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Polyphony In A Cathedral

Music curls
In the stone shells
Of the arches, and rings
Their stone bells.

Music lips
Each cold groove
Of parabolas' laced
Warp and woof,
And lingers round nodes
Of the ribbed roof

Chords open
Their flowers among
The stone flowers; blossom;
Stalkless hang.


Submitted by Stephen Fryer

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Better in the Doghouse

Sometimes,
It's the wrong time...
To take your leash off me.
I prefer it in doghouse.
'Woof, woof.'
I like the service in the doghouse.
'Woof', woof'.

Sometimes,
It's the wrong time...
To take your leash off me.
I'm undisturbed when in the doghouse.
'Woof, woof'.
I get free pieces in the doghouse.
'Woof, woof.'
I get that pity kind of kitty when received,
When...

In the doghouse,
'Woof, woof'
In the doghouse,
'Woof, woof'.

That pity kitty that I get that's best to me...
Is in the doghouse,
'Woof, woof.'
The kitty's better in the doghouse.
'Woof, woof'.
I like it better in the doghouse.
'Woof, woof'.

Sometimes,
It's the wrong time...
To take your leash off me.
I prefer it in doghouse.
'Woof, woof.'
I like the service in the doghouse.
'Woof', woof'.

Sometimes,
It's the wrong time...
To take your leash off me.
The kitty's better in the doghouse.
'Woof, woof'.
It gets better in the doghouse.
'Woof, woof'.
I like it better in the doghouse.
'Woof, woof'.
I prefer it in the doghouse.
'Woof, woof'.

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Edgar Allan Poe

The Bells

I

Hear the sledges with the bells-
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.

II

Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten-golden notes,
And an in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells,bells,
Bells, bells, bells-
To the rhyming and the chiming of the bells!

III

Hear the loud alarum bells-
Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,

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Tale XXI

The Learned Boy

An honest man was Farmer Jones, and true;
He did by all as all by him should do;
Grave, cautious, careful, fond of gain was he,
Yet famed for rustic hospitality:
Left with his children in a widow'd state,
The quiet man submitted to his fate;
Though prudent matrons waited for his call,
With cool forbearance he avoided all;
Though each profess'd a pure maternal joy,
By kind attention to his feeble boy;
And though a friendly Widow knew no rest,
Whilst neighbour Jones was lonely and distress'd;
Nay, though the maidens spoke in tender tone
Their hearts' concern to see him left alone,
Jones still persisted in that cheerless life,
As if 'twere sin to take a second wife.
Oh! 'tis a precious thing, when wives are dead,
To find such numbers who will serve instead;
And in whatever state a man be thrown,
'Tis that precisely they would wish their own;
Left the departed infants--then their joy
Is to sustain each lovely girl and boy:
Whatever calling his, whatever trade,
To that their chief attention has been paid;
His happy taste in all things they approve,
His friends they honour, and his food they love;
His wish for order, prudence in affairs,
An equal temper (thank their stars!), are theirs;
In fact, it seem'd to be a thing decreed,
And fix'd as fate, that marriage must succeed:
Yet some, like Jones, with stubborn hearts and

hard,
Can hear such claims and show them no regard.
Soon as our Farmer, like a general, found
By what strong foes he was encompass'd round,
Engage he dared not, and he could not fly,
But saw his hope in gentle parley lie;
With looks of kindness then, and trembling heart,
He met the foe, and art opposed to art.
Now spoke that foe insidious--gentle tones,
And gentle looks, assumed for Farmer Jones:
'Three girls,' the Widow cried, 'a lively three
To govern well--indeed it cannot be.'
'Yes,' he replied, 'it calls for pains and care:
But I must bear it.'--'Sir, you cannot bear;
Your son is weak, and asks a mother's eye:'
'That, my kind friend, a father's may supply.'

