Highly Evolved Society
In a highly evolved society,
all work for the common good,
everyone shares it’s understood.
No crooked deals or lies of deceit,
every thing is out in the open, it has to be.
For in this Dimension all things are Known,
you can’t hurt another human and then go straight home.
Written by Christina Sunrise on December 1,2011
poem by Christina Sunrise
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Related quotes
The Holocaust Files & Other Theme Poems
Theme: Love Poems (various forms of love,10 poems only)
*any theme category may be extended upon reader interest and requests
A Family Blessing
Changing Scene
For Our Loved Ones
Look Across Time
Memory Of A Lover
My Love
Single Red Ribbon
Snowpowder
Song Of My Love
True Love
The Holocaust Files: (32 poems) are a work in process and this reference will be removed upon completion. This is a collection of holocaust related poems to give voice to the 12 million killed, tortured and enslaved by the SS during World War II. The Poles, Romani and Slavic victims who are sometimes overlooked in brief reviews or marginalized, will hopefully have a poem as their voice by the completion of this project. The poems will ease into and out of the full extent of this horror, to contrast kaleidoscopic images of the holocaust in tribute to the slaughtered, and may provide a differing overview of Nazi Ideology to address succinct examples of how and why in historical perspective. (Historical optional background notes, have been added below some poems to assist in this purpose.)
The cruelty of topic material in some of the main poems may shock or offend innocent readers. Looking up pictorial images of these events is not advised for children.
The poems should be read in the order listed below: -
A Vibrant Life 18.5.2010
Appeasement For Adolf Hitler 15&16.10.2010
Indomitable Will To Survive 12.7.2010
Holocaust Latvia Begins 30.5.2012
Nazi Death Squads Enter Eastern Europe 29.5.2012
SS Single Shot Executioners 28.5.2012
Legal Genocide Committed On Industrial Scale 16.10.2010
Stone Cross Prologue 85 87
Stone Cross 85 87
Hitler's Holocaust Product Of A Demonic Mind 1987
When Satanic Power Ruled A Third Reich 1987
Blind Neo-Nazi Nationalism Hitler's New World Order 1987
How Evil Regenerates Perpetuates 1987
Nazi Evolution Vile Carbon Monoxide Gas To Zyklon-B 1987
Indictment Against Entire Nations 1987
An Image Of The Beast Rules
Fallen Nation Transformation 1987
Cartoon Caricature Of The Master Race 17.5.2010
The SS Who Will You Kill 17.5.2010
Classic Dance Steps 17.2.1989
Peaked Cap; Skull-And-Crossbones Badge 17&18.3.2010
A Moral Civilized World 17.3.2010
The Death Of Adolf Hitler's Personal Physican 17.5.2010
Dagmar Topf A Defence Of Family Ovens 17&18.3.2010
Not To Be Written 7.5.2010
Struck Down With A Thunderbolt 20.4.2010
Love Has Rewards Worth Attaining 19.5.2010
SS Demons 15.12.2010
How Did You Kill Me?
They Did It All Before You 18.5.2010
'Angel Of Death' A Demonic Nazi Doctor 9.3.2011
Proclaiming Retrofit New World Order 9&10.3.2011
[...] Read more
poem by Terence George Craddock
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
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Waiting For The Sunrise
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
So I can take your hand and stroll about.
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
So we can go on the streets and see the people smile.
Give me your hand,
So I could tell you that things will be alright.
The rooms still dark,
But it wont be so long,
And I can take you outside.
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
So we can go to the park and roll about.
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
So we can go to the docks and watch the boats go by.
Come on, love, give me your hand,
And things will be alright.
The rooms still cold,
But it wont be so long,
That we can go outside.
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
So I could see your hair shining in the air.
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
So I can see the sky reflected in your eyes.
Come on, love, dont be depressed,
Things will be alright.
The rooms too low,
But it wont be so long,
That we can be outside.
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
[...] Read more
song performed by Yoko Ono
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A Map Of Culture
Culture
Contents
What is Culture?
The Importance of Culture
Culture Varies
Culture is Critical
The Sociobiology Debate
Values, Norms, and Social Control
Signs and Symbols
Language
Terms and Definitions
Approaches to the Study of Culture
Are We Prisoners of Our Culture?
What is Culture?
I prefer the definition used by Ian Robertson: 'all the shared products of society: material and nonmaterial' (Our text defines it in somewhat more ponderous terms- 'The totality of learned, socially transmitted behavior. It includes ideas, values, and customs (as well as the sailboats, comic books, and birth control devices) of groups of people' (p.32) .
