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Edmundi Trotii Epitaphium

Charissimo Filio
Edmundo Trotio
Posuimus Pater & Mater
Frustra superstites.
Legite Parentes, vanissimus hominum ordo,
Figuli Filiorum, Substructores Hominum,
Fartores Opum, Longi Speratores,
Et nostro, si fas, sapite infortunio.
Fruit Edmundus Trottuis.
E quatuor masculae stirpis residuus,
Statura justa, Forma virili, specie eximic,
Medio juventutis Robore simul & Flore,
Alpectu, In cessu, sermone juxta amabilis,
Et siquid ultra Cineri pretium addit.
Honesta Diciplina domi imbutus,
Peregre profectus
Generosis Artibus Animum
Et exercitiis Corpus firmaverat.
Circaeam Insulam, Scopulos Sirenum
Praeternavigavit,
Et in hoc naufragio morum & saeculi
Solus perdiderat nihil, auxit plurimum.
Hinc erga Deum pietate,
Erga nos Amore & Obsequio,
Comitate erga Omnes, & intra se Modestia
Insignis, & quantaevis fortunae capax:
Delitiae Aequalium, Senum Plausus,
Oculi Parentum, (nunc, ah, Lachrymae)
In eo tandem peccavit quod mortalis.
Et fatali Pustularum morbo aspersus,
Factus est
(Ut verae Laudis Invidiam ficto Convitio levemus)
Proditor Amicorum, Parricida Parentum,
Familiae Spongia:
Et Naturae invertens ordinem
Nostri suique Contemptor,
Mundi Desertor, defecit ad Deum.
Undecimo Augusti; Aerae Christae 1667.
Talis quum fuerit Calo non invidemus.

poem by Andrew Marvell
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Paradise Lost: Book 09

No more of talk where God or Angel guest
With Man, as with his friend, familiar us'd,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam'd. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death's harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous'd;
Or Neptune's ire, or Juno's, that so long
Perplexed the Greek, and Cytherea's son:

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor'd,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas'd me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem'd chief mastery to dissect
With long and tedious havock fabled knights
In battles feign'd; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon'd shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall'd feast
Serv'd up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem. Me, of these
Nor skill'd nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress'd; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring

[...] Read more

poem by John Milton
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Johannis Trottii Epitaphium

Charissimo Filio &c.
Pater & Mater &c.
funebrem tabulam curavimus.
Age Marmor, & pro solita tua hxmanitate,
(Ne inter Parentum Dolorem & Modestiam
Supprimantur praeclari Juvenis meritae laudes)
Effare Johannis Trottii breve Elogium.
Erat ille totus Candidus, Politus, Solidus,
Ultra vel Parii Marmoris metaphoram,
Et Gemma Sculpi dignus, non Lapide:
E Schola Wintoniensi ad Academiam Oxonii,
Inde ad Interioris Templi Hospitium gradum fecerat:
Summae Spei, Summae Indolis, ubique vestigia reliquit;
Supra Sexum Venustus,
Supra Aetatem Doctus,
Ingeniosus supra Fidem.
Et jam vicesimum tertium annum inierat,
Pulcherrimo undequaque vitae prospectu,
Quem Mors immatura obstruxit.
Ferales Pustulae Corpus tam affabre factum
Ludibrio habuere, & vivo incrustarunt sepulchro.
Anima evasit Libera, Aeterna, Faelix,
Et morti insultans
Mortalem Sortem cum Foenore accipiet.
Nos interim, meri vespillones,
Parentes Filia extra ordinem Parentantes,
Subtus in gentilitio crypta reliquias composuimus,
Ipsi eandem ad Dei nutum subituri.
Natus est &c. Mortuus &c. reviviscet
Primo Resurrectionis.

poem by Andrew Marvell
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The Pastime of Pleasure : The First Part.

Here begynneth the passe tyme of pleasure.

