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Christina Georgina Rossetti

Bread And Milk For Breakfast

Bread and milk for breakfast,
And woollen frocks to wear,
And a crumb for robin redbreast
On the cold days of the year.

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For the Year of the Insane

A prayer

O Mary, fragile mother,
hear me, hear me now
although I do not know your words.
The black rosary with its silver Christ
lies unblessed in my hand
for I am the unbeliever.
Each bead is round and hard between my fingers,
a small black angel.
O Mary, permit me this grace,
this crossing over,
although I am ugly,
submerged in my own past
and my own madness.
Although there are chairs
I lie on the floor.
Only my hands are alive,
touching beads.
Word for word, I stumble.
A beginner, I feel your mouth touch mine.

I count beads as waves,
hammering in upon me.
I am ill at their numbers,
sick, sick in the summer heat
and the window above me
is my only listener, my awkward being.
She is a large taker, a soother.
The giver of breath
she murmurs,
exhaling her wide lung like an enormous fish.

Closer and closer
comes the hour of my death
as I rearrange my face, grow back,
grow undeveloped and straight-haired.
All this is death.
In the mind there is a thin alley called death
and I move through it as
through water.
My body is useless.
It lies, curled like a dog on the carpet.
It has given up.
There are no words here except the half-learned,
the Hail Mary and the full of grace.
Now I have entered the year without words.
I note the queer entrance and the exact voltage.
Without words they exist.
Without words on my touch bread
and be handed bread
and make no sound.

O Mary, tender physician,
come with powders and herbs
for I am in the center.
It is very small and the air is gray
as in a steam house.
I am handed wine as a child is handed milk.
It is presented in a delicate glass
with a round bowl and a thin lip.
The wine itself is pitch-colored, musty and secret.
The glass rises in its own toward my mouth
and I notice this and understand this
only because it has happened.

I have this fear of coughing
but I do not speak,
a fear of rain, a fear of the horseman
who comes riding into my mouth.
The glass tilts in on its own
and I amon fire.
I see two thin streaks burn down my chin.
I see myself as one would see another.
I have been cut int two.

O Mary, open your eyelids.
I am in the domain of silence,
the kingdom of the crazy and the sleeper.
There is blood here.
and I haven't eaten it.
O mother of the womb,
did I come for blood alone?
O little mother,
I am in my own mind.
I am locked in the wrong house.

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The Words Ceased To Want Themselves And Longed For a World Outside

THE WORDS CEASED TO WANT THEMSELVES AND LONGED FOR A WORLD OUTSIDE

The words ceased to want themselves and longed for a world outside
The world outside dumb and beautiful wanted nothing of anyone
We the intermediaries plied our trade describing and revising whatever we perceived
But we were not the ones we thought we should be
We were not the messengers of Light and Hope to distant worlds
They had their own forms of speaking that we cannot hear
And so we programmed our great messages down through the ages
To read only the cryptic path of our own troubled minds
We are not the code of every living thing
Or the final messenger to the last star
Or the only single secret sound God wants heard over and over again
We are not the prayer- leaders of the sacred congregation of the galaxies
Deeper than all darkness and dark- matter deeper even than our own souls

We are a faint flickering
A minor music
An insubstantial voice
That is pretending to go round and round and round again and again and again
Forever
But is only a single passage a one way ticket one way word
A trip which even if it goes to the end of the universe
Will one day end.

Oh Death how you have defeated us all
Even when we in Youth knew you did not exist
How you waited and ambushed our dreaming.

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Liberty and Justice For All

On this day, September 11,2012, I sit here in my soul and reflect about my fellow countrymen and countrywomen who reflect back to me their souls, their courage, their resolve and strength. As an American, the spirit of America is born in me, as I am born in the spirit of America. The will of not just myself, but the will of the people, of us all, moves in me this day.
Our lives, our country, changed drastically on September 11,2001, but our character, our principles of freedom, and the constitution of our nation and our souls did not change but persevered and remained in the forefront of our breasts as we braved the unknown world ahead of us. In God's heaven, or the heaven of our hearts, the lives we lost, now venerate us as we mourn their loss. There is no memorial as grand, no memorial as beautiful, than the memorial we hold in our hearts of the stories of courage, valor, and bravery exhibited on that day. A peaceful sorrow ascends from the mass graves of death, from the Pentagon, from United Airlines Flight 93, and the World Trade Center; this sorrow, this peace from the dead souls mouth whispers to me in vibrant silence,

'We shall be remembered, we shall live forever. In your hearts, our freedom lives.'

What has always disconcerted me is what should be impossible, is possible, and what should be possible, is impossible. A tragedy, an act of violent malice, like Sept.11, should never be possible in life. Indignation and hatred should never burn so immensely as to kill the soul that kills others; but it happened and it still happening.
Now let's work to make the impossible come true. Let's not question ourselves but move with more force, more swiftly to the American Dream; the equality of man and woman, the opportunity for all to prosper, the toleration of all religion, the respect for the rights of the individual, the freedom of thought and the freedom to eat its fruits, the ability to compromise, Justice! America we must become the ideal for the world to follow, we must beat our blood in freedom everywhere we go, we must live in unity, and with resolve stand our ground! This is our peace; this is what the dead souls of 9/11 whisper.... Liberty and Justice for all!

To the Servicemembers who fought, lived and died for our freedoms….

Bless the courageous souls who fought valiantly
And with honor and dignity acted gallantly
In our hearts, your hearts march brave
With solemn virtue, and our minds grave
We cry 'look at all the lives thy save! '
March On!

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The super moon

The super moon shines over the mountain with silvery shining light,
Moon so big in size sends the wise owl flying in fright,
Hyenas stop laughing for a while to watch the smile on moon's face tonight.
The mountain and its trees adore this beautiful sight.

The mountain and its trees adore this beautiful sight,
The silvery charm brings the memory of my mom's lullaby,
'Uncle moon, please come down and bring the rice and milk for my child in the golden pot tonight',
My heart tries to search the beauty of my love in the big smiling moon so nearby.

My heart tries to search the beauty of my love in the big smiling moon so nearby,
It is hard to decide who is prettier, the moon or my love tonight,
The silver rays mesmerize my eyes with so much love and tranquility,
That I wish we will be together in love forever we are in sight.

That I wish we will be together in love forever we are in sight,
When I rub my sleepy eyes in the dawns early light,
With heavy heart I bid goodbye to this sight,
May be in next hundred years, my roaming soul will watch again this beautiful sight.

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Charles Lamb

The Boy And The Snake

Henry was every morning fed
With a full mess of milk and bread.
One day the boy his breakfast took,
And eat it by a purling brook
Which through his mother's orchard ran.
From that time ever when he can
Escape his mother's eye, he there
Takes his food in th'open air.
Finding the child delight to eat
Abroad, and make the grass his seat,
His mother lets him have his way.
With free leave Henry every day
Thither repairs, until she heard
Him talking of a fine grey bird.
This pretty bird, he said, indeed,
Came every day with him to feed,
And it loved him, and loved his milk,
And it was smooth and soft like silk.
His mother thought she'd go and see
What sort of bird this same might be.
So the next morn she follows Harry,
And carefully she sees him carry
Through the long grass his heaped-up mess.
What was her terror and distress,
When she saw the infant take
His bread and milk close to a snake!
Upon the grass he spreads his feast,
And sits down by his frightful guest,
Who had waited for the treat;
And now they both begin to eat.
Fond mother! shriek not, O beware
The least small noise, O have a care-
The least small noise that may be made,
The wily snake will be afraid-
If he hear the lightest sound,
He will inflict th'envenomed wound.
She speaks not, moves not, scarce does breathe,
As she stands the trees beneath;
No sound she utters; and she soon
Sees the child lift up its spoon,
And tap the snake upon the head,
Fearless of harm; and then he said,
As speaking to familiar mate,
'Keep on your own side, do, Grey Pate:'
The snake then to the other side,
As one rebukëd, seems to glide;
And now again advancing nigh,
Again she hears the infant cry,
Tapping the snake, 'Keep further, do;
Mind, Grey Pate, what I say to you.'
The danger's o'er-she sees the boy
(O what a change from fear to joy!)
Rise and bid the snake 'good-bye;'
Says he, 'Our breakfast's done, and I
Will come again to-morrow day:'
Then, lightly tripping, ran away.

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Bread and games

They told me I should sing
But I didn't know what to sing
So I asked
What do you want me to sing

Sing bread and games
Bread and games and sing a long

And so I sang
And BANG
The pianist was shot

He had too long a finger
He had too short a thumb
And he was dumb
The said and you sing

Sing bread and games
Bread and games and sing a lot

And so I sang
And BANG
The trumpeter was shot

He had too round a face
He had too long a chin
For a musician a terrible sin
And you sing

Sing bread and games
Bread and games and sing a lot

And so I sang
And BANG
Sorry we had no choice
You've got such a terrible voice

2010.

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Bread And Wine!

i saw the buddha
in the eyes of the prisoner,
waiting to be executed.
our system of justice,
demands retribution,
as long as it's someone else!

preferably,
someone poor,
addicted, uneducated,
black, Hispanic,
or just plain old
white trailer trash.
the homeless man,
the man who's lost it all,
the man with no job,
no future, no dream...
no one will miss them anyway!

while the 'gods of success',
wheel and deal on the market,
playing with lives,
as if playing cards.
starting wars that make them rich,
raping the planet, even richer!
and taking from the poor,
always the poor.

immune?
above the law?
a different set of rules,
and a phony morality.
they kill the buddha
for bread and wine...
bread made of flesh,
wine made of blood!

the cost of justice...
afforded by the few!

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Bread And Blood

Graham Russell)
I'm not afraid of losing you or saying goodbye
If someone needs you more than me, I will understand why
I'd never stand between someone who's holding your heart
But I can't let a superstition tear us apart
Who has the right to speak fire from above
If heaven is away from you, that is the place I'll give up
For falling in love can't be taking these lips from the cup
CHORUS
Don't fill her mind with bread and blood
Don't confuse strength with pride and mud
I have a faith in love that's thicker than all bread and blood
I'm not afraid to face the truth of what I believe
If love was never menat to choose, it could never succeed
And we may always stand alone in everyone's sight
And be the judge unto ourselves between wrong and right
Who puts a price on eternity's sin
Who throws the first stone shall search for perfection again
For you are the reason that pleasure was taken from the pain
CHORUS
I won't see you cry, should it make you cry
CHORUS
---
Eric Wincentsen
ezreal@worldnet.att.net