Back to Contents
[...] Read more
poem by Nyein Way
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Lubie
I said I, I left my wife and child (Lubie come back home),
I said i, i left my wife and child (lubie come back home),
And lord my conscience is about to drive me wild (Lubie come back home),
And lord my conscience is about to drive me wild (lubie come back home),
A little voice inside my head goes on and on (Lubie come back home),
A little voice inside my head goes on and on (lubie come back home),
Said Lubie Lubie you better go back home.
Said lubie lubie you better go back home.
I said I, I thought I'd make it by myself (Lubie come back home),
I said i, i thought i'd make it by myself (lubie come back home),
And now my baby she got my heart dropped on a shelf (Lubie come back home),
And now my baby she got my heart dropped on a shelf (lubie come back home),
I said I, I still you're my baby now (Lubie come back home),
I said i, i still you're my baby now (lubie come back home),
Said Lubie Lubie you better go back home.
Said lubie lubie you better go back home.
You better go on home (Lubie come back home),
You better go on home (lubie come back home),
I said yeah Lubie go on home (Lubie come back home),
I said yeah lubie go on home (lubie come back home),
I said you better go home girl,
I said you better go home girl,
Ah yeah you go home.
Ah yeah you go home.
Go on home home home home home home,
Go on home home home home home home,
Yeah Lubie go on home home home home home home,
Yeah lubie go on home home home home home home,
Yeah Lubie go on home home home home home home,
Yeah lubie go on home home home home home home,
Little bit soft, everybody go soft,
Little bit soft, everybody go soft,
Go on home to see my baby,
Go on home to see my baby,
Yeah you know that she loves you daddy like crazy.
Yeah you know that she loves you daddy like crazy.
I say my misses I'm gonna stay what I'm gonna do,
I say my misses i'm gonna stay what i'm gonna do,
Gonna buy you a monkey and a new dog too yeah,
Gonna buy you a monkey and a new dog too yeah,
The guys have got yeah to get 'em to see my baby,
The guys have got yeah to get 'em to see my baby,
A little bit louder, everybody go on go louder, yeah yeah yeah yeah.
A little bit louder, everybody go on go louder, yeah yeah yeah yeah.
Now Lubie where you been,
Now lubie where you been,
I said I, I left my wife and child (Lubie come back home),
I said i, i left my wife and child (lubie come back home),
And lord my conscience is about to drive me wild (Lubie come back home),
And lord my conscience is about to drive me wild (lubie come back home),
[...] Read more
song performed by Who
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Bell's Palsy I Penned stroke on stroke penned - Optimistic In...Sight
Bell's Palsy I
December turns November's page.
Assumptions artificial,
priorities age must regauge
of ease so superficial
the tenets, try to disengage
from palsy interstitial,
periphery extend sans rage
ineptly hit-and-missile.
Paralysis as passing stage
perceived though prejudicial
as challenge met we trust will wage
war on clock lock official,
ensuring both for sot and sage
return to strength initial...
II
Bell’s Palsy II – Number Seven Optic Nerve
Number seven optic nerve, now numb,
taken for granted, normally ignored,
leaves facial features slanted. Voice, not dumb,
answers questions with weak monochord.
Flesh elastic flaccid has become,
control relinquished, hanging on a word.
Vision peripheral blurred. Though rule of thumb
Provides for time-line, faculties restored,
Frustration, hope, play hide-and-seek, mind glum,
stares awry at some lop-sided smile. Record
of former glory plays back yet stays mum.
May this as an example serve, health granted
For future learning curve can’t be transplanted.
3 December 2007 revised 8 August 2008
Bell's Palsy III - Recounting Countdown
Recounting Countdown
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poem by Jonathan Robin
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Bell's Palsy XIV - Dew Diligence
Bell's Palsy XIV - Dew Diligence
Dew diligence when eyelid is denied
control of wink, when blink becomes a feat
beyond the ken of mice and men, conceit
melts to humility, while cares abide.
Heartbeat accelerates to concide
with worry, movements taken for a ride
by malady haphazard striking fleet.
Fixed expression canvas could complete
as flexibility falls to one side,
focus reduced, no longer far and wide,
too close for comfort, wanders off the beat.
Pride, knocked for skittles, cannot make ends meet,
patience, once praised, stays stage-struck, sorely tried.
