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Isabella Rossellini

If we are completely honest with ourselves, everyone has a dark side to their personalities.

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Whistling In The Dark

A woman came up to me and said
Id like to poison your mind
With wrong ideas that appeal to you
Though I am not unkind
She looked at me, I looked at something
Written across her scalp
And these are the words that it faintly said
As I tried to call for help:
Theres only one thing that I know how to do well
And Ive often been told that you only can do
What you know how to do well
And thats be you,
Be what youre like,
Be like yourself,
And so Im having a wonderful time
But Id rather be whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Theres only one thing that I like
And that is whistling in the dark
A man came up to me and said
Id like to change your mind
By hitting it with a rock, he said,
Though I am not unkind.
We laughed at his little joke
And then I happily walked away
And hit my head on the wall of the jail
Where the two of us live today.
Theres only one thing that I know how to do well
And Ive often been told that you only can do
What you know how to do well
And thats be you,
Be what youre like,
Be like yourself,
And so Im having a wonderful time
But Id rather be whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Theres only one thing that I like
And that is whistling in the dark
Theres only one thing that I know how to do well
And Ive often been told that you only can do
What you know how to do well
And thats be you,

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Adrienne Vittadini

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Fingal - Book I

ARGUMENT.

Cuthullin (general of the Irish tribes, in the minority of Cormac, king of Ireland) sitting alone beneath a tree, at the gate of Tura, a castle of Ulster (the other chiefs having gone on a hunting party to Cromla, a neighboring hill,) is informed of the landing of Swaran, king of Lochlin, by Moran, the son of Fithil, one of his scouts. He convenes the chiefs; a council is held, and disputes run high about giving battle to the enemy. Connal, the petty king of Togorma, and an intimate friend of Cuthullin, was for retreating, till Fingal, king of those Caledonians who inhabited the north-west coast of Scotland, whose aid had been previously solicited, should arrive; but Calmar, the son of Matha, lord of Lara, a country in Connaught, was for engaging the enemy immediately. Cuthullin, of himself willing to fight, went into the opinion of Calmar. Marching towards the enemy, he missed three of his bravest heroes, Fergus, Duchômar, and Cáthba. Fergus arriving, tells Cuthullin of the death of the two other chiefs: which introduces the affecting episode of Morna, the daughter of Cormac. The army of Cuthullin is descried at a distance by Swaran, who sent the son of Arno to observe the motions of the enemy, while he himself ranged his forces in order of battle. The son of Arno returning to Swaran, describes to him Cuthullin's chariot, and the terrible appearance of that hero. The armies engage, but night coming on, leaves the victory undecided. Cuthullin, according to the hospitality of the times, sends to Swaran a formal invitation to a feast, by his bard Carril, the son of Kinfena. Swaran refuses to come. Carril relates to Cuthullin the story of Grudar and Brassolis. A party, by Connal's advice, is sent to observe the enemy; which closes the action of the first day.

CUTHULLIN sat by Tura's wall; by the tree of the rustling sound. His spear leaned against the rock. His shield lay on the grass by his side. Amid his thoughts of mighty Cairbar, a hero slain by the chief in war; the scout of ocean comes, Moran the son of Fithil!

"Arise," said the youth, "Cuthullin, arise. I see the ships of the north! Many, chief of men, are the foe. Many the heroes of the sea-borne Swaran!" — "Moran!" replied the blue-eyed chief "thou ever tremblest, son of Fithil! Thy fears have increased the foe. It is Fingal, king of deserts, with aid to green Erin of streams." — "I beheld their chief," says Moran, "tall as a glittering rock. His spear is a blasted pine. His shield the rising moon! He sat on the shore! like a cloud of mist on the silent hill! Many, chief of heroes! I said, many are our hands of war. Well art thou named, the mighty man; but many mighty men are seen from Tura's windy walls.

"He spoke, like a wave on a rock, 'Who in this land appears like me? Heroes stand not in my presence: they fall to earth from my hand. Who can meet Swaran in fight? Who but Fingal, king of Selma of storms? Once we wrestled on Malmor; our heels overturned the woods. Rocks fell from their place; rivulets, changing their course, fled murmuring from our side. Three days we renewed the strife; heroes stood at a distance and trembled. On the fourth, Fingal says, that the king of the ocean fell! but Swaran says he stood! Let dark Cuthullin yield to him, that is strong as the storms of his land!'

"No!" replied the blue-eyed chief, "I never yield to mortal man! Dark Cuthullin shall be great or dead! Go, son of Fithil, take my spear. Strike the sounding shield of Semo. It hangs at Tura's rustling gale. The sound of peace is not its voice! My heroes shall hear and obey." He went. He struck the bossy shield. The hills, the rocks reply. The sound spreads along the wood: deer start by the lake of roes. Curach leaps from the sounding rock! and Connal of the bloody spear! Crugal's breast of snow beats high. The son of Favi leaves the dark-brown hind. It is the shield of war, said Ronnart; the spear of Cuthullin, said Lugar! Son of the sea, put on thy arms! Calmar, lift thy sounding steel! Puno! dreadful hero, arise! Cairbar, from thy red tree of Cromla! Bend thy knee, O Eth! descend from the streams of Lena Caolt, stretch thy side as thou movest along the whistling heath of Mora: thy side that is white as the foam of the troubled sea, when the dark winds pour it on rocky Cuthon.

Now I behold the chiefs, in the pride of their former deeds! Their souls are kindled at the battles of old; at the actions of other times. Their eyes are flames of fire. They roll in search of the foes of the land. Their mighty hands are on their swords. Lightning pours from their sides of steel. They come like streams from the mountains; each rushes roaring from the hill. Bright are the chiefs of battle, in the armor of their fathers. Gloomy and dark, their heroes follow like the gathering of the rainy clouds behind the red meteors of heaven. The sounds of crashing arms ascend. The gray dogs howl between. Unequal bursts the song of battle. Rocking Cromla echoes round. On Lena's dusky heath they stand, like mist that shades the hills of autumn; when broken and dark it settles high, and lifts its head to heaven.

"Hail," said Cuthullin, "Sons of the narrow vales! hail, hunters of the deer! Another sport is drawing near: it is like the dark rolling of that wave on the coast! Or shall we fight, ye sons of war! or yield green Erin to Lochlin? O Connal! speak, thou first of men! thou breaker of the shields! thou hast often fought with Lochlin: wilt thou lift thy father's spear?"

"Cuthullin!" calm the chief replied, "the spear of Connal is keen. it delights to shine in battle, to mix with the blood of thousands. But though my hand is bent on fight, my heart is for the peace of Erin. Behold, thou first in Cormac's war, the sable fleet of Swaran. His masts are many on our coasts, like reeds on the lake of Lego. His ships are forests clothed with mists, when the trees yield by turns to the squally wind. Many are his chiefs in battle. Connal is for peace! Fingal would shun his arm, the first of mortal men! Fingal who scatters the mighty, as stormy winds the echoing Cona; and night settles with all her clouds on the hill!"

"Fly, thou man of peace!" said Colmar, "fly," said the son of Matha; "go, Connal, to thy silent hills, where the spear never brightens in war! Pursue the dark-brown deer of Cromla: stop with thine arrows the bounding roes of Lena. But blue-eyed son of Semo, Cuthullin, ruler of the field, scatter thou the Sons of Lochlin! roar through the ranks of their pride. Let no vessel of the kingdom of snow bound on the dark-rolling waves of Inistore. Rise, ye dark winds of Erin, rise! roar, whirlwinds of Lara of hinds! Amid the tempest let me die, torn, in a cloud, by angry ghosts of men; amid the tempest let Calmar die, if ever chase was sport to him, so much as the battle of shields!