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John Dryden

The Cock And The Fox: Or, The Tale Of The Nun's Priest

There lived, as authors tell, in days of yore,
A widow, somewhat old, and very poor;
Deep in a dale her cottage lonely stood,
Well thatched, and under covert of a wood.
This dowager, on whom my tale I found,
Since last she laid her husband in the ground,
A simple sober life, in patience led,
And had but just enough to buy her bread;
But huswifing the little Heaven had lent,
She duly paid a groat for quarter rent;
And pinched her belly, with her daughters two,
To bring the year about with much ado.
The cattle in her homestead were three sows,
An ewe called Mally, and three brinded cows.
Her parlour window stuck with herbs around,
Of savoury smell; and rushes strewed the ground.
A maple-dresser in her hall she had,
On which full many a slender meal she made,
For no delicious morsel passed her throat;
According to her cloth she cut her coat;
No poignant sauce she knew, nor costly treat,
Her hunger gave a relish to her meat.
A sparing diet did her health assure;
Or sick, a pepper posset was her cure.
Before the day was done, her work she sped,
And never went by candle light to bed.
With exercise she sweat ill humours out;
Her dancing was not hindered by the gout.
Her poverty was glad, her heart content,
Nor knew she what the spleen or vapours meant.
Of wine she never tasted through the year,
But white and black was all her homely cheer;
Brown bread and milk,(but first she skimmed her bowls)
And rashers of singed bacon on the coals.
On holy days an egg, or two at most;
But her ambition never reached to roast.
A yard she had with pales enclosed about,
Some high, some low, and a dry ditch without.
Within this homestead lived, without a peer,
For crowing loud, the noble Chanticleer;
So hight her cock, whose singing did surpass
The merry notes of organs at the mass.
More certain was the crowing of the cock
To number hours, than is an abbey-clock;
And sooner than the matin-bell was rung,
He clapped his wings upon his roost, and sung:
For when degrees fifteen ascended right,
By sure instinct he knew ’twas one at night.
High was his comb, and coral-red withal,
In dents embattled like a castle wall;
His bill was raven-black, and shone like jet;
Blue were his legs, and orient were his feet;
White were his nails, like silver to behold,
His body glittering like the burnished gold
This gentle cock, for solace of his life,
Six misses had, besides his lawful wife;
Scandal, that spares no king, though ne’er so good,
Says, they were all of his own flesh and blood,
His sisters both by sire and mother’s side;
And sure their likeness showed them near allied.
But make the worst, the monarch did no more,
Than all the Ptolemys had done before:
When incest is for interest of a nation,
’Tis made no sin by holy dispensation.
Some lines have been maintained by this alone,
Which by their common ugliness are known.
But passing this as from our tale apart,
Dame Partlet was the sovereign of his heart:
Ardent in love, outrageous in his play,
He feathered her a hundred times a day;
And she, that was not only passing fair,
But was withal discreet, and debonair,
Resolved the passive doctrine to fulfil,
Though loath, and let him work his wicked will:
At board and bed was affable and kind,
According as their marriage-vow did bind,
And as the Church’s precept had enjoined.
Even since she was a se’nnight old, they say,
Was chaste and humble to her dying day,
Nor chick nor hen was known to disobey.
By this her husband’s heart she did obtain;
What cannot beauty, joined with virtue, gain!
She was his only joy, and he her pride,
She, when he walked, went pecking by his side;
If, spurning up the ground, he sprung a corn,
The tribute in his bill to her was borne.
But oh! what joy it was to hear him sing
In summer, when the day began to spring,
Stretching his neck, and warbling in his throat,
Solus cum sola, then was all his note.
For in the days of yore, the birds of parts
Were bred to speak, and sing, and learn the liberal arts.
It happed that perching on the parlour-beam
Amidst his wives, he had a deadly dream,
Just at the dawn; and sighed and groaned so fast,
As every breath he drew would be his last.
Dame Partlet, ever nearest to his side,
Heard all his piteous moan, and how he cried
For help from gods and men; and sore aghast
She pecked and pulled, and wakened him at last.
‘Dear heart,’ said she, ‘for love of Heaven declare
Your pain, and make me partner in your care.
You groan, sir, ever since the morning light,
As something had disturbed your noble sprite.’
And, madam, well I might,’ said Chanticleer,
Never was shrovetide-cock in such a fear.
Even still I run all over in a sweat,
My princely senses not recovered yet.
For such a dream I had of dire portent,
That much I fear my body will be shent;
It bodes I shall have wars and woeful strife,
Or in a loathsome dungeon end my life.
Know, dame, I dreamt within my troubled breast,
That in our yard I saw a murderous beast,
That on my body would have made arrest.
With waking eyes I ne’er beheld his fellow;
His colour was betwixt a red and yellow:
Tipped was his tail, and both his pricking ears
Were black; and much unlike his other hairs:
The rest, in shape a beagle’s whelp throughout,
With broader forehead, and a sharper snout.
Deep in his front were sunk his glowing eyes,
That yet, methinks, I see him with surprise.
Reach out your hand, I drop with clammy sweat,
And lay it to my heart, and feel it beat.’
‘Now fie for shame,’ quoth she, ‘by Heaven above,
Thou hast for ever lost thy lady’s love.
No woman can endure a recreant knight;
He must be bold by day, and free by night:
Our sex desires a husband or a friend,
Who can our honour and his own defend;
Wise, hardy, secret, liberal of his purse;
A fool is nauseous, but a coward worse:
No bragging coxcomb, yet no baffled knight.
How darest thou talk of love, and darest not fight?
How darest thou tell thy dame thou art affeared;
Hast thou no manly heart, and hast a beard?
‘If aught from fearful dreams may be divined,
They signify a cock of dunghill kind.
All dreams, as in old Galen I have read,
Are from repletion and complexion bred;
From rising fumes of indigested food,
And noxious humours that infect the blood:
And sure, my lord, if I can read aright,
These foolish fancies, you have had to-night,
Are certain symptoms (in the canting style)
Of boiling choler, and abounding bile;
This yellow gall that in your stomach floats,
Engenders all these visionary thoughts.
When choler overflows, then dreams are bred
Of flames, and all the family of red;
Red dragons, and red beasts, in sleep we view,
For humours are distinguished by their hue.
From hence we dream of wars and warlike things,
And wasps and hornets with their double wings.
‘Choler adust congeals our blood with fear,
Then black bulls toss us, and black devils tear.
In sanguine airy dreams aloft we bound;
With rheums oppressed, we sink in rivers drowned.
‘More I could say, but thus conclude my theme,
The dominating humour makes the dream.
Cato was in his time accounted wise,
And he condemns them all for empty lies.
Take my advice, and when we fly to ground,
With laxatives preserve your body sound,
And purge the peccant humours that abound.
I should be loath to lay you on a bier;
And though there lives no ’pothecary near,
I dare for once prescribe for your disease,
And save long bills, and a damned doctor’s fees.
‘Two sovereign herbs, which I by practice know,
And both at hand, (for in our yard they grow,)
On peril of my soul shall rid you wholly
Of yellow choler, and of melancholy:
You must both purge and vomit; but obey,
And for the love of Heaven make no delay.
Since hot and dry in your complexion join,
Beware the sun when in a vernal sign;
For when he mounts exalted in the Ram,
If then he finds your body in a flame,
Replete with choler, I dare lay a groat,
A tertian ague is at least your lot.
Perhaps a fever (which the gods forfend)
May bring your youth to some untimely end:
And therefore, sir, as you desire to live,
A day or two before your laxative,
Take just three worms, nor under nor above,
Because the gods unequal numbers love,
These digestives prepare you for your purge;
Of fumetery, centaury, and spurge,
And of ground-ivy add a leaf, or two,
All which within our yard or garden grow.
Eat these, and be, my lord, of better cheer;
Your father’s son was never born to fear.’
‘Madam,’ quoth he, ‘gramercy for your care,
But Cato, whom you quoted, you may spare;
’Tis true, a wise and worthy man he seems,
And (as you say) gave no belief to dreams;
But other men of more authority,
And, by the immortal powers, as wise as he,
Maintain, with sounder sense, that dreams forbode;
For Homer plainly says they come from God.
Nor Cato said it; but some modern fool
Imposed in Cato’s name on boys at school.
‘Believe me, madam, morning dreams foreshow
The events of things, and future weal or woe:
Some truths are not by reason to be tried,
But we have sure experience for our guide.
An ancient author, equal with the best,
Relates this tale of dreams among the rest.
‘Two friends or brothers, with devout intent,
On some far pilgrimage together went.
It happened so, that, when the sun was down,
They just arrived by twilight at a town;
That day had been the baiting of a bull,
’Twas at a feast, and every inn so full,
That at void room in chamber, or on ground,
And but one sorry bed was to be found;
And that so little it would hold but one,
Though till this hour they never lay alone.
‘So were they forced to part; one stayed behind,
His fellow sought what lodging he could find;
At last he found a stall where oxen stood,
And that he rather choose than lie abroad.
’Twas in a farther yard without a door;
But, for his ease, well littered was the floor.
‘His fellow, who the narrow bed had kept,
Was weary, and without a rocker slept:
Supine he snored; but in the dead of night,
He dreamt his friend appeared before his sight,
Who, with a ghastly look and doleful cry,
Said, ‘Help me, brother, or this night I die:
Arise, and help, before all help be vain,
Or in an ox’s stall I shall be slain.’
‘Roused from his rest, he wakened in a start,
Shivering with horror, and with aching heart;
At length to cure himself by reason tries;
’Tis but a dream, and what are dreams but lies?
So thinking changed his side, and closed his eyes.
His dream returns; his friend appears again:
The murderers come, now help, or I am slain:’
’Twas but a vision still, and visions are but vain.
‘He dreamt the third: but now his friend appeared
Pale, naked, pierced with wounds, with blood besmeared:
‘Thrice warned, awake,’ said he; ‘relief is late,
The deed is done; but thou revenge my fate:
Tardy of aid, unseal thy heavy eyes,
Awake, and with the dawning day arise:
Take to the western gate thy ready way,
For by that passage they my corpse convey
My corpse is in a tumbril laid, among
The filth, and ordure, and inclosed with dung.
That cart arrest, and raise a common cry;
For sacred hunger of my gold, I die:’
Then showed his grisly wounds; and last he drew
A piteous sigh; and took a long adieu.
The frighted friend arose by break of day,
And found the stall where late his fellow lay.
Then of his impious host inquiring more,
Was answered that his guest was gone before:
‘Muttering he went,’ said he, ‘by morning light,
And much complained of his ill rest by night.’
This raised suspicion in the pilgrim’s mind;
Because all hosts are of an evil kind,
And oft to share the spoil with robbers joined.
‘His dream confirmed his thought: with troubled look
Straight to the western gate his way he took;
There, as his dream foretold, a cart he found,
That carried composs forth to dung the ground.
This when the pilgrim saw, he stretched his throat,
And cried out ‘Murder’ with a yelling note.
‘My murdered fellow in this cart lies dead;
Vengeance and justice on the villain’s head!
You, magistrates, who sacred laws dispense,
On you I call to punish this offence.’
The word thus given, within a little space,
The mob came roaring out, and thronged the place.
All in a trice they cast the cart to ground,
And in the dung the murdered body found;
Though breathless, warm, and reeking from the wound.
Good Heaven, whose darling attribute we find,
Is boundless grace, and mercy to mankind,
Abhors the cruel; and the deeds of night
By wondrous ways reveals in open light:
Murder may pass unpunished for a time,
But tardy justice will o’ertake the crime.
And oft a speedier pain the guilty feels,
The hue and cry of Heaven pursues him at the heels,
Fresh from the fact; as in the present case,
The criminals are seized upon the place:
Carter and host confronted face to face.
Stiff in denial, as the law appoints,
On engines they distend their tortured joints:
So was confession forced, the offence was known.
And public justice on the offenders done.
‘Here may you see that visions are to dread;
And in the page that follows this, I read
Of two young merchants, whom the hope of gain
Induced in partnership to cross the main;
Waiting till willing winds their sails supplied,
Within a trading town they long abide,
Full fairly situate on a haven’s side.
‘One evening it befel, that looking out,
The wind they long had wished was come about;
Well pleased they went to rest; and if the gale
Till morn continued, both resolved to sail.
But as together in a bed they lay,
The younger had a dream at break of day.
A man, he thought, stood frowning at his side,
Who warned him for his safety to provide,
Nor put to sea, but safe on shore abide.
‘I come, thy genius, to command thy stay;
Trust not the winds, for fatal is the day,
And death unhoped attends the watery way.'
The vision said: and vanished from his sight;
The dreamer wakened in a mortal fright;
Then pulled his drowsy neighbour, and declared
What in his slumber he had seen and heard.
His friend smiled scornful, and, with proud contempt,
Rejects as idle what his fellow dreamt.
‘Stay, who will stay; for me no fears restrain,
Who follow Mercury, the god of gain;
Let each man do as to his fancy seems,
I wait not, I, till you have better dreams.
Dreams are but interludes, which fancy makes;
When monarch reason sleeps, this mimic wakes;
Compounds a medley of disjointed things,
A mob of cobblers, and a court of kings:
Light fumes are merry, grosser fumes are sad;
Both are the reasonable soul run mad;
And many monstrous forms in sleep we see,
That neither were, nor are, nor e’er can be.
Sometimes, forgotten things long cast behind
Rush forward in the brain, and come to mind.
The nurse’s legends are for truths received,
And the man dreams but what the boy believed.
Sometimes we but rehearse a former play,
The night restores our actions done by day,
As hounds in sleep will open for their prey.
In short the farce of dreams is of a piece,
Chimeras all; and more absurd, or less.
You, who believe in tales, abide’ alone;
Whate’er I get this voyage is my own.’
‘Thus while he spoke, he heard the shouting crew
That called aboard, and took his last adieu.
The vessel went before a merry gale,
And for quick passage put on every sail:
But when least feared, and even in open day,
The mischief overtook her in the way:
Whether she sprung a leak, I cannot find,
Or whether she was overset with wind,
Or that some rock below her bottom rent;
But down at once with all her crew she went.
Her fellow-ships from far her loss descried;
But only she was sunk, and all were safe beside.
‘By this example you are taught again,
That dreams and visions are not always vain:
But if, dear Partlet, you are still in doubt,
Another tale shall make the former out.
‘Kenelm, the son of Kenulph, Mercia’s king,
Whose holy life the legends loudly sing,
Warned in a dream, his murder did foretel
From point to point as after it befel;
All circumstances to his nurse he told,
(A wonder from a child of seven years old);
The dream with horror heard, the good old wife
From treason counselled him to guard his life;
But close to keep the secret in his mind,
For a boy’s vision small belief would find.
The pious child, by promise bound, obeyed,
Nor was the fatal murder long delayed:
By Quenda slain, he fell before his time,
Made a young martyr by his sister’s crime.
The tale is told by venerable Bede,
Which, at your better leisure, you may read.
‘Macrobius too relates the vision sent
To the great Scipio, with the famed, event;
Objections makes, but after makes replies,
And adds, that dreams are often prophesies.
Of Daniel you may read in holy writ,
Who, when the king his vision did forget,
Could word for word the wondrous dream repeat.
Nor less of patriarch Joseph understand,
Who by a dream, enslaved, the Egyptian land,
The years of plenty and of dearth foretold,
When, for their bread, their liberty they sold.
Nor must the exalted butler be forgot,
Nor he whose dream presaged his hanging lot.
And did not Crœsus the same death foresee,
Raised in his vision on a lofty tree?
The wife of Hector, in his utmost pride,
Dreamt of his death the night before he died;
Well was he warned from battle to refrain,
But men to death decreed are warned in vain;
He dared the dream, and by his fatal foe was slain.
‘Much more I know, which I forbear to speak,
For see the ruddy day begins to break:
Let this suffice, that plainly I foresee
My dream was bad, and bodes adversity,
But neither pills nor laxatives I like,
They only serve to make the well-man sick:
Of these his gain the sharp physician makes,