Ryyght myghty prynce / & redoubted souerayne
Saylynge forthe well / in the shyppe of grace
Ouer the wawes / of this lyfe vncertayne
Ryght towarde heuen / to haue dwellynge place
Grace dothe you guyde / in euery doubtfull cace
Your gouernaunce / dothe euermore eschewe
The synne of slouthe / enemy to vertewe
Grace stereth well / the grace of god is grete
Whiche you hathe brought / to your ryall se
And in your ryght / it hath you surely sette
Aboue vs all / to haue the soueraynte
Whose worthy power / and regall dygnyte
All our rancour / and our debate and ceace
Hath to vs brought / bothe welthe reste and peace
Frome whome dyscendeth / by the ryghtfull lyne
Noble pryuce Henry / to succede the crowne
That in his youthe / dothe so clerely shyne
In euery vertu / castynge the vyce adowne
He shall of fame / attayne the hye renowne
No doubte but grace / shall hym well enclose
Whiche by trewe ryght / sprange of the reed rose
Your noble grace / and excellent hyenes
For to accepte / I beseche ryght humbly
This lytell boke / opprest with rudenes
Without rethorycke / or colour crafty
Nothynge I am / experte in poetry
As the monke of Bury / floure of eloquence
Whiche was in tyme / of grete excellence
Of your predecessour / the .v. kynge henry
Vnto whose grace / he dyde present
Ryght famous bokes / of parfyte memory
Of his faynynge with termes eloquent
Whose fatall fyccyons / are yet permanent
Grounded on reason / with clowdy fygures
He cloked the trouthe / of all his scryptures
The lyght of trouthe / I lacke connynge to cloke
To drawe a curtayne / I dare not to presume
Nor hyde my mater / with a mysty smoke
My rudenes connynge / dothe so sore cōsume
Yet as I maye / I shall blowe out a fume
To hyde my mynde / vnderneth a fable
By conuert colour / well and probable
Besechynge your grace / to pardon myne ignoraunce
Whiche this fayned fable / to eschewe ydlenesse
Hane so compyled / now without doubtaunce
For to present / to your hye worthynesse
To folowe the trace / and all the parfytenesse
Of my mayster Lydgate / with due exercyse

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poem by Stephen Hawes
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

[...] Read more

poem by Robert Browning from The Ring and the Book
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Here Begynneth A Lyttell Treatyse Cleped La Conusaunce Damours

Forth gone the virgyns euerychone
Replet with ioye/and eke felicite
To gether floures. And some vnto one
Haue more fantasy/whan they it se
Than to all that in the medowes be
Another shall incontrary wyse
Gether other after theyr deuyse.

So done clerkes/of great grauite
Chose maters/wheron they lyst to wryte
But I that am of small capacite
Toke on me this treatyse to endyte
Tauoyde ydelnesse/more than for delyte
And most parte therof/tolde was to me
As here after/ye may rede and se.

Thus endeth the prologue.

The thyrde idus/in the moneth of July
Phebus his beames/lustryng euery way
Gladdynge the hartes/of all our Hemyspery
And mouynge many/vnto sporte and playe
So dyd it me/the treuthe for to saye
To walke forth/I had great inclination
Per chaunce some where/to fynde recreation

And as I walked/ever I dyd beholde
Goodly yonge people/that them encouraged
In suche maner wyse/as though they wolde
Ryght gladly have songe or daunsed
Or els some other gorgious thynge deuysed
Whose demeanynge/made me ryght ioyous
For to beholde/theyr dedes amorous.

To wryte all thynges of plesure/that I se
In euery place/where I passed by
In all a day recunted it can nat be
Who coude discryue the fresshe beauty
Of dames and pusels/attyred gorgiously
So swete of loke/so amiable of face
Smilyng doulcely/on suche as stande in grace

Certaynly theyr boute/and curtesy
Ofte moueth me/for to do my payne
Some thynge to wryte/them to magnifye

[...] Read more

poem by Anonymous Olde English
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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER

Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.

AUTUMN WINTER

Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

[...] Read more

poem by Jonathan Robin
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Adam: A Sacred Drama. Act 2.

SCENE I. -- CHORUS OF ANGELS Singing.