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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John Keats

King Stephen

A FRAGMENT OF A TRAGEDY
ACT I.
SCENE I. Field of Battle.
Alarum. Enter King STEPHEN, Knights, and Soldiers.
Stephen. If shame can on a soldier's vein-swoll’n front
Spread deeper crimson than the battle's toil,
Blush in your casing helmets! for see, see!
Yonder my chivalry, my pride of war,
Wrench'd with an iron hand from firm array,
Are routed loose about the plashy meads,
Of honour forfeit. O that my known voice
Could reach your dastard ears, and fright you more!
Fly, cowards, fly! Glocester is at your backs!
Throw your slack bridles o'er the flurried manes,
Ply well the rowel with faint trembling heels,
Scampering to death at last!
First Knight. The enemy
Bears his flaunt standard close upon their rear.
Second Knight. Sure of a bloody prey, seeing the fens
Will swamp them girth-deep.
Stephen. Over head and ears,
No matter! 'Tis a gallant enemy;
How like a comet he goes streaming on.
But we must plague him in the flank, hey, friends?
We are well breathed, follow!
Enter Earl BALDWIN and Soldiers, as defeated.
Stephen. De Redvers!
What is the monstrous bugbear that can fright
Baldwin?
Baldwin. No scare-crow, but the fortunate star
Of boisterous Chester, whose fell truncheon now
Points level to the goal of victory.
This way he comes, and if you would maintain
Your person unaffronted by vile odds,

Take horse, my Lord.
Stephen. And which way spur for life?
Now I thank Heaven I am in the toils,
That soldiers may bear witness how my arm
Can burst the meshes. Not the eagle more
Loves to beat up against a tyrannous blast,
Than I to meet the torrent of my foes.
This is a brag, be 't so, but if I fall,
Carve it upon my 'scutcheon'd sepulchre.
On, fellow soldiers! Earl of Redvers, back!
Not twenty Earls of Chester shall brow-beat
The diadem. [Exeunt. Alarum.

SCENE II. Another part of the Field.
Trumpets sounding a Victory. Enter GLOCESTER. Knights, and Forces.

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Just Stuck In A Warp, Zone

Stuck in a warp,
Zone.
And united with those delighted.
To never be made convinced,
Common sense is beneficial.

Just stuck in a warp,
Zone.
And united with those delighted.
To...
Never be made convinced,
Common sense is beneficial.

Stuck in a warp,
Zone.
So far out they're looking down at stars.
Stuck in a warp,
Zone.
Not one of them has heard of Jupiter OR Mars.
Stuck in a warp,
Zone.
Sniffin', snortin', totin', weezin'.
Stuck in a warp,
Zone.
Hackin', coughin', chokin', sneezin'.
Stuck in a warp,
Zone.
And united with those delighted.
To never be made convinced,
Common sense is beneficial.

Sniffin', snortin', totin', weezin'.
Stuck in a warp,
Zone.
Hackin', coughin', chokin', sneezin'.
Stuck in a warp,
Zone.
Noddin', dozin', sleepin' deepened.
Stuck in a warp,
Zone.
Noddin', dozin', sleepin' deepened.
Stuck in a warp,
Zone.
Noddin', dozin', sleepin' deepened.
Stuck in a warp,
Zone.
And united with those delighted.
To...
Never be made convinced,
Common sense is beneficial

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With A Groove You Did Done

Dig it with your groove on.
Dig it with a groove you did done!
With a groove on...
Digging with a groove you did done.
With a groove on...
Digging with a groove you did done.
With a groove you did done.
With a groove you did done.

Don't be a half-stepper,
Doing with a digging that's done.
Regretting to be better,
Doing with a digging that's done.
Regardless of the weather,
Do with a digging that's done.
And gitcha groove on.
And gitcha, gitcha groove on.

Don't be a half-stepper,
Doing with a digging that's done.
Regretting to be better,
Doing with a digging that's done.
Regardless of the weather,
Do with a digging that's done.
And gitcha groove on.
And gitcha, gitcha groove on.

Dig it with your groove on.
Dig it with a groove you did done!
With a groove on...
Digging with a groove you did done.
With a groove on...
Digging with a groove you did done.
With a groove you did done.
With a groove you did done.

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John Keats

Endymion: Book II

O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous bosom, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,--weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.

Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:

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Woof Woof

Woof Woof,
A little puppy whining.
A tiny tail wagging,
A tiny voice barking.

Woof Woof,
A puppydog running.
Short fat legs moving.
Drool dripping from a bright pink tongue.

Woof Woof,
A young dog sniffing.
Front paws scratching the tires of a bus.
Teeth dragging out some drugs.

Woof Woof,
A dog panting.
Contented after a day of chasing birds,
Now ready for a snooze.

Woof Woof,
An old dog wheezing.
Staring at the television.
Eyes closing slowly.