And often gives a purge, but seldom takes;
They not correct, but poison all the blood,
And ne’er did any but the doctors good.
Their tribe, trade, trinkets, I defy them all,
With every work of ’pothecary’s hall.
‘These melancholy matters I forbear;
But let me tell thee, Partlet mine, and swear,
That when I view the beauties of thy face,
I fear not death, nor dangers, nor disgrace;
So may my soul have bliss, as when I spy
The scarlet red about thy partridge eye,
While thou art constant to thy own true knight,
While thou art mine, and I am thy delight,
All sorrows at thy presence take their flight.
For true it is, as in principio,
Mulier est hominis confusio.
Madam, the meaning of this Latin is,
That woman is to man his sovereign bliss.
For when by night I feel your tender side,
Though for the narrow perch I cannot ride,
Yet I have such a solace in my mind,
That all my boding cares are cast behind,
And even already I forget my dream.’
He said, and downward flew from off the beam.
For daylight now began apace to spring,
The thrush to whistle, and the lark to sing.
Then crowing clapped his wings, the appointed call,
To chuck his wives together in the hall.
By this the widow had unbarred the door,
And Chanticleer went strutting out before,
With royal courage, and with heart so light,
As showed he scorned the visions of the night.
Now roaming in the yard, he spurned the ground,
And gave to Partlet the first grain found.
Then often feathered her with wanton play,
And trod her twenty times ere prime of day;
And took by turns and gave so much delight,
Her sisters pined with envy at the sight.
He chucked again, when other corns he found,
And scarcely deigned to set a foot to ground,
But swaggered like a lord about his hall,
And his seven wives came running at his call.
’Twas now the month in which the world began,
(If March beheld the first created man
And since the vernal equinox, the sun,
In Aries twelve degrees, or more had run;
When casting up his eyes against the light,
Both month, and day, and hour, he measured right,
And told more truly than the Ephemeris:
For art may err, but nature cannot miss.
Thus numbering times and seasons in his breast,
His second crowing the third hour confessed.
Then turning, said to Partlet,—‘See, my dear,
How lavish nature has adorned the year;
How the pale primrose and blue violet spring,
And birds essay their throats diffused to sing:
All these are ours; and I with pleasure see
Man strutting on two legs, and aping me:
An unfledged creature of a lumpish frame,
Endowed with fewer particles of flame:
Our dame sits cowering o’er a kitchen fire,
I draw fresh air, and nature’s works admire;
And even this day in more delight abound,
Than, since I was an egg, I ever found.’—
The time shall come when Chanticleer shall wish
His words unsaid, and hate his boasted bliss;
The crested bird shall by experience knew,
Jove made not him his masterpiece below;
And learn the latter end of joy is woe.
The vessel of his bliss to dregs is run,
And Heaven will have him taste his other tun.
Ye wise, draw near, and hearken to my tale,
Which proves that oft the proud by flattery fall;
The legend is as true I undertake
As Tristran is, and Lancelot of the Lake:
Which all our ladies in such reverence hold,
As if in Book of Martyrs it were told.
A Fox full fraught with seeming sanctity,
That feared an oath, but, like the devil, would lie;
Who looked like Lent, and had the holy leer,
And durst not sin before he said his prayer;
This pious cheat, that never sucked the blood,
Nor chewed the flesh of lambs, but when he could;
Had passed three summers in the neighbouring wood:
And musing long, whom next to cirumvent,
On Chanticleer his wicked fancy bent;
And in his high imagination cast,
By stratagem to gratify his taste.
The plot contrived, before the break of day,
Saint Reynard through the hedge had made his way;
The pale was next, but, proudly, with a bound
He leapt the fence of the forbidden ground:
Yet fearing to be seen, within a bed
Of coleworts he concealed his wily head;
Then skulked till afternoon, and watched his time,
(As murderers use) to perpetrate his crime.
O hypocrite, ingenious to destroy!
O traitor, worse than Simon was to Troy!
O vile subverter of the Gallic reign,
More false than Gano was to Charlemagne!
O Chanticleer, in an unhappy hour
Didst thou forsake the safety of thy bower;
Better for thee thou hadst believed thy dream,
And not that day descended from the beam!
But here the doctors eagerly dispute;
Some hold predestination absolute;
Some clerks maintain, that Heaven at first foresees,
And in the virtue of foresight decrees.
If this be so, then prescience binds the will,
And mortals are not free to good or ill;
For what he first foresaw, he must ordain,
Or its enternal prescience may be vain;
As bad for us as prescience had not been;
For first, or last, he’s author of the sin.
And who says that, let the blaspheming man
Say worse even of the devil, if he can.
For how can that Eternal Power be just
To punish man, who sins because he must?
Or, how can He reward a virtuous deed,
Which is not done by us, but first decreed?
I cannot bolt this matter to the bran,
As Bradwardin and holy Austin can:
If prescience can determine actions so,
That we must do, because he did foreknow,
Or that foreknowing, yet our choice is free,
Not forced to sin by strict necessity;
This strict necessity they simple call,
Another sort there is conditional.
The first so binds the will, that things foreknown
By spontaneity, not choice, are done.
Thus galley-slaves tug willing at their oar,
Content to work, in prospect of the shore;
But would not work at all, if not constrained before.
That other does not liberty constrain,
But man may either act, or my refrain.
Heaven made us agents free to good or ill,
And forced it not, though he foresaw the will.
Freedom was first bestowed on human race,
And prescience only held the second place.
If he could make such agents wholly free,
I not dispute; the point’s too high for me:
For Heaven’s unfathomed power what man can sound,
Or pout to his omnipotence a bound?
He made us to his image, all agree;
That image is the soul, and that must be,
Or not the Maker’s image, or be free.
But whether it were better man had been
By nature bound to good, not free to sin,
I waive, for fear of splitting on a rock.
The tale I tell is only of a cock;
Who had not run the hazard of his life,
Had he believed his dream, and not his wife:
For women, which a mischief to their kind,
Pervert, with bad advice, our better mind.
A woman’s counsel brought us first to woe,
And made her man his paradise forego,
Where at heart’s ease he lived; and might have been
As free from sorrow as he was from sin.
For what the devil had their sex to do,
That, born to folly, they presumed to know;
And could not see the serpent in the grass?
But I myself presume, and let it pass.
Silence in times of suffering is the best,
‘Tis dangerous to disturb a hornets’ nest.
In other authors you may find enough,
But all they way of dames is idle stuff.
Legends of lying wits together bound,
The wife of Bath would throw them to the ground;
These are the words of Chanticleer, not mine,
I honour dames, and think their sex divine.
Now to continue what my tale begun;
Lay madam Partlet basking in the sun,
Breast high in sand; her sisters, in a row,
Enjoyed the beams above, the warmth below.
The cock, that of his flesh was ever free,
Sung merrier than the mermaid in the sea;
And so befel, that as he cast his eye
Among the coleworts, on a butterfly,
He saw false Reynard where he lay full low;
I need not swear he had no list to crow;
But cried, cock, cock, and gave a sudden start,
As sore dismayed and frighted at his heart.
For birds and beasts, informed by nature know
Kinds opposite to theirs, and fly their foe.
So Chanticleer, who never was a fox,
Yet shunned him as a sailor shuns the rocks.
But the false loon, who could not work his will
By open force, employed his flattering skill:
‘I hope, my lord,’ said he, ‘I not offend;
Are you afraid of me that am your friend?
I were a beast indeed to do you wrong,
I, who have loved and honoured you so long:
Stay, gentle sir, nor take a false alarm,
For, on my soul, I never meant you harm!
I come no spy, nor as a traitor press,
To learn the secrets of your soft recess:
Far be from Reynard so profane a thought,
But by the sweetness of your voice was brought:
For, as I bid my beads, by chance I heard
The song that would have charmed the infernal gods,
And banished horror from the dark abodes:
Had Orpheus sung it in the nether sphere,
So much the hymn had pleased the tyrant’s ear,
The wife had been detained, to keep the husband there.
‘My lord, your sire familiarly I knew,
A peer deserving such a son as you:
He, with your lady-mother, (whom Heaven rest)
Has often graced my house, and been my guest:
To view his living features does me good,
For I am your poor neighbour in the wood;
And in my cottage should be proud to see
The worthy heir of my friend’s family.
‘But since I speak of signing let me say,
As with un upright heart I safely may,
That, save yourself, there breathes not on the ground
One like your father for a silver-sound.
So sweetly would he wake the winter-day,
That matrons to the church mistook their way,
And thought they heard the merry organ play.
And he to raise his voice with artful care,
(What will not beaux attempt to please the fair?)
On tiptoe stood do sing with greater strength,
And stretched his comely neck at all the length;
And while he strained his voice to pierce the skies,
As saints in raptures, use, would shut his eyes,
That the sound striving through the narrow throat,
His winking might avail to mend the note.
By this, in song, he never had his peer,
From sweet Cecilia down to Chanticleer;
Not Maro’s muse, who sung the mighty man,
Nor Pindar’s heavenly lyre, nor Horace when a swan.
Your ancestors proceed from race divine:
From Brennus and Belinus is your line;
Who gave to sovereign Rome such loud alarms,
That even the priests were not excused from arms,
‘Besides, a famous monk of modern times
Has left of cocks recorded in his rhymes,
That of a parish priest the son and heir,
(When sons of priests were from the proverb clear,)
Affronted once a cock of noble kind,
And either lamed his legs, or strucks him blind;
For which the clerk his father was disgraced,
And in his benefice another placed.
Now sing, my lord, if not for love of me,
Yet for the sake of sweet Saint Charity;
Make hills and dales, and earth and heaven, rejoice,
And emulate your father’s angel-voice.’
The cock was pleased to hear him speak so fair,
And proud beside, as solar people are;
Nor could the treason from the truth descry,
So was he ravished with this flattery:
So much the more, as from a little elf,
He had a high opinion of himself;
Though sickly, slender, and not large of limb,
Concluding all the world was made for him.
Ye princes, raised by poets to the gods,
And Alexandered up in lying odes,
Believe not every flattering knave’s report,
There’s many a Reynard lurking in the court;
And he shall be received with more regard,
And listened to, than modest truth is heard.
This Chanticleer, of whom the story sings,
Stood high upon his toes, and clapped his wings;
Then stretched his neck, and winked with both his eyes,
Ambitious, as he sought the Olympic prize.
But while he pained himself to raise his note,
False Reynard rushed, and caught him by the throat.
Then on his back he laid the precious load,
And sought his wonted shelter of the wood;
Swiftly he made his way, the mischief done,
Of all unheeded, and pursued by none.
Alas! what stay is there in human state,
Or who can shun inevitable fate?
The doom was written, the decree was past,
Ere the foundations of the world were cast!
In Aries though the sun exalted stood,
His patron-planet to procure his good;
Yet Saturn was his mortal foe, and he,
In Libra raised, opposed the same degree:
The rays both good and bad, of equal power,
Each thwarting other, made a mingled hour.
On Friday-morn he dreamt this direful dream,
Cross to the worthy native, in his scheme.
Ah blissful Venus! Goddess of delight!
How couldst thou suffer thy devoted knight,
On thy own day, to fall by foe oppressed,
The wight of all the world who served thee best?
Who true to love, was all for recreation,
And minded not the work of propagation.
Ganfride, who couldst so well in rhyme complain
The death of Richard with an arrow slain,
Why had not I thy muse, or thou my heart,
To sing this heavy dirge with equal art!
That I like thee on Friday might complain;
For on that day was Coeur de Lion slain.
Not louder cries, when Ilium was in flames,
Were sent to Heaven by woeful Trojan dames,
When Pyrrhus tossed on high his burnished blade,
And offered Priam to his father’s shade,
Than for the cock the widowed poultry made.
Fair Partlet first, when he was borne from sight,
With sovereign shrieks bewailed her captive knight:
Far louder than the Carthaginian wife,
When Asdrubal her husband lost his life,
When she beheld the smould’ring flames ascend,
And all the Punic glories at an end:
Willing into the fires she plunged her head,
With greater ease than others seek their bed.
Not more aghast the matrons of renown,
When tyrant Nero burned the imperial town,
Shrieked for the downfal in a doleful cry,
For which their guiltless lords were doomed to die.
Now to my story I return again:
The trembling widow, and her daughters twain,
This woeful cackling cry with horror heard,
Of those distracted damsels in the yard;
And starting up, beheld the heavy sight,
How Reynard to the forest took his flight,
And cross his back, as in triumphant scorn,
The hope and pillar of the house was borne.
The fox, the wicked fox,’ was all the cry;
Out from his house ran every neighbour nigh:
The vicar first, and after him the crew,
With forks and staves the felon to pursue.
Ran Coll our dog, and Talbot with the band,
And Malkin, with her distaff in her hand:
Ran cow and calf, and family of hogs,
In panic horror of pursuing dogs;
With many a deadly grunt and doleful squeak,
Poor swine, as if their pretty hearts would break.
The shouts of men, the women in dismay,
With shrieks augment the terror of the day.
The ducks, that heard the proclamation cried,
And feared a persecution might betide,
Full twenty mile from town their voyage take,
Obscure in rushes of the liquid lake.
The geese fly o’er the barn; the bees in arms,
Drive headlong from their waxen cells in swarms.
Jack Straw at London-stone, with all his rout,
Struck not the city with so loud a shout;
Not when with English hate they did pursue
A Frenchman, or an unbelieving Jew;
Not when the welkin rung with ‘one and all;’
And echoes bounded back from Fox’s hall;
Earth seemed to sink beneath, and heaven above to fall.
With might and main they chased the murderous fox,
With brazen trumpets, and inflated box,
To kindle Mars with military sounds,
Nor wanted horns to inspire sagacious hounds.
But see how Fortune can confound the wise,
And when they least expect it, turn the dice.
The captive-cock, who scarce could draw his breath,
And lay within the very jaws of death;
Yet in this agony his fancy wrought,
And fear supplied him with this happy thought:
‘Yours is the prize, victorious prince,’ said he,
The vicar my defeat, and all the village see.
Enjoy your friendly fortune while you may,
And bid the churls that envy you the prey
Call back the mongrel curs, and cease their cry:
See, fools, the shelter of the wood is nigh,
And Chanticleer in your despite shall die;
He shall be plucked and eaten to the bone.’
‘Tis well advised, in faith it shall be done;’
This Reynard said: but as the word he spoke,
The prisoner with a spring from prison broke;
Then stretched his feathered fans with all his might,
And to the neighbouring maple winged his flight.
Whom, when the traitor safe on tree beheld,
He cursed the gods, with shame and sorrow filled;
Shame for his folly; sorrow out of time,
For plotting an unprofitable crime:
Yet, mastering both, the artificer of lies
Renews the assault, and his last battery tries.
‘Though I,’ said he, ‘did ne’er in thought offend,
How justly may my lord suspect his friend!
The appearance is against me, I confess,
Who seemingly have put you in distress;
You, if your goodness does not plead my cause,
May think I broke all hospitable laws,
To bear you from your palace-yard by might,
And put your noble person in a fright;
This, since you take it ill, I must repent,
Though Heaven can witness with no bad intent
I practised it, to make you taste your cheer
With double pleasure, first prepared by fear.
So loyal subjects often seize their prince,
Forced (for his good) to seeming violence,
Yet mean his sacred person not the least offence.
Descend; so help me Jove, as you shall find,
That Reynard comes of no dissembling kind.’
‘Nay,’ quoth the cock; ‘but I beshrew us both,
If I believe a saint upon his oath:
An honest man may take a knave’s advice,
But idiots only may be cozened twice:
Once warned is well bewared; not flattering lies
Shall soothe me more to sing with winking eyes,
And open mouth, for fear of catching flies.
Who blindfold walks upon a river’s brim,
When he should see, has he deserved to swim!’
‘Better, sir Cock, let all contention cease,
Come down,’ said Reynard, ‘let us treat of peace.’
A peace with all my soul,’ said Chanticleer,
‘But, with your favour, I will treat it here:
And lest the truce with treason should be mixed,
’Tis my concern to have the tree betwixt.'

