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Worth

WORTH a sweat
that labour, eaten and swallowed,
stomach that full, contented but
not disgrace

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The Example of Vertu : Cantos I.-VII.

Here begynneth the boke called the example of vertu.

The prologe.

Whan I aduert in my remembraunce
The famous draughtes of poetes eloquent
Whiche theyr myndes dyd well enhaunce
Bokes to contryue that were expedyent
To be remembred without Impedyment
For the profyte of humanyte
This was the custume of antyquyte.
I now symple and moost rude
And naked in depured eloquence
For dulnes rethoryke doth exclude
Wherfore in makynge I lake intellygence
Also consyderynge my grete neglygence
It fereth me sore for to endyte
But at auenture I wyll now wryte.
As very blynde in the poetys art
For I therof can no thynge skyll
Wherfore I lay it all a part
But somwhat accordynge to my wyll
I wyll now wryte for to fulfyll
Saynt Powles wordes and true sentement
All that is wryten is to oure document
O prudent Gower in langage pure
Without corrupcyon moost facundyous
O noble Chauser euer moost sure
Of frutfull sentence ryght delycyous
O vertuous Lydgat moche sentencyous
Unto you all I do me excuse
Though I your connynge do now vse
Explicit prologus.

Capitulum Primsi.
In Septembre in fallynge of the lefe
Whan phebus made his declynacyon
And all the whete gadred was in the shefe
By radyaunt hete and operacyon
Whan the vyrgyn had full domynacyon
And Dyane entred was one degre
Into the sygne of Gemyne
Whan the golden sterres clere were splendent
In the firmament puryfyed clere as crystall
By imperyall course without incombrement
As Iuppyter and Mars that be celestyall
With Saturne and Mercury that wer supernall
Myxt with venus that was not retrograte
That caused me to be well fortunate
In a slombrynge slepe with slouth opprest

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Eaten Alive

(b. gibb/m. gibb/m. jackson)
Animal stalking you at night
Im a sucker for someone
And I got the prey in sight
Lying on a bed of leaves
In the modern times
You forget and let your spirit breathe
Capture me my blood is red
Another victim of your ritual
For you my skin is shed
Ecstacy aint what you find
In the modern world
One flick of my tongue changes
The meaning of the world
And you say
Thats impossible
Thats not impossible to do, oh
And you digest what I can see
The taste of you can be
I dont wanna get eaten alive
cause youre so dangerous
No more hearts I can trust, you see
I dont wanna get eaten alive
To be eaten alive
Eaten alive
I dont ever wanna be
Eaten alive
Now I got you on the run
And the quicker my senses
And the chance is, Im the faster one
I know the universal law
Primeval times
With a little stimulation
Itll come once more, and you say
Thats impossible
Its not impossible to do, oh
And you digest what I can see
The taste of you can be
I dont wanna get eaten alive
cause youre so dangerous
No more hearts I can trust
You see
I dont wanna get eaten alive
To be eaten alive
Eaten alive
I dont ever wanna be
Eaten alive
I dont wanna get eaten alive
cause youre so dangerous
No more hearts I can trust

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Im In Disgrace

The first time that I saw you
You were the lady of my dreams.
The very next time I had to make you mine,
And I treated you like a queen.
The third time that I saw you
You treated me with such distaste,
Now I wish Id never seen your face.
Im in disgrace,
Im in disgrace.
Because I fell for your pretty face,
Im in disgrace. hes in disgrace.
Im in disgrace. hes in disgrace.
You captured me in your embrace.
Theres no use blaming me
And saying I was your ruination
Because it was you equally
That got us into this situation.
It wasnt lust, it wasnt rape,
It was just a mistake
Im in disgrace. hes in disgrace.
Im in disgrace. hes in disgrace.
Because I fell for your pretty face.
Im in disgrace. shes in disgrace.
Im in disgrace. hes in disgrace.
You captured me in your embrace.
Was your love real or faked?
Or was it only infatuation?
Picture you in my place.
I wish Id acted with a little less haste.
Im in disgrace.
Im in disgrace.
Because I fell for your pretty face.
Oh what a waste. hes in disgrace.
Im in disgrace. hes in disgrace.
Now my names dirt and Im disgraced.
Im in disgrace.

