St. Trinian's
Cast: Talulah Riley, Rupert Everett, Jodie Whittaker, Gemma Arterton, Kathryn Drysdale
trailer for St. Trinian's, directed by Oliver Parker (2007)
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Rupert
Rupert:
Sey yuh waan know Rupert
Blouse and skirt (repeat)
Sey yuh waan know Rupert
Blouse and skirt (repeat)
Verse 1:
Mi get up dis mawning
Sey mi nah ga a nuh work
Put on a pants and a likkle pretty shirt
Yow burn steel wi a go mek a gal splurt
Me hear a man start lick out alert
People dead! Me sey who? - Rupert
Mi go over deh a mi go see him inna dirt
Di way how me bex, mi sey everybody hurt
Mi a di fus' man sey, nuh mek di jeep splurt
A man draw fi a stone outta di dirt
And sey A obstacle must get hurt
Boop an lick a girl in har skirt
Mi hear she shout out Blouse and skirt
Dem deh time blood a decorate di skirt
Rupert:
Sey you waa know Rupert
Blouse and skirt (repeat)
Sey yuh waa know Rupert
Blouse and skirt
Verse 2:
Bop! Bop! shot start fire
A man sey "Hombre come we retire"
Shines say "no man, puncture di tire"
Yeah! Yuh go dweet, cause yuh a Bag-A-Wire
Bop!Bop! more shot start pop
"What is a uzi dat, no is a glock"
Yow! Stop yuh noise man, a chat you love chat?
See smoke deh, a tear gas
Tek yuh sheet dem, move di mattras
Lock di door from di bottom to di top
Mi did wake but mi gone sleep back
Mi naw go out deh fi get nuh gun shot -
Rupert:
Suh yuh nuh know Rupert, alright
Blouse and skirt
Verse 3:
Mi a go tell yuh how di youth get hurt
Him sey him eat till him belly did a run
So him wake up and go do-do Over di burial ground
So a come him a come See a jeep and go run
Bow! an dem shoot him dung
A man started to talk whey did dumb
Three couple man jump a fence Whey dem
Nobody know dem nuh waa get gun dung
[...] Read more
song performed by Zebra
Added by Lucian Velea
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Rupeat The Riley
Wholl ride in my rupert the riley
Ride on for mile after miley
Im the bravest driver, sit by my side
Ill drive you so wild if you sit by my side
See how far we travel, take ov the wheel,
Shell drive us to hell if you take ov the wheel
Whoa oh oh whoa, yeah yeah yeah yeah
Toot beep-beep, beep-beep
Toot beep-beep, beep-beep
Wholl ride in my rupert the riley
Ride on for mile after miley
Like to take a ride, that riley of mine
Shes shakey on her legs that riley of mine
Im the bravest driver, sit by my side
Ill drive you so wild if you sit by my side
Whoa oh oh whoa, yeah yeah yeah yeah
Toot beep-beep, beep-beep
Toot beep-beep, beep-beep
Toot beep-beep, beep-beep
Toot beep-beep, beep-beep
Toot beep-beep, beep-beep
Toot beep-beep, beep-beep
Wholl ride in my rupert the riley
Ride on for mile after miley
Wholl ride in my rupert the riley
Ride on for mile after miley
Wholl ride in my rupert the riley
Ride on for mile after miley
Wholl ride in my rupert the riley
song performed by David Bowie
Added by Lucian Velea
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Josephus Riley
The rum was rich and rare,
There were wagers in the air,
The atmosphere was rosy, and the tongues were
wagging free;
But one was in the revel
Whose occiput was level -
Plain Josephus Riley, from the North Countree.
The conversation's flow
Was not devoid of “blow,”
And neither was it wanting in the plain, colloquial “D.”
With a most ingenuous smile -
'This here is not my style,'
Said plain Josephus Riley, from the North Countree.
'And I wouldn't be averse
To emptying my purse,
And laying some small wager with the present
companee,
To cut the matter short -
Foot racing is my forte,'
Said plain Josephus Riley, from the North Countree.
“I think it's on the cards
That I can run three hundred yards
(The match to be decided where you gentlemen
agree)
Against your fleetest horse;
The race would prove a source
Of pleasure,' said Josephus, from the North Countree.
'To equalise the task,
This little start I ask -
The rider, ere he follows, must imbibe a cup of tea;
A simple breakfast-cup
He will have to swallow up.
That's me - Josephus Riley, from the North
Countree.'