"Calmar!" Connal slow replied, "I never fled, young son of Matha! I was swift with my friends in fight; but small is the fame of Connal! The battle was won in my presence! the valiant overcame! But, son of Semo, hear my voice, regard the ancient throne of Cormac. Give wealth and half the land for peace, till Fingal shall arrive on our coast. Or, if war be thy choice, I lift the sword and spear. My joy shall be in midst of thousands; my soul shall alighten through the gloom of the fight!"

"To me," Cuthullin replies, "pleasant is the noise of arms! pleasant as the thunder of heaven, before the shower of spring! But gather all the shining tribes, that I may view the sons of war! Let then pass along the heath, bright as the sunshine before a storm; when the west wind collects the clouds, and Morven echoes over all her oaks! But where are my friends in battle? the supporters of my arm in danger? Where art thou, white-bosomed Câthba? Where is that cloud in war, Duchômar? Hast thou left me, O Fergus! in the day of the storm? Fergus, first in our joy at the feast! son of Rossa! arm of death!

comest thou like a roe from Malmor? like a hart from thy echoing hills? Hall, thou son of Rossa! what shades the soul of war?"

"Four stones," replied the chief, "rise on the grave of Câthba. These hands have laid in earth Duchômar, that cloud in war! Câthba, son of Torman! thou wert a sunbeam in Erin. And thou, O valiant Duchômar! a mist of the marshy Lano; when it moves on the plains of autumn, bearing the death of thousands along. Morna! fairest of maids! calm is thy sleep in the cave of the rock! Thou hast fallen in darkness, like a star, that shoots across the desert; when the traveller is alone, and mourns the transient beam!"

"Say," said Semo's blue-eyed son, "say how fell the chiefs of Erin. Fell they by the sons of Lochlin, striving in the battle of heroes? Or what confines the strong in arms to the dark and narrow house?"

"Câthba," replied the hero, " fell by the sword of Duchômar at the oak of the noisy streams. Duchômar came to Tura's cave; he spoke to the lovely Morna. 'Morna, fairest among women, lovely daughter of strong-armed Cormac! Why in the circle of stones: in the cave of the rock alone? The stream murmurs along. The old tree groans in the wind. The lake is troubled before thee: dark are the clouds of the sky! But thou art snow on the heath; thy hair is the mist of Cromla; when it curls on the hill, when it shines to the beam of the west! Thy breasts are two smooth rocks seen from Branno of streams. Thy arms, like two white pillars in the halls of the great Fingal.'

"'From whence,' the fair-haired maid replied, 'from whence Duchômar, most gloomy of men? Dark are thy brows and terrible! Red are thy rolling eyes! Does Swaran appear on the sea? What of the foe, Duchômar?' 'From the hill I return, O Morna, from the hill of the dark-brown hinds. Three have I slain with my bended yew. Three with my long-bounding dogs of the chase. Lovely daughter of Cormac, I love thee as my soul: I have slain one stately deer for thee. High was his branchy head-and fleet his feet of wind.' 'Duchômar!' calm the maid replied, 'I love thee not, thou gloomy man! hard is thy heart of rock; dark is thy terrible brow. But Câthba, young son of Torman, thou art the love of Morna. Thou art a sunbeam, in the day of the gloomy storm. Sawest thou the son of Torman, lovely on the hill of his hinds? Here the daughter of Cormac waits the coming of Câthba!"

"'Long shall Morna wait,' Duchômar said, 'long shall Morna wait for Câthba! Behold this sword unsheathed! Here wanders the blood of Câthba. Long shall Morna wait. He fell by the stream of Branno. On Croma I will raise his tomb, daughter of blue-shielded Cormac! Turn on Duchômar thine eyes; his arm is strong as a storm.' 'Is the son of Torman fallen?' said the wildly-bursting voice of the maid; 'is he fallen on his echoing hills, the youth with the breast of snow? the first in the chase of hinds! the foe of the strangers of ocean! Thou art dark to me, Duchômar; cruel is thine arm to Morna! Give me that sword, my foe! I loved the wandering blood of Câthba!'

"He gave the sword to her tears. She pierced his manly breast! He fell, like the bank of a mountain stream, and stretching forth his hand, he spoke: 'Daughter of blue-shielded Cormac! Thou hast slain me in youth! the sword is cold in my breast! Morna; I feel it cold. Give me to Moina the maid. Duchômar was the dream of her night! She will raise my tomb; the hunter shall raise my fame. But draw the sword from my breast, Morna, the steel is cold!' She came, in all her tears she came; she drew the sword from his breast. He pierced her white side! He spread her fair locks on the ground! Her bursting blood sounds from her side: her white arm is stained with red. Rolling in death she lay. The cave re-echoed to her sighs."

"Peace," said Cuthullin, "to the souls of the heroes! their deeds were great in fight. Let them ride around me on clouds. Let them show their features of war. My soul shall then be firm in danger; mine arm like the thunder of heaven! But be thou on a moonbeam, O Morna! near the window of my rest; when my thoughts are of peace; when the din of arms is past. Gather the strength of the tribes! Move to the wars of Erin! Attend the car of my battles! Rejoice in the noise of my course! Place three spears by my side: follow the bounding of my steeds! that my soul may be strong in my friends, when battle darken around the beams of my steel!

As rushes a stream of foam from the dark shady deep of Cromla, when the thunder is traveling above, and dark-brown night sits on half the hill. Through the breaches of the tempest look forth the dim faces of ghosts. So fierce, so vast, so terrible rushed on the sons of Erin. The chief, like a whale of ocean, whom all his billows pursue, poured valor forth, as a stream, rolling his might along the shore. The sons of Lochlin heard the noise, as the sound of a winter storm. Swaran struck his bossy shield: he called the son of Arno. "What murmur rolls along the hill, like the gathered flies of the eve? The sons of Erin descend, or rustling winds roar in the distant wood! Such is the noise of Gormal, before the white tops of my waves arise. O son of Arno! ascend the hill; view the dark face of the heath!"

He went. He trembling swift returned. His eyes rolled wildly round. His heart beat high against his side. His words were faltering, broken, slow. "Arise, son of ocean, arise, chief of the dark-brown shields! I see the dark, the mountain-stream of battle! the deep. moving strength of the sons of Erin! the car of war comes on, like the flame of death! the rapid car of Cuthullin, the noble son of Semo! It bends behind like a wave near a rock; like a sun-streaked mist of the heath. Its sides are embossed with stones, and sparkle like the sea round the boat of night. Of polished yew is its beam; its seat of the smoothest bone. The sides are replenished with spears; the bottom is the foot-stool of heroes! Before the right side of the car is seen the snorting horse! the high-maned, broad-breasted, proud, wide-leaping strong steed of the hill. Loud and resounding is his hoof: the spreading of his mane above is like a stream of smoke on a ridge of rocks. Bright are the sides of his steed! his name Sulin-Sifadda!

"Before the left side of the car is seen the snorting horse! The thin-maned, high-headed, strong-hoofed fleet-bounding son of the hill: His name is Dusronnal, among the stormy sons of the sword! A thousand thongs bind the car on high. Hard polished bits shine in wreath of foam. Thin thongs, bright studded with gems, bend on the stately necks of the steeds. The steeds, that like wreaths of mist fly over the streamy vales! The wildness of deer is in their course, the strength of eagles descending on the prey. Their noise is like the blast of winter, on the sides of the snow-headed Gormal.

