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The Periwinkles

The periwinkles
Bloom in flower tub, dances
In the monsoon wind!

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Monsoon at peak! ! ! ! ! ! ! ! ! ! !

Monsoon at peak
I hear a monologue-
Rain speaks…

Monsoon at peak,
Thatched roofs
Leak…

Monsoon at peak,
Corn on cob
Wins over coffee…

Monsoon at peak,
Can I go out, mother?
A child pleads…

Monsoon at peak,
A boy steals a look
At a girl soaked to skin…

Monsoon at peak,
Roads flooded,
Where is MCD?

Monsoon at peak,
Umbrellas
New fashion accessory…

Monsoon at peak,
Sun gets much needed
Rest…

Monsoon at peak,
Bathes
Foliage and trees.

Monsoon at peak
Schools closed
Children squeal,
Wish, it rains
Everyday of the week…

Monsoon at peak,
Leave your shoes at the door-
Mother screams…

Monsoon at peak,
Driver stops
To wipe the wind shield…

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Song of Wink Star

The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008

☼ ☼

☼ Preamble

Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…

Come and listen to this story, this happy story…listen, as the story itself sings to you…

Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…

O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….

Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….


The Song of Wink Star
a happy story for children of all ages


☼ 1


Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.

And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.

Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.

Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.

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The Song

When I came here I came here
I just came here to find
That one little girl
That is hidden behind
That old mill that old mill
That old mill out back
She's in that field In that field
In that field out back

And she dances and dances
Without anything wrong
She just dances and dances
To that same old song
Behind closed doors
She can't feel that much joy
As tears and tears pour
As tears and tears pour
But as she dances
She dances with stars the above
She's small but she can reach out
That far into love
And when everything's wrong
She will still be dancing
To her favorite song her favorite song.

You'd believe that girl
But not her world.
Or see her face
When she cries everyday
Or know what to do
When you know what she's been through
And I can't believe
Now what I see

Cause she dances and dances
Without anything wrong
She just dances and dances
To that same old song
Behind closed doors
She can't feel that much joy
As tears and tears pour
As tears and tears pour
But as she dances
And dances with stars above
She's small but she can reach out
That far into love
And when everything's wrong
She will still be dancing
To her favorite song.

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Rabindranath Tagore

Fireflies

My fancies are fireflies, —
Specks of living light
twinkling in the dark.

he voice of wayside pansies,
that do not attract the careless glance,
murmurs in these desultory lines.

In the drowsy dark caves of the mind
dreams build their nest with fragments
dropped from day's caravan.

Spring scatters the petals of flowers
that are not for the fruits of the future,
but for the moment's whim.

Joy freed from the bond of earth's slumber
rushes into numberless leaves,
and dances in the air for a day.

My words that are slight
my lightly dance upon time's waves
when my works havy with import have gone down.

Mind's underground moths
grow filmy wings
and take a farewell flight
in the sunset sky.

The butterfly counts not months but moments,
and has time enough.

My thoughts, like spark, ride on winged surprises,
carrying a single laughter.
The tree gazes in love at its own beautiful shadow
which yet it never can grasp.

Let my love, like sunlight, surround you
and yet give you illumined freedom.

Days are coloured vbubbles
that float upon the surface of fathomless night.

My offerings are too timid to claim your remembrance,
and therefore you may remember them.

Leave out my name from the gift
if it be a burden,
but keep my song.

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Monsoon

Father sun isn't rude anymore
For he is in his transition chore more
Aippasi is all set at Libra's door
Farther monsoon is nearer to pour
Heigh ho sing, 'clouds are scudding forth'
Sultry souls are out to graze
In the field of showery grace
Aippasi embarks on with revenent mirth
Sunbaked earth is in quenching race
Monsoon is merry with magnified girth

Interim events illumine monsoon
Celebrated celestials marry soon
Sin-hewn demons defeated to maroon
Ravana, Narakasura slain to a festive boon
Heigh ho sing merrily 'merry merry Deepavali'
May the ignorant heart doesn't croon
But let the lit up soul tune
Monsoon thence on cloud nine rapturously
Monsoon is heaven of bliss-immune
Say so, a harp of pattering music lifely

Monsoon is dexterously good
Yet sometimes opens its monstrous hood
Thamiraparani expels Kurukkuthurai Lord
Even so spears Tharaka, Padmasura the Lord
Heigh ho sing, 'vel vel vetrivel vetrivel'
Marries happily Valli the victorious Lord
Enlights the house of earth monsoon savvied
Abashed monsoon assures to shrivel
Leaving its imprint in wintry cold
Say so 'may His fulgency our pride too quell