The Moral
In this plain fable you the effect may see
Of negligence, and fond credulity:
And learn besides of flatterers to beware,
Then most pernicious when they speak too fair.
The cock and fox, the fool and knave imply;
The truth is moral, though the tale a lie.
Who spoke in parables, I dare not say;
But sure he knew it was a pleasing way,
Sound sense, by plain example, to convey.
And in a heathen author we may find,
That pleasure with instruction should be joined;
So take the corn, and leave the chaff behind.

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Elizabeth Barrett Browning

Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators
Betwixt our highest conscience and the judge;
Some sweet saint's blood must quicken in our palms.
Or all the life in heaven seems slow and cold:
Good only, being perceived as the end of good,
And God alone pleased,–that's too poor, we think,
And not enough for us, by any means.
Ay–Romney, I remember, told me once
We miss the abstract, when we comprehend!
We miss it most when we aspire, . . and fail.

Yet, so, I will not.–This vile woman's way
Of trailing garments, shall not trip me up.
I'll have no traffic with the personal thought
In art's pure temple. Must I work in vain,
Without the approbation of a man?
It cannot be; it shall not. Fame itself,
That approbation of the general race,
Presents a poor end, (though the arrow speed,
Shot straight with vigorous finger to the white,)
And the highest fame was never reached except
By what was aimed above it. Art for art,
And good for God Himself, the essential Good!
We'll keep our aims sublime, our eyes erect,
Although our woman-hands should shake and fail;
And if we fail . . But must we?–
Shall I fail?
The Greeks said grandly in their tragic phrase,
'Let no one be called happy till his death.'
To which I add,–Let no one till his death
Be called unhappy. Measure not the work
Until the day's out and the labour done;
Then bring your gauges. If the day's work's scant,
Why, call it scant; affect no compromise;
And, in that we have nobly striven at least,
Deal with us nobly, women though we be,
And honour us with truth, if not with praise.

My ballads prospered; but the ballad's race
Is rapid for a poet who bears weights
Of thought and golden image. He can stand
Like Atlas, in the sonnet,–and support
His own heavens pregnant with dynastic stars;
But then he must stand still, nor take a step.

In that descriptive poem called 'The Hills,'
The prospects were too far and indistinct.
'Tis true my critics said, 'A fine view, that!'
The public scarcely cared to climb the book
For even the finest; and the public's right,
A tree's mere firewood, unless humanised;
Which well the Greeks knew, when they stirred the bark
With close-pressed bosoms of subsiding nymphs,
And made the forest-rivers garrulous
With babble of gods. For us, we are called to mark
A still more intimate humanity
In this inferior nature,–or, ourselves,
Must fall like dead leaves trodden underfoot
By veritabler artists. Earth shut up
By Adam, like a fakir in a box
Left too long buried, remained stiff and dry,
A mere dumb corpse, till Christ the Lord came down,
Unlocked the doors, forced opened the blank eyes,
And used his kingly chrisms to straighten out
The leathery tongue turned back into the throat:
Since when, she lives, remembers, palpitates
In every lip, aspires in every breath,
Embraces infinite relations. Now,
We want no half-gods, Panomph&alig;ean Joves,
Fauns, Naiads, Tritons, Oreads, and the rest,
To take possession of a senseless world
To unnatural vampire-uses. See the earth,
The body of our body, the green earth,
Indubitably human, like this flesh
And these articulated veins through which
Our heart drives blood! There's not a flower of spring,
That dies ere June, but vaunts itself allied
By issue and symbol, by significance
And correspondence, to that spirit-world
Outside the limits of our space and time,
Whereto we are bound. Let poets give it voice
With human meanings; else they miss the thought,
And henceforth step down lower, stand confessed
Instructed poorly for interpreters,–
Thrown out by an easy cowslip in the text.

Even so my pastoral failed: it was a book
Of surface-pictures–pretty, cold, and false
With literal transcript,–the worse done, I think,
For being not ill-done. Let me set my mark
Against such doings, and do otherwise.
This strikes me.–if the public whom we know,
Could catch me at such admissions, I should pass
For being right modest. Yet how proud we are,
In daring to look down upon ourselves!

The critics say that epics have died out
With Agamemnon and the goat-nursed gods–
I'll not believe it. I could never dream
As Payne Knight did, (the mythic mountaineer
Who travelled higher than he was born to live,
And showed sometimes the goitre in his throat
Discoursing of an image seen through fog,)
That Homer's heroes measured twelve feet high.
They were but men!–his Helen's hair turned grey
Like any plain Miss Smith's, who wears a front:
And Hector's infant blubbered at a plume
As yours last Friday at a turkey-cock.
All men are possible heroes: every age,
Heroic in proportions, double-faced,
Looks backward and before, expects a morn
And claims an epos.
Ay, but every age
Appears to souls who live in it, (ask Carlyle)
Most unheroic. Ours, for instance, ours!
The thinkers scout it, and the poets abound
Who scorn to touch it with a finger-tip:
A pewter age,–mixed metal, silver-washed;
An age of scum, spooned off the richer past;
An age of patches for old gabardines;
An age of mere transition, meaning nought,
Except that what succeeds must shame it quite,
If God please. That's wrong thinking, to my mind,
And wrong thoughts make poor poems.
Every age,
Through being beheld too close, is ill-discerned
By those who have not lived past it. We'll suppose
Mount Athos carved, as Persian Xerxes schemed,
To some colossal statue of a man:
The peasants, gathering brushwood in his ear,
Had guessed as little of any human form
Up there, as would a flock of browsing goats.
They'd have, in fact, to travel ten miles off
Or ere the giant image broke on them,
Full human profile, nose and chin distinct,
Mouth, muttering rhythms of silence up the sky,
And fed at evening with the blood of suns;
Grand torso,–hand, that flung perpetually
The largesse of a silver river down
To all the country pastures. 'Tis even thus
With times we live in,–evermore too great
To be apprehended near.
But poets should
Exert a double vision; should have eyes
To see near things as comprehensibly
As if afar they took their point of sight,
And distant things, as intimately deep,
As if they touched them. Let us strive for this.
I do distrust the poet who discerns
No character or glory in his times,
And trundles back his soul five hundred years,
Past moat and drawbridge, into a castle-court,
Oh not to sing of lizards or of toads
Alive i' the ditch there!–'twere excusable;
But of some black chief, half knight, half sheep-lifter
Some beauteous dame, half chattel and half queen,
As dead as must be, for the greater part,
The poems made on their chivalric bones.
And that's no wonder: death inherits death.