Now let us garlands weave
Of all the fairest flowers,
Now at this early dawn,
For new-made man, and his companion dear;
Let all with festive joy,
And with melodious song,
Of the great Architect
Applaud this noblest work,
And speak the joyous sound,
Man is the wonder both of Earth and Heaven.

FIRST Angel.

Your warbling now suspend,
You pure angelic progeny of God,
Behold the labour emulous of Heaven!
Behold the woody scene,
Decked with a thousand flowers of grace divine;
Here man resides, here ought he to enjoy
In his fair mate eternity of bliss.

SECOND Angel.

How exquisitely sweet
This rich display of flowers,
This airy wild of fragrance,
So lovely to the eye,
And to the sense so sweet.

THIRD Angel.

O the sublime Creator,
How marvellous his works, and more his power!
Such is the sacred flame
Of his celestial love,
Not able to confine it in himself,
He breathed, as fruitful sparks
From his creative breast,
The Angels, Heaven, Man, Woman, and the World.

FOURTH Angel.

Yes, mighty Lord! yes, hallowed love divine!
Who, ever in thyself completely blest,
Unconscious of a want,
Who from thyself alone, and at thy will,
Bright with beignant flames,
Without the aid of matter or of form,

[...] Read more

poem by William Cowper
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The Fyftene Loyes Of Maryage

Somer passed/and wynter well begone
The dayes shorte/the darke nyghtes longe
Haue taken season/and brynghtnes of the sonne
Is lytell sene/and small byrdes songe
Seldon is herde/in feldes or wodes ronge
All strength and ventue/of trees and herbes sote
Dyscendynge be/from croppe in to the rote

And euery creature by course of kynde
For socoure draweth to that countre and place
Where for a tyme/they may purchace and fynde
Conforte and rest/abydynge after grace
That clere Appolo with bryghtnes of his face
Wyll sende/whan lusty ver shall come to towne
And gyue the grounde/of grene a goodly gowne

And Flora goddesse bothe of whyte and grene
Her mantell large/ouer all the erthe shall sprede
Shewynge her selfe/apparayled lyke a quene
As well in feldes/wodes/as in mede
Hauynge so ryche a croune vpon her hede
The whiche of floures/shall be so fayre and bryght
That all the worlde/shall take therof a lyght

So now it is/of late I was desyred
Out of the trenche to drawe a lytell boke
Of .xv. Ioyes/of whiche though I were hyred
I can not tell/and yet I vndertoke
This entrepryse/with a full pyteous loke
Remembrynge well/the case that stode in
Lyuynge in hope/this wynter to begyn

Some Ioyes to fynde that be in maryage
For in my youth/yet neuer acquayntaunce
Had of them but now in myn olde aege
I trust my selfe/to forther and auaunce
If that in me/there lacke no suffysaunce
Whiche may dyspleasyr/clerely set a parte
I wante but all/that longeth to that arte

yet wyll I speke/though I may do no more
Fully purposynge/in all these Ioyes to trete
Accordynge to my purpose made to fore
All be it so/I can not well forgete
The payne/trauayle/besynes and hete

[...] Read more

poem by Anonymous Olde English
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Adam: A Sacred Drama. Act 3.

SCENE I.-- Adam and Eve.

Oh, my beloved companion!
Oh thou of my existence,
The very heart and soul!
Hast thou, with such excess of tender haste,
With ceaseless pilgrimage,
To find again thy Adam,
Thus solitary wandered?
Behold him! Speak! what are thy gentle orders?
Why dost thou pause? what ask of God? what dost thou?

Eve. Adam, my best beloved!
My guardian and my guide!
Thou source of all my comfort, all my joy!
Thee, thee alone I wish,
And in these pleasing shades
Thee only have I sought.

