Mademoiselle From Armentières
Mademoiselle from Armentières, Parley-voo?
Mademoiselle from Armentières, Parley-voo?
Mademoiselle from Armentières,
She hasn't been kissed in forty years,
Hinky, dinky, parley-voo.
Mademoiselle from Armentières, Parley-voo?
Mademoiselle from Armentières, Parley-voo?
She had the form like the back of a hack,
When she cried the tears ran down her back,
Hinky, dinky, parley-voo.
Mademoiselle from Armentières, Parley-voo?
Mademoiselle from Armentières, Parley-voo?
She never could hold the love of man
'Cause she took her baths in a talcum can,
Hinky, dinky, parley-voo.
Mademoiselle from Armentières, Parley-voo?
Mademoiselle from Armentières, Parley-voo?
She had four chins, her knees would knock,
And her face would stop a cuckoo clock,
Hinky, dinky, parley-voo.
Mademoiselle from Armentières, Parley-voo?
Mademoiselle from Armentières, Parley-voo?
She could beg a franc, a drink, a meal,
But it wasn't because of sex appeal,
Hinky, dinky, parley-voo.
Mademoiselle from Armentières, Parley-voo?
Mademoiselle from Armentières, Parley-voo?
She could guzzle a barrel of sour wine,
And eat a hog without peeling the rind,
Hinky, dinky, parley-voo.
The MPS think they won the war, Parley-voo.
The MPS think they won the war, Parley-voo.
The MPS think they won the war,
Standing guard at the café door,
Hinky, dinky, parley-voo.
The officers get the pie and cake, Parley-voo.
The officers get the pie and cake, Parley-voo.
The officers get the pie and cake,
And all we get is the bellyache,
Hinky, dinky, parley-voo.
The sergeant ought to take a bath, Parley-voo.
The sergeant ought to take a bath, Parley-voo.
If he changes his underwear
The frogs will give him the Croix-de-Guerre,
[...] Read more
poem by Anonymous Americas
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Kaunis Peto
Voo-ou-vo-o X 6
Kymmenet kynttilt
varjoillamme leikkii
samettiverhon lailla ilta laskeutuu
l riisu kokonaan
meill on y aikaa
tutkia ja kokeilla
milt rakkaus maistuu
ooo-ooo-ooh
voo-ou-voo-o
alla kauniin kuoren
voo-ou-voo-o
kauniin pedon tunnen
voo-ou-voo-o
alla kauniin kuoren
voo-ou-voo-o
kauniin pedon tunnen
aa-ha-aa-ha-aa-a-aa-a-aa-a-aa-aa-aa-aah
m olen suklaata
s tiedt sulan kohdan
s hidastat
ja aallon takaisin s otat
kun aamu sarastaa verhojen takaa
kuulen sateen valuvan plle aamukasteen jeeiiijeeee
voo-ou-voo-o
alla kauniin kuoren
voo-ou-voo-o
kauniin pedon tunnen
voo-ou-voo-o
alla kauniin kuoren
voo-ou-voo-o
kauniin pedon tunnen
voo-ou-voo-o
alla kauniin kuoren
voo-ou-voo-o
kauniin pedon tunnen
voo-ou-voo-o
alla kauniin kuoren
voo-ou-voo-o
kauniin pedon tunnen
s kehrt hiljaa
pyritt mua niinkuin lankaker
aa-ha-aa-ha-aaha-aaha-aaha-aa-aa-aa-aah
voo-ou-voo-o
aa-ah-aa-ah
voo-ou-voo-o
uuujeijeijeijeijeaa
voo-ou-voo-o
ah-haaha-aa-aa
song performed by XL5
Added by Lucian Velea
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Kaunis Peto
Voo-ou-vo-o X 6
Kymmenet kynttilt
varjoillamme leikkii
samettiverhon lailla ilta laskeutuu
l riisu kokonaan
meill on y aikaa
tutkia ja kokeilla
milt rakkaus maistuu
ooo-ooo-ooh
voo-ou-voo-o
alla kauniin kuoren
voo-ou-voo-o
kauniin pedon tunnen
voo-ou-voo-o
alla kauniin kuoren
voo-ou-voo-o
kauniin pedon tunnen
aa-ha-aa-ha-aa-a-aa-a-aa-a-aa-aa-aa-aah
m olen suklaata
s tiedt sulan kohdan
s hidastat
ja aallon takaisin s otat
kun aamu sarastaa verhojen takaa
kuulen sateen valuvan plle aamukasteen jeeiiijeeee
voo-ou-voo-o
alla kauniin kuoren
voo-ou-voo-o
kauniin pedon tunnen
voo-ou-voo-o
alla kauniin kuoren
voo-ou-voo-o
kauniin pedon tunnen
voo-ou-voo-o
alla kauniin kuoren
voo-ou-voo-o