Nay, if there's room for poets in the world
A little overgrown, (I think there is)
Their sole work is to represent the age,
Their age, not Charlemagne's,–this live, throbbing age,
That brawls, cheats, maddens, calculates, aspires,
And spends more passion, more heroic heat,
Betwixt the mirrors of its drawing-rooms,
Than Roland with his knights, at Roncesvalles.
To flinch from modern varnish, coat or flounce,
Cry out for togas and the picturesque,
Is fatal,–foolish too. King Arthur's self
Was commonplace to Lady Guenever;
And Camelot to minstrels seemed as flat,
As Regent street to poets.
Never flinch,
But still, unscrupulously epic, catch
Upon a burning lava of a song,
The full-veined, heaving, double-breasted Age:
That, when the next shall come, the men of that
May touch the impress with reverent hand, and say
'Behold,–behold the paps we all have sucked!
That bosom seems to beat still, or at least
It sets ours beating. This is living art,
Which thus presents, and thus records true life.'

What form is best for poems? Let me think
Of forms less, and the external. Trust the spirit,
As sovran nature does, to make the form;
For otherwise we only imprison spirit,
And not embody. Inward evermore
To outward,–so in life, and so in art,
Which still is life.
Five acts to make a play.
And why not fifteen? Why not ten? or seven?
What matter for the number of the leaves,
Supposing the tree lives and grows? exact
The literal unities of time and place,
When 'tis the essence of passion to ignore
Both time and place? Absurd. Keep up the fire
And leave the generous flames to shape themselves.

'Tis true the stage requires obsequiousness
To this or that convention; 'exit' here
And 'enter' there; the points for clapping, fixed,
Like Jacob's white-peeled rods before the rams;
And all the close-curled imagery clipped
In manner of their fleece at shearing time.
Forget to prick the galleries to the heart
Precisely at the fourth act,–culminate
Our five pyramidal acts with one act more,–
We're lost so! Shakspeare's ghost could scarcely plead
Against our just damnation. Stand aside;
We'll muse for comfort that, last century,
On this same tragic stage on which we have failed,
A wigless Hamlet would have failed the same.

And whosoever writes good poetry,
Looks just to art. He does not write for you
Or me,–for London or for Edinburgh;
He will not suffer the best critic known
To step into his sunshine of free thought
And self-absorbed conception, and exact
An inch-long swerving of the holy lines.
If virtue done for popularity
Defiles like vice, can art for praise or hire
Still keep its splendour, and remain pure art?
Eschew such serfdom. What the poet writes,
He writes: mankind accepts it, if it suits,
And that's success: if not, the poem's passed
From hand to hand, and yet from hand to hand,
Until the unborn snatch it, crying out
In pity on their fathers' being so dull,
And that's success too.
I will write no plays.
Because the drama, less sublime in this,
Makes lower appeals, defends more menially,
Adopts the standard of the public taste
To chalk its height on, wears a dog chain round
Its regal neck, and learns to carry and fetch
The fashions of the day to please the day;
Fawns close on pit and boxes, who clap hands,
Commending chiefly its docility
And humour in stage-tricks; or else indeed
Gets hissed at, howled at, stamped at like a dog,
Or worse, we'll say. For dogs, unjustly kicked,
Yell, bite at need; but if your dramatist
(Being wronged by some five hundred nobodies
Because their grosser brains most naturally
Misjudge the fineness of his subtle wit)
Shows teeth an almond's breath, protests the length
Of a.modest phrase,–' My gentle countrymen,
'There's something in it, haply of your fault,'–
Why then, besides five hundred nobodies,
He'll have five thousand, and five thousand more,
Against him,–the whole public,–all the hoofs
Of King Saul's father's asses, in full drove,–
And obviously deserve it. He appealed
To these,–and why say more if they condemn,
Than if they praised him?–Weep, my Æschylus,
But low and far, upon Sicilian shores!
For since 'twas Athens (so I read the myth)
Who gave commission to that fatal weight,
The tortoise, cold and hard, to drop on thee
And crush thee,–better cover thy bald head;
She'll hear the softest hum of Hyblan bee
Before thy loud'st protesting.–For the rest,
The risk's still worse upon the modern stage;
I could not, in so little, accept success,
Nor would I risk so much, in ease and calm,
For manifester gains; let those who prize,
Pursue them: I stand off.
And yet, forbid,
That any irreverent fancy or conceit
Should litter in the Drama's throne-room, where
The rulers of our art, in whose full veins
Dynastic glories mingle, sit in strength
And do their kingly work,–conceive, command,
And, from the imagination's crucial heat,
Catch up their men and women all a-flame
For action all alive, and forced to prove
Their life by living out heart, brain, and nerve,
Until mankind makes witness, 'These be men
As we are,' and vouchsafes the kiss that's due
To Imogen and Juliet–sweetest kin
On art's side.
'Tis that, honouring to its worth
The drama, I would fear to keep it down
To the level of the footlights. Dies no more
The sacrificial goat, for Bacchus slain,–
His filmed eyes fluttered by the whirling white
Of choral vestures,–troubled in his blood
While tragic voices that clanged keen as swords,
Leapt high together with the altar-flame,
And made the blue air wink. The waxen mask,
Which set the grand still front of Themis' son
Upon the puckered visage of a player;–
The buskin, which he rose upon and moved,
As some tall ship, first conscious of the wind,
Sweeps slowly past the piers;–the mouthpiece,where
The mere man's voice with all its breaths and breaks
Went sheathed in brass, and clashed on even heights
Its phrasèd thunders;–these things are no more,
Which once were. And concluding, which is clear,
The growing drama has outgrown such toys
Of simulated stature, faces and speech,
It also, peradventure, may outgrow
The simulation of the painted scene,
Boards, actors, prompters, gaslight, and costume;
And take for a worthier stage the soul itself,
Its shifting fancies and celestial lights,
With all its grand orchestral silences
To keep the pauses of the rhythmic sounds.

Alas, I still see something to be done,
And what I do falls short of what I see,
Though I waste myself on doing. Long green days,
Worn bare of grass and sunshine,–long calm nights,
From which the silken sleeps were fretted out,–
Be witness for me, with no amateur's
Irreverent haste and busy idleness
I've set myself to art! What then? what's done?
What's done, at last?
Behold, at last, a book.
If life-blood's necessary,–which it is,
(By that blue vein athrob on Mahomet's brow,
Each prophet-poet's book must show man's blood!)
If life-blood's fertilising, I wrung mine
On every leaf of this,–unless the drops
Slid heavily on one side and left it dry.
That chances often: many a fervid man
Writes books as cold and flat as grave-yard stones
From which the lichen's scraped; and if St. Preux
Had written his own letters, as he might,
We had never wept to think of the little mole
'Neath Julie's drooping eyelid. Passion is
But something suffered, after all.
While art
Sets action on the top of suffering:
The artist's part is both to be and do,
Transfixing with a special, central power
The flat experience of the common man,
And turning outward, with a sudden wrench,
Half agony, half ecstasy, the thing
He feels the inmost: never felt the less
Because he sings it. Does a torch less burn
For burning next reflectors of blue steel,
That he should be the colder for his place
'Twixt two incessant fires,–his personal life's,
And that intense refraction which burns back
Perpetually against him from the round
Of crystal conscience he was born into
If artist born? O sorrowful great gift
Conferred on poets, of a twofold life,
When one life has been found enough for pain!
We staggering 'neath our burden as mere men,
Being called to stand up straight as demi-gods,
Support the intolerable strain and stress
Of the universal, and send clearly up
With voices broken by the human sob,
Our poems to find rhymes among the stars!
But soft!–a 'poet' is a word soon said;
A book's a thing soon written. Nay, indeed,
The more the poet shall be questionable,
The more unquestionably comes his book!
And this of mine,–well, granting to myself
Some passion in it, furrowing up the flats,
Mere passion will not prove a volume worth
Its gall and rags even. Bubbles round a keel
Mean nought, excepting that the vessel moves.
There's more than passion goes to make a man,
Or book, which is a man too.
I am sad:
I wonder if Pygmalion had these doubts,
And, feeling the hard marble first relent,
Grow supple to the straining of his arms,
And tingle through its cold to his burning lip,
Supposed his senses mocked, and that the toil
Of stretching past the known and seen, to reach
The archetypal Beauty out of sight,
Had made his heart beat fast enough for two,
And with his own life dazed and blinded him!
Not so; Pygmalion loved,–and whoso loves
Believes the impossible.
And I am sad:
I cannot thoroughly love a work of mine,
Since none seems worthy of my thought and hope
More highly mated. He has shot them down,
My Phoebus Apollo, soul within my soul,
Who judges by the attempted, what's attained,
And with the silver arrow from his height,
Has struck down all my works before my face,
While I say nothing. Is there aught to say?
I called the artist but a greatened man:
He may be childless also, like a man.

I laboured on alone. The wind and dust
And sun of the world beat blistering in my face;
And hope, now for me, now against me, dragged
My spirits onward,–as some fallen balloon,
Which, whether caught by blossoming tree or bare,
Is torn alike. I sometimes touched my aim,
Or seemed,–and generous souls cried out, 'Be strong,
Take courage; now you're on our level,–now!
The next step saves you!' I was flushed with praise,
But, pausing just a moment to draw breath,
I could not choose but murmur to myself
'Is this all? all that's done? and all that's gained?
If this then be success, 'tis dismaller
Than any failure.'
O my God, my God,
O supreme Artist, who as sole return
For all the cosmic wonder of Thy work,
Demandest of us just a word . . a name,
'My Father!'–thou hast knowledge, only thou,
How dreary 'tis for women to sit still
On winter nights by solitary fires,
And hear the nations praising them far off;
Too far! ay, praising our quick sense of love,
Our very heart of passionate womanhood,
Which could not beat so in the verse without
Being present also in the unkissed lips,
And eyes undried because there's none to ask
The reason they grew moist.
To sit alone,
And think, for comfort, how, that very night,
Affianced lovers, leaning face to face
With sweet half-listenings for each other's breath,
Are reading haply from some page of ours,
To pause with a thrill, as if their cheeks had touched,
When such a stanza, level to their mood,
Seems floating their own thoughts out–'So I feel
For thee,'–'And I, for thee: this poet knows
What everlasting love is!'–how, that night.
A father, issuing from the misty roads
Upon the luminous round of lamp and hearth
And happy children, having caught up first
The youngest there until it shrunk and shrieked
To feel the cold chin prick its dimple through
With winter from the hills, may throw i' the lap
Of the eldest, (who has learnt to drop her lids
To hide some sweetness newer than last year's)
Our book and cry, . . 'Ah you, you care for rhymes;
So here be rhymes to pore on under trees,
When April comes to let you! I've been told
They are not idle as so many are,
But set hearts beating pure as well as fast:
It's yours, the book: I'll write your name in it,–
That so you may not lose, however lost
In poet's lore and charming reverie,
The thought of how your father thought of you
In riding from the town.'
To have our books
Appraised by love, associated with love,
While we sit loveless! is it hard, you think?
At least 'tis mournful. Fame, indeed, 'twas said,
Means simply love. It was a man said that.
And then there's love and love: the love of all
(To risk, in turn, a woman's paradox,)
Is but a small thing to the love of one.
You bid a hungry child be satisfied
With a heritage of many corn-fields: nay,
He says he's hungry,–he would rather have
That little barley-cake you keep from him
While reckoning up his harvests. So with us;
(Here, Romney, too, we fail to generalise!)
We're hungry.
Hungry! but it's pitiful
To wail like unweaned babes and suck our thumbs
Because we're hungry. Who, in all this world,
(Wherein we are haply set to pray and fast,
And learn what good is by its opposite)
Has never hungered? Woe to him who has found
The meal enough: if Ugolino's full,
His teeth have crunched some foul unnatural thing:
For here satiety proves penury
More utterly irremediable. And since
We needs must hunger,–better, for man's love,
Than God's truth! better, for companions sweet,
Than great convictions! let us bear our weights,
Preferring dreary hearths to desert souls.