"Within the car is seen the chief; the strong-armed son of the sword. The hero's name is Cuthullin, son of Semo, king of shells. His red cheek is like my polished yew. The look of his blue-rolling eye is wide, beneath the dark arch of his brow. His hair flies from his head like a flame, as bending forward he wields the spear. Fly, king of ocean, fly! He comes, like a storm along the streamy vale!

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Honest Men

Were just a stones throw
From burning hellfire
Does anybody know,
Where did all the heroes go?
Weve had our fill of
This gallery of scoundrels,
The leaders of the world,
Those power hungry liars
Rise up and sound the sirens,
Send out the searching powers,
All we need is a few good men
Send the s.o.s. and red alerts
All across the universe
Calling your honest men?
S.o.s. emergency,
Sinking fast and getting worse.
Wheres your honest men?
In some village, far away,
Or in a little town pub.
High on a mountain top
There must be an honest man
Calling all honest men
Throw out the tyrants,
The aged fat cats
Outlived their usefulness
They have led us to this mess
Make them answer,
Hold them to their promises,
And throw them in the street
If they wont tell the truth
S.o.s. and red alert
All across the universe,
Calling all honest men
S.o.s. emergency,
Sinking fast and getting worse,
Wheres your honest men?
To your stations,
Man the ramparts,
The barricades
We need new heroes urgently
We need a few good honest men
Calling all honest men
Calling all honest men
Call to him
He lives next door,
Across the street
On the upper floor.
Its our only hope we need him now
Send the s.o.s. and red alert,
All across the universe,

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Death of Dusk

The sun resigns,
bleeds out the vestiges –
remnants of the day.

Exsanguination edges into twilight:
red-brown hangs;
upwards darkens:
blue-brown,
blue-black,
death-black,
disquiet – furtive,
like ghoul-ridden fog.

A sombre moon assumes its role,
gushing silver-white lymph upon the muted scape –
a prequel of supernatural undertones
to chill the scene,
ice the spine,
kill the brain –

we have unnerved the very firmament.

But now a shadow closing down the globe:
dinosaurian cloud shrouds the moon glaze,
claims the late hour –
declared in a dying crow caw.


I, the hidden owl
– nemesis of claustrophobic minds –
awake! for mammal flesh –
fresh, jerking out its warmth in dance of death.
Rock-still I perch in sculptured oneness
with my crooked night-tree,
emanating nocturnal allure.

Together we scowl
together we play the dark
upon the land and sky
and mind

while you lie as dead in your box.


Copyright © Mark R Slaughter 2010


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All You Ever Needed

( you got me wrong, completely wrong
You got me wrong, completely wrong )
I hope youre happy where you are
Youve been heading there for some time
Itsnot like you to complain
But then its not like you imagined
Life has changed but you shouldnt do
Ill remain the same around you
Dont be blind, look where youre coming from
Its all you ever needed
( you got me wrong, completely wrong )
You ll find fault with me warning you
Advice you should have heeded
( you got me wrong, completely wrong )
( you got me wrong, completely wrong completely wrong )
Over time you can find a way
Stop looking out for some sign
Theres a place now where you belong
Just to make it right in your mind
Im just trying to make you see
Youre the only one you have to be
Dont be blind, look where youre coming from
Its all you ever needed
( you got me wrong, completely wrong )
You ll find fault with me warning you
Advice you should have heeded
( you got me wrong, completely wrong )
( you got me wrong, completely wrong completely wrong )
Life has changed but you shouldnt do
Ill remain the same around you
( you got me wrong, completely wrong completely wrong )
You ll find fault with me warning you
Advice you should have heeded
( you got me wrong, completely wrong )
Dont be blind, look where youre coming from
Its all you ever needed
( you got me wrong, completely wrong )
You ll find fault with me warning you
Advice you should have heeded
( you got me wrong, completely wrong )
( you got me wrong, completely wrong )
( you got me wrong, completely wrong ) ...

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You, the Dark

Dark, She is the mind of yours.
Icy chill of thought becomes
A steely shimmer.
Behold a glimmer in the black -
A flash of grey, that even glows
In show against the hallowed dark of you.

And that is why you scream in jarring tones
'I have no heart for joy!
My white and brittle bones have died'
You cried in dark and fractured moans.

So now the Queen of Black you writhe,
Whence from dark of shade
That honed an evil form afar;
In curse of me you bade:

'I, the wave shall rape the shore!
Violence will there be in glares I'll throw
At all who prey, and more:
A dark and fetid sea I'll bleed.'

And now, the bitter tinge
And bleak of waste
That eyed the death of once your soul
Will here forever be!

Indeed you tell:
'The cramping pain is here!
Eternal spasm, infinite chasm,
The Devil's chaplain plays!
We'll climax in a tortured glee
As all my love decays.'


Copyright Mark R Slaughter 2009

Dark dark dark dark dark dark dark
Dark dark dark dark dark dark
Dark dark dark dark dark
Dark dark dark dark
Dark dark dark

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Dark

I wanna top the rose petals that whisper sweet
Come on
So dark, dark, so dark
So dark, dark, so dark
Inside lookin out my window
I dont see nothin but rain
Sun up in the sky just a shinin (just a shinin)
Still Im lost in my shadow of pain
Like an innocent man thats on death row
I dont understand what made u go
And wanna leave me baby
Leave me in the dark
Can u tell me, tell me?
U took my sex and my money (money)
Took all my self esteem, yes u did
U had the nerve 2 think it was funny (funny)
I never knew a bitch so mean, yes sir
U absolutely drove a man 2 tears
All I really know is that u sincerely
U wanna hurt me baby, oh yes u do
U wanna hurt me in the dark
(sunshine) somebody make the sun shine
(dark cloud) somebody take this dark cloud away
Just as sure as noah built the ark
Thats how sure
Thats how sure I am u broke my heart
How could u baby, leave me in the dark?
Baby, so dark
So dark, dark, so dark
Feel like the sun aint never gonna shine
U left me in the dark
So dark, dark, so dark
I dont know, I dont know why we ever had 2 part
Baby, cant see a damn thing out my window its so dark (so dark)
(so dark, dark, so dark)
Sometimes I want 2 curse the ground u walk on
Even when I know that everything u feel I feel it 2
I wanna curse u baby
U left me in the dark
And now I want 2, I wanna curse u baby
4 leavin me alone, alone, alone
U left me in the dark, yes u did
And now all I wanna say is
In the dark
Ow, u left me
Ow, u left me
Its like being on death row (in the dark)
I dont understand why u had 2 go
I dont understand why u (hurt me in the dark)
Dont understand why u (hurt me in the dark)

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Jack Honest, or the Widow and Her Son

Jack Honest was only eight years of age when his father died,
And by the death of his father, Mrs Honest was sorely tried;
And Jack was his father's only joy and pride,
And for honesty Jack couldn't be equalled in the country-side.

So a short time before Jack's father died,
'Twas loud and bitterly for Jack he cried,
And bade him sit down by his bedside,
And then told him to be honest whatever did betide.

John, he said, looking him earnestly in the face,
Never let your actions your name disgrace,
Remember, my dear boy, and do what's right,
And God will bless you by day and night.

Then Mr Honest bade his son farewell, and breathed his last,
While the hot tears from Jack's eyes fell thick and fast;
And the poor child did loudly sob and moan,
When he knew his father had left him and his mother alone.

So, as time wore on, Jack grew to be a fine boy,
And was to his mother a help and joy;
And, one evening, she said, Jack, you are my only prop,
I must tell you, dear, I'm thinking about opening a shop.

Oh! that's a capital thought, mother, cried Jack,
And to take care of the shop I won't be slack;
Then his mother said, Jackey, we will try this plan,
And look to God for his blessing, and do all we can.