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Come Back As A Flower

The starngest thought came to me on this morning
As I awake to greet the coming dawn
The sun was hardly peaking through the garden
It felt that with everything I was one
Then I wished that I could come back as a flower
As a flower
As a flower
How I wished that I could come back as a flower
As a flower
To spread the sweetness of love
To spread the sweetness of love
The dew had finished making love to many
A rainbow smelling sweet was in the air
I envied all the silence I saw growing
So unmoved by things outside themselves
Then how I wished that I could come back as a flower
As a flower
As a flower
How I wished that I could come back as a flower
As a flower
To spread the sweetness of love
How I wished that I could come back as a flower
Oh as a flower
As a flower
How I wished that I could come back as a flower
As a flower
As a flower
To spread the sweetness of love
To spread the sweetness of love
(background)
Wished that I could come back as a flower
Flower
Flower
Wished that I could come back as a flower
Flower
Sweetness of love
How I come back as a flower
Flower
Flower
How I come back as a flower
Flower
Sweetness of love
Sweetness of love

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The Zenana

WHAT is there that the world hath not
Gathered in yon enchanted spot?
Where, pale, and with a languid eye,
The fair Sultana listlessly
Leans on her silken couch, and dreams
Of mountain airs, and mountain streams.
Sweet though the music float around,
It wants the old familiar sound;

And fragrant though the flowers are breathing,
From far and near together wreathing,
They are not those she used to wear,
Upon the midnight of her hair.—

She's very young, and childhood's days
With all their old remembered ways,
The empire of her heart contest
With love, that is so new a guest;
When blushing with her Murad near,
Half timid bliss, half sweetest fear,
E'en the beloved past is dim,
Past, present, future, merge in him.
But he, the warrior and the chief,
His hours of happiness are brief;
And he must leave Nadira's side
To woo and win a ruder bride;

Sought, sword in hand and spur on heel,
The fame, that weds with blood and steel.
And while from Delhi far away,
His youthful bride pines through the day,
Weary and sad: thus when again
He seeks to bind love's loosen'd chain;
He finds the tears are scarcely dry
Upon a cheek whose bloom is faded,
The very flush of victory
Is, like the brow he watches, shaded.
A thousand thoughts are at her heart,
His image paramount o'er all,
Yet not all his, the tears that start,
As mournful memories recall
Scenes of another home, which yet
That fond young heart can not forget.
She thinks upon that place of pride,
Which frowned upon the mountain's side;

While round it spread the ancient plain,
Her steps will never cross again.
And near those mighty temples stand,
The miracles of mortal hand,

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Brother

Whoa!whoa!whoa!
Somebodys jumping in the tub with your brother (2x)
Whoa!whoa!whoa!
Somebodys definitely jumping in the tub with your brother (2x)
Somebodys definitely jumping in the tub with your brother
Jumping in the tub with your cousin
Somebodys definitely jumping in the tub with your brother
Uncle!
Somebodys jumping in the tub with your brother!
Somebodys jumping in the tub with your mother!
Whoa!whoa!whoa!

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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Sun-Up

(Shadows over a cradle…
fire-light craning….
A hand
throws something in the fire
and a smaller hand
runs into the flame and out again,
singed and empty….
Shadows
settling over a cradle…
two hands
and a fire.)

I

CELIA

Cherry, cherry, glowing on the hearth, bright red cherry…. When you try to pick up cherry Celia's shriek sticks in you like a pin.


When God throws hailstones you cuddle in Celia's shawl and press your feet on her belly high up like a stool. When Celia makes umbrella of her hand. Rain falls through big pink spokes of her fingers. When wind blows Celia's gown up off her legs she runs under pillars of the bank— great round pillars of the bank have on white stockings too.


Celia says my father
will bring me a golden bowl.
When I think of my father
I cannot see him
for the big yellow bowl
like the moon with two handles
he carries in front of him.

Grandpa, grandpa…
(Light all about you…
ginger… pouring out of green jars…)
You don't believe he has gone away and left his great coat…
so you pretend… you see his face up in the ceiling.
When you clap your hands and cry, grandpa, grandpa, grandpa,
Celia crosses herself.


It isn't a dream…. It comes again and again…. You hear ivy crying on steeples the flames haven't caught yet and images screaming when they see red light on the lilies on the stained glass window of St. Joseph. The girl with the black eyes holds you tight, and you run… and run past the wild, wild towers… and trees in the gardens tugging at their feet and little frightened dolls shut up in the shops crying… and crying… because no one stops… you spin like a penny thrown out in the street. Then the man clutches her by the hair…. He always clutches her by the hair…. His eyes stick out like spears. You see her pulled-back face and her black, black eyes lit up by the glare…. Then everything goes out. Please God, don't let me dream any more of the girl with the black, black eyes.