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Eaten Alive

Animal stalking you at night
Im a sucker for someone
And I got the prey in sight
Lying on your bed of leaves
In the modern times
You forget and let your spirit breathe
Capture me my blood is red
Another victim of your ritual
For you my skin is shed
Ecstasy aint what you find
In the modern world
One flick of my tongue
Changes the meaning of the word
And you say
Thats impossible
Its not impossible to do , oh
And you can digest what I can see
The taste of you can be
I dont wanna get eaten alive
cos youre so dangerous
No more hearts I can trust ,you see
I dont wanna get eaten alive
To be eaten alive , eaten alive
I dont ever wanna be , ha,ha, eaten alive , uh huh
Now I got you on the run
The quicker my senses
And the chance is Im the faster one
I know the universal law
Primeval times
With a little stimulation
Itll come once more
And you say
Thats impossible
Its not impossible to do , oh
And you can digest what I can see
The taste of you can be
I dont wanna get eaten alive
cos youre so dangerous
No more hearts I can trust , you see
I dont wanna get eaten live
To be eaten alive , eaten alive
I dont ever wanna be , ha ha , eaten alive , uh huh
(break)
I dont wanna get eaten alive
cos youre so dangerous
No more hearts I can trust ,you see
I dont wanna get eaten alive ,to be
Tie me to a tree , crawl all over me
You can rip my shirt , drag me in the dirt
I will be your slave , anything you say

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Eaten Alive

(with diana ross)
Animal stalking you at night
Im a sucker for someone
And I got the prey in sight
Lying on a bed of leaves
In the modern times
You forget and let your spirit breathe
Capture me my blood is red
Another vitim of your ritual
For you my skin is shed
Ecstacy aint what you find
In the modern world
One flick of my tongue changes
The meaning of the world
And you say
Thats impossible
Thats not impossible to do, oh
And you digest what I can see
The taste of you can be
Chorus:
I dont wanna get eaten alive
cause youre so dangerous
No more hearts I can trust, you see
I dont wanna get eaten alive
To be eaten alive
Eaten alive
I dont ever wanna be
Eaten alive
Now I got you on the run
And the quicker my senses
And the chance is, Im the faster one
I know the universal law
Primeval times
With a little stimulation
Itll come once more, and you say
Thats impossible
Its not impossible to do, oh
And you digest what I can see
The taste of you can be
(chorus)
I dont wanna get eaten alive
cause youre so dangerous
No more hearts I can trust, you see
I dont wanna get eaten alive
To be eaten alive
Tie me to a tree, crawl all over me
You can rip my shirt, drag me in the dirt
I will be your slave, anything you say
I dont ever wanna be eaten alive
I dont wanna get eaten alive

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A Voice From The Factories

WHEN fallen man from Paradise was driven,
Forth to a world of labour, death, and care;
Still, of his native Eden, bounteous Heaven
Resolved one brief memorial to spare,
And gave his offspring an imperfect share
Of that lost happiness, amid decay;
Making their first approach to life seem fair,
And giving, for the Eden past away,
CHILDHOOD, the weary life's long happy holyday.
II.

Sacred to heavenly peace, those years remain!
And when with clouds their dawn is overcast,
Unnatural seem the sorrow and the pain
(Which rosy joy flies forth to banish fast,
Because that season's sadness may not last).
Light is their grief! a word of fondness cheers
The unhaunted heart; the shadow glideth past;
Unknown to them the weight of boding fears,
And soft as dew on flowers their bright, ungrieving tears.
III.

See the Stage-Wonder (taught to earn its bread
By the exertion of an infant skill),
Forsake the wholesome slumbers of its bed,
And mime, obedient to the public will.
Where is the heart so cold that does not thrill
With a vexatious sympathy, to see
That child prepare to play its part, and still
With simulated airs of gaiety
Rise to the dangerous rope, and bend the supple knee?
IV.