So the widow opened the shop and succeeded very well,
But in a few months fresh troubles her befell--
Alas! poor Mrs Honest was of fever taken ill,
But Jack attended his mother with a kindly will.

But, for fear of catching the fever, her customers kept away,
And once more there wasn't enough money the rent to pay;
And in her difficulties Mrs Honest could form no plan to get out,
But God would help her, she had no doubt.

So, one afternoon, Mrs Honest sent Jack away
To a person that owed her some money, and told him not to stay,
But when he got there the person had fled,
And to return home without the money he was in dread.

So he saw a gentleman in a carriage driving along at a rapid rate,
And Jack ran forward to his mansion and opened the lodge-gate,
Then the gentleman opened his purse and gave him, as he thought, a shilling
For opening the lodge-gate so cleverly and so willing.

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So Dark

{remix of dark from come (1994)}
So dark, so dark (dark) {x2}
Inside lookin out my window
I dont see nothin but rain
Sun up in the sky just-a-shinin (just-a-shinin)
Still Im lost in my shadow of pain (mm-hmm)
Like an innocent man thats on death row
I dont understand what made u go
And wanna leave me, baby
Leave me in the dark
Can u tell me, tell me?
U took my sex and my money (money)
Took all my self-esteem, yes u did
U had the nerve 2 think it was funny (funny)
I never knew a bitch so mean, yes sir
U absolutely drove a man 2 tears
All I really know is that u sincerely
Wanna hurt me, baby
Oh, yes u do
U wanna hurt me in the dark
Sunshine - somebody make the sun shine
Dark cloud - somebody take this dark cloud away
Just as sure as noah built the ark (thats how sure)
Thats how sure I am u broke my heart
How could u, baby, leave me in the dark?
Baby, its so dark
So dark, so dark (dark)
Feel like the sun aint never gonna shine
U left me in the dark
So dark, so dark (dark)
I dont know, I dont know why we ever had 2 part
Baby, cant see a damn thing out my window, its so dark
So dark, so dark (dark)
Sometimes I want 2 curse the ground u walk on
Even when I know that everything u feel, I feel it 2
I wanna curse u, baby
Ooh, u left me in the dark
And now I want 2 curse u, baby (I wanna curse u, baby)
4 leavin me alone, alone, alone (u left me in the dark)
Oh, yes u did
And now all I wanna say is
In the dark
Ow! u left me {x2}
Its like being on death row (in the dark)
I dont understand why u had 2 go
I dont understand why u (hurt me in the dark)
Dont understand why u (hurt me in the dark)
Dont understand why u hurt me, hurt me, hurt me, hurt me here!
Just leave me (in the dark)
(in the dark)

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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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Temora - Book I

ARGUMENT.

Cairbar, the son of Borbar-duthul, lord of Atha, in Connaught, the most Potent chief of the race of the Fir-bolg, having murdered, at Temora, the royal palace, Cormac, the son of Artho, the young king of Ireland, usurped the throne. Cormac was lineally descended from Conar, the son of Trenmor, the great-grandfather of Fingal, king of those Caledonians who inhabited the western coast of Scotland. Fingal resented the behavior of Cairbar, and resolved to pass over into Ireland with an army, to re-establish the royal family on the Irish throne. Early intelligence of his designs coming to Cairbar, he assembled some of his tribes in Ulster, and at the same time ordered his brother Cathmor to follow him speedily with an army from Temora. Such was the situation of affairs when the Caledonian invaders appeared on the coast of Ulster.

The poem opens in the morning. Cairbar is represented as retired from the rest of the army, when one of his scouts brought him news of the landing of Fingal. He assembles a council of his chiefs. Foldath, the chief of Moma, haughtily despises the enemy; and is reprimanded warmly by Malthos. Cairbar, after hearing their debate, orders a feast to be prepared, to which, by his bard Olla, he invites Oscar, the son of Ossian; resolving to pick a quarrel with that hero, and so have some pretext for killing him. Oscar came to the feast; the quarrel happened; the followers of both fought, and Cairbar and Oscar fell by mutual wounds. The noise of the battle reached Fingal's army. The king came on to the relief of Oscar, and the Irish fell back to the army of Cathmor, who was advanced to the banks of the river Lubar, on the heath of Moi-lena. Fingal, after mourning over his grandson, ordered Ullin, the chief of his bards, to carry his body to Morven, to be there interred. Night coming on, Althan, the son of Conachar, relates to the king the particulars of the murder of Cormac. Fillan, the son of Fingal, is sent to observe the motions of Cathmor, by night, which concludes the action of the first day. The scene of this book is a plain, near the hill of Mora, which rose on the borders of the heath of Moi-lena in Ulster.

THE blue waves of Erin roll in light. The mountains are covered with day. Trees shake their dusky heads in the breeze. Gray torrents pour their noisy streams. Two green hills, with aged oaks, surround a narrow plain. The blue course of a stream is there. On its banks stood Cairbar of Atha. His spear supports the king: the red eye of his fear is sad. Cormac rises in his soul, with all his ghastly wounds. The gray form of the youth appears in darkness. Blood pours from his airy side. Cairbar thrice threw his spear on earth. Thrice he stroked his beard. His steps are short. He often stops. He tosses his sinewy arms. He is like a cloud in the desert, varying its form to every blast. The valleys are sad around, and fear, by turns, the shower! The king at length resumed his soul. He took his pointed spear. He turned his eye to Moi-lena. The scouts of blue ocean came. They came with steps of fear, and often looked behind. Cairbar knew that the mighty were near. He called his gloomy chiefs.

The sounding steps of his warriors came. They drew at once their swords. There Morlath stood with darkened face. Hidalla's long hair sighs in the wind. Red-haired Cormar bends on his spear, and rolls his sidelong-looking eyes. Wild is the look of Malthos, from beneath two shaggy brows. Foldath stands, like an oozy rock, that covers its dark sides with foam. His spear is like Slimora's fir, that meets the wind of heaven. His shield is marked with the strokes of battle. His red eye despises danger. These, and a thousand other chiefs, surrounded the king of Erin, when the scout of ocean came, Mor-annal, from streamy Moi-lena, His eyes hang forward from his face. His lips are trembling pale!

"Do the chiefs of Erin stand," he said, "silent as the grove of evening? Stand they, like a silent wood, and Fingal on the coast? Fingal, who is terrible in battle, the king of streamy Morven!" "Hast thou seen the warrior?" said Cairbar with a sigh. "Are his heroes many on the coast? Lifts he the spear of battle? or comes the king in peace?" "In peace be comes not, king of Erin; I have seen his forward spear. It is a meteor of death. The blood of thousands is on its steel. He came first to the shore, strong in the gray hair of age. Full rose his sinewy limbs, as he strode in his might. That sword is by his side, which gives no second wound. His shield is terrible, like the bloody moon, ascending through a storm. Then came Ossian, king of songs. Then Morni's son, the first of men. Connal leaps forward on his spear. Dermid spreads his dark-brown locks. Fillan bends his bow, the young hunter of streamy Moruth. But who is that before them, like the terrible course of a stream? It is the son of Ossian, bright between his locks! His long hair falls on his back. His dark brows are half enclosed in steel. His sword hangs loose on his side. His spear glitters as he moves. I fled from his terrible eyes, king of high Temora!"

"Then fly, thou feeble man," said Foldath's gloomy wrath. "Fly to the gray streams of thy land, son of the little soul! Have not I seen that Oscar? I beheld the chief in war. He is of the mighty in danger: but there are others who lift the spear. Erin has many sons as brave, king of Temora of groves. Let Foldath meet him in his strength. Let me stop this mighty stream. My spear is covered with blood. My shield is like the wall of Tura!"