Fixed interest stocks soar, gilt lining’s sought
to train too slack to credit outlook taut.
5 December 2007
Bell's Palsy XV - Dissymmetry
Confusion from confusion must adjust
to face tomorrow’s out of kilter grin
with humour ‘til the specialists non-plussed
seize on season’s reason, find win-win
solution to an accident now cussed
in no uncertain terms as worms begin
to lay their weight on current state where lust
must bridled be, - who’d seek as kith and kin
one open eye, one which retains unfussed
perspective, lacks control of muscle spin
to twin both sides in unison true, just.
Dissymmetry becomes a moral gin
and handicap self-efident, untrussed
is optic nerve from verse which would begin
to laugh at luck, continue tongue in cheek
to find new way to strength transformed from weak.
5 December 2007
Bell's Palsy XVI - To Test Frontiers
Inertia catalyzes swift reaction
[...] Read more
poem by Jonathan Robin
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Bell's Palsy XV - Dissymmetry
Bell's Palsy XV - Dissymmetry
Confusion from confusion must adjust
to face tomorrow’s out of kilter grin
with humour ‘til the specialists non-plussed
seize on season’s reason, find win-win
solution to an accident now cussed
in no uncertain terms as worms begin
to lay their weight on current state where lust
must bridled be, - who’d seek as kith and kin
one open eye, one which retains unfussed
perspective, lacks control of muscle spin
to twin both sides in unison true, just.
Dissymmetry becomes a moral gin
and handicap self-efident, untrussed
is optic nerve from verse which would begin
to laugh at luck, continue tongue in cheek
to find new way to strength transformed from weak.
5 December 2007
Bell's Palsy XVI - To Test Frontiers
Inertia catalyzes swift reaction
testing limits unbeknownst before,
experienced elsewhere, though, we ignore
discomforts which might hamper freedom, action.
Impervious to muscular contraction,
left eyelid, lip, unable are to draw
lines which smile, frown designed, while vision poor
interferes, and adds unsought distraction.
In health, free from nervous petrifaction
few seek out illness, won’t by choice explore
the options close to those that chance, gene flaw
or accident are trapped, lose speech, sight, traction.
Fresh emphasis on disabilities
should top the list of our priorities.
5 December 2007
Bell's Palsy XVII - Temptations
Blessed externals force the mind to turn
[...] Read more
poem by Jonathan Robin
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Bell's Palsy XVI - To Test Frontiers
Bell's Palsy XVI - To Test Frontiers
Inertia catalyzes swift reaction
testing limits unbeknownst before,
experienced elsewhere, though, we ignore
discomforts which might hamper freedom, action.
Impervious to muscular contraction,
left eyelid, lip, unable are to draw
lines which smile, frown designed, while vision poor
interferes, and adds unsought distraction.
In health, free from nervous petrifaction
few seek out illness, won’t by choice explore
the options close to those that chance, gene flaw
or accident are trapped, lose speech, sight, traction.
Fresh emphasis on disabilities
should top the list of our priorities.
5 December 2007
Bell's Palsy XVII - Temptations
Blessed externals force the mind to turn
within to test perception shared by all
who, sight curtailed, or lost beyond recall,
must grasp at straws, effect and cause discern,
too well aware temptations bridges burn.
First impressions seem attaitned, ball
‘questions aye’s and no’s’, past free-for-all
is circumcised, undertain seems return
to ‘normalcy’ which, hitherto could earn
approval’s hallmark stamp. Cramps now forestall
options infinite. Cut and dried, in thrall,
one’s tied who far and wide went, wit withdrawn
from choice unlimited as on this page
fragility highlights restictive cage.
5 December 2007
Bell's Palsy XVIII - Fragility
Ink flows as if it knows that tale once writ
cannot rephrase a passing phase whose light
[...] Read more
poem by Jonathan Robin
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Bell's Palsy XVII - Temptations
Bell's Palsy XVII - Temptations
Blessed externals force the mind to turn
within to test perception shared by all
who, sight curtailed, or lost beyond recall,
must grasp at straws, effect and cause discern,
too well aware temptations bridges burn.
First impressions seem attaitned, ball
‘questions aye’s and no’s’, past free-for-all
is circumcised, undertain seems return
to ‘normalcy’ which, hitherto could earn
approval’s hallmark stamp. Cramps now forestall
options infinite. Cut and dried, in thrall,
one’s tied who far and wide went, wit withdrawn
from choice unlimited as on this page
fragility highlights restictive cage.