Then a “knowing 'un” looked wise,
“Begged to apologise;
But might he ask what temp'rature the liquid was
to be!
Would it come from out the pot
Milkless, steaming, boiling-hot?”
'Oh, not at all,' said Riley, from the North
Countree.
'Allow me to explain;
I do observe with pain,
[...] Read more
poem by Barcroft Henry Thomas Boake
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Tale IV
PROCRASTINATION.
Love will expire--the gay, the happy dream
Will turn to scorn, indiff'rence, or esteem:
Some favour'd pairs, in this exchange, are blest,
Nor sigh for raptures in a state of rest;
Others, ill match'd, with minds unpair'd, repent
At once the deed, and know no more content;
From joy to anguish they, in haste, decline,
And, with their fondness, their esteem resign;
More luckless still their fate, who are the prey
Of long-protracted hope and dull delay:
'Mid plans of bliss the heavy hours pass on,
Till love is withered, and till joy is gone.
This gentle flame two youthful hearts possess'd,
The sweet disturber of unenvied rest;
The prudent Dinah was the maid beloved,
And the kind Rupert was the swain approved:
A wealthy Aunt her gentle niece sustain'd,
He, with a father, at his desk remain'd;
The youthful couple, to their vows sincere,
Thus loved expectant; year succeeding year,
With pleasant views and hopes, but not a prospect
near.
Rupert some comfort in his station saw,
But the poor virgin lived in dread and awe;
Upon her anxious looks the widow smiled,
And bade her wait, 'for she was yet a child.'
She for her neighbour had a due respect,
Nor would his son encourage or reject;
And thus the pair, with expectation vain,
Beheld the seasons change and change again;
Meantime the nymph her tender tales perused,
Where cruel aunts impatient girls refused:
While hers, though teasing, boasted to be kind,
And she, resenting, to be all resign'd.
The dame was sick, and when the youth applied
For her consent, she groan'd, and cough'd, and
cried,
Talk'd of departing, and again her breath
Drew hard, and cough'd, and talk'd again of death:
'Here may you live, my Dinah! here the boy
And you together my estate enjoy:'
Thus to the lovers was her mind expressed,
Till they forbore to urge the fond request.
Servant, and nurse, and comforter, and friend,
Dinah had still some duty to attend;
But yet their walk, when Rupert's evening call
[...] Read more
poem by George Crabbe
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The Ballad Of Touch-The-Button Nell
Beyond the Rocking Bridge it lies, the burg of evil fame,
The huts where hive and swarm and thrive the sisterhood of shame.
Through all the night each cabin light goes out and then goes in,
A blood-red heliograph of lust, a semaphore of sin.
From Dawson Town, soft skulking down, each lewdster seeks his mate;
And glad and bad, kimono clad, the wanton women wait.
The Klondike gossips to the moon, and sinners o'er its bars;
Each silent hill is dark and chill, and chill the patient stars.
Yet hark! upon the Rocking Bridge a bacchanalian step;
A whispered: "Come," the skirl of some hell-raking demirep...
* * * * * * * * * * *
They gave a dance in Lousetown, and the Tenderloin was there,
The girls were fresh and frolicsome, and nearly all were fair.
They flaunted on their back the spoil of half-a-dozen towns;
And some they blazed in gems of price, and some wore Paris gowns.
The voting was divided as to who might be the belle;
But all opined, the winsomest was Touch-the-Button Nell.
Among the merry mob of men was one who did not dance,
But watched the "light fantastic" with a sour sullen glance.
They saw his white teeth gleam, they saw his thick lips twitch;
They knew him for the giant Slav, one Riley Dooleyvitch.
"Oh Riley Dooleyvitch, come forth," quoth Touch-the-Button Nell,
"And dance a step or two with me - the music's simply swell,"
He crushed her in his mighty arms, a meek, beguiling witch,
"With you, oh Nell, I'd dance to hell," said Riley Dooleyvitch.
He waltzed her up, he waltzed her down, he waltzed her round the hall;
His heart was putty in her hands, his very soul was thrall.
As Antony of old succumbed to Cleopatra's spell,
So Riley Dooleyvitch bowed down to Touch-the-Button Nell.
"And do you love me true?" she cried. "I love you as my life."
"How can you prove your love?" she sighed. "I beg you be my wife.
I stake big pay up Hunker way; some day I be so rich;
I make you shine in satins fine," said Riley Dooleyvitch.
"Some day you'll be so rich," she mocked; "that old pipe-dream don't go.