Adam. Since thou hast called thy Adam,
(Most beautiful companion),
The source and happy fountain of thy joy;
Eve, if to walk with me
It now may please thee, I will show thee love,
A sight thou hast not seen;
A sight so lovely, that in wonder thou
Wilt arch thy graceful brow.
Look thou, my gentle bride, towards that path,
Of this so intricate and verdant grove,
Where sit the birds embowered;
Just there, where now, with soft and snowy plumes,
Two social doves have spread their wings for flight,
Just there, thou shalt behold, (oh pleasing wonder),
Springing amid the flowers,
A living stream, that with a winding course
Flies rapidly away;
And as it flies, allures
And tempts you to exclaim, sweet river, stay!
Hence eager in pursuit
You follow, and the stream, as it it had
Desire to sport with you,
Through many a florid, many a grassy way,
Well known to him, in soft concealment flies:
But when at length he hears,
You are afflicted to have lost his sight,
He rears his watery locks, and seems to say,
Gay with a gurgling smile,
'Follow! ah, follow still my placid course!
If thou art pleased with me, with thee I sport.
And thus with sweet deceit he leads you on

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poem by William Cowper
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Our farewell song to P.M.C.

Our Alma-mater is P.M.C;
Our Alma-mater, we salute thee;
We are now full-fledged good Doctors!
We start to serve, the sick forev’r.

We will remember our College;
Until we reach our Life’s end-stage;
We had our days of much ordeal;
We are now all so free, we feel.

We had our tussles and fist-fights;
Happy to have just won our rights;
We had our days of rejoicings;
Entwined in love, today this song we sing.

We love our Teachers who taught us well;
To be quite patient always in Life;
And guided us in numerous ways;
Showing us all, that there are better days!

We look ahead to a future bright;
Our past was dear, sad days, despite;
We will miss this ev’rgreen campus;
And the sweet songs that, Birds sang to us.

Recreation did suffer although;
Success in life always will show;
Our stay in P.M.C. was so great;
On the whole it, was a joyful state.

We will miss P.M.C.forev’r;
Farewell to our dear Alma-mater;
We are now full-fledged good DOCTORS;
Ready to heal the sick forev’r.

Our Alma-mater is P.M.C;
Our Alma-mater, we salute thee!
Farewell, farewell dear P.M.C.;
We will again come to see thee.

poem by John Celes
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Con Voi

Mia cara, voglio farvi sapere

Qualcosa che è molto importante per me,

E qualcosa che può essere

Molto importante per lei,

Se apprezzi il mio amore solo

Come valore di tuo.

Mia cara, sono stato con voi per

Come posso ricordare.

Mi ricordo quando eravamo bambini,

E i nostri genitori erano vicini,

E siamo stati vicini, come pure,

Naturalmente

E i nostri genitori sarebbero pianificare 'gioco-date'

Come chiamati li allora e ancora adesso,

E c'era molto di più ad esso.

Si, tua sorella e tuo fratello sarebbe venuto sopra,

E potrebbe appendere fuori con mio fratello, mia sorella e me.

Ricordo che pensavo che le ragazze erano lorde,

E voi, vorrei evitare

E hai pensato che avevo una malattia,

Così sarebbe evitare me, troppo.

Ma, dopo un paio di settimane,

Siamo diventati amici,

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poem by James Roberts
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Forbidden Fruit

Oscar brown jr
Eve and adam had a garden everything was great
Till one day a boy says pardon miss my name is snake
See that apple over yonder if youll take a bite
You and adam both are bound to have some fun tonight
Go on and eat forbidden fruit
Its mighty sweet forbidden fruit
Its quite a treat forbidden fruit
Go ahead and taste it you dont wanna waste it
The lord had said in the beginning everything is free
Except that apple that leads to sinning so let that apple be
But eve got tempted so she tried it and as all chicks do
Teaser her man till he decided hed just try some too
Go on and eat forbidden fruit
Its mighty sweet forbidden fruit
Its quite a treat forbidden fruit
Go ahead and bite it I bet youd be delighted
I hate to tell you all what followed the lord was most upset
Saw them making love and hollered what have you to add
And when they made a full confession the lord said hm I see
I guess Ill have to teach you a lesson about not minding me
Go on and eat forbidden fruit
Its mighty sweet forbidden fruit
Its quite a treat forbidden fruit
Youre all indebted now you gonna get it
The lord made eve adams madam have his kids and all
Placed some labour laws on adam and he made the snake to fall
Ever since the days of eden folks been sinful my
Nowadays theyre even eating apples in their pie
Go on and eat forbidden fruit
Its mighty sweet forbidden fruit
Its quite a treat forbidden fruit
Go ahead and taste it you dont wanna waste it
Oh go ahead and bite it I bet youd be delighted
You always did it now youll gonna get it
Forbidden fruit

song performed by Nina Simone
Added by Lucian Velea
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A Tree's Fruit