Painted and spangled, trembling there it stands,
Glances below for friend or father's face,
Then lifts its small round arms and feeble hands
With the taught movements of an artist's grace:
Leaves its uncertain gilded resting-place--
Springs lightly as the elastic cord gives way--
And runs along with scarce perceptible pace--
Like a bright bird upon a waving spray,
Fluttering and sinking still, whene'er the branches play.
V.

Now watch! a joyless and distorted smile
Its innocent lips assume; (the dancer's leer!)
Conquering its terror for a little while:
Then lets the TRUTH OF INFANCY appear,
And with a stare of numbed and childish fear
Looks sadly towards the audience come to gaze

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Whose Country Is This?

Whose country is this?
It is a land full of snakes;
Whose country is this?
It is a land full of many waters;
Whose country is this?
It is a land full of thieves! !
Whose country is this?
It is a land full of people;
Whose country is this?
It is a land full of oil;
Whose country is this?
It is a land full of earthquakes!
Whose country is this?
it is a land full of lovers;
Whose country is this?
It is a land full of volcanoes!
Whose country is this?
It is a land full of beautiful flowers;
Whose country is this?
It is a land full of hansome men;
Whose country is this?
It is a land full of beautiful women;
Whose country is this?
It is a land full of roses;
Whose country is this?
it is a land ruled only by men;
Whose country is this?
It is a land without rainfall;
Whose country is this?
It is a land ruled by a woman;
Whose country is this?
It is a land full of corruption!
Whose country is this?
It is a land full of pirates! !
Whose country is this?
It is a land ruled by law;
Whose country is this?
It is a land controlled by rebels!
Whose country is this?
It is a land full of ice;
Whose country is this?
It is a land full of pregnant women;
Whose country is this?
It is a land full of the sins of Sodom and Gomorrah!
Whose country is this?
It is a land full of singers;
Whose country is this?
It is a land full of troubles;
Whose country is this?
It is a land full of war! !

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Working Up A Sweat

Aw, When you touch there, honey
Makes my blood perspire
You got my body flaming
Like a California fire
Pulsing, pounding, pushing
No longer in control
Heatwave in my brain
Smolder in my soul
You got me workin' up a sweat
Workin' up a sweat
I've been playing all night long
Time I was gettin' home
But I've got no place to get
Spontaneous combustion
Scientific fact
But your approach to friction
An unnatural act
Bells I hear ain't fire drills
I hope you understand
It's a bona fide five alarmer
Melting in my hand
You got me workin' up a sweat
Workin' up a sweat
I've been playing all night long
Time I was gettin' home
But I've got no place to get
Workin' up a sweat
Workin' up a sweat
Workin' up a sweat
Workin' up a sweat
Yeah, yeah
I've been playing all night long
'Bout time I was gettin' home
But I've, ooh
Dante's famed inferno
Was a trip to hell and back
But you and a bottle in a cheap hotel
Screams pyromaniac
Bandages came off today
Really feeling sick
The hardest part's explainin'
All those blisters on my - nose!
Workin' up a sweat
Workin' up a sweat
I've been playing all night long
Time I was gettin' home
But I've got no place to get
Workin' up a sweat
Workin' up a sweat
Workin' up a sweat

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Dont Sweat It

Id like to see you before I go
Theres a few things Id like to do
And when youre gone, youll be gone for long
And soon Ill be gone too
But dont sweat it, dont sweat it, dont sweat it, ooh
Dont sweat it, dont sweat it, dont sweat it
Are you happy with the color of your tea
Could you use some sugar now?
Youre satisfied with your boy or your girl
Your little butter cup
But dont sweat it, dont sweat it, dont sweat it
Dont sweat it, dont sweat it, dont sweat it.
Id like to see you before I go
Theres a few things Id like to do
And when youre gone, youll be gone for long
And soon Ill be gone too
But dont sweat it, dont sweat it, dont sweat it
Dont sweat it, dont sweat it, dont sweat it