Celia's shadow rocks and rocks… and mama's eyes stare out of the pillow as though she had gone away and the night had come in her place as it comes in empty rooms… you can't bear it— the night threshing about and lashing its tail on its sides as bold as a wolf that isn't afraid— and you scream at her face, that is white as a stone on a grave and pull it around to the light, till the night draws backward… the night that walks alone and goes away without end. Mama says, I am cold, Betty, and shivers. Celia tucks the quilt about her feet, but I run for my little red cloak because red is hot like fire.

I wish Celia
could see the sea climb up on the sky
and slide off again…

[...] Read more

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The Troubadour. Canto 2

THE first, the very first; oh! none
Can feel again as they have done;
In love, in war, in pride, in all
The planets of life's coronal,
However beautiful or bright,--
What can be like their first sweet light?

When will the youth feel as he felt,
When first at beauty's feet he knelt?

As if her least smile could confer
A kingdom on its worshipper;
Or ever care, or ever fear
Had cross'd love's morning hemisphere.
And the young bard, the first time praise
Sheds its spring sunlight o'er his lays,
Though loftier laurel, higher name,
May crown the minstrel's noontide fame,
They will not bring the deep content
Of his lure's first encouragement.
And where the glory that will yield
The flush and glow of his first field
To the young chief? Will RAYMOND ever
Feel as he now is feeling?--Never.

The sun wept down or ere they gain'd
The glen where the chief band remain'd.

It was a lone and secret shade,
As nature form'd an ambuscade
For the bird's nest and the deer's lair,
Though now less quiet guests were there.
On one side like a fortress stood
A mingled pine and chesnut wood;
Autumn was falling, but the pine
Seem'd as it mock'd all change; no sign
Of season on its leaf was seen,
The same dark gloom of changeless green.
But like the gorgeous Persian bands
'Mid the stern race of northern lands,
The chesnut boughs were bright with all
That gilds and mocks the autumn's fall.

Like stragglers from an army's rear
Gradual they grew, near and less near,
Till ample space was left to raise,
Amid the trees, the watch-fire's blaze;
And there, wrapt in their cloaks around,
The soldiers scatter'd o'er the ground.

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La Fontaine

The Bucking-Tub

IF once in love, you'll soon invention find
And not to cunning tricks and freaks be blind;
The youngest 'prentice, when he feels the dart,
Grows wondrous shrewd, and studies wily art.
This passion never, we perceive, remains
In want from paucity of scheming brains.
The god of hearts so well exerts his force,
That he receives his dues as things of course.
A bucking-tub, of which a tale is told,
Will prove the case, and this I'll now unfold;
Particulars I heard some days ago,
From one who seemed each circumstance to know.

WITHIN a country town, no matter where,
Its appellation nothing would declare,
A cooper and his wife, whose name was Nan,
Kept house, and through some difficulties ran.
Though scanty were their means, LOVE thither flew;
And with him brought a friend to take a view;
'Twas Cuckoldom accompanied the boy,
Two gods most intimate, who like to toy,
And, never ceremonious, seek to please
Go where they will, still equally at ease;
'Tis all for them good lodging, fare, or bed;
And, hut or palace, pleasantly they tread.

IT happened then, a spark this fair caressed,
And, when he hoped most fully to be blessed,
When all was ready to complete the scene,
And on a point:--if naught should intervene
Not NAMED howe'er will quite enough suffice,
When suddenly the husband, by surprise,
Returned from drinking at an ale-house near,
just when, just when:--the rest is pretty clear.

THEY curst his coming; trouble o'er them spread;
Naught could be done but hide the lover's head;
Beneath a bucking-tub, in utmost haste,
Within the court, our gay gallant was placed.

THE husband, as he entered, loudly cried,
I've sold our bucking-tub. The wife replied,
What price, I pray?--Three crowns rejoined the man;
Then thou'rt a silly ass, said mistress Nan;
To-day, by my address, I've gained a crown,
And sold the same for twenty shillings down:
My bargain luckily the first was made;
The buyer, (who of flaws is much afraid)
Examines now if ev'ry part is tight;
He's in the tub to see if all be right.

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OBIIT MDCCCXXXIII (Entire)

Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.

Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.

Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.

Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.

We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.

Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,

But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.

Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.

Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.

Forgive these wild and wandering cries,

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

[...] Read more

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Ride On The Wind... Forever...