Who gets an option on this kid must have some coin to show.
You work your ground. When Spring comes round, our wedding bells will ring.
I'm on the square, and I'll take care of all the gold you bring."
So Riley Dooleyvitch went back and worked upon his claim;
He ditched and drifted, sunk and stoped, with one unswerving aim;
And when his poke of raw moose-hide with dust began to swell,
He bought and laid it at the feet of Touch-the-Button Nell.
[...] Read more
poem by Robert William Service
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Jodie
(wood / stewart / mclagan)
B-side of the single oh! no not my baby
(uk) mercury 6052 371 [8/73]
(us) mercury 73426
Ooh hoo
Just a telegram
When your plane touches down
Are you sure that I aint talking to myself ?
And when the seatbelt sign goes on,
You know youre not alone
cause jodie I still love ya
All the while
And I wish ya all the best
With your current success
Dont let the flash boys turn your head
And I dont mind you havin friends
But your love is not to lend
cause jodie I still love ya
Always thinkin of ya
Jodie I still love ya
All the while
And Im gonna have to get by anyway, hmmm
And you know with the winter comin on, its gonna be so hard
And I really really really really dont miss ya anyway, not anyway
And you know how I lie
Hmm, oww
So I wish you all the best
With your current success
Dont let the flash boys turn your head
And I dont mind ya havin friends,
But your love is not to lend, remember
Jodie I still love ya
Im always thinkin of ya
Jodie I still love ya
All the while
Jodie I still love ya
Im always thinkin of ya
Jodie I still love ya
All the time
song performed by Rod Stewart
Added by Lucian Velea
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Father Riley's Horse
'Twas the horse thief, Andy Regan, that was hunted like a dog
By the troopers of the upper Murray side,
They had searched in every gully -- they had looked in every log,
But never sight or track of him they spied,
Till the priest at Kiley's Crossing heard a knocking very late
And a whisper "Father Riley -- come across!"
So his Rev'rence in pyjamas trotted softly to the gate
And admitted Andy Regan -- and a horse!
"Now, it's listen, Father Riley, to the words I've got to say,
For it's close upon my death I am tonight.
With the troopers hard behind me I've been hiding all the day
In the gullies keeping close and out of sight.
But they're watching all the ranges till there's not a bird could fly,
And I'm fairly worn to pieces with the strife,
So I'm taking no more trouble, but I'm going home to die,
'Tis the only way I see to save my life.
"Yes, I'm making home to mother's, and I'll die o' Tuesday next
An' be buried on the Thursday -- and, of course,
I'm prepared to meet my penance, but with one thing I'm perplexed
And it's -- Father, it's this jewel of a horse!
He was never bought nor paid for, and there's not a man can swear
To his owner or his breeder, but I know,
That his sire was by Pedantic from the Old Pretender mare
And his dam was close related to The Roe.
"And there's nothing in the district that can race him for a step,
He could canter while they're going at their top:
He's the king of all the leppers that was ever seen to lep,
A five-foot fence -- he'd clear it in a hop!
So I'll leave him with you, Father, till the dead shall rise again,
Tis yourself that knows a good 'un; and, of course,
You can say he's got by Moonlight out of Paddy Murphy's plain
If you're ever asked the breeding of the horse!
"But it's getting on to daylight and it's time to say goodbye,
For the stars above the east are growing pale.
And I'm making home to mother -- and it's hard for me to die!
But it's harder still, is keeping out of gaol!
You can ride the old horse over to my grave across the dip
Where the wattle bloom is waving overhead.
Sure he'll jump them fences easy -- you must never raise the whip
Or he'll rush 'em! -- now, goodbye!" and he had fled!
So they buried Andy Regan, and they buried him to rights,
In the graveyard at the back of Kiley's Hill;
There were five-and-twenty mourners who had five-and-twenty fights
Till the very boldest fighters had their fill.
There were fifty horses racing from the graveyard to the pub,
And their riders flogged each other all the while.
[...] Read more
poem by Andrew Barton Paterson
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The Fair of Beauty
I must confess! An angel must hide placidly undermine eyelids, for when I close them I see a word magnanimously delightful, and when I open them I see a pageant as sweet as a garden of sugar. I see the land of Lucien.