"Shall Foldath alone meet the foe?" replied the dark-browed Malthos? "Are they not on our coast, like the waters of many streams? Are not these the chiefs who vanquished Swaran, when the sons of green Erin fled? Shall Foldath meet their bravest hero? Foldath of the heart of pride! Take the strength of the people! and let Malthos come. My sword is red with slaughter, but who has heard my words?"

"Sons of green Erin," said Hidalla, "let not Fingal hear your words. The foe might rejoice, and his arm be strong in the land. Ye are brave, O warriors! Ye are tempests in war. Ye are like storms, which meet the rocks without fear, and overturn the woods! But let us move in our strength, slow as a gathered cloud! Then shall the mighty tremble; the spear shall fall from the hand of the valiant. We see the cloud of death, they will say, while shadows fly over their face. Fingal will mourn in his age. He shall behold his flying fame. The steps of his chiefs will cease in Morven. The moss of years shall grow in Selma!"

Cairbar heard their words in silence, like the cloud of a shower: it stands dark on Cromla, till the lightning bursts its side. The valley gleams with heaven's flame; the spirits of the storm rejoice. So stood the silent king of Temora; at length his words broke forth. "Spread the feast on Moi-lena. Let my hundred bards attend. Thou red-haired Olla, take the harp of the king. Go to Oscar, chief of swords. Bid Oscar to our joy. To-day we feast and hear the song; to-morrow break the spears! Tell him that I have raised the tomb of Cathol; that bards gave his friend to the winds. Tell him that Cairbar has heard of his fame, at the stream of resounding Carun. Cathmor, my brother, is not here. He is not here with his thousands, and our arms are weak. Cathmor is a foe to strife at the feast! His soul is bright as that sun! But Cairbar must fight with Oscar, chiefs of woody Temora, His words for Cathol were many! the wrath of Cairbar burns! He shall fall on Moi-lena. My fame shall rise in blood!"

Their faces brightened round with joy. They spread over Moi-lena. The feast of shells is prepared. The songs of bards arise. The chiefs of Selma heard their joy. We thought that mighty Cathmor came. Cathmor, the friend of strangers! the brother of red-haired Cairbar. Their souls were not the same. The light of heaven was in the bosom of Cathmor. His towers rose on the banks of Atha: seven paths led to his halls. Seven chiefs stood on the paths, and called the stranger to the feast! But Cathmor dwelt in the wood, to shun the voice of praise!

Olla came with his songs. Oscar went to Cairbar's feast. Three hundred warriors strode along Moi-lena of the streams. The gray dogs bounded on the heath: their howling reached afar. Fingal saw the departing hero. The soul of the king was sad. He dreaded Cairbar's gloomy thoughts, amidst the feast of shells. My son raised high the spear of Cormac. A hundred bards met him with songs. Cairbar concealed, with smiles, the death that was dark in his soul. The feast is spread. The shells resound. Joy brightens the face of the host. But it was like the parting beam of the sun, when he is to hide his red head in a storm!

Cairbar rises in his arms. Darkness gathers on his brow. The hundred harps cease at once. The clang of shields is heard. Far distant on the heath Olla raised a song of wo. My son knew the sign of death; and rising seized his spear. "Oscar," said the dark-red Cairbar, "I behold the spear of Erin. The spear of Temora glitters in thy hand, son of woody Morven! It was the pride of a hundred kings. The death of heroes of old. Yield it, son of Ossian, yield it to car-borne Cairbar!"

"Shall I yield," Oscar replied, "the gift of Erin's injured king; the gift of fair-haired Cormac, when Oscar scattered his foes? I came to Cormac's halls of joy, when Swaran fled from Fingal. Gladness rose in the face of youth. He gave the spear of Temora. Nor did he give it to the feeble: neither to the weak in soul. The darkness of thy face is no storm to me: nor are thine eyes the flame of death. Do I fear thy clanging shield? Tremble I at Olla's song? No Cairbar, frighten the feeble; Oscar is a rock!"

"Wilt thou not yield the spear?" replied the rising pride of Cairbar." Are thy words so mighty, because Fingal is near? Fingal with aged locks, from Morven's hundred groves! He has fought with little men. But he must vanish before Cairbar, like a thin pillar of mist before the winds of Atha!" — "Were he who fought with little men, near Atha's haughty chief, Atha's chief would yield green Erin to avoid his rage! Speak not of the mighty, O Cairbar! Turn thy sword on me. Our strength is equal: but Fingal is renowned! the first of mortal men!"

Their people saw the darkening chiefs. Their crowding steps are heard. Their eyes roll in fire. A thousand swords are half unsheathed. Red-haired Olla raised the song of battle. The trembling joy of Oscar's soul arose: the wonted joy of his soul when Fingal's horn was heard. Dark as the swelling wave of ocean before the rising winds, when it bends its head near the coast, came on the host of Cairbar!

Daughter of Toscar! why that tear? He is not fallen yet. Many were the deaths of his arm before my hero fell!

Behold they fall before my son, like groves in the desert; when an angry ghost rushes through night, and takes their green heads in his hand! Morlath falls. Maronnan dies. Conachar trembles in his blood. Cairbar shrinks before Oscar's sword! He creeps in darkness behind a stone. He lifts the spear in secret, he pierces my Oscar's side! He falls forward on his shield, his knee sustains the chief. But still his spear is in his hand! See, gloomy Cairbar falls! The steel pierced his forehead, and divided his red hair behind. He lay like a shattered rock, which Cromla shakes from its shaggy side, when the green-valleyed Erin shakes its mountains from sea to sea!

But never more shall Oscar rise! He leans on his bossy shield. His spear is in his terrible hand. Erin's sons stand distant and dark. Their shouts arise, like crowded streams. Moi-lena echoes wide. Fingal heard the sound. He took the spear of Selma. His steps are before us on the heath. He spoke the words of wo. "I hear the noise of war. Young Oscar is alone. Rise, sons of Morven: join the hero's sword!"

Ossian rushed along the heath. Fillan bounded over Moi-lena. Fingal strode in his strength. The light of his shield is terrible. The sons of Erin saw it far distant. They trembled in their souls. They knew that the wrath of the king arose: and they foresaw their death. We first arrived. We fought. Erin's chiefs withstood our rage. But when the king came, in the sound of his course, what heart of steel could stand? Erin fled over Moi-lena. Death pursued their flight. We saw Oscar on his shield. We saw his blood around. Silence darkened on every face. Each turned his back and wept. The king strove to hide his tears. His gray beard whistled in the wind. He bends his head above the chief. His words are mixed with sighs.

"Art thou fallen, O Oscar! in the midst of thy course? the heart of the aged beats over thee! He sees thy coming wars! The wars which ought to come he sees! They are cut off from thy fame! When shall joy dwell at Selma? When shall grief depart from Morven? My sons fall by degrees: Fingal is the last of his race. My fame begins to pass away. Mine age will be without friends. I shall sit a gray cloud in my hall. I shall not hear the return of a son, in his sounding arms. Weep, ye heroes of Morven! never more shall Oscar rise!"

And they did weep, O Fingal! Dear was the hero to their souls. He went out to battle, and the foes vanished. He returned in peace, amidst their joy. No father mourned his son slain in youth: no brother his brother of love. They fell without tears, for the chief of the people is low! Bran is howling at his feet: gloomy Luath is sad; for he had often led them to the chase; to the bounding roe of the desert!