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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

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The Four Seasons : Autumn

Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind

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Country Sweat

Sweat!
Sweat!
Sweat!
Born for trouble, poised for action
Ready to spring at a moment's notice
Nerves like a trigger, waiting to be pulled
Covered with sweat, it ain't nice
Sweat!
Help me please I'm burning up
I got this fire in my heart
Won't let me sleep, can't concentrate
Even when it's cold I'm dripping sweat
It ain't nice
Sweat!
Rivers running down my back
Makes me slippery, like a fish
If I don't stop, I might drown
Falling down, down, down, down, not dead yet
covered with
Sweat
CHORUS
The cool boys bit the dust
They couldn't take the pressure
The cool girls got knocked up
They only wanted to have fun
(Where did they go?)
They fell in low and suffered
(Where did they go?)
They picked up guns and hammers
(Where did they go?)
Without friction there's no heat
WIthout heat there's no fire
Without fire there's no desire
You're making me hot, hot, hot, hot!
Sweat! Sweat!
Take my baby, Saturday night
It's hundred and ten, it's alright
Close the door to my little room
Starting to sweat, fun starts soon
Sweat!
Principal caught me after school
Gave me hell, called me a fool
Pointed his finger, at my face
Started to sweat all over the place
Flowed like rivers, onto the floor
I can take it, give me some more
Sweat!
War breaks out throughout the land
Dodging bullets in the sand
Enemy's getting much to close

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Sweat

Sweat!
Sweat!
Sweat!
Born for trouble, poised for action
Ready to spring at a moments notice
Nerves like a trigger, waiting to be pulled
Covered with sweat, it aint nice
Sweat!
Help me please Im burning up
I got this fire in my heart
Wont let me sleep, cant concentrate
Even when its cold Im dripping sweat
It aint nice
Sweat!
Rivers running down my back
Makes me slippery, like a fish
If I dont stop, I might drown
Falling down, down, down, down, not dead yet
Covered with
Sweat
Chorus
The cool boys bit the dust
They couldnt take the pressure
The cool girls got knocked up
They only wanted to have fun
(where did they go? )
They fell in low and suffered
(where did they go? )
They picked up guns and hammers
(where did they go? )
Without friction theres no heat
Without heat theres no fire
Without fire theres no desire
Youre making me hot, hot, hot, hot!
Sweat! sweat!
Take my baby, saturday night
Its hundred and ten, its alright
Close the door to my little room
Starting to sweat, fun starts soon
Sweat!
Principal caught me after school
Gave me hell, called me a fool
Pointed his finger, at my face
Started to sweat all over the place
Flowed like rivers, onto the floor
I can take it, give me some more
Sweat!
War breaks out throughout the land
Dodging bullets in the sand
Enemys getting much to close

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Gotham - Book III

Can the fond mother from herself depart?
Can she forget the darling of her heart,
The little darling whom she bore and bred,
Nursed on her knees, and at her bosom fed;
To whom she seem'd her every thought to give,
And in whose life alone she seem'd to live?
Yes, from herself the mother may depart,
She may forget the darling of her heart,
The little darling whom she bore and bred,
Nursed on her knees, and at her bosom fed,
To whom she seem'd her every thought to give,
And in whose life alone she seem'd to live;
But I cannot forget, whilst life remains,
And pours her current through these swelling veins,
Whilst Memory offers up at Reason's shrine;
But I cannot forget that Gotham's mine.
Can the stern mother, than the brutes more wild,
From her disnatured breast tear her young child,
Flesh of her flesh, and of her bone the bone,
And dash the smiling babe against a stone?
Yes, the stern mother, than the brutes more wild,
From her disnatured breast may tear her child,
Flesh of her flesh, and of her bone the bone,
And dash the smiling babe against a stone;
But I, (forbid it, Heaven!) but I can ne'er
The love of Gotham from this bosom tear;
Can ne'er so far true royalty pervert
From its fair course, to do my people hurt.
With how much ease, with how much confidence--
As if, superior to each grosser sense,
Reason had only, in full power array'd,
To manifest her will, and be obey'd--
Men make resolves, and pass into decrees
The motions of the mind! with how much ease,
In such resolves, doth passion make a flaw,
And bring to nothing what was raised to law!
In empire young, scarce warm on Gotham's throne,
The dangers and the sweets of power unknown,
Pleased, though I scarce know why, like some young child,
Whose little senses each new toy turns wild,
How do I hold sweet dalliance with my crown,
And wanton with dominion, how lay down,
Without the sanction of a precedent,
Rules of most large and absolute extent;
Rules, which from sense of public virtue spring,
And all at once commence a Patriot King!
But, for the day of trial is at hand,
And the whole fortunes of a mighty land
Are staked on me, and all their weal or woe
Must from my good or evil conduct flow,