kauniin pedon tunnen
voo-ou-voo-o
alla kauniin kuoren
voo-ou-voo-o
kauniin pedon tunnen
s kehrt hiljaa
pyritt mua niinkuin lankaker
aa-ha-aa-ha-aaha-aaha-aaha-aa-aa-aa-aah
voo-ou-voo-o
aa-ah-aa-ah
voo-ou-voo-o
uuujeijeijeijeijeaa
voo-ou-voo-o
ah-haaha-aa-aa
song performed by XL5
Added by Lucian Velea
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The Darned Mounseer
I shipped, d'ye see, in a Revenue sloop,
And, off Cape Finisteere,
A merchantman we see,
A Frenchman, going free,
So we made for the bold Mounseer,
D'ye see?
We made for the bold Mounseer!
But she proved to be a Frigate - and she up with her ports,
And fires with a thirty-two!
It come uncommon near,
But we answered with a cheer,
Which paralysed the Parley-voo,
D'ye see?
Which paralysed the Parley-voo!
Then our Captain he up and he says, says he,
"That chap we need not fear, -
We can take her, if we like,
She is sartin for to strike,
For she's only a darned Mounseer,
D'ye see?
She's only a darned Mounseer!
But to fight a French fal-lal - it's like hittin' of a gal -
It's a lubberly thing for to do;
For we, with all our faults,
Why, we're sturdy British salts,
While she's but a Parley-voo,
D'ye see?
A miserable Parley-voo!"
So we up with our helm, and we scuds before the breeze,
As we gives a compassionating cheer;
Froggee answers with a shout
As he sees us go about,
Which was grateful of the poor Mounseer,
D'ye see?
Which was grateful of the poor Mounseer!
And I'll wager in their joy they kissed each other's cheek
(Which is what them furriners do),
And they blessed their lucky stars
We were hardy British tars
Who had pity on a poor Parley-voo,
D'ye see?
Who had pity on a poor Parley-voo!
poem by William Schwenck Gilbert
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Goldilocks And Goldilocks
It was Goldilocks woke up in the morn
At the first of the shearing of the corn.
There stood his mother on the hearth
And of new-leased wheat was little dearth.
There stood his sisters by the quern,
For the high-noon cakes they needs must earn.
“O tell me Goldilocks my son,
Why hast thou coloured raiment on?”
“Why should I wear the hodden grey
When I am light of heart to-day?”
“O tell us, brother, why ye wear
In reaping-tide the scarlet gear?
Why hangeth the sharp sword at thy side
When through the land ’tis the hook goes wide?”
“Gay-clad am I that men may know
The freeman’s son where’er I go.
The grinded sword at side I bear
Lest I the dastard’s word should hear.”
“O tell me Goldilocks my son,
Of whither away thou wilt be gone?”
“The morn is fair and the world is wide
And here no more will I abide.”
“O Brother, when wilt thou come again?”
“The autumn drought, and the winter rain,
The frost and the snow, and St. David’s wind,
All these that were time out of mind,
All these a many times shall be
Ere the Upland Town again I see.”
“O Goldilocks my son, farewell,
As thou wendest the world ’twixt home and hell!”
“O brother Goldilocks, farewell,
Come back with a tale for men to tell!”
So ’tis wellaway for Goldilocks,
As he left the land of the wheaten shocks.
[...] Read more
poem by William Morris
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The Undying One- Canto III
'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?
If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!
'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!
'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst
[...] Read more
poem by Caroline Elizabeth Sarah Norton
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Tamar
I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.