When Oscar saw his friends around, his heaving breast arose. "The groans," he said, "of aged chiefs; the howling of my dogs; the sudden bursts of the song of grief, have melted Oscar's soul. My soul, that never melted before. It was like the steel of my sword. Ossian, carry me to my hills! Raise the stones of my renown. Place the horn of a deer: place my sword by my side; The torrent hereafter may raise the earth: the hunter may find the steel, and say, 'This has been Oscar's sword, the pride of other years!'" "Fallest thou, son of my fame? shall I never see thee, Oscar? When others hear of their sons, shall I not hear of thee? The moss is on thy four gray stones. The mournful wind is there. The battle shall be fought without thee. Thou shalt not pursue the dark-brown hinds. When the warrior returns from battles, and tells of other lands; 'I have seen a tomb,' he will say, 'by the roaring stream, the dark dwelling of a chief. He fell by car-borne Oscar, the first of mortal men.' I, perhaps, shall hear his voice. A beam of joy will rise in my soul."

Night would have descended in sorrow, and morning returned in the shadow of grief. Our chiefs would have stood, like cold-dropping rocks on Moi-lena, and have forgot the war; did not the king disperse his grief, and raise his mighty voice. The chiefs, as new-wakened from dreams, lift up their heads around.

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Dulcimer Stomp / The Other Side

Aerosmith
Dulcimer Stomp/The Other Side
come on
lovin' you has got to be
(take me to the other side)
like the devil and the deep blue sea
(take me to the other side)
forget about your foolish pride
(take me to the other side)
oh take me to the other side
(take me to the other side)
my mama told me there'd be days like this
and man she wasn't foolin'
'cause I just can't believe the way you kiss
uh huh
you opened up your mouth with baited breath
you said you'd never leave me
you love me, you hate me, I tried to take the loss
you're cryin' me a river but I got to get across
lovin' you has got to be
(take me to the other side)
like the devil and the deep blue sea
(take me to the other side)
forget about your foolish pride
(take me to the other side)
oh take me to the other side
(take me to the other side)
I'm lookin' for another kind of love
oh lordy how I need it
the kind that likes to leap without a shove
oh honey, best believe it
to save a lot of time and foolish pride
I'll say what's on my mind, girl
you loved me, you hate me, you cut me down to size
you blinded me with love and yeah it opened up my eyes
lovin' you has got to be
(take me to the other side)
like the devil and the deep blue sea
(take me to the other side)
my conscience got to be my guide
(take me to the other side)
oh honey take me, take take take take take ow
take me to the other side
I'm lookin' for another kind of love
oh lordy how I need it
the kind that likes to leap without a shove
honey, you best believe it
now I ain't one for sayin' long goodbyes
I hope all is forgiven
you loved me, you hate me, I used to be your lover

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Feast Of The Assumption

Dark! Dark! Dark!
The sun is set; the day is dead:
Thy Feast has fled;
My eyes are wet with tears unshed;
I bow my head;
Where the star-fringed shadows softly sway
I bend my knee,
And, like a homesick child, I pray,
Mary, to thee.

Dark! Dark! Dark!
And, all the day -- since white-robed priest
In farthest East,
In dawn's first ray -- began the Feast,
I -- I the least --
Thy least, and last, and lowest child,
I called on thee!
Virgin! didst hear? my words were wild;
Didst think of me?

Dark! Dark! Dark!
Alas! and no! The angels bright,
With wings as white
As a dream of snow in love and light,
Flashed on thy sight;
They shone like stars around thee, Queen!
I knelt afar --
A shadow only dims the scene
Where shines a star!

Dark! Dark! Dark!
And all day long, beyond the sky,
Sweet, pure, and high,
The angel's song swept sounding by
Triumphantly;
And when such music filled thy ear,
Rose round thy throne,
How could I hope that thou wouldst hear
My far, faint moan?

Dark! Dark! Dark!
And all day long, where altars stand,
Or poor or grand,
A countless throng from every land,
With lifted hand,
Winged hymns to thee from sorrow's vale
In glad acclaim;
How couldst thou hear my lone lips wail
Thy sweet, pure name?

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Crouchin’ On The Outside

One two three four five six seven eight hey baby you're a little too late
I'm standin' on the outside lookin' in at you on the inside
Lookin' out at me on the outside lookin' in
Through the window of my madness at a place I never been
And you say you understand just what my trouble's all about
But you're sitting on the inside playing on the win side
While I'm freezing on the outside in the what's-it-all-about side
Lookin' in at you on the inside looking out

One two three four five six seven eight hey Jim let's talk about hate
I'm walkin' on the white side lookin' 'round at you on the brown side
Lookin' back at him on the black side lookin' down
And we're mouthin' words of freedom but we don't make any sound
And we clasp our hands in brotherhood and then go wash our hands
While you're stayin' on the brown side on the go-ahead-and-put-me-down side
While I'm standin' on the white side on the got-me-way-up-tight side
Lookin' back at him on the black side lookin' back

One two three four five six seven eight hey Claude don't bother to wait
You're cruisin' on the gay side lookin' straight at me on the straight side
Lookin' way at you on the gay side lookin' straight
And you're screamin' from the rooftops bout the pleasures that won't wait
And your closet's full of queenly gowns for extra special dates
And you're campin' on the gay side on the c'mon-out-and-play side
While I'm over on the trick side on the got-to-find-a-chick side
Lookin' way at you on the gay side lookin' straight
One two four seven nine eight twelve fifteen nineteen eighteen ninety-nine twenty-four else
[ sax ]
One two three four five six seven eight hey Miss hallucinate
You're boppin' on the hip side laughin' at me on the flip side
Chasin' after you on the hip side losin' my grip
And you're walkin' on a tightrope and you're tryin' not to slip
And you say you found out where it's at and give it all a try
So you're groovin' on the hip side in the come-and-take-a-trip side
I'm movin' on the square side in the show-me-when-and-where side
Chasin' after you on the hip side lookin' high
Lookin' at you on the hip side lookin' out yeah
Lookin' at you on the flip side lookin' back

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The Undying One' - Canto I

MOONLIGHT is o'er the dim and heaving sea,--
Moonlight is on the mountain's frowning brow,
And by their silvery fountains merrily
The maids of Castaly are dancing now.
Young hearts, bright eyes, and rosy lips are there,
And fairy steps, and light and laughing voices,
Ringing like welcome music through the air--
A sound at which the untroubled heart rejoices.
But there are hearts o'er which that dancing measure
Heavily falls!
And there are ears to which the voice of pleasure
Still vainly calls !
There's not a scene on earth so full of lightness
That withering care
Sleeps not beneath the flowers, and turns their brightness
To dark despair!

Oh! Earth, dim Earth, thou canst not be our home;
Or wherefore look we still for joys to come?
The fairy steps are flown--the scene is still--
Nought mingles with the murmuring of the rill.
Nay, hush! it is a sound--a sigh--again!
It is a human voice--the voice of pain.
And beautiful is she, who sighs alone
Now that her young and playful mates are gone:
The dim moon, shining on her statue face,
Gives it a mournful and unearthly grace;
And she hath bent her gentle knee to earth;
And she hath raised her meek sad eyes to heaven--
As if in such a breast sin could have birth,
She clasps her hands, and sues to be forgiven.
Her prayer is over; but her anxious glance
Into the blue transparency of night
Seems as it fain would read the book of chance,
And fix the future hours, dark or bright.
A slow and heavy footstep strikes her ear--
What ails the gentle maiden?--Is it fear?
Lo! she hath lightly raised her from the ground,
And turn'd her small and stag-like head around;
Her pale cheek paler, and her lips apart,
Her bosom heaving o'er her beating heart:
And see, those thin white hands she raises now
To press the throbbing fever from her brow--

In vain--in vain! for never more shall rest
Find place in that young, fair, but erring breast!
He stands before her now--and who is he
Into whose outspread arms confidingly
She flings her fairy self?--Unlike the forms
That woo and win a woman's love--the storms

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Fingal - Book V

ARGUMENT.