Woof. Woof.
An ancient dog sleeping.
Hoarse breathing shaking chest.
Final days laid out on balnket.

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Connecticut Basketball

Fast break...
Dribble and reap.
Swoosh,
Through the hoop.
Speed and pace keeps the heat,
Of b-ball.
A full court press and no foul calls.

'Woof-woof...
Holla!
Woof-woof,
Holla! '

Sweating to seek the lead!
Time out delays...
A strategy to stage.
Let them make two...
Catch the rebound and follow through.
Make sure we come back to make three.

'Woof-woof...
Holla!
Woof-woof,
Holla! '

Fast break...
Dribble and reap.
Swoosh,
Through the hoop.
Speed and pace keeps the heat,
Of b-ball.
A full court press and no foul calls.

UConn's got the steam to play.
Season after season...
It's number one,
They choose to stay.

Husky ball.
Holla.
Dropping through the net.
Connecticut basketball,
At its best.

'Woof-woof...
Holla!
Woof-woof,
Holla! '

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Gebir

FIRST BOOK.

I sing the fates of Gebir. He had dwelt
Among those mountain-caverns which retain
His labours yet, vast halls and flowing wells,
Nor have forgotten their old master's name
Though severed from his people here, incensed
By meditating on primeval wrongs,
He blew his battle-horn, at which uprose
Whole nations; here, ten thousand of most might
He called aloud, and soon Charoba saw
His dark helm hover o'er the land of Nile,
What should the virgin do? should royal knees
Bend suppliant, or defenceless hands engage
Men of gigantic force, gigantic arms?
For 'twas reported that nor sword sufficed,
Nor shield immense nor coat of massive mail,
But that upon their towering heads they bore
Each a huge stone, refulgent as the stars.
This told she Dalica, then cried aloud:
'If on your bosom laying down my head
I sobbed away the sorrows of a child,
If I have always, and Heaven knows I have,
Next to a mother's held a nurse's name,
Succour this one distress, recall those days,
Love me, though 'twere because you loved me then.'
But whether confident in magic rites
Or touched with sexual pride to stand implored,
Dalica smiled, then spake: 'Away those fears.
Though stronger than the strongest of his kind,
He falls-on me devolve that charge; he falls.
Rather than fly him, stoop thou to allure;
Nay, journey to his tents: a city stood
Upon that coast, they say, by Sidad built,
Whose father Gad built Gadir; on this ground
Perhaps he sees an ample room for war.
Persuade him to restore the walls himself
In honour of his ancestors, persuade -
But wherefore this advice? young, unespoused,
Charoba want persuasions! and a queen!'
'O Dalica!' the shuddering maid exclaimed,
'Could I encounter that fierce, frightful man?
Could I speak? no, nor sigh!'
'And canst thou reign?'
Cried Dalica; 'yield empire or comply.'
Unfixed though seeming fixed, her eyes downcast,
The wonted buzz and bustle of the court
From far through sculptured galleries met her ear;
Then lifting up her head, the evening sun
Poured a fresh splendour on her burnished throne-

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Down Down

Getting busy
Cannot stop from calling the groove
Getting busy
Cannot stop from calling the groove
You gotta get down down
(Getting busy)
(Cannot stop from calling the groove)
You gotta get down down
(Getting busy)
(Cannot stop from calling the groove)
You gotta get down down
(Getting busy)
(Cannot stop from calling the groove)
You gotta get down down
(Getting busy)
(Cannot stop from calling the groove)
Feeling sexy, dirty thing got his eyes on me
Walks up close, took a stroke, getting down dirty
This is what you want
I'll make it so it goes on the floor
I'll have him begging for more
What you see's, what you're getting
You for me, you will stick it
It's so hot, in this kitchen
So baby let go
Wind yourself around and grab ahold and ride down
You gotta get down down
You gotta get down down
Feel the rythem driving, everybody's thriving
You gotta get down down
You gotta get down down
You gotta get down down
(Getting busy)
(Cannot stop from calling the groove)
You gotta get down down
(Getting busy)
(Cannot stop from calling the groove)
You gotta get down down
(Getting busy)
(Cannot stop from calling the groove)
You gotta get down down
(Getting busy)
(Cannot stop from calling the groove)
Would I like baggy jeans got the hip hop style
Come and slick my embrace take my number down
Well it's for fun I know it turns you on
Wanna bump and grind with me
Pull it out of the bag, yeah yeah
Wind yourself around and grab ahold and ride down
You gotta get down down (down down)