Good fruit or bad fruit, a tree can only bear one,
This parable was taught by God's one and only Son.

First mentioned by John as a warning for the Pharisees to heed,
But being blind to The Truth, most of them would not believe.

Your life is the tree and your deeds are the fruit,
This is a simple analogy that it hard to dispute.

But the Pharisees who knew the Word and lived in the land,
Were rebuked by John the Baptist, as they didn't understand.

Christians need to produce fruit for the Lord and nothing less,
And all the fruit that we produce should be fruits of righteousness.

Our old nature will produce fruit that comes from the past,
Not only is this fruit bad, but it's the kind that won't last.

Not only is bearing good fruit The Lord's heart desire,
But trees that continue to bear bad fruit may be cast in the fire.

Within your own heart is where the good or bad fruit is stored,
And by your fruits men will know you, is made clear by The Lord.

The fruit of righteousness is a tree of life, was once said,
However, a tree that bears bad fruit may be eternally dead.

What fruit you produce is strictly your choice my dear friend,
And by this choice you will either be blessed or condemned.

( 03/2002)

poem by Bob Gotti
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Cōforte of Louers

The prohemye.

The gentyll poetes/vnder cloudy fygures
Do touche a trouth/and clokeit subtylly
Harde is to cōstrue poetycall scryptures
They are so fayned/& made sētēcyously
For som do wryte of loue by fables pryuely
Some do endyte/vpon good moralyte
Of chyualrous actes/done in antyquyte
Whose fables and storyes ben pastymes pleasaunt
To lordes and ladyes/as is theyr lykynge
Dyuers to moralyte/ben oft attendaunt
And many delyte to rede of louynge
Youth loueth aduenture/pleasure and lykynge
Aege foloweth polycy/sadnesse and prudence
Thus they do dyffre/eche in experyence
I lytell or nought/experte in this scyence
Compyle suche bokes/to deuoyde ydlenes
Besechynge the reders/with all my delygence
Where as I offende/for to correct doubtles
Submyttynge me to theyr grete gentylnes
As none hystoryagraffe/nor poete laureate
But gladly wolde folowe/the makynge of Lydgate
Fyrst noble Gower/moralytees dyde endyte
And after hym Cauncers/grete bokes delectable
Lyke a good phylozophre/meruaylously dyde wryte
After them Lydgate/the monke commendable
Made many wonderfull bokes moche profytable
But syth the are deed/& theyr bodyes layde in chest
I pray to god to gyue theyr soules good rest

Finis prohemii.

Whan fayre was phebus/w&supere; his bemes bryght
Amyddes of gemyny/aloft the fyrmament
Without blacke cloudes/castynge his pured lyght
With sorowe opprest/and grete incombrement
Remembrynge well/my lady excellent
Saynge o fortune helpe me to preuayle
For thou knowest all my paynfull trauayle
I went than musynge/in a medowe grene
Myselfe alone/amonge the floures in dede
With god aboue/the futertens is sene
To god I sayd/thou mayst my mater spede
And me rewarde/accordynge to my mede
Thou knowest the trouthe/I am to the true
Whan that thou lyst/thou mayst them all subdue
Who dyde preserue the yonge edyppus
Whiche sholde haue be slayne by calculacyon
To deuoyde grete thynges/the story sheweth vs

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poem by Stephen Hawes
Added by Poetry Lover
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Lets Call The Whole Thing Off