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The Court Of Love

With timerous hert and trembling hand of drede,
Of cunning naked, bare of eloquence,
Unto the flour of port in womanhede
I write, as he that non intelligence
Of metres hath, ne floures of sentence;
Sauf that me list my writing to convey,
In that I can to please her hygh nobley.


The blosmes fresshe of Tullius garden soote
Present thaim not, my mater for to borne:
Poemes of Virgil taken here no rote,
Ne crafte of Galfrid may not here sojorne:
Why nam I cunning? O well may I morne,
For lak of science that I can-not write
Unto the princes of my life a-right


No termes digne unto her excellence,
So is she sprong of noble stirpe and high:
A world of honour and of reverence
There is in her, this wil I testifie.
Calliope, thou sister wise and sly,
And thou, Minerva, guyde me with thy grace,
That langage rude my mater not deface.


Thy suger-dropes swete of Elicon
Distill in me, thou gentle Muse, I pray;
And thee, Melpomene, I calle anon,
Of ignoraunce the mist to chace away;
And give me grace so for to write and sey,
That she, my lady, of her worthinesse,
Accepte in gree this litel short tretesse,


That is entitled thus, 'The Court of Love.'
And ye that ben metriciens me excuse,
I you besech, for Venus sake above;
For what I mene in this ye need not muse:
And if so be my lady it refuse
For lak of ornat speche, I wold be wo,
That I presume to her to writen so.


But myn entent and all my besy cure
Is for to write this tretesse, as I can,
Unto my lady, stable, true, and sure,
Feithfull and kind, sith first that she began
Me to accept in service as her man:

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by from The Ring and the BookReport problemRelated quotes
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Beautiful Disgrace

I see the real you. You put me in my place.
Close to perfection. Youre out of control. Youre out of control.
Pardon me I feel the need to scream.
Im ill, stuck in the chemical abyss.
Im gripping at the walls around me.
Pardon me if I was laughing at the crimes.
I was laughing at the way you lie. Tell me why.
All my lies come down to this.
Cause I dont need friends who try to wrap me up in red tape.
Get em off my back theyre dead weight.
In case you didnt catch my signs the first time let me tell you again.
All my life I tried to explain how I love myself to release the pain.
Anti-magnetic so quit your bitching, lying, crying. Tell me why...
[ Chorus ]
Lately inside Im giving in to revenge.
Tell me why Im in over my head.
Why Im in over my head.
Im in so deep that...
When I wake up I dont wanna know you.
Tell me my name again.
Youre just a beautiful disgrace.
A beautiful disgrace. A beautiful disgrace.
Come with me so I can show you how to live.
Burning the candle at both ends.
Im gripping at the walls around me.
Dont complicate it.
Im addicted to this life.
Ill be your token of attention.
All my lies come down to this.
[ Repeat Chorus ]
Lately inside Im giving in to revenge.
Tell me why Im in over my head.
Why Im in over my head.
I see the real you. You put me in my place.
Close to perfection. Youre out of control.
I see the real you. I saw through everything.
Close to perfection. I saw through everything.
If I could take away this pain just one more time, I might.
I saw through everything. Tell me why Im in over my head.
When I wake up I dont wanna know you.
Tell me my name again.
Youre just a beautiful disgrace.
Such a beautiful disgrace (disgrace, disgrace).
Youre such a beautiful disgrace.
Youre so vain, vain, vain.
So grow your guilt from another vine.
Ive given this enough time (lately inside Im giving in).
Grow your guilt from another vine.
Ive given this enough time (lately inside Im giving in).
Grow your guilt from another vine.