The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,
[...] Read more
poem by Robinson Jeffers
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Gebir
FIRST BOOK.
I sing the fates of Gebir. He had dwelt
Among those mountain-caverns which retain
His labours yet, vast halls and flowing wells,
Nor have forgotten their old master's name
Though severed from his people here, incensed
By meditating on primeval wrongs,
He blew his battle-horn, at which uprose
Whole nations; here, ten thousand of most might
He called aloud, and soon Charoba saw
His dark helm hover o'er the land of Nile,
What should the virgin do? should royal knees
Bend suppliant, or defenceless hands engage
Men of gigantic force, gigantic arms?
For 'twas reported that nor sword sufficed,
Nor shield immense nor coat of massive mail,
But that upon their towering heads they bore
Each a huge stone, refulgent as the stars.
This told she Dalica, then cried aloud:
'If on your bosom laying down my head
I sobbed away the sorrows of a child,
If I have always, and Heaven knows I have,
Next to a mother's held a nurse's name,
Succour this one distress, recall those days,
Love me, though 'twere because you loved me then.'
But whether confident in magic rites
Or touched with sexual pride to stand implored,
Dalica smiled, then spake: 'Away those fears.
Though stronger than the strongest of his kind,
He falls-on me devolve that charge; he falls.
Rather than fly him, stoop thou to allure;
Nay, journey to his tents: a city stood
Upon that coast, they say, by Sidad built,
Whose father Gad built Gadir; on this ground
Perhaps he sees an ample room for war.
Persuade him to restore the walls himself
In honour of his ancestors, persuade -
But wherefore this advice? young, unespoused,
Charoba want persuasions! and a queen!'
'O Dalica!' the shuddering maid exclaimed,
'Could I encounter that fierce, frightful man?
Could I speak? no, nor sigh!'
'And canst thou reign?'
Cried Dalica; 'yield empire or comply.'
Unfixed though seeming fixed, her eyes downcast,
The wonted buzz and bustle of the court
From far through sculptured galleries met her ear;
Then lifting up her head, the evening sun
Poured a fresh splendour on her burnished throne-
[...] Read more
poem by Walter Savage Landor
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Modern Talk
There was a time when people taked said with their mouth
How they talk and it doesn't mean a thing it's called the modern talk
Now picture the scene the day is sunny
A man meets a friend and asks him for some money
He says I need five to keep me alive
And the friend gives him this kinda jive
He says zaa za voo za za voo I can't make it
Va za va za voo za va see ya later so long see you later
Vome zoo za vome a viddle o till then
And he's right back out on the street again
And then a girl gets on the phone and talks to her lover
She says we got troubles that we can't keep covered
I just got the news I'm knittin' baby shoes
Now call up the preacher and pay your dues
He says zaa za voo za za voo see you later so long huhuh
I can't stand baby vome zoo za vome till then
And she's right back out on the street again
And then a guy gets grabbed by an army recruiter
He says we're gonna put you in the khaki suiter
So do not cry and don't you lie but take this test to qualify
The guys says blblblblblbl huhuh till then
And he's right back out on the street again
And then a lady goes down to see her psychiatrist
And lies on a couch to give her little head a twist
Now is it a psychosis or is it a neurosis the doctor gives her this diagnosis
Sayin' huhuh listen huhuh twenty dollars
Huhh next Wednesday baby then we'll huhuh then
She's right back out on the street again
And then the preachers in the church they're blessin' and damnin'
Presidents standin' there just Vietnamin'
While the animals sing and politicians swing
And everybody's sayin' the same damned thing
They're sauin' zaa za voo za za voo you know that's modern talk
poem by Sheldon Allan Silverstein
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Give Your Heart To The Hawks
1 he apples hung until a wind at the equinox,
That heaped the beach with black weed, filled the dry grass
Under the old trees with rosy fruit.
In the morning Fayne Fraser gathered the sound ones into a
basket,
The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.
Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.
Fayne snatched for it and missed;
Michael stood by rejoicing, his rather small
Finely cut features in a dance of delight;
Fayne with one sweep flung at his face
All the bruised and half-spoiled apples in the pan,
[...] Read more
poem by Robinson Jeffers
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Narrative And Dramatic The Wanderings Of Oisin
BOOK I
S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.
Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.
Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,
But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.
S. Patrick. You are still wrecked among heathen dreams.
Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'
'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain
[...] Read more
poem by William Butler Yeats
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Rosalind and Helen: a Modern Eclogue
ROSALIND, HELEN, and her Child.
SCENE. The Shore of the Lake of Como.
HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!
ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;
[...] Read more
poem by Percy Bysshe Shelley
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The Missionary - Canto Eighth
The morn returns, and, reddening, seems to shed
One ray of glory on the patriot-dead.
Round the dark stone, the victor-chiefs behold!
Still on their locks the gouts of gore hang cold!
There stands the brave Caupolican, the pride
Of Chili, young Lautaro, by his side!
Near the grim circle, pendent from the wood,
Twelve hundred Spanish heads are dripping blood.
Shrill sound the notes of death: in festive dance,
The Indian maids with myrtle boughs advance;
The tinkling sea-shells on their ancles ring,
As, hailing thus the victor-youth, they sing:--
SONG OF INDIAN MAIDS.
Oh, shout for Lautaro, the young and the brave!
The arm of whose strength was uplifted to save,
When the steeds of the strangers came rushing amain,
And the ghosts of our fathers looked down on the slain!
'Twas eve, and the noise of the battle was o'er,
Five thousand brave warriors were cold in their gore;
When, in front, young Lautaro invincible stood,
And the horses and iron-men rolled in their blood!
As the snows of the mountain are swept by the blast,
The earthquake of death o'er the white men has passed;
Shout, Chili, in triumph! the battle is won,
And we dance round the heads that are black in the sun!
Lautaro, as if wrapt in thought profound,
Oft turned an anxious look inquiring round.
He is not here!--Say, does my father live?
Ere eager voices could an answer give,
With faltering footsteps and declining head,
And slowly by an aged Indian led,
Wounded and weak the mountain chief appears:
Live, live! Lautaro cried, with bursting tears,
And fell upon his neck, and, kissing, pressed,
With folding arms, his gray hairs to his breast.
Oh, live! I am thy son--thy long-lost child!
The warrior raised his look, and faintly smiled;
Chili, my country, is avenged! he cried:
My son!--then sunk upon a shield--and died.
Lautaro knelt beside him, as he bowed,
And kissed his bleeding breast, and wept aloud.
The sounds of sadness through the circle ran,
When thus, with lifted axe, Caupolican:
What, for our fathers, brothers, children, slain,
Canst thou repay, ruthless, inhuman Spain?
[...] Read more
poem by William Lisle Bowles
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Lancelot And Elaine
Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.
How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.
For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares
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poem by Alfred Lord Tennyson
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Poor Paddy
[the pogues version]
-----------------------------------------
In eighteen hundred and forty-one
The corduroy breeches I put on
Me corduroy breeches I put on
To work upon the railway, the railway
Im weary of the railway
Poor paddy works on the railway
In eighteen hundred and forty-two
From hartlepool I moved to crewe
Found myself a job to do
A working on the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-three
I broke the shovel across me knee
I went to work for the company
On the leeds to selby railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-four
I landed on the liverpool shore
My belly was empty me hands were raw
With working on the railway, the railway
Im sick to my guts of the railway
Poor paddy works on the railway
In eighteen hundred and forty-five
When daniel oconnell he was alive
When daniel oconnell he was alive
And working on the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-six
I changed my trade to carrying bricks
I changed my trade to carrying bricks
To work upon the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-seven
Poor paddy was thinking of going to heaven
The old bugger was thinking of going to heaven
To work upon the railway, the railway
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song performed by Pogues
Added by Lucian Velea
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The Dream
'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!
So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.
Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,
To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,
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poem by Caroline Elizabeth Sarah Norton
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Metamorphoses: Book The Tenth
THENCE, in his saffron robe, for distant Thrace,
Hymen departs, thro' air's unmeasur'd space;
By Orpheus call'd, the nuptial Pow'r attends,
But with ill-omen'd augury descends;
Nor chearful look'd the God, nor prosp'rous spoke,
Nor blaz'd his torch, but wept in hissing smoke.
