See these tears so blue
An ageless heart that can never mend
Tears can never dry
A judgement made can never bend
See these eyes so green
I can stare for a thousand years
Just be still with me
You wouldn't believe what i've been thru
Well you've been so long
It's been so long
And i've been putting out fire with gasoline
Putting out fire with gasoline
Putting out fire
We've been putting out fire
Well it's been so long so long so long
Yes it's been so long so long so long
I've been putting out fire
Been so long so long so long
And putting out fire
Been so long so long so long
Yeah yeah putting out fire
Been so long so long so long
Been putting out fire
Been so long so long so long
Yeah putting out fire
Been so long so long so long
Putting out fire
[...] Read more
song performed by David Bowie
Added by Lucian Velea
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Hollywood Liar
Liar, liar, liar, hollywood liar,
Who are you, to crash my party, with your mediocre blues,
Your powder has no power over me,
Dont talk to my friends, the way you talk to the girls from the valley,
Youre just another liar to me,
Hollywood liar,
Hollywood liar,
Hollywood liar,
Hollywood liar,
I can see right through your act, the way you lie to yourself,
About deals you know dont even exist,
Dropping all those names the way you think the game should be played,
Youre just another liar to me,
Hollywood liar,
Hollywood liar,
Hollywood liar,
Hollywood liar,
(say) too mon to mon toul le jomey le very tey,
Too par too par, cullear, reason,
Unfortunately youre my neighbour,
But certainly not for long,
Huh, Im the writer of this,
Im the printer of that,
What you gonna do next?
How you gonna top that?
Distributor of this,
Editor of that,
What you gonna do next?
How you gonna top that?
How you gonna top that?
How you gonna top that?
(? )
Hollywood liar,
Hollywood liar,
Hollywood liar,
Hollywood,
Hollywood,
Hollywood,
Hollywood liar,
Kiss me?
(? )
Hollywood liar,
Hollywood liar,
I dont buy it baby!
You just get out of my party!
song performed by Grace Jones
Added by Lucian Velea
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Life means more
Life means imagination; the ability to perceive and
dream beyond the absolutely extraordinary,
Life means observation; the magical prowess to imbibe
the maximum out of the stupendously magnificent
surroundings,
Life means seduction; the uncanny desire of being
tantalized every second to the most unprecedented
limits,
Life means devotion; the immortal virtue of being
obsessed with the entity you uninhibitedly cherish and
love,
Life means fascination; the incessant entrenchment
perpetuated by all the mesmerizing beauty wandering on
this planet,
Life means God; Life means perennially unending; Life
means more….
Life means grandiloquent; the royally majestic sights
embedded on the trajectory of this boundless planet,
Life means benevolent; the philanthropic element to
help all those fellow compatriots in inexplicable
misery and tumultuous pain,
Life means turbulent; the vivacious swirl of rampant
thoughts and emotions; that engulf one's countenance
by storm,
Life means fragrant; the profusely redolent aroma;
which emanated from the voluptuous conglomerate of
lotus in the pond,
Life means prudent; the incomprehensible ability of
the human brain to act the most sagaciously in every
situation,
Life means God; Life means perennially unending; Life
means more….
Life means unfathomable; the paradise existing beyond
unprecedented corridors of perception,
[...] Read more
poem by Nikhil Parekh
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Down In Hollywood
(t. drummond/r. cooder)
(c#7)
Well, did you hear the good news ?
Theres gonna be some bad blues
Somebody said theyre playing all night long
So go and fill your brown bag and put on all your clean rags
Lets go downtown and see whats going on
You take me down the vine street
Stop when you hear the back beat
And Ill sneak past the bounccer at the door
Now I know that he aint looking
Not when the band is cooking
Because hes watching the ladies dancing on the floor
Going down in hollywood
You better hope that you dont run out of gas
Down in hollywood
Hell drag you right out of your car and kick your ass
Down in hollywood
Theyre standing on a corner waiting for a sucker like you
Down in hollywood
Now, if you want to stay healthy just keep a-moving right on through
Be careful, dont look back, keep moving, keep moving
Well, the scotch has started flowing
And some girls she is showing everything shes got
Folks, its a sight!
Some men will give a weeks pay if she would just dance down their way and say
Baby, Im gonna take you home with me tonight
Outside the streets is shaking and I hear the windows breaking
Some poor fools gonna land in jail tonight
Well, all those hookers trying to pull your coat and the pimps reach out to cut your throat
Aint no way out of here without a fight
(whats that fool saying ? )
Going down in hollywood
You better hope that you dont run out of gas
Down in hollywood
Hell drag you right out of your car and kick your ass
Down in hollywood
Theyre standing on a corner waiting for a sucker like you
Down in hollywood
Now, if you want to stay healthy just keep a-moving right on through
Be careful, dont look back, keep moving, keep moving
Voice of gay male: hi. you know that youre going to get arrested the way that those pants fir around your thighs. oh, come back honey! dont leave now.