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The Parish Register - Part III: Burials

THERE was, 'tis said, and I believe, a time
When humble Christians died with views sublime;
When all were ready for their faith to bleed,
But few to write or wrangle for their creed;
When lively Faith upheld the sinking heart,
And friends, assured to meet, prepared to part;
When Love felt hope, when Sorrow grew serene,
And all was comfort in the death-bed scene.
Alas! when now the gloomy king they wait,
'Tis weakness yielding to resistless fate;
Like wretched men upon the ocean cast,
They labour hard and struggle to the last;
'Hope against hope,' and wildly gaze around
In search of help that never shall be found:
Nor, till the last strong billow stops the breath,
Will they believe them in the jaws of Death!
When these my Records I reflecting read,
And find what ills these numerous births succeed;
What powerful griefs these nuptial ties attend;
With what regret these painful journeys end;
When from the cradle to the grave I look,
Mine I conceive a melancholy book.
Where now is perfect resignation seen?
Alas! it is not on the village-green: -
I've seldom known, though I have often read,
Of happy peasants on their dying-bed;
Whose looks proclaimed that sunshine of the breast,
That more than hope, that Heaven itself express'd.
What I behold are feverish fits of strife,
'Twixt fears of dying and desire of life:
Those earthly hopes, that to the last endure;
Those fears, that hopes superior fail to cure;
At best a sad submission to the doom,
Which, turning from the danger, lets it come.
Sick lies the man, bewilder'd, lost, afraid,
His spirits vanquish'd, and his strength decay'd;
No hope the friend, the nurse, the doctor lend -
'Call then a priest, and fit him for his end.'
A priest is call'd; 'tis now, alas! too late,
Death enters with him at the cottage-gate;
Or time allow'd--he goes, assured to find
The self-commending, all-confiding mind;
And sighs to hear, what we may justly call
Death's common-place, the train of thought in all.
'True I'm a sinner,' feebly he begins,
'But trust in Mercy to forgive my sins:'
(Such cool confession no past crimes excite!
Such claim on Mercy seems the sinner's right!)
'I know mankind are frail, that God is just,
And pardons those who in his Mercy trust;

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Lightning Rod

So you say you like the way I look
So you say you like the way I look
When I fall and no one's there to catch me
So you say you like the way I move
So you say you like the way I move
Into every storm I see above me
'Cause everybody's doing what they like
And what they like is not enough for me
I do not feel the same
Here we go 'cause
Tell me why we always sweat it
Everybody wants more but they never get it
Tell me why we always sweat it
Everybody wants more
(everybody wants everybody)
Tell me why we always sweat it
Everybody wants more but they never get it
Tell me why we always sweat it
Everybody wants more
(and everybody wants more)
What you want is never what you get
Here comes the wall, better lower your head
What you want is never what you get
You're going to fast
So you say you like the way I move
So you say you like the way I move
Into every storm I see above me
Breaker breaker one two
Break out to break through
You can swim slash drift where the tides take you
It's about your attitude
Extension of your latitude
Rejection of gratitude
What up, whatcha thinking dude?
Who said every day's gonna be fun?
Keep an eye on the web
Other people have spun
Who said every day's gonna be fun?
Best recognize or betcha you'll come undone
'Cause everybody's doing what they like
And what they like is not enough for me
I do not feel the same
Here we go 'cause
Tell me why we always sweat it
Everybody wants more but they never get it
Tell me why we always sweat it
Everybody wants more
(everybody wants everybody)
Tell me why we always sweat it
Everybody wants more but they never get it

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The Castle Of Indolence

The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.

O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.

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