In vain they whirl it round, in vain they shake,
No rapid motion can its flames awake.
The Story of With dread these inauspicious signs were view'd,
Orpheus And soon a more disastrous end ensu'd;
and Eurydice For as the bride, amid the Naiad train,
Ran joyful, sporting o'er the flow'ry plain,
A venom'd viper bit her as she pass'd;
Instant she fell, and sudden breath'd her last.
When long his loss the Thracian had deplor'd,
Not by superior Pow'rs to be restor'd;
Inflam'd by love, and urg'd by deep despair,
He leaves the realms of light, and upper air;
Daring to tread the dark Tenarian road,
And tempt the shades in their obscure abode;
Thro' gliding spectres of th' interr'd to go,
And phantom people of the world below:
Persephone he seeks, and him who reigns
O'er ghosts, and Hell's uncomfortable plains.
Arriv'd, he, tuning to his voice his strings,
Thus to the king and queen of shadows sings.
Ye Pow'rs, who under Earth your realms extend,
To whom all mortals must one day descend;
If here 'tis granted sacred truth to tell:
I come not curious to explore your Hell;
Nor come to boast (by vain ambition fir'd)
How Cerberus at my approach retir'd.
My wife alone I seek; for her lov'd sake
These terrors I support, this journey take.
She, luckless wandring, or by fate mis-led,
Chanc'd on a lurking viper's crest to tread;
The vengeful beast, enflam'd with fury, starts,
And thro' her heel his deathful venom darts.
Thus was she snatch'd untimely to her tomb;
Her growing years cut short, and springing bloom.
Long I my loss endeavour'd to sustain,
And strongly strove, but strove, alas, in vain:
At length I yielded, won by mighty love;
Well known is that omnipotence above!
But here, I doubt, his unfelt influence fails;
And yet a hope within my heart prevails.
That here, ev'n here, he has been known of old;
At least if truth be by tradition told;
If fame of former rapes belief may find,
You both by love, and love alone, were join'd.
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Cabinessence
Light the lamp and fire mellow,
Cabin essence timely hello,
Welcomes the time for a change.
Lost and found, you still remain there.
Youll find a meadow filled with grain there.
Ill give you a home on the range.
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
I want to watch you windblown facing
Waves of wheat for your embracing.
Folks sing a song of the grange.
Nestle in a kiss below there.
The constellations ebb and flow there.
And witness our home on the range.
Who ran the iron horse?
(truck driving man do what you can)
Who ran the iron horse?
(high-tail your load off the road)
Who ran the iron horse?
(out of night-life-its a gas man)
Who ran the iron horse?
(I dont believe I gotta grieve)
Who ran the iron horse?
(in and out of luck)
Who ran the iron horse?
(with a buck and a booth)
Who ran the iron horse?
(catchin on to the truth)
Who ran the iron horse?
(in the vast past, the last gasp)
Who ran the iron horse?
(in the land, in the dust, trust that you must)
Who ran the iron horse?
(catch as catch can)
Have you seen the grand coolie workin on the railroad?
Have you seen the grand coolie workin on the railroad?
Have you seen the grand coolie workin on the railroad?
Over and over,
The crow cries uncover the cornfield.
Over and over,
The thresher and hover the wheat field.
Over and over,
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song performed by Beach Boys
Added by Lucian Velea
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The Parish Register - Part III: Burials
THERE was, 'tis said, and I believe, a time
When humble Christians died with views sublime;
When all were ready for their faith to bleed,
But few to write or wrangle for their creed;
When lively Faith upheld the sinking heart,
And friends, assured to meet, prepared to part;
When Love felt hope, when Sorrow grew serene,
And all was comfort in the death-bed scene.
Alas! when now the gloomy king they wait,
'Tis weakness yielding to resistless fate;
Like wretched men upon the ocean cast,
They labour hard and struggle to the last;
'Hope against hope,' and wildly gaze around
In search of help that never shall be found:
Nor, till the last strong billow stops the breath,
Will they believe them in the jaws of Death!
When these my Records I reflecting read,
And find what ills these numerous births succeed;
What powerful griefs these nuptial ties attend;
With what regret these painful journeys end;
When from the cradle to the grave I look,
Mine I conceive a melancholy book.