Things have come to a pretty pass
Our romance is growing flat,
For you like this and the other
While I go for this and that,
Goodness knows what the end will be
Oh I dont know where Im at
It looks as if we two will never be one
Something must be done:
You say either and I say either,
You say neither and I say neither
Either, either neither, neither
Lets call the whole thing off.
You like potato and I like potahto
You like tomato and I like tomahto
Potato, potahto, tomato, tomahto.
Lets call the whole thing off
But oh, if we call the whole thing off
Then we must part
And oh, if we ever part, then that might break my heart
So if you like pyjamas and I like pyjahmas,
Ill wear pyjamas and give up pyajahmas
For we know we need each other so we
Better call the whole thing off
Lets call the whole thing off.
You say laughter and I say larfter
You say after and I say arfter
Laughter, larfter after arfter
Lets call the whole thing off,
You like vanilla and I like vanella
You saspiralla, and I saspirella
Vanilla vanella chocolate strawberry
Lets call the whole thing off
But oh if we call the whole thing of then we must part
And oh, if we ever part, then that might break my heart
So if you go for oysters and I go for ersters
Ill order oysters and cancel the ersters
For we know we need each other so we
Better call the calling off off,
Lets call the whole thing off.
I say father, and you say pater,
I saw mother and you say mater
Pater, mater uncle, auntie lets call the whole thing off.
I like bananas and you like banahnahs
I say havana and I get havahnah
Bananas, banahnahs havana, havahnah
Go your way, Ill go mine
So if I go for scallops and you go for lobsters,
So all right no contest well order lobseter
For we know we need each other so we
Better call the calling off off,

[...] Read more

song performed by Ella Fitzgerald
Added by Lucian Velea
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Georgic 2

Thus far the tilth of fields and stars of heaven;
Now will I sing thee, Bacchus, and, with thee,
The forest's young plantations and the fruit
Of slow-maturing olive. Hither haste,
O Father of the wine-press; all things here
Teem with the bounties of thy hand; for thee
With viny autumn laden blooms the field,
And foams the vintage high with brimming vats;
Hither, O Father of the wine-press, come,
And stripped of buskin stain thy bared limbs
In the new must with me.
First, nature's law
For generating trees is manifold;
For some of their own force spontaneous spring,
No hand of man compelling, and possess
The plains and river-windings far and wide,
As pliant osier and the bending broom,
Poplar, and willows in wan companies
With green leaf glimmering gray; and some there be
From chance-dropped seed that rear them, as the tall
Chestnuts, and, mightiest of the branching wood,
Jove's Aesculus, and oaks, oracular
Deemed by the Greeks of old. With some sprouts forth
A forest of dense suckers from the root,
As elms and cherries; so, too, a pigmy plant,
Beneath its mother's mighty shade upshoots
The bay-tree of Parnassus. Such the modes
Nature imparted first; hence all the race
Of forest-trees and shrubs and sacred groves
Springs into verdure.
Other means there are,
Which use by method for itself acquired.
One, sliving suckers from the tender frame
Of the tree-mother, plants them in the trench;
One buries the bare stumps within his field,
Truncheons cleft four-wise, or sharp-pointed stakes;
Some forest-trees the layer's bent arch await,
And slips yet quick within the parent-soil;
No root need others, nor doth the pruner's hand
Shrink to restore the topmost shoot to earth
That gave it being. Nay, marvellous to tell,
Lopped of its limbs, the olive, a mere stock,
Still thrusts its root out from the sapless wood,
And oft the branches of one kind we see
Change to another's with no loss to rue,
Pear-tree transformed the ingrafted apple yield,
And stony cornels on the plum-tree blush.
Come then, and learn what tilth to each belongs
According to their kinds, ye husbandmen,
And tame with culture the wild fruits, lest earth

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poem by Publius Vergilius Maro
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Uncle Jim's Baptist Revival Hymn

By Sidney and Clifford Lanier.