5 December 2007
Bell's Palsy XVIII - Fragility
Ink flows as if it knows that tale once writ
cannot rephrase a passing phase whose light
too soon extinguished must merge into night
where sot or sage blot page, through age unfit.
We’re puppets strung, hands wrung won’t change a bit
repeated role enforced by karmic spite.
If free-will reigns, there’s no pre-destined right
or wrong, no rung to heav’n, no roasting spit.
Through ‘accident’ or ‘fate’ fragility
in spotlight’s thrown, ‘to be, or not to be’
depends upon coincidence where rules
few follow with prescient authority.
Manage man age when palsied dry eye’s numb
is out of reach with speech deformed, near dumb.
5 December 2007 revised 17 January 2008
Bell's Palsy XIX - Moving Finger Writes
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poem by Jonathan Robin
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Bell's Palsy XX - Infinite Designs
Bell's Palsy XX - Infinite Designs
Comparisons with hindsight simple seem
when fateful footfall flays ‘unkindest cut’
to sever fancy, fact, where yawns redeem
no nightmare fears when eyelid cannot shut.
No need to add to those prose screeds which teem
prolific on life’s rhymeless time climb, but
terse verse may show dimensions unforeseen,
alternate aspects of ill health’s dark rut,
reflections which on higher plane help gleam
hope’s beacon ‘fore life’s final uppercut
replacing frown with fixed grin, skinless cut
from niche so ‘indispensable’ on team.
Palsy surprises, stimulating lines
upon creation’s infinite designs.
5 December 2007 revised 17 January 2009
Bell's Palsy XXI - Lopsided
Sore cornea, slack lip, mind grind uncheered
are juxtaposed within this swift spun sonnet
as optic nerve’s observed when crookèd, sheared,
recuperation’s odds: few bet upon it.
Partnering frustration has appeared
unbridled spleen, an angry bee in bonnet,
weighing all options with perception cleared
of wishful thinking, been and gone and done it.
Paralysis shows fall from grace, grown beard
can’t mask misfortune though mind tries to con it
committing rambling thoughts to paper smeared
with words erased, replaced, blue blot spots on it.
Lopsided outlook focus finds for mind
assailed by palsy it would leave behind.
5 December 2007 revised 17 January 2009
Bell's Palsy XXII – Match Met
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poem by Jonathan Robin
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Bell's Palsy XXI - Lopsided
Bell's Palsy XXI - Lopsided
Sore cornea, slack lip, mind grind uncheered
are juxtaposed within this swift spun sonnet
as optic nerve’s observed when crookèd, sheared,
recuperation’s odds: few bet upon it.
Partnering frustration has appeared
unbridled spleen, an angry bee in bonnet,
weighing all options with perception cleared
of wishful thinking, been and gone and done it.
Paralysis shows fall from grace, grown beard
can’t mask misfortune though mind tries to con it
committing rambling thoughts to paper smeared
with words erased, replaced, blue blot spots on it.
Lopsided outlook focus finds for mind
assailed by palsy it would leave behind.
5 December 2007 revised 17 January 2009
Bell's Palsy XXII – Match Met
Through metaphors one strikes symphonic chords,
sonnet metamorphosis complete,
one mirror image more before towards
tossed sleep’s return’s embossed on crinkled sheet.
One little cares for life’s snares, strife filled street,
when sense of humour, dream denied, affords
itself the luxury of lines to beat
eternity’s sharp introspective swords
to ploughshares. Match met, mighty pen would treat
itself to compensation’s grained awards,
rewards grasped unexpected from defeat
when unresponsive jaws snatch victory
day, night, writes words dry eye can hardly see.
5 December 2007 revised 17 January 2009
Bell's Palsy XXIII – Ta[l]king for Granted
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poem by Jonathan Robin
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Bell's Palsy XXII – Match Met
Bell's Palsy XXII – Match Met
Through metaphors one strikes symphonic chords,
sonnet metamorphosis complete,
one mirror image more before towards
tossed sleep’s return’s embossed on crinkled sheet.
One little cares for life’s snares, strife filled street,
when sense of humour, dream denied, affords
itself the luxury of lines to beat
eternity’s sharp introspective swords
to ploughshares. Match met, mighty pen would treat
itself to compensation’s grained awards,
rewards grasped unexpected from defeat
when unresponsive jaws snatch victory
day, night, writes words dry eye can hardly see.