Where now is perfect resignation seen?
Alas! it is not on the village-green: -
I've seldom known, though I have often read,
Of happy peasants on their dying-bed;
Whose looks proclaimed that sunshine of the breast,
That more than hope, that Heaven itself express'd.
What I behold are feverish fits of strife,
'Twixt fears of dying and desire of life:
Those earthly hopes, that to the last endure;
Those fears, that hopes superior fail to cure;
At best a sad submission to the doom,
Which, turning from the danger, lets it come.
Sick lies the man, bewilder'd, lost, afraid,
His spirits vanquish'd, and his strength decay'd;
No hope the friend, the nurse, the doctor lend -
'Call then a priest, and fit him for his end.'
A priest is call'd; 'tis now, alas! too late,
Death enters with him at the cottage-gate;
Or time allow'd--he goes, assured to find
The self-commending, all-confiding mind;
And sighs to hear, what we may justly call
Death's common-place, the train of thought in all.
'True I'm a sinner,' feebly he begins,
'But trust in Mercy to forgive my sins:'
(Such cool confession no past crimes excite!
Such claim on Mercy seems the sinner's right!)
'I know mankind are frail, that God is just,
And pardons those who in his Mercy trust;
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poem by George Crabbe
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II. Half-Rome
What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)
Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,
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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Peruvian Tales: Aciloe, Tale V
Character of ZAMOR , a bard--His passion for ACILOE , daughter of the Cazique who rules the valley--The Peruvian tribe prepare to defend themselves--A battle--The PERUVIANS are vanquished--ACILOE'S father is made a prisoner, and ZAMOR is supposed to have fallen in the engagement--ALPHONSO becomes enamoured of ACILOE --Offers to marry her--She rejects him--In revenge he puts her father to the torture--She appears to consent, in order to save him--Meets ZAMOR in a wood--LAS CASAS joins them--Leads the two lovers to ALPHONSO , and obtains their freedom--ZAMOR conducts ACILOE and her father to Chili--A reflection on the influence of Poetry over the human mind.
In this sweet scene, to all the virtues kind,
Mild ZAMOR own'd the richest gifts of mind;
For o'er his tuneful breast the heav'nly muse
Shed from her sacred spring inspiring dews;
She loves to breathe her hallow'd strain where art
Has never veil'd the soul, or warp'd the heart;
Where fancy glows with all her native fire,
And passion lives on the exulting lyre.
Nature, in terror rob'd or beauty dreast,
Could thrill with dear enchantment ZAMOR'S breast;
He lov'd the languid sigh the zephyr pours,
He lov'd the placid rill that feeds the flowers--
But more the hollow sound the wild winds form,
When black upon the billow hangs the storm;
The torrent rolling from the mountain steep,
Its white foam trembling on the darken'd deep--
And oft on Andes' heights with earnest gaze
He view'd the sinking sun's reflected rays
Glow like unnumber'd stars, that seem to rest
Sublime upon his ice-encircled breast.
Oft his wild warblings charm'd the festal hour,
Rose in the vale, and languish'd in the bower;
The heart's reponsive tones he well could move,
Whose song was nature, and whose theme was love.
ACILOE'S beauties his fond soul confest,
Yet more ACILOE'S virtues warm'd his breast.
Ah stay, ye tender hours of young delight,
Suspend, ye moments, your impatient flight;
Prolong the charm when passion's pure controul
Unfolds the first affections of the soul!
This gentle tribe ACILOE'S sire obey'd,
Who still in wisdom and in mercy sway'd.
From him the dear illusions long had fled
That o'er the morn of life enchantment shed;
But virtue's calm remembrance cheer'd his breast,
And life was joy serene, and death was rest:
Bright is the blushing Summer's glowing ray,
Yet not unlovely Autumn's temper'd day.
Now stern IBERIA'S ruthless sons advance,
Roll the fierce eye, and shake the pointed lance.
PERUVIA'S tribe behold the hostile throng
With desolating fury pour along;
The hoary chief to the dire conflict leads
His death-devoted train--the battle bleeds.
ACILOE'S searching eye can now no more
The form of ZAMOR or her sire explore;
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poem by Helen Maria Williams
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