Well, well, they say we're envious, we who rhyme;
But I, because I am a woman, perhaps,
And so rhyme ill, am ill at envying.
I never envied Graham his breadth of style,
Which gives you, with a random smutch or two,
(Near-sighted critics analyse to smutch)
Such delicate perspectives of full life;
Nor Belmore, for the unity of aim
To which he cuts his cedarn poems, fine
As sketchers do their pencils; not Mark Gage,
For that caressing colour and trancing tone
Whereby you're swept away and melted in
The sensual element, which, with a back wave,
Restores you to the level of pure souls
And leaves you with Plotinus. None of these,
For native gifts or popular applause,
I've envied; but for this,–that when, by chance,
Says some one,–'There goes Belmore, a great man!
He leaves clean work behind him, and requires
No sweeper up of the chips,' . . a girl I know,
Who answers nothing, save with her brown eyes,
Smiles unawares, as if a guardian saint
Smiled in her:–for this, too,–that Gage comes home
And lays his last book's prodigal review
Upon his mother's knees, where, years ago,
He had laid his childish spelling-book and learned
To chirp and peck the letters from her mouth,
As young birds must. 'Well done,' she murmured then,
She will not say it now more wonderingly;
And yet the last 'Well done' will touch him more,
As catching up to-day and yesterday
In a perfect chord of love; and so, Mark Gage,
I envy you your mother!–and you, Graham,
Because you have a wife who loves you so,
She half forgets, at moments, to be proud
Of being Graham's wife, until a friend observes,
'The boy here, has his father's massive brow,
Done small in wax . . if we push back the curls.'

Who loves me? Dearest father,–mother sweet,–
I speak the names out sometimes by myself,
And make the silence shiver: they sound strange,
As Hindostanee to an Ind-born man
Accustomed many years to English speech;
Or lovely poet-words grown obsolete,
Which will not leave off singing. Up in heaven
I have my father,–with my mother's face
Beside him in a blotch of heavenly light;
No more for earth's familiar household use,
No more! The best verse written by this hand,
Can never reach them where they sit, to seem
Well-done to them. Death quite unfellows us,
Sets dreadful odds betwixt the live and dead,
And makes us part as those at Babel did,
Through sudden ignorance of a common tongue.
A living Cæsar would not dare to play
At bowls, with such as my dead father is.

And yet, this may be less so than appears,
This change and separation. Sparrows five
For just two farthings, and God cares for each.
If God is not too great for little cares,
Is any creature, because gone to God?
I've seen some men, veracious, nowise mad,
Who have thought or dreamed, declared and testified,
They've heard the Dead a-ticking like a clock
Which strikes the hours of the eternities,
Beside them, with their natural ears, and known
That human spirits feel the human way,
And hate the unreasoning awe which waves them off
From possible communion. It may be.

At least, earth separates as well as heaven.
For instance, I have not seen Romney Leigh
Full eighteen months . . add six, you get two years.
They say he's very busy with good works,–
Has parted Leigh Hall into almshouses.
He made an almshouse of his heart one day,
Which ever since is loose upon the latch
For those who pull the string.–I never did.

It always makes me sad to go abroad;
And now I'm sadder that I went to-night
Among the lights and talkers at Lord Howe's.
His wife is gracious, with her glossy braids,
And even voice, and gorgeous eyeballs, calm
As her other jewels. If she's somewhat cold,
Who wonders, when her blood has stood so long
In the ducal reservoir she calls her line
By no means arrogantly? she's not proud;
Not prouder than the swan is of the lake
He has always swum in;–'tis her element,
And so she takes it with a natural grace,
Ignoring tadpoles. She just knows, perhaps,
There are men, move on without outriders,
Which isn't her fault. Ah, to watch her face,
When good Lord Howe expounds his theories
Of social justice and equality–
'Tis curious, what a tender, tolerant bend
Her neck takes: for she loves him, likes his talk,
Such clever talk–that dear, odd Algernon!'
She listens on, exactly as if he talked
Some Scandinavian myth of Lemures,
Too pretty to dispute, and too absurd.

She's gracious to me as her husband's friend,
And would be gracious, were I not a Leigh,
Being used to smile just so, without her eyes,
On Joseph Strangways, the Leeds mesmerist,
And Delia Dobbs, the lecturer from 'the States'
Upon the 'Woman's question.' Then, for him,
I like him . . he's my friend. And all the rooms
Were full of crinkling silks that swept about
The fine dust of most subtle courtesies.
What then?–why then, we come home to be sad.
How lovely One I love not, looked to-night!
She's very pretty, Lady Waldemar.
Her maid must use both hands to twist that coil
Of tresses, then be careful lest the rich
Bronze rounds should slip :–she missed, though, a grey hair,
A single one,–I saw it; otherwise
The woman looked immortal. How they told,
Those alabaster shoulders and bare breasts,
On which the pearls, drowned out of sight in milk,
Were lost, excepting for the ruby-clasp!
They split the amaranth velvet-boddice down
To the waist, or nearly, with the audacious press
Of full-breathed beauty. If the heart within
Were half as white!–but, if it were, perhaps
The breast were closer covered, and the sight
Less aspectable, by half, too.
I heard
The young man with the German student's look–
A sharp face, like a knife in a cleft stick,
Which shot up straight against the parting line
So equally dividing the long hair,–
Say softly to his neighbour, (thirty-five
And mediæval) 'Look that way, Sir Blaise.
She's Lady Waldemar–to the left,–in red–
Whom Romney Leigh, our ablest man just now,
Is soon to marry.'
Then replied
Sir Blaise Delorme, with quiet, priest-like voice,
Too used to syllable damnations round
To make a natural emphasis worth while:
'Is Leigh your ablest man? the same, I think,
Once jilted by a recreant pretty maid
Adopted from the people? Now, in change,
He seems to have plucked a flower from the other side
Of the social hedge.'
'A flower, a flower,' exclaimed
My German student,–his own eyes full-blown
Bent on her. He was twenty, certainly.

Sir Blaise resumed with gentle arrogance,
As if he had dropped his alms into a hat,
And had the right to counsel,–'My young friend,
I doubt your ablest man's ability
To get the least good or help meet for him,
For pagan phalanstery or Christian home,
From such a flowery creature.'

'Beautiful!'
My student murmured, rapt,–'Mark how she stirs
Just waves her head, as if a flower indeed,
Touched far off by the vain breath of our talk.'

At which that bilious Grimwald, (he who writes
For the Renovator) who had seemed absorbed
Upon the table-book of autographs,
(I dare say mentally he crunched the bones
Of all those writers, wishing them alive
To feel his tooth in earnest) turned short round
With low carnivorous laugh,–'A flower, of course!
She neither sews nor spins,–and takes no thought
Of her garments . . falling off.'
The student flinched,
Sir Blaise, the same; then both, drawing back their chairs
As if they spied black-beetles on the floor,
Pursued their talk, without a word being thrown
To the critic.
Good Sir Blaise's brow is high
And noticeably narrow; a strong wind,
You fancy, might unroof him suddenly,
And blow that great top attic off his head
So piled with feudal relics. You admire
His nose in profile, though you miss his chin;
But, though you miss his chin, you seldom miss
His golden cross worn innermostly, (carved
For penance, by a saintly Styrian monk
Whose flesh was too much with him,) slipping trough
Some unaware unbuttoned casualty
Of the under-waistcoat. With an absent air
Sir Blaise sate fingering it and speaking low,
While I, upon the sofa, heard it all.

'My dear young friend, if we could bear our eyes
Like blessedest St. Lucy, on a plate,
They would not trick us into choosing wives,
As doublets, by the colour. Otherwise
Our fathers chose,–and therefore, when they had hung
Their household keys about a lady's waist,
The sense of duty gave her dignity:
She kept her bosom holy to her babes;
And, if a moralist reproved her dress,
'Twas, 'Too much starch!'–and not, 'Too little lawn!'

'Now, pshaw!' returned the other in a heat,
A little fretted by being called 'young friend,'
Or so I took it,–'for St. Lucy's sake,
If she's the saint to curse by, let us leave
Our fathers,–plagued enough about our sons!'
(He stroked his beardless chin) 'yes, plagued, sir, plagued:
The future generations lie on us
As heavy as the nightmare of a seer;
Our meat and drink grow painful prophecy:
I ask you,–have we leisure, if we liked,
To hollow out our weary hands to keep
Your intermittent rushlight of the past
From draughts in lobbies? Prejudice of sex,
And marriage-laws . . the socket drops them through
While we two speak,–however may protest
Some over-delicate nostrils, like our own,
'Gainst odours thence arising.'
'You are young,'
Sir Blaise objected.
'If I am,' he said
With fire,–'though somewhat less so than I seem.
The young run on before, and see the thing
That's coming. Reverence for the young, I cry.
In that new church for which the world's near ripe,
You'll have the younger in the elder's chair,
Presiding with his ivory front of hope
O'er foreheads clawed by cruel carrion birds
Of life's experience.'
'Pray your blessing, sir,'
Sir Blaise replied good-humouredly,–'I plucked
A silver hair this morning from my beard,
Which left me your inferior. Would I were
Eighteen, and worthy to admonish you!
If young men of your order run before
To see such sights as sexual prejudice
And marriage-law dissolved,–in plainer words,
A general concubinage expressed
In a universal pruriency,–the thing
Is scarce worth running fast for, and you'd gain
By loitering with your elders.'
'Ah,' he said,
'Who, getting to the top of Pisgah-hill,
Can talk with one at the bottom of the view,
To make it comprehensible? Why Leigh
Himself, although our ablest man, I said,
Is scarce advanced to see as far as this,
Which some are: he takes up imperfectly
The social question–by one handle–leaves
The rest to trail. A Christian socialist,
Is Romney Leigh, you understand.'
'Not I.
I disbelieve in Christians-pagans, much
As you in women-fishes. If we mix
Two colours, we lose both, and make a third
Distinct from either. Mark you! to mistake
A colour is the sign of a sick brain,
And mine, I thank the saints, is clear and cool:
A neutral tint is here impossible.
The church,–and by the church, I mean, of course,
The catholic, apostolic, mother-church,–
Draws lines as plain and straight as her own wall;
Inside of which, are Christians, obviously,
And outside . . dogs.'
'We thank you. Well I know
The ancient mother-church would fain still bite
For all her toothless gums,–as Leigh himself
Would fain be a Christian still, for all his wit;
Pass that; you two may settle it, for me.
You're slow in England. In a month I learnt
At Göttingen, enough philosophy
To stock your English schools for fifty years;
Pass that, too. Here, alone, I stop you short,
–Supposing a true man like Leigh could stand
Unequal in the stature of his life
To the height of his opinions. Choose a wife
Because of a smooth skin?–not he, not he!
He'd rail at Venus' self for creaking shoes,
Unless she walked his way of righteousness:
And if he takes a Venus Meretrix
(No imputation on the lady there)
Be sure that, by some sleight of Christian art,
He has metamorphosed and converted her
To a Blessed Virgin.'
'Soft!' Sir Blaise drew breath
As if it hurt him,–'Soft! no blasphemy,
I pray you!'
'The first Christians did the thing;
Why not the last?' asked he of Göttingen,
With just that shade of sneering on the lip,
Compensates for the lagging of the beard,–
'And so the case is. If that fairest fair
Is talked of as the future wife of Leigh,
She's talked of, too, at least as certainly,
As Leigh's disciple. You may find her name
On all his missions and commissions, school,
Asylums, hospitals,–he has had her down,
With other ladies whom her starry lead
Persuaded from their spheres, to his country-place
In Shropshire, to the famed phalanstery
At Leigh Hall, christianised from Fourier's own,
(In which he has planted out his sapling stocks
Of knowledge into social nurseries)
And there, they say, she has tarried half a week,
And milked the cows, and churned, and pressed the curd,
And said 'my sister' to the lowest drab
Of all the assembled castaways; such girls!
Ay, sided with them at the washing-tub–
Conceive, Sir Blaise, those naked perfect arms,
Round glittering arms, plunged elbow-deep in suds,
Like wild swans hid in lilies all a-shake.'