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Panic

Panic on the streets of london
Panic on the streets of birmingham
I wonder to myself
Could life ever be sane again ?
The leeds side-streets that you slip down
I wonder to myself
Hopes may rise on the grasmere
But honey pie, you're not safe here
So you run down
To the safety of the town
But there's panic on the streets of carlisle
Dublin, dundee, humberside
I wonder to myself
Burn down the disco
Hang the blessed dj
Because the music that they constantly play
It says nothing to me about my life
Hang the blessed dj
Because the music they constantly play
On the leeds side-streets that you slip down
Or provincial towns you jog 'round
Hang the dj, hang the dj, hang the dj
Hang the dj, hang the dj, hang the dj
Hang the dj, hang the dj, hang the dj
Hang the dj, hang the dj
Hang the dj, hang the dj
Hang the dj, hang the dj, hang the dj
Hang the dj, hang the dj
Hang the dj, hang the dj
Hang the dj, hang the dj, hang the dj
Hang the dj, hang the dj
Hang the dj, hang the dj
Hang the dj, hang the dj
Thankyou ...

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Patrick White

The Only Way To Control Things

The only way to control things is with an open hand.
Water on rock
a fist can't do anything to stop the rain
that keeps washing its bloody knuckles
by kissing the raw red buds
of the pain-killing poppies clean.
Anger grows ashamed of itself
in the presence of unopposable compassion
just as planets are humbled by their atmospheres.
The soft supple things of life insist
and the hard brittle ones comply.
Bullies are the broken toys of wimps.
Power limps.
But space is an open hand.
Mass may shape it
but it teaches matter how to move
just as the sky converts its openness
into a cloud and a bird
or the silence nurtures
the embryo of a blue word
in the empty womb of the dark mother
like the echo of something that can't be said.

The only way to control things is with an open hand.
Not a posture of giving.
Not a posture of receiving.
Not a posture of greeting or farewell.
Not hanging on or letting go
but the single bridge they both make
when they're both at peace with the flow.
It's not the branch it's not the trunk
it's not the root it's not the fruit
but the open handedness of its leaves
that is a tree's consummate passion.
Isis tattoos her star on their palms
like sailors and sails
to keep them from drowning
and into the valleys of their open hands
that lie at the foot of their crook-backed mountains
the aloof stars risk the intimacy of fireflies
and fate flows down like tributaries into the mindstream
as life roots its wildflowers on both shores
as if there were no sides to the flowing
of our binary lifelines.

The only way to control things is with an open hand.
You cannot bind the knower to the knowing
as if time had to know where eternity was going
before anything could change.
X marks the spot where all maps are born

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Amy Lowell

The Cremona Violin

Part First

Frau Concert-Meister Altgelt shut the door.
A storm was rising, heavy gusts of wind
Swirled through the trees, and scattered leaves before
Her on the clean, flagged path. The sky behind
The distant town was black, and sharp defined
Against it shone the lines of roofs and towers,
Superimposed and flat like cardboard flowers.

A pasted city on a purple ground,
Picked out with luminous paint, it seemed. The cloud
Split on an edge of lightning, and a sound
Of rivers full and rushing boomed through bowed,
Tossed, hissing branches. Thunder rumbled loud
Beyond the town fast swallowing into gloom.
Frau Altgelt closed the windows of each room.

She bustled round to shake by constant moving
The strange, weird atmosphere. She stirred the fire,
She twitched the supper-cloth as though improving
Its careful setting, then her own attire
Came in for notice, tiptoeing higher and higher
She peered into the wall-glass, now adjusting
A straying lock, or else a ribbon thrusting

This way or that to suit her. At last sitting,
Or rather plumping down upon a chair,
She took her work, the stocking she was knitting,
And watched the rain upon the window glare
In white, bright drops. Through the black glass a flare
Of lightning squirmed about her needles. 'Oh!'
She cried. 'What can be keeping Theodore so!'

A roll of thunder set the casements clapping.
Frau Altgelt flung her work aside and ran,
Pulled open the house door, with kerchief flapping
She stood and gazed along the street. A man
Flung back the garden-gate and nearly ran
Her down as she stood in the door. 'Why, Dear,
What in the name of patience brings you here?