Voice of pimp: hey, bud. come here, let me talk to you for a second. give me that
[sounds of fists, a robbery]
Cops coming
Voice of policeman (ry): 869 victor. [radio code] jesus, this guys a mess
Voice of other cop: well, hes just drunk. come on, pick him up, put him in the car and take him downtown
Well, his mama told him not to go
Little sister told him too
But the poor boy just didnt listen
[...] Read more
song performed by Ry Cooder
Added by Lucian Velea
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Like A Virgin / Hollywood Medley (feat. Christina Aguilera, Britney Spears & Missy Elliott) (2003: M
Britney Spears:
I made it through the wilderness. Somehow I
Made it through. Didn't know how lost I was
Until I found you. I was beat incomplete.
I've been had. I was sad and blue, but you
Made me feel, yeah, you made me feel shiny
And new. Oh, oh.
Christina Aguilera:
Like a virgin, ooooh, touched for the very
First time, oh. Like a virgin when your
Heart beats next to mine, oh oh oooh yeah.
Christina Aguilera and Britney Spears:
Oooooh. Oooooh. Oooooh.
Madonna:
Everybody comes to Hollywood. They wanna
Make it in the neighborhood. They like the
Smell of it in Hollywood. How could it hurt
You when it looks so good?
Madonna:
Everybody comes to Hollywood. They wanna
Make it in the neighborhood. They like the
Smell of it in Hollywood. How could it hurt
You when it looks so good?
Madonna, Christina Aguilera, and Britney Spears:
Shine your light now. This time it's got to
Be good. You'll get it right now, yeah, 'cause
You're in Hollywood. You're in Hollywood.
Madonna:
Everybody comes to Hollywood. They wanna
Make it in the neighborhood. They like the
Smell of it in Hollywood. How could it hurt
You when it looks so good?
Missy Elliott:
Yo! Yo! Yo! Who that be? Missy Elliott, M.I.C.
I works it and I works it. Can I flip my thing
And reverse it? Come on! Go! Go 'head. Go! Go
'Head! I works it and I works it. Can I flip
My thing and reverse it? Come on! Go! Go 'head!
Go! Go 'head. Party people, we'll show you how
To work that. Where you at, Madonna?
Madonna:
Trip the station! Change the channel!
Madonna:
Hollywood. Hollywood. How could it hurt you
When it looks so good? Hollywood. Hollywoood.
How could it hurt you when it looks so good?
Madonna, Christina Aguilera, Britney Spears, and Missy Elliott:
Hollywood. Hollywood. How could it hurt you
When it looks so good? Hollywood. Hollywoood.
How could it hurt you when it looks so good?
[...] Read more
song performed by Madonna
Added by Lucian Velea
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Salut Au Monde
O TAKE my hand, Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join'd unended links, each hook'd to the next!
Each answering all--each sharing the earth with all.
What widens within you, Walt Whitman?
What waves and soils exuding?
What climes? what persons and lands are here?
Who are the infants? some playing, some slumbering?
Who are the girls? who are the married women?
Who are the groups of old men going slowly with their arms about each
other's necks?
What rivers are these? what forests and fruits are these?
What are the mountains call'd that rise so high in the mists?
What myriads of dwellings are they, fill'd with dwellers?
Within me latitude widens, longitude lengthens;
Asia, Africa, Europe, are to the east--America is provided for in the
west;
Banding the bulge of the earth winds the hot equator,
Curiously north and south turn the axis-ends;
Within me is the longest day--the sun wheels in slanting rings--it
does not set for months;
Stretch'd in due time within me the midnight sun just rises above the
horizon, and sinks again;
Within me zones, seas, cataracts, plants, volcanoes, groups,
Malaysia, Polynesia, and the great West Indian islands.
What do you hear, Walt Whitman?
I hear the workman singing, and the farmer's wife singing;
I hear in the distance the sounds of children, and of animals early
in the day;
I hear quick rifle-cracks from the riflemen of East Tennessee and
Kentucky, hunting on hills;
I hear emulous shouts of Australians, pursuing the wild horse;
I hear the Spanish dance, with castanets, in the chestnut shade, to
the rebeck and guitar;
I hear continual echoes from the Thames;
I hear fierce French liberty songs;
I hear of the Italian boat-sculler the musical recitative of old
poems;
I hear the Virginia plantation-chorus of negroes, of a harvest night,
in the glare of pine-knots;
I hear the strong baritone of the 'long-shore-men of Mannahatta;
I hear the stevedores unlading the cargoes, and singing;
I hear the screams of the water-fowl of solitary north-west lakes;
I hear the rustling pattering of locusts, as they strike the grain
and grass with the showers of their terrible clouds;
I hear the Coptic refrain, toward sundown, pensively falling on the
[...] Read more
poem by Walt Whitman
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Hollywood
All night long
Hollywood
All night long
Youre saddle sore
And on the grind
Just pushed you a little bit more
Dont mind if I do
Its hollywood
Hot damn - hands in a jam
Never say cant
cause you know you can
In hollywood
Dont be mesmerized
What goes on here
Aint no surprise
As long as youll be cool
In hollywood
Oh, wee set the pace
Fill your nose
Despite your face
Theyll make you babylon
In hollywood
Now you see it
Now you dont
Someones gonna take it away
Now you see it
Now you wont
Every dog has its day
Oh wee I got the cools
A brand new car
And the family jewels
And they wont stop me now
In hollywood
Oh wee boogedy shoe
Got myself a new hairdo
Im makin it somehow
In hollywood
Now you see it
Now you dont
Someones gonna take it away
Now you see it
Now you wont
Every dog has its day
All night long
Hollywood
All night long
Hollywood
In time theyll build you up
And then theyll bring you down
Hollywood
[...] Read more
song performed by Aerosmith
Added by Lucian Velea
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Hollywood Movie Girls
(g. heideman)
Today I went out on a movie call
I saw a million nervous faces
I knew them all
Hollywood movie girls
Were all wearing our one good interview dress
The one showin our legs
Aah, were lookin our best
Now, who will be chosen for the screen test?