5 December 2007 revised 17 January 2009
Bell's Palsy XXIII – Ta[l]king for Granted
On palsy’s cause no recitation
consensual has been agreed,
in any case fear, greed, elation,
soon sink however great the need
perceived to safeguard life’s rank station
for illness executes trust deed.
What’s blasphemy? what’s profanation?
what prayer path may be decreed
when out of sight slips pagination?
Re-education may succeed
yet there’s no fail-safe medication
providing progress guaranteed
to soothe uncalled for inflamation.
Who takes for granted daily feed
on dainties drawn from every nation,
gaily ignoring [s]he should heed
each morning’s warning present station,
may t[r]ail to full stop won’t succeed
in meeting deadlines, consternation
in turn encounters end indeed,
wormed, urned, CO² cremation.
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poem by Jonathan Robin
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Bell's Palsy XXIII – Ta[l]king for Granted
Bell's Palsy XXIII – Ta[l]king for Granted
On palsy’s cause no recitation
consensual has been agreed,
in any case fear, greed, elation,
soon sink however great the need
perceived to safeguard life’s rank station
for illness executes trust deed.
What’s blasphemy? what’s profanation?
what prayer path may be decreed
when out of sight slips pagination?
Re-education may succeed
yet there’s no fail-safe medication
providing progress guaranteed
to soothe uncalled for inflamation.
Who takes for granted daily feed
on dainties drawn from every nation,
gaily ignoring [s]he should heed
each morning’s warning present station,
may t[r]ail to full stop won’t succeed
in meeting deadlines, consternation
in turn encounters end indeed,
wormed, urned, CO² cremation.
Objections Death will supercede,
replaced by funeral oration.
No moral’s offered. Rose and weed
first struggle, then succumb, vocation
shared by all flora, fauna, lead
reduced to naught ‘spite invocation
to greedy gods, bead creed, to speed
from illness into true salvation
redemption grant, emancipation.
5 December 2007 revised 17 January 2009
Bell's Palsy I
December turns November's page.
Assumptions artificial,
priorities age must regauge
of ease so superficial
the tenets, try to disengage
from palsy interstitial,
periphery extend sans rage
[...] Read more
poem by Jonathan Robin
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
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Fourth Book
THEY met still sooner. 'Twas a year from thence
When Lucy Gresham, the sick semptress girl,
Who sewed by Marian's chair so still and quick,
And leant her head upon the back to cough
More freely when, the mistress turning round,
The others took occasion to laugh out,–
Gave up a last. Among the workers, spoke
A bold girl with black eyebrows and red lips,–
'You know the news? Who's dying, do you think?
Our Lucy Gresham. I expected it
As little as Nell Hart's wedding. Blush not, Nell,
Thy curls be red enough without thy cheeks;
And, some day, there'll be found a man to dote
On red curls.–Lucy Gresham swooned last night,
Dropped sudden in the street while going home;
And now the baker says, who took her up
And laid her by her grandmother in bed,
He'll give her a week to die in. Pass the silk.
Let's hope he gave her a loaf too, within reach,
For otherwise they'll starve before they die,
That funny pair of bedfellows! Miss Bell,
I'll thank you for the scissors. The old crone
Is paralytic–that's the reason why
Our Lucy's thread went faster than her breath,
Which went too quick, we all know. Marian Erle!
Why, Marian Erle, you're not the fool to cry?
Your tears spoil Lady Waldemar's new dress,
You piece of pity!'
Marian rose up straight,
And, breaking through the talk and through the work,
Went outward, in the face of their surprise,
To Lucy's home, to nurse her back to life
Or down to death. She knew by such an act,
All place and grace were forfeit in the house,
Whose mistress would supply the missing hand
With necessary, not inhuman haste,
And take no blame. But pity, too, had dues:
She could not leave a solitary soul
To founder in the dark, while she sate still
And lavished stitches on a lady's hem
As if no other work were paramount.
'Why, God,' thought Marian, 'has a missing hand
This moment; Lucy wants a drink, perhaps.
Let others miss me! never miss me, God!'
So Marian sat by Lucy's bed, content
With duty, and was strong, for recompense,
To hold the lamp of human love arm-high
To catch the death-strained eyes and comfort them,
Until the angels, on the luminous side
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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Eighth Book
ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.
The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:
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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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III. The Other Half-Rome
Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!
There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk
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poem by Robert Browning from The Ring and the Book
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Fifth Book
AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators
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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
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poem by Robert Browning from The Ring and the Book
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