Lord Howe came up. 'What, talking poetry
So near the image of the unfavouring Muse?
That's you, Miss Leigh: I've watched you half an hour,
Precisely as I watched the statue called
A Pallas in the Vatican;–you mind
The face, Sir Blaise?–intensely calm and sad,
As wisdom cut it off from fellowship,–
But that spoke louder. Not a word from you!
And these two gentlemen were bold, I marked,
And unabashed by even your silence.'
'Ah,'
Said I, 'my dear Lord Howe, you shall not speak
To a printing woman who has lost her place,
(The sweet safe corner of the household fire
Behind the heads of children) compliments
As if she were a woman. We who have clipt
The curls before our eyes, may see at least
As plain as men do: speak out, man to man;
No compliments, beseech you.'
'Friend to friend,
Let that be. We are sad to-night, I saw,
(–Good night, Sir Blaise! Ah, Smith–he has slipped away)
I saw you across the room, and stayed, Miss Leigh,
To keep a crowd of lion-hunters off,
With faces toward your jungle. There were three;
A spacious lady, five feet ten and fat,
Who has the devil in her (and there's room)
For walking to and fro upon the earth,
From Chippewa to China; she requires
Your autograph upon a tinted leaf
'Twixt Queen Pomare's and Emperor Soulouque's;
Pray give it; she has energies, though fat:
For me, I'd rather see a rick on fire
Than such a woman angry. Then a youth
Fresh from the backwoods, green as the underboughs,
Asks modestly, Miss Leigh, to kiss your shoe,
And adds, he has an epic, in twelve parts,
Which when you've read, you'll do it for his boot,–
All which I saved you, and absorb next week
Both manuscript and man,–because a lord
Is still more potent that a poetess,
With any extreme republican. Ah, ah,
You smile at last, then.'
'Thank you.'
'Leave the smile,
I'll lose the thanks for't,–ay, and throw you in
My transatlantic girl, with golden eyes,
That draw you to her splendid whiteness, as
The pistil of a water-lily draws,
Adust with gold. Those girls across the sea
Are tyrannously pretty,–and I swore
(She seemed to me an innocent, frank girl)
To bring her to you for a woman's kiss,
Not now, but on some other day or week:
–We'll call it perjury; I give her up.'

'No, bring her.'
'Now,' said he, 'you make it hard
To touch such goodness with a grimy palm.
I thought to tease you well, and fret you cross,
And steel myself, when rightly vexed with you,
For telling you a thing to tease you more.'

'Of Romney?'
'No, no; nothing worse,' he cried,
'Of Romney Leigh, than what is buzzed about,–
That he is taken in an eye-trap too,
Like many half as wise. The thing I mean
Refers to you, not him.'
'Refers to me,'
He echoed,–'Me! You sound it like a stone
Dropped down a dry well very listlessly,
By one who never thinks about the toad
Alive at the bottom. Presently perhaps
You'll sound your 'me' more proudly–till I shrink.

Lord Howe's the toad, then, in this question?'
'Brief,
We'll take it graver. Give me sofa-room,
And quiet hearing. You know Eglinton,
John Eglinton, of Eglinton in Kent?'

'Is he the toad?–he's rather like the snail;
Known chiefly for the house upon his back:
Divide the man and house–you kill the man;
That's Eglinton of Eglinton, Lord Howe.'
He answered grave. 'A reputable man,
An excellent landlord of the olden stamp,
If somewhat slack in new philanthropies;
Who keeps his birthdays with a tenants' dance,
Is hard upon them when they miss the church
Or keep their children back from catechism,
But not ungentle when the aged poor
Pick sticks at hedge-sides; nay, I've heard him say
'The old dame has a twinge because she stoops:
'That's punishment enough for felony.

'O tender-hearted landlord! May I take
My long lease with him, when the time arrives
For gathering winter-faggots?'

'He likes art,
Buys books and pictures . . of a certain kind;
Neglects no patient duty; a good son' . . .

'To a most obedient mother. Born to wear
His father's shoes, he wears her husband's too:
Indeed, I've heard its touching. Dear Lord Howe,
You shall not praise me so against your heart,
When I'm at worst for praise and faggots.'
'Be
Less bitter with me, for . . in short,' he said,
'I have a letter, which he urged me so
To bring you . . I could scarcely choose but yield
Insisting that a new love passing through
The hand of an old friendship, caught from it
Some reconciling perfume.'
'Love, you say?
My lord, I cannot love. I only find
The rhymes for love,–and that's not love, my lord.
Take back your letter.'
'Pause: you'll read it first?'

'I will not read it: it is stereotyped;
The same he wrote to,–anybody's name,–
Anne Blythe, the a�ctress, when she had died so true,
A duchess fainted in an open box:
Pauline, the dancer, after the great pas,
In which her little feet winked overhead
Like other fire-flies, and amazed the pit:
Or Baldinacci, when her F in alt
Had touched the silver tops of heaven itself
With such a pungent soul-dart, even the Queen
Laid softly, each to each, her white-gloved palms,
And sighed for joy: or else (I thank your friend)
Aurora Leigh,–when some indifferent rhymes,
Like those the boys sang round the holy ox
On Memphis-road, have chanced, perhaps, to set
Our Apis-public lowing. Oh, he wants,
Instead of any worthy wife at home,
A star upon his stage of Eglinton!
Advise him that he is not overshrewd
In being so little modest: a dropped star
Makes bitter waters, says a Book I've read,–
And there's his unread letter,'
'My dear friend,'
Lord Howe began . .

In haste I tore the phrase.
'You mean your friend of Eglinton, or me?'

'I mean you, you,' he answered with some fire.
'A happy life means prudent compromise;
The tare runs through the farmer's garnered sheaves;
But though the gleaner's apron holds pure wheat,
We count her poorer. Tare with wheat, we cry,
And good with drawbacks. You, you love your art,
And, certain of vocation, set your soul
On utterance. Only, . . in this world we have made,
(They say God made it first, but, if He did,
'Twas so long since, . . and, since, we have spoiled it so,
He scarce would know it, if He looked this way,
From hells we preach of, with the flames blown out,)
In this bad, twisted, topsy-turvy world,
Where all the heaviest wrongs get uppermost,–
In this uneven, unfostering England here,
Where ledger-strokes and sword-strokes count indeed,
But soul-strokes merely tell upon the flesh
They strike from,–it is hard to stand for art,
Unless some golden tripod from the sea
Be fished up, by Apollo's divine chance,
To throne such feet as yours, my prophetess,
At Delphi. Think,–the god comes down as fierce
As twenty bloodhounds! shakes you, strangles you,
Until the oracular shriek shall ooze in froth!
At best it's not all ease,–at worst too hard:
A place to stand on is a 'vantage gained,
And here's your tripod. To be plain, dear friend,
You're poor, except in what you richly give;
You labour for your own bread painfully,
Or ere you pour our wine. For art's sake, pause.'

I answered slow,–as some wayfaring man,
Who feels himself at night too far from home,
Makes stedfast face against the bitter wind.
'Is art so less a thing than virtue is,
That artists first must cater for their ease
Or ever they make issue past themselves
To generous use? alas, and is it so,
That we, who would be somewhat clean, must sweep
Our ways as well as walk them, and no friend
Confirm us nobly,–'Leave results to God,
But you be clean?' What! 'prudent compromise
Makes acceptable life,' you say instead,
You, you, Lord Howe?–in things indifferent, well.
For instance, compromise the wheaten bread
For rye, the meat for lentils, silk for serge,
And sleep on down, if needs, for sleep on straw;
But there, end compromise. I will not bate
One artist-dream, on straw or down, my lord,
Nor pinch my liberal soul, though I be poor,
Nor cease to love high, though I live thus low.

So speaking, with less anger in my voice
Than sorrow, I rose quickly to depart;
While he, thrown back upon the noble shame
Of such high-stumbling natures, murmured words,
The right words after wrong ones. Ah, the man
Is worthy, but so given to entertain
Impossible plans of superhuman life,–
He sets his virtues on so raised a shelf,
To keep them at the grand millennial height,
He has to mount a stool to get at them;
And meantime, lives on quite the common way,
With everybody's morals.
As we passed,
Lord Howe insisting that his friendly arm
Should oar me across the sparkling brawling stream
Which swept from room to room, we fell at once
On Lady Waldemar. 'Miss Leigh,' she said,
And gave me such a smile, so cold and bright,
As if she tried it in a 'tiring glass
And liked it; 'all to-night I've strained at you,
As babes at baubles held up out of reach
By spiteful nurses, ('Never snatch,' they say,)
And there you sate, most perfectly shut in
By good Sir Blaize and clever Mister Smith,
And then our dear Lord Howe! at last, indeed,
I almost snatched. I have a world to speak
About your cousin's place in Shropshire, where
I've been to see his work . . our work,–you heard
I went? . . and of a letter yesterday,
In which, if I should read a page or two,
You might feel interest, though you're locked of course
In literary toil.–You'll like to hear
Your last book lies at the phalanstery,
As judged innocuous for the elder girls
And younger women who still care for books.
We all must read, you see, before we live:
But slowly the ineffable light comes up,
And, as it deepens, drowns the written word,–
So said your cousin, while we stood and felt
A sunset from his favorite beech-tree seat:
He might have been a poet if he would,
But then he saw the higher thing at once,
And climbed to it. It think he looks well now,
Has quite got over that unfortunate . .
Ah, ah . . I know it moved you. Tender-heart!
You took a liking to the wretched girl.
Perhaps you thought the marriage suitable,
Who knows? a poet hankers for romance,
And so on. As for Romney Leigh, 'tis sure
He never loved her,–never. By the way,
You have not heard of her . .? quite out of sight.
And out of saving? lost in every sense?'

She might have gone on talking half-an-hour,
And I stood still, and cold, and pale, I think,
As a garden-statue a child pelts with snow
For pretty pastime. Every now and then
I put in 'yes' or 'no,' I scarce knew why;
The blind man walks wherever the dog pulls,
And so I answered. Till Lord Howe broke in;
'What penance takes the wretch who interrupts
The talk of charming women? I, at last,
Must brave it. Pardon, Lady Waldemar!
The lady on my arm is tired, unwell,
And loyally I've promised she may say
Nor harder word this evening, than . . goodnight;
The rest her face speaks for her.'–Then we went.

And I breathe large at home. I drop my cloak,
Unclasp my girdle, loose the band that ties
My hair . . now could I but unloose my soul!
We are sepulchred alive in this close world,
And want more room.
The charming woman there–
This reckoning up and writing down her talk
Affects me singularly. How she talked
To pain me! woman's spite!–You wear steel-mail;
A woman takes a housewife from her breast,
And plucks the delicatest needle out
As 'twere a rose, and pricks you carefully
'Neath nails, 'neath eyelids, in your nostrils,–say,
A beast would roar so tortured,–but a man,
A human creature, must not, shall not flinch,
No, not for shame.
What vexes after all,
Is just that such as she, with such as I,
Knows how to vex. Sweet heaven, she takes me up
As if she had fingered me and dog-eared me
And spelled me by the fireside, half a life!
She knows my turns, my feeble points,–What then?
The knowledge of a thing implies the thing;
Of course she found that in me, she saw that,
Her pencil underscored this for a fault,
And I, still ignorant. Shut the book up! close!
And crush that beetle in the leaves.
O heart,
At last we shall grow hard too, like the rest,
And call it self-defence because we are soft.