Cuthullin and Connal still remain on the hill. Fingal and Swaran meet: the combat is described. Swaran is overcome, bound, and delivered over as a prisoner to the care of Ossian, and Gaul, the son of Morni; Fingal, his younger sons and Oscar still pursue the enemy. The episode of Orla, a chief of Lochlin, who was mortally wounded in the battle, is introduced. Fingal, touched with the death of Orla, orders the pursuit to be discontinued; and calling his sons together, he is informed that Ryno, the youngest of them, was slain. He laments his death, hears the story of Lamderg and Gelchossa, and returns towards the place where he had left Swaran. Carril, who had been sent by Cuthullin to congratulate Fingal on his victory, comes in the mean time to Ossian. The conversation of the two poets closes the action of the fourth day.

On Cromla's resounding side Connal spoke to the chief of the noble car. Why that gloom, son of Semo? Our friends are the mighty in fight. Renowned art thou, O warrior! many were the deaths of thy steel. Often has Bragéla met, with blue-rolling eyes of joy: often has she met her hero returning in the midst of the valiant, when his sword was red with slaughter, when his foes were silent in the fields of the tomb. Pleasant to her ears were thy bards, when thy deeds, arose in song.

But behold the king of Morven! He moves, below, like a pillar of fire. His strength is like the stream of Lubar, or the wind of the echoing Cromla, when the branchy forests of night are torn from all their rocks. Happy are thy people, O Fingal! thine arm shall finish their wars. Thou art the first in their dangers: the wisest in the days of their peace. Thou speakest, and thy thousands obey: armies tremble at the sound of thy steel. Happy are thy people, O Fingal! king of resounding Selma. Who is that so dark and terrible coming in the thunder of his course? who but Starno's son, to meet the king of Morven? Behold the battle of the chiefs! it is the storm of the ocean, when two spirits meet far distant, and contend for the rolling of waves. The hunter hears the noise on his bill. He sees the high billows advancing to Ardven's shore.

Such were the words of Connal when the heroes met in fight. There was the clang of arms! there every blow, like the hundred hammers of the furnace! Terrible is the battle of the kings; dreadful the look of their eyes. Their dark-brown shields are cleft in twain. Their steel flies, broken, from their helms. They fling their weapons down. Each rushes to his hero's grasp; their sinewy arms bend round each other: they turn from side to side, and strain and stretch their large-spreading limbs below. But when the pride of their strength arose they shook the hill with their heels. Rocks tumble from their places on high; the green-headed bushes are overturned. At length the strength of Swaran fell; the king of the groves is bound. Thus have I seen on Cona; but Cona I behold no more! thus have I seen two dark hills removed from their place by the strength of their bursting stream. They turn from side to side in their fall; their tall oaks meet one another on high. Then they tumble together with all their rocks and trees. The streams are turned by their side. The red ruin is seen afar.

"Sons of distant Morven, "said Fingal, "guard the king of Lochlin. He is strong as his thousand waves. His hand is taught to war. His race is of the times of old. Gaul, thou first of my heroes; Ossian, king of songs attend. He is the friend of Agandecca; raise to joy his grief. But Oscar, Fillan, and Ryno, ye children of the race, pursue Lochlin over Lena, that no vessel may hereafter bound on the dark-rolling waves of Inistore."

They flew sudden across the heath. He slowly moved, like a cloud of thunder, when the sultry plain of summer is silent and dark. His sword is before him as a sunbeam; terrible as the streaming meteor of night. He came towards a chief of Lochlin. He spoke to the son of the wave. — "Who is that so dark and sad, at the rock of the roaring stream? He cannot bound over its course. How stately is the chief! His bossy shield is on his side; his spear like the tree f the desert. Youth of the dark-red hair, art thou of the foes of Fingal?"

"I am a son of Lochlin," he cries; "strong is my arm in war. My spouse is weeping at home. Orla shall never return!" "Or fights or yields the hero?" said Fingal of the noble deeds; "foes do not conquer in my presence: my friends are renowned in the hall. Son of the wave, follow me: partake the feast of my shells: pursue the deer of my desert: be thou the friend of Fingal." "No," said the hero: "I assist the feeble. My strength is with the weak in arms. My sword has been always unmatched, O warrior! let the king of Morven yield!" "I never yielded, Orla. Fingal never yielded to man. Draw thy sword, and choose thy foe. Many are my heroes!"

"Does then the king refuse the fight?" said Orla of the dark-brown shield. "Fingal is a match for Orla; and he alone of all his race! But, king of Morven, if I shall fall, as one time the warrior must die; raise my tomb in the midst: let it be the greatest on Lena. Send over the dark-blue wave, the sword of Orla to the spouse of his love, that she may show it to her son, with tears to kindle his soul to war." "Son of the mournful tale," said Fingal, "why dost thou awaken my tears! One day the warriors must die, and the children see their useless arms in the hall. But, Orla, thy tomb shall rise. Thy white-bosomed spouse shall weep over thy sword."

They fought on the heath of Lena. Feeble was the arm of Orla. The sword of Fingal descended, and cleft his shield in twain. It fell and glittered on the ground, as the moon on the ruffled stream. "King of Morven," said the hero, "lift thy sword and pierce my breast. Wounded and faint from battle, my friends have left me here. The mournful tale shall come to my love on the banks of the streamy Lota, when she is alone in the wood, and the rustling blast in the leaves!"

"No," said the king of Morven: "I will never wound thee, Orla. On the banks of Lota let her see thee, escaped from the hands of war. Let thy gray-haired father, who, perhaps, is blind with age, let him hear the sound of thy voice, and brighten within his hall. With joy let the hero rise, and search for the son with his hands!" "But never will he find him, Fingal," said the youth of the streamy Lota: "on Lena's heath I must die: foreign bards shall talk of me. My broad belt covers my wound of death. I give it to the wind!"

The dark blood poured from his side; he fell pale on the heath of Lena. Fingal bent over him as he died, and. called his younger chiefs. "Oscar and Fillan, my sons, raise high the memory of Orla. Here let the dark-haired hero rest, far from the spouse of his love. Here let him rest in his narrow house, far from the sound of Lota. The feeble will find his bow at home, but will not be able to bend it. His faithful dogs howl on his hills; his boars which he used to pursue, rejoice. Fallen is the arm of battle! the mighty among the valiant is low! Exalt the voice, and blow the horn, ye sons of the king of Morven! Let us go back to Swaran, to send the night away in song. Fillan, Oscar, and Ryno, fly over the heath of Lena. Where, Ryno, art thou, young son of fame? thou art not wont to be the last to answer thy father's voice!"

"Ryno," said Ullin, first of bards, "is with the awful forms of his fathers. With Trathal, king of shields; with Trenmor of mighty deeds. The youth is low, the youth is pale, he lies on Lena's heath!" "Fell the swiftest of the race," said the king, "the first to bend the bow? Thou scarce hast been known to me! Why did young Ryno fall? But sleep thou softly on Lena; Fingal shall soon behold thee. Soon shall my voice be heard no more, and my footsteps cease to be seen. The bards will tell of Fingal's name. The stones will talk of me. But, Ryno, thou art low, indeed: thou hast not received thy fame. Ullin, strike the harp for Ryno; tell what the chief would have been. Farewell, thou first in every field. No more shall I direct thy dart. Thou that hast been so fair! I behold thee not. Farewell." The tear is on the cheek of the king, for terrible was his son in war. His son that was like a beam of fire by night on a hill, when the forests sink down in its course, and the traveller trembles at the sound. But the winds drive it beyond the steep. It sinks from sight, and darkness prevails.