I Want To Ride On The Wind… Forever
I Want To Ride Over Land and Sea
I Want To Ride on The Wind… Forever
… and I Want You Riding With Me…

I Want To Ride On The Wind Over Mountains
And Touch The Sky, So Blue
Then Raise Oceans, Like Sparkling Fountains
And Splash Through Water, Kissing You

I Want To Ride On The Wind… Hold Its Mane
Ride The Wind… Wild and Free
For The Wind – Will Never Be Tame…
So Hold On Tight and Just… Breathe…

… Ride The Wind – Let It Begin – Ride The Wind
Ride The Wind – Breathe It In – Ride The Wind
Ride The Wind – Blow Again – Ride The Wind
Ride The Wind – Raise The Wind – Ride The Wind!

I Want To Ride On The WindIn The Moonlight
I Want To Ride On The WindIn The Clouds
And Wave To The Wings of Eagles in Flight
… then Float like Snow – Dancing Down

I Want To Ride On The Wind Forever
I Want To Ride and Rush-Up Rainbow-Stairs
I Want To Ride On The Wind – Forever
For Your Sweet-Breath Beckons Me… Everywhere

… Ride The Wind – Let It Begin – Ride The Wind
Ride The Wind – Breathe It In – Ride The Wind
Ride The Wind – Blow Again – Ride The Wind
Ride The Wind – Raise The Wind – Ride The Wind!

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The Indian Dances

The Indian culture is most diverse,
So are the Indian dances to traverse;
There are many Indian Classical dances,
And so are the many regional Folk dances.

A physical and visual form is dance,
It appropriates the spectator to a trance;
The colourful attire enchants the audience,
And the different ornaments amuse their sense.

The Natya Sastra by Sage Bharata was propounded,
And the Indian Classical dance on a grammar founded;
Indian culture with four Vedas itself prides,
And with Natya Sastra known as the fifth Veda, it strides.

Dances were originally performed in a temple,
Mainly to entertain Gods and Godesses and people;
Accompanying were the drums, flute and other instruments,
To synchronize with the music and the dancers ‘ movements.

The Classical dances are spiritual in content,
The Folk dances are of joy and celebration intent;
Elements of Indian dances are Mudra and Abhinaya—
The dancer's interpretation of words set to music and laya.

Many dance forms depict the moods -Navarasas,
Which are the various emotions or nine rasas;
They are Hasya, Krodha, Bhibasta, Bhaya, Santha,
And Veeram, Karuna, Adbhuta and Shoka:

Which are Happiness, Anger, Disgust, Fear, Serenity,
And Courage, Compassion, Wonder, and Sorrow respectively.
Many are the reputed Indian dance styles,
So are the many dance forms of details.

The Indian dance forms, that are popular—
Bharathanatyam of Tamil Nadu: Manipuri of Manipur:
Garba of Gujarat: Kuchupudi of Andhra Pradesh:
Bhangra of Punjab: Kathak of Uttar Pradesh:

Gaudiya Nritya of West Bengal: Lavani of Maharashtra:
Kathakali and Mohini Attam of Kerala: Oddissi of Oddisha:
Indian dances play their parts in many realms of arts—
In Poetry, Architecture, Literature and Sculpture of sorts.

Dancers with their beautiful art give us a profound feeling,
Making them appealing and our hearts stealing!

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Bathing In A Tub

What is cleaner-
Bathing inside a tub
or out of it?
How stupid to ask
such a silly question!
You put turkey in a pan
to cook it over fire
Your potatoes won't bake
but burn if put in fire
Your Bar-B-Q would char
if put in fire
So, what seems good
Is to put things over fire
not in it.
If you bathed in a tub
full of water with sud
your pretty skin will catch
all the germs you dropped
in the dirty bath water
No need to be Japanese
But learn from anybody is good
you don't have to burn your hand
by putting your hand in fire
or for the sake of this topic
in the infested water in the tub
Get going and take a bath
outside the bath tub
when you've cleansed yerself
of all 'pollution'
then only you should sit
pretty in the clean water
of your bath tub
and get healthier and more!

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Alankar(Decor) -96

Return Of Monsoon (Terzanelle)

The Terzanelle is:
a poem in 19 lines made up of 5 tercets and ends with a quatrain.
metered, iambic pentameter.
rhymed A1BA2 bCB cDC dED eFE fA1FA2 or fFA1A2

The terzanelle body is comprised of tercets
that each refrain the second line of the preceding tercet
for its third line. The first line of each of these tercets
is rhymed with its refrained line.

The first and third lines of the opening tercet are refrained
as the second and fourth lines of the closing quatrain.