And after all, now, . . why should I be pained,
That Romney Leigh, my cousin, should espouse
This Lady Waldemar? And, say, she held
Her newly-blossomed gladness in my face, . .
'Twas natural surely, if not generous,
Considering how, when winter held her fast,
I helped the frost with mine, and pained her more
Than she pains me. Pains me!–but wherefore pained?
'Tis clear my cousin Romney wants a wife,–
So, good!–The man's need of the woman, here,
Is greater than the woman's of the man,
And easier served; for where the man discerns
A sex, (ah, ah, the man can generalise,
Said he) we see but one, ideally
And really: where we yearn to lose ourselves
And melt like white pearls in another's wine,
He seeks to double himself by what he loves,
And make his drink more costly by our pearls.
At board, at bed, at work, and holiday,
It is not good for a man to be alone,–
And that's his way of thinking, first and last;
And thus my cousin Romney wants a wife.

But then my cousin sets his dignity
On personal virtue. If he understands
By love, like others, self-aggrandisement,
It is that he may verily be great
By doing rightly and kindly. Once he thought,
For charitable ends set duly forth
In heaven's white judgement-book, to marry . . ah,
We'll call her name Aurora Leigh, although
She's changed since then!–and once, for social ends,
Poor Marian Erle, my sister Marian Erle,
My woodland sister, sweet Maid Marian,
Whose memory moans on in me like the wind
Through ill-shut casements, making me more sad
Than ever I find reasons for. Alas,
Poor pretty plaintive face, embodied ghost,
He finds it easy, then, to clap thee off
From pulling at his sleeve and book and pen,–
He locks thee out at night into the cold,
Away from butting with thy horny eyes
Against his crystal dreams,–that, now, he's strong
To love anew? that Lady Waldemar
Succeeds my Marian?
After all, why not?
He loved not Marian, more than once he loved
Aurora. If he loves, at last, that Third,
Albeit she prove as slippery as spilt oil
On marble floors, I will not augur him
Ill luck for that. Good love, howe'er ill-placed,
Is better for a man's soul in the end,
Than if he loved ill what deserves love well.
A pagan, kissing, for a step of Pan,
The wild-goat's hoof-print on the loamy down,
Exceeds our modern thinker who turns back
The strata . . granite, limestone, coal, and clay,
Concluding coldly with, 'Here's law! Where's God?'

And then at worse,–if Romney loves her not,–
At worst,–if he's incapable of love,
Which may be–then indeed, for such a man
Incapable of love, she's good enough;
For she, at worst too, is a woman still
And loves him as the sort of woman can.

My loose long hair began to burn and creep,
Alive to the very ends, about my knees:
I swept it backward as the wind sweeps flame,
With the passion of my hands. Ah, Romney laughed
One day . . (how full the memories came up!)
'–Your Florence fire-flies live on in your hair,'
He said, 'it gleams so.' Well, I wrung them out,
My fire-flies; made a knot as hard as life,
Of those loose, soft, impracticable curls,
And then sat down and thought . . 'She shall not think
Her thoughts of me,'–and drew my desk and wrote.

'Dear Lady Waldemar, I could not speak
With people around me, nor can sleep to-night
And not speak, after the great news I heard
Of you and of my cousin. My you be
Most happy; and the good he meant the world,
Replenish his own life. Say what I say,
And let my word be sweeter for your mouth,
As you are you . . I only Aurora Leigh.'

That's quiet, guarded! Though she hold it up
Against the light, she'll not see through it more
Than lies there to be seen. So much for pride;
And now for peace, a little! Let me stop
All writing back . . 'Sweet thanks, my sweetest friend,
'You've made more joyful my great joy itself.'
–No, that's too simple! she would twist it thus,
'My joy would still be as sweet as thyme in drawers,
However shut up in the dark and dry;
But violets, aired and dewed by love like yours,
Out-smell all thyme! we keep that in our clothes,
But drop the other down our bosoms, till
they smell like' . . ah, I see her writing back
Just so. She'll make a nosegay of her words,
And tie it with blue ribbons at the end
To suit a poet;–pshaw!
And then we'll have
The call to church; the broken, sad, bad dream
Dreamed out at last; the marriage-vow complete
With the marriage-breakfast; praying in white gloves,
Drawn off in haste for drinking pagan toasts
In somewhat stronger wine than any sipped
By gods, since Bacchus had his way with grapes.

A postscript stops all that, and rescues me.
'You need not write. I have been overworked,
And think of leaving London, England, even,
And hastening to get nearer to the sun,
Where men sleep better. So, adieu,'–I fold
And seal,–and now I'm out of all the coil;
I breathe now; I spring upward like a branch,
A ten-years school-boy with a crooked stick
May pull down to his level, in search of nuts,
But cannot hold a moment. How we twang
Back on the blue sky, and assert our height,
While he stares after! Now, the wonder seems
That I could wrong myself by such a doubt.
We poets always have uneasy hearts;
Because our hearts, large-rounded as the globe,
Can turn but one side to the sun at once.
We are used to dip our artist-hands in gall
And potash, trying potentialities
Of alternated colour, till at last
We get confused, and wonder for our skin
How nature tinged it first. Well–here's the true
Good flesh-colour; I recognise my hand,–
Which Romney Leigh may clasp as just a friend's,
And keep his clean.
And now, my Italy.
Alas, if we could ride with naked souls
And make no noise and pay no price at all,
I would have seen thee sooner, Italy,–
For still I have heard thee crying through my life,
Thou piercing silence of ecstatic graves,
Men call that name!

But even a witch, to-day,
Must melt down golden pieces in the nard
Wherewith to anoint her broomstick ere she rides;
And poets evermore are scant of gold,
And, if they find a piece behind the door,
It turns by sunset to a withered leaf.
The Devil himself scarce trusts his patented
Gold-making art to any who make rhymes,
But culls his Faustus from philosophers
And not from poets. 'Leave my Job,' said God;
And so, the Devil leaves him without pence,
And poverty proves, plainly, special grace.
In these new, just, administrative times,
Men clamour for an order of merit. Why?
Here's black bread on the table, and no wine!
At least I am a poet in being poor;
Thank God. I wonder if the manuscript
Of my long poem, it 'twere sold outright,
Would fetch enough to buy me shoes, to go
A-foot, (thrown in, the necessary patch
For the other side the Alps)? it cannot be:
I fear that I must sell this residue
Of my father's books; although the Elzevirs
Have fly-leaves over-written by his hand,
In faded notes as thick and fine and brown
as cobwebs on a tawny monument
Of the old Greeks–conferenda hoec cum his–
Corruptè citat–lege potiùs,
And so on, in the scholar's regal way
Of giving judgment on the parts of speech,
As if he sate on all twelve thrones up-piled,
Arraigning Israel. Ay, but books and notes
Must go together. And this Proclus too,
In quaintly dear contracted Grecian types,
Fantastically crumpled, like his thoughts
Which would not seem too plain; you go round twice
For one step forward, then you take it back
Because you're somewhat giddy! there's the rule
For Proclus. Ah, I stained this middle leaf
With pressing in't my Florentine iris-bell,
Long stalk and all; my father chided me
For that stain of blue blood,–I recollect
The peevish turn his voice took,–'Silly girls,
Who plant their flowers in our philosophy
To make it fine, and only spoil the book!
No more of it, Aurora.' Yes–no more!
Ah, blame of love, that's sweeter than all praise
Of those who love not! 'tis so lost to me,
I cannot, in such beggared life, afford
To lose my Proclus. Not for Florence, even.

The kissing Judas, Wolff, shall go instead,
Who builds us such a royal book as this
To honour a chief-poet, folio-built,
And writes above, 'The house of Nobody:'
Who floats in cream, as rich as any sucked
From Juno's breasts, the broad Homeric lines,
And, while with their spondaic prodigious mouths
They lap the lucent margins as babe-gods,
Proclaims them bastards. Wolff's an atheist;
And if the Iliad fell out, as he says,
By mere fortuitous concourse of old songs,
We'll guess as much, too, for the universe.

That Wolff, those Platos: sweep the upper shelves
As clean as this, and so I am almost rich,
Which means, not forced to think of being poor
In sight of ends. To-morrow: no delay.
I'll wait in Paris till good Carrington
Dispose of such, and, having chaffered for
My book's price with the publisher, direct
All proceeds to me. Just a line to ask
His help.
And now I come, my Italy,
My own hills! are you 'ware of me, my hills,
How I burn toward you? do you feel to-night
The urgency and yearning of my soul,
As sleeping mothers feel the sucking babe
And smile?–Nay, not so much as when, in heat,
Vain lightnings catch at your inviolate tops,
And tremble while ye are stedfast. Still, ye go
Your own determined, calm, indifferent way
Toward sunrise, shade by shade, and light by light;
Of all the grand progression nought left out;
As if God verily made you for yourselves,
And would not interrupt your life with ours.

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Bread And Butter

bread and butter
day to day
on the table
i must add
this dessert
called poetry

then some
fumes of
pearl rice
and scents
of hycinths

rise up
to the skies

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I Walk Slowly And Wait For A Poem

I WALK SLOWLY AND WAIT FOR A POEM

I walk slowly and wait for a poem-

The early morning
Wind and sunlight
Encompass and embrace me-
The green green world
Makes my eyes smile-

I walk slowly and wait for a poem.

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Emily Dickinson

As plan for Noon and plan for Night

960

As plan for Noon and plan for Night
So differ Life and Death
In positive Prospective—
The Foot upon the Earth

At Distance, and Achievement, strains,
The Foot upon the Grave
Makes effort at conclusion
Assisted faint of Love.

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I Hope And Pray For You

I don't know and,
I am not sure about it;
Because of what i do see on my T.V. set,
But i hope and pray for you that you will be saved in Indonesia!
Who can stop nature?
And of the volcanic eruption in Indonesia;
But i hope and pray for you.

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Egypt’s Bread and Butter Revolution

freedom democracy
employment dignity human rights
domestic internal policy
the right to live above the bread line

recipe for revolution conflict disaster
40% of proud Egyptians
heirs to ancient inspirational dynasties
living below the poverty line

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I Look Up At The Sky/And Wait For A Poem

I LOOK UP AT THE SKY/ AND WAIT FOR A POEM

I look up at the sky
And wait for a poem-
The deep dark green of this park surrounds me -
I have been blessed by so much
I have been given so much in my life-

This cool beautiful Yerushalmi night
All I am is thanking God.

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Lonely and ready for death.

Some people say

They are lonely

And ready for death.


Maybe such people

Are in the spot

To do what they want.


Since they are ready for death

They have nothing to be afraid of.

They can go ahead and be friendly

Like a child

And make friends out of

Every one they meet!

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I Stop And Wait/For A Poem

I Stop And Wait/ For A Poem

I stop and wait
For a poem.
The poem does not come
The city says ‘Morning beauty’
The silence is a sadness unsayable -
Light is lovely
Isn’t it?
Irony Irony Irony-
I write these lines
As if I actually believe
I am writing poetry
And doing something.

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Once shone and stood for us all

I like this poet?
But for his talk of eternity,
His dull wit:
A dauntless; unending, misery!

I like this poetess?
But for her executor gallows,
Barrel loaded, vinaigrettes
Skyrocket; highs and lows!

I like them all for their
Onomatopoeic, gifts
Tussock wide mouthed lisps
Their aromatic resin drifts...

I like them all...
Weather big or small...
Their suns insignia,
Once shone and stood for us all.

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To Seek and Wish For That Which Is Correct

It just seems to make life lived easier,
To seek and wish for that which is correct.

To lie, deceive and deny...
Takes a toll on the mind,
Trying to remember too much.
And what was told to whom and when.

It just seems to make life lived easier,
To seek and wish for that which is correct.
Than to create fresh lies to be exposed over and over,
To be told over again without an end to them.

That can exhaust,
Even the most gifted of blinded achievers.

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