With languorous sunsets, charming lakes and emerald grass the land of Lucien is a place of beauty. It is a kingdom where romance lavishes the land. In the heart of Lucien, a small castle stands, ornamented with stained glass, beautiful balustrades and gothic arches. The gray stone which holds it together is forged by the hands of many peasants, but its form was conceived by the mind of one talented artisan. This gives the building a real integrity and a strange personality peculiar to one man. To that man no one knew or knows, no myth even could or can shed light into its mystery. "Mysteries shall be left mysterious, for shall they be discovered they lose their charm, " Madame Rupert once said with the eloquence of an aristocrat.
In this story there is no place for mystery, for beauty is forever revealing itself to us, but here is short history of Lucien. In order to understand this story I must give an account of the castle. The castle is called the house of Rupert, for the Rupert's have reigned over the land of Lucien for many a century. The family is everything royal except their horrible habit of being unconventional. They never marry within royal line, for they suffer from the malady of beauty and love and the lads of the family hold beauty contests to chose the wife they think the most beautiful. Dowries mean nil compared to a charming countenance in this world. They worship love, as other's worship the mammoth, however, they worship love with as much avidity as others worship the latter, that it would be quite pernicious to their name in a practical world, therefore, I thank Venus for making my land of Lucien quite unpractical, for here the Rupert's mania for beauty doesn't seem to affect their status, or their sanity, and more importantly their virtue.
Beauty! Beauty is the way of life here. The Rupert's excessive love of beauty transcends the emotion of admiration and even slips importunately into the realm of Justice. To the Rupert's, justice must follow the law of beauty, hence the inscription engraved in marble adorning the head of the entrance way which reads Beauty is Thine Nature, Justice Must Protect Thine Nature, and Good Shall Prosper Here, For Justice is Not Just Shall It Produce Bad Results.
The Story begins.
On this day, the 11th of August, the patriarch, the king, the majestic lord, King Eric de Rupert, dressed in raiment ebony, laced with gold ruffles, calls into session the Fair of Beauty. The king's brown Moorish eyes overlook the crowd and its meticulous beauty. The praetorian guards stand erect and proud; magenta rubies are sewn into the turbans resting upon their heads; their scarlet cloaks are stained with the blood of dead youth and underneath their pleasant attire lay a well of gold, for their skin appears to be laced with gold.
Dear reader, music always seems to sing from the heart. For musicians play lovely tunes with their skillfully wrought instruments. The ceremony is conducted in a way to infuse a merry emollient on all the hearts of all the spectators'. The scenery is potent in beautiful colors, an elegant display of fashion rests listlessly on all who attend, and an uncanny feast is prepared and served in lovely style, that one didn't notice, if what one is eating, is good or not. That is the charm of beauty here, it has no taste, like water, it is a necessity to live.
A squire whispers to his wanton mistress, "The King appears to be alone, for where is his noble wife and her amorous spirit? "
"The King looks so handsome this evening maybe he'll notice my azure mascara, " said Lyla to her girlfriend Plenie.
"The King sees nothing but beauty, that is what makes him so irresistible, " replied Plenie.
'For twenty years he has ruled with compassion and benevolence, and twenty years more shall he be loved with compassion and benevolence, " said Lorenzo the accountant.
(The King rises from a throne made of Persian Wood)
The King: "Tis my favorite time of all my life. The Fair of Beauty is born again. My apologies, my fellow citizens, for my wife's heart is empty of jealously; for it flows through her purple veins. I am sorry for time has wrinkled her very forehead and shriveled her very hands. She will not attend this lovely noble ceremony because she is conceived herself not beautiful enough. I, myself, could not convince her, that she herself, is still beautiful in body and soul. For she is a woman and gentleman we know how women can be. I give thee my humble apologies for her absence. My people, dear citizens of Lucien, thou shall receive a barrel of honey for such a grievous loss. For I know how thee cherish her beauty as a school of fish cherish the sea. Therefore let us partake of the glorious ceremony. Shall it begin! "
Here is the Ode of Beauty that my ancestors have passed to me by way of memory and mouth.
Sympathy is in thy sigh,
Kindness blessed thy hand
Beauty is in thy eye
Love looks on thy land
Live and be Free
And thou will See
What is Noble
In You and Me.
King: "Beauty shall triumph! As you know, my son Menillo Rupert, has been courting five exquisite women for the last year. Tonight he shall chose the love of his life, and forever live in happiness, because love is the panacea to all our sorrows. For to have love means to never die, to know nothing of vulgarity, to dwell lazily under the eyes of another, and to never know of loneliness. For your beloved knows thee without inquiry and loves thee without scruples."
(Menillo enters escorted by five guardsmen of refined physical features and envious beauty.)