Quick, Lotta, shut the door, my violin
I fear is wetted. Now, Dear, bring a light.
This clasp is very much too worn and thin.
I'll take the other fiddle out to-night
If it still rains. Tut! Tut! my child, you're quite
Clumsy. Here, help me, hold the case while I -
Give me the candle. No, the inside's dry.

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The Zenana

WHAT is there that the world hath not
Gathered in yon enchanted spot?
Where, pale, and with a languid eye,
The fair Sultana listlessly
Leans on her silken couch, and dreams
Of mountain airs, and mountain streams.
Sweet though the music float around,
It wants the old familiar sound;

And fragrant though the flowers are breathing,
From far and near together wreathing,
They are not those she used to wear,
Upon the midnight of her hair.—

She's very young, and childhood's days
With all their old remembered ways,
The empire of her heart contest
With love, that is so new a guest;
When blushing with her Murad near,
Half timid bliss, half sweetest fear,
E'en the beloved past is dim,
Past, present, future, merge in him.
But he, the warrior and the chief,
His hours of happiness are brief;
And he must leave Nadira's side
To woo and win a ruder bride;

Sought, sword in hand and spur on heel,
The fame, that weds with blood and steel.
And while from Delhi far away,
His youthful bride pines through the day,
Weary and sad: thus when again
He seeks to bind love's loosen'd chain;
He finds the tears are scarcely dry
Upon a cheek whose bloom is faded,
The very flush of victory
Is, like the brow he watches, shaded.
A thousand thoughts are at her heart,
His image paramount o'er all,
Yet not all his, the tears that start,
As mournful memories recall
Scenes of another home, which yet
That fond young heart can not forget.
She thinks upon that place of pride,
Which frowned upon the mountain's side;

While round it spread the ancient plain,
Her steps will never cross again.
And near those mighty temples stand,
The miracles of mortal hand,

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King Of Groove

Morris butch stewart
Everybody wants to be a star
Everybody wants to be accepted by the mass
Everybody wants to be raging fire
But their heat dont last
Everybody wanta peek into my dreams
They try to figure out if Im just full of jive
Everybody wanta ride in my limousine
But nobody wants to drive
Chorus:
But Im the king
Im the king of groove
Yes Im the king
Im the king of groove
Hes the king of groove (I cantt lose)
(summon the royal brass)
Everybody want a piece of the pie
But theyll take a pass if its a case of do or die
The greener syndrome is at hand
Well kick the feline or come forth and take a stand
If youre wishing on a star
Ooh I pray your wishes bring you to receive the call
The king of groove is going far
And in my kingdom there is room for all
Chorus:
cause Im the king
Im the king of groove
Yes Im the king
Im the king of groove
Bridge:
King of groove
I cant lose,
Stand back and watch my moves
cause Im the king of groove
Im the king yeah Im the king
Yeah iiiIm the king of groove
Hes the king of groove
Thats right
Bridge:
Well, youve got your
This of that and your that of this
With the king of groove baby you cant miss
You got your joan of arc
And your house of wax
But with the king of groove
Youll be jammin back
You got your dukes of hazzard and your duke of earl
And the queen of sheba, she was one bad girl
Aretha franklin, shes the queen of soul
But the king of groove

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Laus Veneris

Asleep or waking is it? for her neck,
Kissed over close, wears yet a purple speck
Wherein the pained blood falters and goes out;
Soft, and stung softly — fairer for a fleck.


But though my lips shut sucking on the place,
There is no vein at work upon her face;
Her eyelids are so peaceable, no doubt
Deep sleep has warmed her blood through all its ways.


Lo, this is she that was the world's delight;
The old grey years were parcels of her might;
The strewings of the ways wherein she trod
Were the twain seasons of the day and night.


Lo, she was thus when her clear limbs enticed
All lips that now grow sad with kissing Christ,
Stained with blood fallen from the feet of God,
The feet and hands whereat our souls were priced.


Alas, Lord, surely thou art great and fair.
But lo her wonderfully woven hair!
And thou didst heal us with thy piteous kiss;
But see now, Lord; her mouth is lovelier.


She is right fair; what hath she done to thee?
Nay, fair Lord Christ, lift up thine eyes and see;
Had now thy mother such a lip — like this?
Thou knowest how sweet a thing it is to me.