"Whose fame is in that dark-green tomb?" began the king of generous shells: "four stones with their heads of moss stand there. They mark the narrow house of death. Near it let Ryno rest. A neighbor to the brave let him lie. Some chief of fame is here, to fly with my son on clouds. O Ullin! raise the songs of old. Awake their memory in their tomb. If in the field they never fled, my son shall rest by their side. He shall rest, far distant from Morven, on Lena's resounding plains."

"Here," said the bard of song, "here rest the first of heroes. Silent is Lamderg in this place, dumb is Ullin, king of swords. And who, soft smiling from her cloud, shows me her face of love? Why, daughter, why so pale art thou, first of the maids of Cromla? Dost thou sleep with the foes in battle, white-bosomed daughter of Tuathal? Thou hast been the love of thousands, but Lamderg was thy love. He came to Tura's mossy towers, and striking his dark buckler, spoke: 'Where is Gelchossa, my love, the daughter of the noble Tuathal? I left her in the hall of Tura, when I fought with the great Ulfada. Return soon, O Lamderg! she said, for here I sit in grief. Her white breast rose with sighs. Her cheek was wet with tears. But I see her not coming to meet me to soothe my soul after war. Silent is the hull of my joy. I near not the voice of the bard. Bran does not shake his chains at the gate, glad at the coming of Lamderg. Where is Gelchossa, my love, the mild daughter of generous Tuathal?'

"'Lamderg,' says Ferchios, son of Aidon, 'Gelchossa moves stately on Cromla. She and the maids of the bow pursue the flying deer!' 'Ferchios!' replied the chief of Cromla, 'no noise meets the ear of Lamderg! No sound is in the woods of Lena. No deer fly in my sight. No panting dog pursues. I see not Gelchossa, my love, fair as the full moon setting on the hills.. Go, Ferchios, go to Allad, the gray-haired son of the rock. His dwelling is in the circle of stones He may know of the bright Gelchossa!'

"The son of Aidon went. He spoke to the ear of age. 'Allad, dweller of rocks, thou that tremblest alone, what saw thine eyes of age?' 'I saw,' answered Allad the old, 'Ullin the son of Cairbar. He came, in darkness, from Cromla. He hummed a surly song, like a blast in a leafless wood. He entered the hall of Tura. "Lamderg," he said, "most dreadful of men, fight or yield to Ullin." "Lamderg," replied Gelchossa, "the son of battle is not here. He fights Ulfada, mighty chief. He is not here, thou first of men! But Lamderg never yields. He will fight the son of Cairbar!" "Lovely thou," said terrible Ullin, "daughter of the generous Tuathal. I carry thee to Cairbar's halls. The valiant shall have Gelchossa. Three days I remain on Cromla, to wait that son of battle, Lamderg. On the fourth Gelchossa is mine, if the mighty Lamderg flies."'

"'Allad,' said the chief of Cromla, 'peace to thy dreams in the cave! Ferchios, sound the horn of Lamderg, that Ullin may hear in his halls.' Lamderg, like a roaring storm ascended the hill from Tura. He hummed a surly song as he went, like the noise of a falling stream. He darkly stood upon the hill, like a cloud varying its form to the wind. He rolled a stone, the sign of war. Ullin heard in Cairbar's hall. The hero heard, with joy, his foe. He took his father's spear. A smile brightens his dark-brown cheek, as he places his sword by his side. The dagger glittered in his hand, he whistled as he went.

"Gelchossa saw the silent chief, as a wreath of mist ascending the hill. She struck her white and heaving breast; and silent, tearful, feared for Lamderg. 'Cairbar, hoary chief of shells,' said the maid of the tender hand, 'I must bend the bow on Cromla. I see the dark-brown hinds.' She hasted up the hill. In vain the gloomy heroes fought. Why should I tell to Selma's king how wrathful heroes fight? Fierce Ullin fell. Young Lamderg came, all pale, to the daughter of generous Tuathal! 'What blood, my love;' she trembling said, 'what blood runs down my warrior's side?' ' It is Ullin's blood,' the chief replied, 'thou fairer than the snow! Gelchossa, let me rest here a little while.' The mighty Lamderg died! 'And sleepest thou so soon on earth, O chief of shady Tura?' Three days she mourned beside her love. The hunters found her cold. They raised this tomb above the three. Thy son, O king of Morven, may rest here with heroes!"

"And here my son shall rest," said Fingal. "The voice of their fame is in mine ears. Fillan and Fergus, bring hither Orla, the pale youth of the stream of Lota! not unequalled shall Ryno lie in earth, when Orla is by his side. Weep, ye daughters of Morven! ye maids of the streamy Lota, weep! Like a tree they grew on the hills. They have fallen like the oak of the desert, when it lies across a stream, and withers in the wind. Oscar, chief of every youth, thou seest how they have fallen. Be thou like them on earth renowned. Like them the song of bards. Terrible were their forms in battle; but calm was Ryno in the days of peace. He was like the bow of the shower seen far distant on the stream, when the sun is setting on Mora, when silence dwells on the hill of deer. Rest, youngest of my sons! rest, O Ryno! on Lena. We too shall be no more. Warriors one day must fall!"

Such was thy grief, thou king of swords, when Ryno lay on earth. What must the grief of Ossian be, for thou thyself art gone! I hear not thy distant voice on Cona. My eyes perceive thee not. Often forlorn and dark I sit at thy tomb, and feel it with my hands. When I think I hear thy voice, it is but the passing blast. Fingal has long since fallen asleep, the ruler of the war!

Then Gaul and Ossian sat with Swaran, on the soft green banks of Lubar. I touched the harp to please the king; but gloomy was his brow. He rolled his red eyes towards Lena. The hero mourned his host. I raised mine eyes to Cromla's brow. I saw the son of generous Semo. Sad and slow he retired from his hilt, towards the lonely cave of Tura. He saw Fingal victorious, and mixed his joy with grief. The sun is bright on his armor. Connal slowly strode behind. They sunk behind the hill, like two pillars of the fire of night, when winds pursue them over the mountain, and the flaming death resounds! Beside a stream of roaring foam his cave is in a rock. One tree bends above it. The rushing winds echo against its sides. Here rests the chief of Erin, the son of generous Semo. His thoughts are on the battles he lost. The tear is on his cheek. He mourned the departure of his fame, that fled like the mist of Cona. O Bragéla! thou art too far remote to cheer the soul of the hero. But let him see thy bright form in his mind, that his thoughts may return to the lonely sunbeam of his love!

Who comes with the locks of age? It is the son of songs. "Hail, Carril of other times! Thy voice is like the harp in the halls of Tura. Thy words are pleasant as the shower which falls on the sunny field. Carril of the times of old, why comest thou from the son of the generous Semo?"

"Ossian, king of swords," replied the bard, "thou best canst raise the song. Long hast thou been known to Carril, thou ruler of war! Often have I touched the harp to lovely Everallin. Thou too hast often joined my voice in Branno's hall of generous shells. And often, amidst our voices, was heard the mildest Everallin. One day she sung of Cormac's fall, the youth who died for her love. I saw the tears on her cheek, and on thine, thou chief of men. Her soul was touched for the unhappy, though she loved him not. How fair among a thousand maids was the daughter of generous Branno!"

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