King: "For my son to see true beauty and know real truth his eyes shall be covered by the cloth of Tangerine."
(A Guard places a vermillion blindfold over the eyes of Menillo)
King: Call on the beauties of earth so they can test their heart to the heart of mine son.
(Enter the Five Beauties of Earth)
King: "Shatalana, the first beauty, who comes from the Ivory Coast, whose skin smells of coconuts, whose vigorous eyes stir my lands imagination. How lovely are thee."
King: "Carmelita, the second beauty, who comes from South America, the Incan sun light rests inside thine skin, and your thick strands of hair flow like a gentle spring wind. How lovely are thee."
King: "Unchi, the third beauty, who comes from the Korean peninsula, your skin is a like a doll's skin, and your heart burns with the intensity of a hot spring which colors thy cheek. How lovely are thee."
[...] Read more
poem by Kevin Michael Murphy
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The Guile of Dad M'Ginnis
When M,Ginnis struck the mining camp at Jamberoora Creek
His behaviour was appreciated highly;
For, although he was a quiet man, in manner mild and meek,
Not like ordinary swagmen with a monumental cheek,
He became the admiration of the camp along the creek
'Cause he showed a point to Kangaroobie Riley!
Both the pubs at Jamberoora had some grog that stood the test
(Not to speak of what was manufactured slyly!)
And the hostel of O'Gorman, which was called The Diggers' Rest,
Was, O'Gorman said, the finest house of any in the west;
But it was a burning question if it really was the best,
Or the "Miners" - kept by Kangaroobie Riley.
Dad M'Ginnis called at Riley's. Said he "felt a trifle queer",
And with something like a wan and weary smile, he
Said he "thought he'd try a whisky". Pushed it back and said, "I fear
I had better take a brandy." Passed that back and said: "Look here,
Take the brandy; after all, I think I'll have a pint of beer!"
And he drank the health of Kangaroobie Riley!
"Where's the money?" asked the publican; "you'll have to pay, begad!"
"Gave the brandy for the beer!" said Dad the wily,
"And I handed you the whisky when I took the brandy, lad!"
"But you paid not for the whisky!" answered Riley. "No," said Dad,
"And you don't expect a man to pay for what he never had!"
- 'Twas the logic flattened Kangaroobie Riley!
"See," said Kangaroobie Riley, "you have had me, that is clear!
But I never mind a joke," he added, dryly.
"Just you work it on O'Gorman, and I'll shout another beer."
"I'd be happy to oblige yer," said McGinnis with a leer,
"But the fact about the matter is - O'Gorman sent me here! -
So, good morning, Mr Kangaroobie Riley!"
poem by William Thomas Goodge
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Annus Mirabilis, The Year Of Wonders, 1666
1
In thriving arts long time had Holland grown,
Crouching at home and cruel when abroad:
Scarce leaving us the means to claim our own;
Our King they courted, and our merchants awed.
2
Trade, which, like blood, should circularly flow,
Stopp'd in their channels, found its freedom lost:
Thither the wealth of all the world did go,
And seem'd but shipwreck'd on so base a coast.
3
For them alone the heavens had kindly heat;
In eastern quarries ripening precious dew:
For them the Idumaean balm did sweat,
And in hot Ceylon spicy forests grew.
4
The sun but seem'd the labourer of the year;
Each waxing moon supplied her watery store,
To swell those tides, which from the line did bear
Their brimful vessels to the Belgian shore.
5
Thus mighty in her ships, stood Carthage long,
And swept the riches of the world from far;
Yet stoop'd to Rome, less wealthy, but more strong:
And this may prove our second Punic war.
6
What peace can be, where both to one pretend?
(But they more diligent, and we more strong)
Or if a peace, it soon must have an end;
For they would grow too powerful, were it long.
7
Behold two nations, then, engaged so far
That each seven years the fit must shake each land:
Where France will side to weaken us by war,
Who only can his vast designs withstand.
8
See how he feeds the Iberian with delays,
To render us his timely friendship vain:
And while his secret soul on Flanders preys,
He rocks the cradle of the babe of Spain.
9
Such deep designs of empire does he lay
[...] Read more
poem by John Dryden
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Unriled Joy after James Whitcomb RILEY When the Frost is on the Punkin
Unriled Joy
When the current links computer screen to internet online,
when the 'Royal Crown' is fairly set upon fair features fine,
Then her sweetness sempiternal needs no coffee to invent
pure parody from paradise, no syllables misspent.