Inside the Horsel here the air is hot;
Right little peace one hath for it, God wot;
The scented dusty daylight burns the air,
And my heart chokes me till I hear it not.


Behold, my Venus, my soul's body, lies
With my love laid upon her garment-wise,
Feeling my love in all her limbs and hair
And shed between her eyelids through her eyes.


She holds my heart in her sweet open hands
Hanging asleep; hard by her head there stands,

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Aloof I AM – I Met A LONELY GOOF on my Only Roof! Woof! Woof!

Among the pride of lions – shudders a lonely deer, a cute one;
Along bowfins and dolphins fumbles a fingerling – a little one,
I'm a waxing gibbous moon riding in the lonely sky.....
I'm a crackpot – always under the lonely cloud, I don’t why!
'Jack-in-the-box sitting before idiot box in the night! ' Sings a lonely fox!
Aloof I am – I met a lonely goof on my only roof! Woof! Woof!

Aloof I am, a lone blue bird hopped up– my blood red ran cold!
Aloof I am, a lone red bird popped up – fear returned me in letters bold!
Aloof I am – hugged aloneness; aloof I am – aloneness bugged me;
Aloof I am – invited aloneness; aloof I am – lonely bug has bitten me.
'Jack-in-the-box sitting before idiot box in the night! ' Sings a lonely fox!
Aloof I am – I met a lonely goof on my only roof! Woof! Woof!

Aloof I am, sitting in my corridor, I invited aloneness for a treat;
Aloof I am, walking on the barren moor, loneliness lurked to beat;
Aloof I am, I felt a stab in my heart, my skin turned blue by lonely heat;
Aloof I am, oh my god! Aloneness is butchering me for my meat!
'Jack-in-the-box sitting before idiot box in the night! ' Sings a lonely fox!
Aloof I am – I met a lonely goof on my only roof! Woof! Woof!

Where do you come from? Did I mail thee? Oh! Lonely emperor;
What is your name? Why do you tame me? I fear your lonely roar;
I hail thee; I surrender thee; I pray thee; oh lonely prince of honor;
Don’t nail me for I know you before, I can’t bear thee – oh no more!
'Jack-in-the-box sitting before idiot box in the night! ' Sings a lonely fox!
Aloof I am – I met a lonely goof on my only roof! Woof! Woof!

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The Bridal of Pennacook

We had been wandering for many days
Through the rough northern country. We had seen
The sunset, with its bars of purple cloud,
Like a new heaven, shine upward from the lake
Of Winnepiseogee; and had felt
The sunrise breezes, midst the leafy isles
Which stoop their summer beauty to the lips
Of the bright waters. We had checked our steeds,
Silent with wonder, where the mountain wall
Is piled to heaven; and, through the narrow rift
Of the vast rocks, against whose rugged feet
Beats the mad torrent with perpetual roar,
Where noonday is as twilight, and the wind
Comes burdened with the everlasting moan
Of forests and of far-off waterfalls,
We had looked upward where the summer sky,
Tasselled with clouds light-woven by the sun,
Sprung its blue arch above the abutting crags
O'er-roofing the vast portal of the land
Beyond the wall of mountains. We had passed
The high source of the Saco; and bewildered
In the dwarf spruce-belts of the Crystal Hills,
Had heard above us, like a voice in the cloud,
The horn of Fabyan sounding; and atop
Of old Agioochook had seen the mountains'
Piled to the northward, shagged with wood, and thick
As meadow mole-hills,—the far sea of Casco,
A white gleam on the horizon of the east;
Fair lakes, embosomed in the woods and hills;
Moosehillock's mountain range, and Kearsarge
Lifting his granite forehead to the sun!

And we had rested underneath the oaks
Shadowing the bank, whose grassy spires are shaken
By the perpetual beating of the falls
Of the wild Ammonoosuc. We had tracked
The winding Pemigewasset, overhung
By beechen shadows, whitening down its rocks,
Or lazily gliding through its intervals,
From waving rye-fields sending up the gleam
Of sunlit waters. We had seen the moon
Rising behind Umbagog's eastern pines,
Like a great Indian camp-fire; and its beams
At midnight spanning with a bridge of silver
The Merrimac by Uncanoonuc's falls.

There were five souls of us whom travel's chance
Had thrown together in these wild north hills
A city lawyer, for a month escaping
From his dull office, where the weary eye

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