Return Of Monsoon (Terzanelle)

Atlast she is back here to me so close
This change of season to rains, the monsoon
Manured my heart doeth bloom from heaven's dose

How nice she heals all those hot throes so soon
And bids bye bye to summer! .. I wonder..
This change of season to rains the monsoon

How fine she calms and cools all to splendor
Thence in merry bounds of spirit joins life
And bids bye bye to summer I wonder

How well she drives drought to no more of strife
Vales and woods and hills and plains all flourish
Thence in merry bounds of spirit joins life

How great pools and brooks and rivers nourish
While flora-fauna grow bonnie a lot
Vales and woods and hills and plains flourish

Such a divine spit she is from God's heart
Atlast she is back here to me so close
While flora-fauna grow bonnie a lot
Manured my heart doeth bloom from heaven's dose

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The Troubadour. Canto 1

CALL to mind your loveliest dream,--
When your sleep is lull'd by a mountain stream,
When your pillow is made of the violet,
And over your head the branches are met
Of a lime-tree cover'd with bloom and bees,
When the roses' breath is on the breeze,
When odours and light on your eyelids press
With summer's delicious idleness;
And upon you some shadowy likeness may glance
Of the faery banks of the bright Durance;
Just where at first its current flows
'Mid willows and its own white rose,--
Its clear and early tide, or ere
A shade, save trees, its waters bear.

The sun, like an Indian king, has left
To that fair river a royal gift
Of gold and purple; no longer shines
His broad red disk o'er that forest of pines
Sweeping beneath the burning sky
Like a death-black ocean, whose billows lie
Dreaming dark dreams of storm in their sleep
When the wings of the tempest shall over them sweep.
--And with its towers cleaving the red
Of the sunset clouds, and its shadow spread
Like a cloak before it, darkening the ranks
Of the light young trees on the river's banks,
And ending there, as the waters shone
Too bright for shadows to rest upon,
A castle stands; whose windows gleam
Like the golden flash of a noon-lit stream
Seen through the lily and water-flags' screen:
Just so shine those panes through the ivy green,
A curtain to shut out sun and air,
Which the work of years has woven there.
--But not in the lighted pomp of the west
Looks the evening its loveliest;
Enter yon turret, and round you gaze
On what the twilight east displays:
One star, pure, clear, as if it shed
The dew on each young flower's head;
And, like a beauty of southern clime,
Her veil thrown back for the first time,
Pale, timid as she feared to own
Her claim upon the midnight throne,
Shows the fair moon her crescent sign.
--Beneath, in many a serpentine,
The river wanders; chesnut trees
Spread their old boughs o'er cottages
Where the low roofs and porticoes

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Book VI - Part 02 - Great Meteorological Phenomena, Etc

And so in first place, then
With thunder are shaken the blue deeps of heaven,
Because the ethereal clouds, scudding aloft,
Together clash, what time 'gainst one another
The winds are battling. For never a sound there come
From out the serene regions of the sky;
But wheresoever in a host more dense
The clouds foregather, thence more often comes
A crash with mighty rumbling. And, again,
Clouds cannot be of so condensed a frame
As stones and timbers, nor again so fine
As mists and flying smoke; for then perforce
They'd either fall, borne down by their brute weight,
Like stones, or, like the smoke, they'd powerless be
To keep their mass, or to retain within
Frore snows and storms of hail. And they give forth
O'er skiey levels of the spreading world
A sound on high, as linen-awning, stretched
O'er mighty theatres, gives forth at times
A cracking roar, when much 'tis beaten about
Betwixt the poles and cross-beams. Sometimes, too,
Asunder rent by wanton gusts, it raves
And imitates the tearing sound of sheets
Of paper- even this kind of noise thou mayst
In thunder hear- or sound as when winds whirl
With lashings and do buffet about in air
A hanging cloth and flying paper-sheets.
For sometimes, too, it chances that the clouds
Cannot together crash head-on, but rather
Move side-wise and with motions contrary
Graze each the other's body without speed,
From whence that dry sound grateth on our ears,
So long drawn-out, until the clouds have passed
From out their close positions.
And, again,
In following wise all things seem oft to quake
At shock of heavy thunder, and mightiest walls
Of the wide reaches of the upper world
There on the instant to have sprung apart,
Riven asunder, what time a gathered blast
Of the fierce hurricane hath all at once
Twisted its way into a mass of clouds,
And, there enclosed, ever more and more
Compelleth by its spinning whirl the cloud
To grow all hollow with a thickened crust
Surrounding; for thereafter, when the force
And the keen onset of the wind have weakened
That crust, lo, then the cloud, to-split in twain,
Gives forth a hideous crash with bang and boom.
No marvel this; since oft a bladder small,

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