Far from ice and snow know Florida is haven of the Gods -
It even switched Obama which upset some Harris clods,
and all praise her peerless poems their true laurel leaves assign
When the current links computer screen to internet online.
4 January 2009
after When the Frost is on the Punkin James Whitcomb RILEY 1849_1916
and My Life of Riley Joy BURKI-WATSON 1950_20xx
When the Frost is on the Punkin
When the frost is on the punkin and the fodder's in the shock,
And you hear the kyouck and gobble of the struttin' turkey-cock,
And the clackin' of the guineys, and the cluckin' of the hens,
And the rooster's hallylooyer as he tiptoes on the fence;
O, it's then's the times a feller is a-feelin' at his best,
With the risin' sun to greet him from a night of peaceful rest,
As he leaves the house, bare-headed, and goes out to feed the stock,
When the frost is on the punkin and the fodder's in the shock.
They's something kindo' harty-like about the atmusfere
When the heat of summer's over and the coolin' fall is here —
Of course we miss the flowers, and the blossums on the trees,
And the mumble of the hummin'-birds and buzzin' of the bees;
But the air's so appetizin'; and the landscape through the haze
Of a crisp and sunny morning of the airly autumn days
Is a pictur' that no painter has the colorin' to mock —
When the frost is on the punkin and the fodder's in the shock.
The husky, rusty russel of the tossels of the corn,
And the raspin' of the tangled leaves, as golden as the morn;
The stubble in the furries — kindo' lonesome-like, but still
A-preachin' sermuns to us of the barns they growed to fill;
The strawstack in the medder, and the reaper in the shed;
The hosses in theyr stalls below — the clover overhead! —
O, it sets my hart a-clickin' like the tickin' of a clock,
[...] Read more
poem by Jonathan Robin
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Elegy for a Poet
I hark back to the days when I
Began, in pen and ink,
To scrawl some petty poems,
How to feel, and how to think,
And people seemed to like the way
My simple little rhymes
Would trace a basic pattern
Through the heartache of their times.
So I continued writing; then
I typed my manuscripts,
I hit the keys so hard that
All my paper fell to bits,
But still I persevered, until
Computers stole the scene,
And little plastic keyboards
Put the words up on a screen.
But all along I used the name
Of Earle E. Everett,
I used it in the magazines,
And on the Internet,
My work was always copyright
I'd scrawl that little ©,
To keep the rights forever
For my family and me.
Then recently, while surfing through
A site I'd never seen,
A poem that I'd written years ago
Came on the screen,
I read it with nostalgia then,
I sat and read it all,
But written at the bottom was
The name of - 'Charles McFall'.
I looked in vain for something
That would say that it was mine,
That poem was a grape I'd plucked,
New fallen from the vine,
But nowhere did it state the name
I'd always seen there yet,
No sign that it was written by
The poet Everett.
I sat there stunned, and fearful
And angry, fit to burst,
I mailed the new Webmaster,
And I must admit - I cursed!
I said that stolen copyrights
[...] Read more
poem by David Lewis Paget
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Lizard
a. Prince Rupert Awakes
Farewell the temple master's bells
His kiosk and his black worm seed
Courtship solely of his word
With Eden guaranteed.
For now Prince Rupert's tears of glass
Make saffron sabbath eyelids bleed
Scar the sacred tablet of wax
On which the Lizards feed.
Wake your reason's hollow vote
Wear your blizzard season coat
Burn a bridge and burn a boat
Stake a Lizard by the throat.
Go Polonius or kneel
The reapers name their harvest dawn
All your tarnished devil's spoons
Will rust beneath our corn.
Now bears Prince Rupert's garden roam
Across his rain tree shaded lawn
Lizard bones become the clay-
And there a Swan is born
Wake your reasons' hollow vote
Wear your blizzard season coat
Burn a bridge and burn a boat
Stake a Lizard by the throat.
Gone soon Piepowder's moss-weed court
Round which upholstered Lizards sold
Visions to their leaden flock
Of rainbows' ends and gold.
Now tales Prince Rupert's peacock brings
Of walls and trumpets thousand fold
Prophets chained for burning masks
And reels of dream unrolled . . .
b. Bolero - the Peacock's Tale (Instrumental)
c. The Battle of Glass Tears
Night enfolds her cloak of holes
Around the river meadow.
Old moon-light stalks by broken ploughs
Hides spokeless wheels in shadow.