Its your guess
Hollywood movie girls
And each and every potential star
Drives home in the night in her economy car
Whoever thought home would be a one-room flat?
Well, as simple as that
Hollywood movie girls
Each morning up early to call on the phone
Agents, producers, oh, theyre never at home
Like door-to-door salesmen, we are selling ourselves
Ooh, nothing else
Hollywood movie girls
And each and every potential star
Drives home in the night in her economy car
Whoever thought home would be a one-room flat?
Well, as simple as that
Hollywood movie girls
And just about bedtime each one of us asks
Tell me, when will I make it to the big-time at last?
Oh, small parts youre offered
Aah, but those too shall pass
Nothing lasts
Hollywood movie girls
Yeah, and each and every potential star
Drives home in the night in her economy car
Whoever thought home would be a one-room flat?
Well, as simple as that
Hollywood movie girls
Oh, star light, star bright, wont you wish on me tonight?
Wish I may, wish I might
Shine your light for me
song performed by Dusty Springfield
Added by Lucian Velea
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The Rosciad
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.
Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
[...] Read more
poem by Charles Churchill
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator
Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!
It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!
Well,
Let others climb the heights o' the court, the camp!
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poem by Robert Browning from The Ring and the Book
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
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poem by Robert Browning from The Ring and the Book
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Hollywood
Written by christine mcvie and eddy quintela.
The bright lights of the city
Are starting to wear me down
And when I need you
You just cant be found
Loud days, endless nights
Are starting to make me crazy
And now youre gone
Theres nothing left for me
(hollywood)
I dont care for sunny weather
(aint that good)
I like the change of seasons better
(knock on wood)
I love the feel of rain upon my face
(for hollywood)
(hollywood)
No and I dont care if the snow comes down
(aint that good)
Kick the falling leaves around
(knock on wood)
Got to move to some other kind of town
(for hollywood)
Wonderful to know you
Great to know you cared
As I look back
At the crazy things weve shared
I was dazzled by the moonlight
Blinded by neon nights
And as I look back
It never could be right
(hollywood)
I dont care for sunny weather
(aint that good)
I like the change of seasons better
(knock on wood)
I love the feel of rain upon my face
(for hollywood)
(hollywood)
No and I dont care if the snow comes down
(aint that good)
Kick the falling leaves around
(knock on wood)
Got to move to some other kind of town
(for hollywood)
Well I was dazzled by the moonlight
Blinded by neon nights
And now I see
It never could be right
(hollywood)
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song performed by Fleetwood Mac
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
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poem by Robert Browning from The Ring and the Book
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Bishop Blougram's Apology
No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little—oh, they pay the price,
You take me—amply pay it! Now, we'll talk.
So, you despise me, Mr. Gigadibs.
No deprecation—nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?—truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
Truth's break of day! You do despise me then.
And if I say, "despise me"—never fear!
1 know you do not in a certain sense—
Not in my arm-chair, for example: here,
I well imagine you respect my place
(Status, entourage, worldly circumstance)
Quite to its value—very much indeed:
—Are up to the protesting eyes of you
In pride at being seated here for once—
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop—names me—that's enough:
"Blougram? I knew him"—(into it you slide)
"Dined with him once, a Corpus Christi Day,
All alone, we two; he's a clever man:
And after dinner—why, the wine you know—
Oh, there was wine, and good!—what with the wine . . .
'Faith, we began upon all sorts of talk!
He's no bad fellow, Blougram; he had seen
Something of mine he relished, some review:
He's quite above their humbug in his heart,
Half-said as much, indeed—the thing's his trade.
I warrant, Blougram's sceptical at times:
How otherwise? I liked him, I confess!"
Che che, my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.
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poem by Robert Browning from Men and Women (1855)
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus
Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—
Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse
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poem by Robert Browning from The Ring and the Book
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