Sentries lean on thorn wood spears
Blow on their hands, stare eastwards.
Burnt with dream and taut with fear
Dawn's misty shawl upon them.
Three hills apart great armies stir
Spit oat and curse as day breaks.
Forming lines of horse and steel
By even yards march forward.
d. Big Top (Instrumental)
Your request matches 1 albums and 5 songs.
song performed by King Crimson
Added by Lucian Velea
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I Get the Job Done
[Kane] Hey yo Teddy
[Riley] Yo
[Kane] I ran into a young lady Maliya last night
[Riley] Word?
[Kane] Must have been her husband's payday
[Riley] Heheh
[Kane] because she bought me this here brand new
diamond link that you see me with on
[Riley] Mmm
[Kane] Smooth
song performed by Big Daddy Kane from It's a Big Daddy Thing
Added by Lucian Velea
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The Cow-Juice Cure
The clover was in blossom, an' the year was at the June,
When Flap-jack Billy hit the town, likewise O'Flynn's saloon.
The frost was on the fodder an' the wind was growin' keen,
When Billy got to seein' snakes in Sullivan's shebeen.
Then in meandered Deep-hole Dan, once comrade of the cup:
"Oh Billy, for the love of Mike, why don't ye sober up?
I've got the gorgus recipay, 'tis smooth an' slick as silk --
Jest quit yer strangle-holt on hooch, an' irrigate with milk.
Lackteeal flooid is the lubrication you require;
Yer nervus frame-up's like a bunch of snarled piano wire.
You want to get it coated up with addypose tishoo,
So's it will work elastic-like, an' milk's the dope for you."
Well, Billy was complyable, an' in a month it's strange,
That cow-juice seemed to oppyrate a most amazin' change.
"Call up the water-wagon, Dan, an' book my seat," sez he.
"'Tis mighty queer," sez Deep-hole Dan, "'twas just the same with
me."
They shanghaied little Tim O'Shane, they cached him safe away,
An' though he objurgated some, they "cured" him night an' day;
An' pretty soon there came the change amazin' to explain:
"I'll never take another drink," sez Timothy O'Shane.
They tried it out on Spike Muldoon, that toper of renown;
They put it over Grouch McGraw, the terror of the town.
They roped in "tanks" from far and near, an' every test was sure,
An' like a flame there ran the fame of Deep-hole's Cow-juice Cure.
"It's mighty queer," sez Deep-hole Dan, "I'm puzzled through and through;
It's only milk from Riley's ranch, no other milk will do."
An' it jest happened on that night with no predictive plan,
He left some milk from Riley's ranch a-settin' in a pan;
An' picture his amazement when he poured that milk next day --
There in the bottom of the pan a dozen "colours" lay.
"Well, what d'ye know 'bout that," sez Dan; "Gosh ding my dasted eyes,
We've been an' had the Gold Cure, Bill, an' none of us was wise.
The milk's free-millin' that's a cinch; there's colours everywhere.
Now, let us figger this thing out -- how does the dust git there?
`Gold from the grass-roots down', they say -- why, Bill! we've got it cold --
Them cows what nibbles up the grass, jest nibbles up the gold.
We're blasted, bloomin' millionaires; dissemble an' lie low:
We'll follow them gold-bearin' cows, an' prospect where they go."
An' so it came to pass, fer weeks them miners might be found
A-sneakin' round on Riley's ranch, an' snipin' at the ground;
Till even Riley stops an' stares, an' presently allows:
"Them boys appear to take a mighty interest in cows."
An' night an' day they shadowed each auriferous bovine,
An' panned the grass-roots on their trail, yet nivver gold they seen.
[...] Read more
poem by Robert William Service
Added by Poetry Lover
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Byzantium
Cast: Saoirse Ronan, Gemma Arterton, Caleb Landry Jones, Barry Cassin, David Heap, Warren Brown, Gabriela Marcinkova, Daniel Mays, Uri Gavriel, Sam Riley
trailer for Byzantium, directed by Neil Jordan, screenplay, inspired by Moira Buffini (2012)
Added by Veronica Serbanoiu
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The Battle of Naseby
Oh! wherefore come ye forth, in triumph from the North,
With your hands, and your feet, and your raiment all red?
And wherefore doth your rout send forth a joyous shout?
And whence be the grapes of the wine-press which ye tread?
Oh, evil was the root, and bitter was the fruit,
And crimson was the juice of the vintage that we trod;
For we trampled on the throng of the haughty and the strong,
Who sate in the high places, and slew the saints of God.
It was about the noon of a glorious day of June,
That we saw their banners dance, and their cuirasses shine,
And the Man of Blood was there, with his long essenced hair,
And Astley, and Sir Marmaduke, and Rupert of the Rhine.
Like a servant of the Lord, with his Bible and his sword,
The General rode along us to form us to the fight,
When a murmuring sound broke out, and swell'd into a shout,
Among the godless horsemen upon the tyrant's right.
And hark! like the roar of the billows on the shore,
The cry of battle rises along their charging line!
For God! for the Cause! for the Church! for the Laws!
For Charles King of England and Rupert of the Rhine!
The furious German comes, with his clarions and his drums,
His bravoes of Alsatia, and pages of Whitehall;
They are bursting on our flanks. Grasp your pikes, close your ranks;
For Rupert never comes but to conquer or to fall.
They are here! They rush on! We are broken! We are gone!
Our left is borne before them like stubble on the blast.
O Lord, put forth thy might! O Lord, defend the right!
Stand back to back, in God's name, and fight it to the last.
Stout Skippon has a wound; the centre hath given ground:
Hark! hark!--What means the trampling of horsemen on our rear?
Whose banner do I see, boys? 'Tis he, thank God, 'tis he, boys,
Bear up another minute: brave Oliver is here.
Fast, fast, the gallants ride, in some safe nook to hide
Their coward heads, predestined to rot on Temple Bar;
And he--he turns, he flies:--shame on those cruel eyes
That bore to look on torture, and dare not look on war.
Ho! comrades scour the plain; and, ere ye strip the slain,
First give another stab to make your search secure,
Then shake from sleeves and pockets their broad-pieces and lockets,
The tokens of the wanton, the plunder of the poor.
[...] Read more
poem by Thomas Babbington Macaulay
Added by Poetry Lover
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The Riley Soldier
he speaks to me like there's nothing new.
but it's all lies.
riley soldier, tell me your worries.
tell me the images that you see, tell me the feelings that are left to bleed.
the war is an image he can never forgot.
he tries to erase memories but falls short.
'tomorrow i'll do normal things, like those civilians who deal and feed.'
i wish that you could, riley soldier.
at dawn there is no haste, to waste life away.
but be glad to live another day.
this is my riley soldier.
my husband, my savior.
poem by Valerie Chase
Added by Poetry Lover
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Feel It
Artist: charli baltimore f/ teddy riley
1 - can you feel it?
Can you feel it?
Can you feel it?
[teddy riley]
Its makin me hot, its makin me hot
Its makin me hot, yo, yo
Can you feel it?
Can you feel it?
Can you feel it?
[teddy riley]
Its makin me hot, its makin me hot
Its makin me hot, yo, yo
[charlie]
Uh uh uh
Wanna test my waters? step in
Hot, no question, what? interested?
Chick blessed in drop
No less than sick flows
Tell me who the best in ill pitch, ill bitch, hit it
Cats know I deliver blows, kill hits
Kill the light switch, Im barkin in my cb
Tight chick with charts in mind
Hearts in my actress
Better address me with status
Ms. and misses, yall whos and whats
Came in viscious
Everything I touch, yall wanna get it
Cats wanna hit it, hide when I spit it
What yall do? did it. wanna get it?
Wanna get rich, imma show you money
Now you want a hot chick, gotta throw your money
Why you wanna hate me, I dont know you money
Yall cats got late fees, I dont owe you money
Yall quick to wild out and just blow your money
Should it stash high, burnin flashlight
Girls need to know if youre stuck for money
Cats get sheisty, I might duck for money
Let em know, you aint gettin buck for money
And tall slick, I bank ten and front for money, what
Repeat 1
Yo, yo, yo, yo
Feel me come through hard so yall hear me
Turn back? never, rap vendetta
Each letter clever for that cheddar
Ball in cold weather, mink on the sweater
Dont speak to heather
Only fly lady certified indy, the rest gotta pay me
Chuck get shady, cats try to play me
Waggin mercedes benz for the lady
[...] Read more
song performed by Erykah Badu
Added by Lucian Velea
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Bloodshot
Cast: Eiza Gonzalez, Vin Diesel, Sam Heughan, Toby Kebbell, Guy Pearce, Talulah Riley, Lamorne Morris, Johannes Haukur Johannesson
trailer for Bloodshot, directed by Dave Wilson (2020)
Added by Veronica Serbanoiu
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