[Not long ago a certain Georgia cotton-planter, driven to desperation
by awaking each morning to find that the grass had
quite outgrown the cotton overnight, and was likely to choke it,
in defiance of his lazy freedmen's hoes and ploughs,
set the whole State in a laugh by exclaiming to a group of fellow-sufferers:
"It's all stuff about Cincinnatus leaving the plough to go into politics
FOR PATRIOTISM; he was just a-runnin' from grass!"

This state of things -- when the delicate young rootlets of the cotton
are struggling against the hardier multitudes of the grass-suckers --
is universally described in plantation parlance by the phrase "in the grass";
and Uncle Jim appears to have found in it so much similarity
to the condition of his own ("Baptis'") church, overrun, as it was,
by the cares of this world, that he has embodied it in the refrain
of a revival hymn such as the colored improvisator of the South
not infrequently constructs from his daily surroundings.
He has drawn all the ideas of his stanzas from the early morning phenomena of
those critical weeks when the loud plantation-horn is blown before daylight,
in order to rouse all hands for a long day's fight against the common enemy
of cotton-planting mankind.

In addition to these exegetical commentaries, the Northern reader
probably needs to be informed that the phrase "peerten up" means substantially
`to spur up', and is an active form of the adjective "peert"
(probably a corruption of `pert'), which is so common in the South,
and which has much the signification of "smart" in New England, as e.g.,
a "peert" horse, in antithesis to a "sorry" -- i.e., poor, mean, lazy one.]

Solo. -- Sin's rooster's crowed, Ole Mahster's riz,
De sleepin'-time is pas';
Wake up dem lazy Baptissis,
Chorus. -- Dey's mightily in de grass, grass,
Dey's mightily in de grass.

Ole Mahster's blowed de mornin' horn,
He's blowed a powerful blas';
O Baptis' come, come hoe de corn,
You's mightily in de grass, grass,
You's mightily in de grass.

De Meth'dis team's done hitched; O fool,
De day's a-breakin' fas';
Gear up dat lean ole Baptis' mule,
Dey's mightily in de grass, grass,
Dey's mightily in de grass.

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poem by Sidney Lanier
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Wild Wild Party In The Loquat Tree

Out in the back by the grape stake fence
Is a place where nature makes so much sense
All the creatures livin in harmony
Its a wild wild party in the loquat tree
Fuzzies and furries run walk or fly
Havin a feast beneath a clear blue sky
Animals comin from miles around
To bounce the branch and shake the loquat down
The squirrel and the sparrow and the mouse and the bee
All havin a party in the loquat tree
Eatin all the yellow fruit they can see
Its a wild wild party in the loquat tree
Peckin at em pickin at em hidin em away
Savin em up for a rainy day
No matter how big no matter how small
Theres more than enough theres plenty for all
The squirrel and the sparrow and the mouse and the bee
All havin a party in the loquat tree
Eatin all the yellow fruit they can see
Its a wild wild party in the loquat tree
Chatter chirp squeak buzz
Chatter chirp squeak buzz
Chatter chirp squeak buzz
Chatter chirp squeak buzz
Every little loquat holds the seed
For a brand-new baby loquat tree
One o these seeds may find its way
To a place in the sun and then someday
The squirrel and the sparrow and the mouse and the bee
All havin a party in the loquat tree
Eatin all the yellow fruit they can see
Its a wild wild party in the loquat tree
The squirrel and the sparrow and the mouse and the bee
All havin a party in the loquat tree
Eatin all the yellow fruit they can see
(eatin all the yellow fruit)
Its a wild wild party in the loquat tree
(eatin all the yellow fruit)
The squirrel and the sparrow and the mouse and the bee
(eatin all the yellow fruit)
[havin a party]
All havin a party in the loquat tree
(eatin all the yellow fruit)
[in the loquat tree]
Eatin all the yellow fruit they can see
(eatin all the yellow fruit)
[havin a party]
Its a wild wild party in the loquat tree
(eatin all the yellow fruit)
[in the loquat tree]

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song performed by Indigo Girls
Added by Lucian Velea
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Goblin Market

MORNING and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries-
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries--
All ripe together
In summer weather--
Morns that pass by,
Fair eves that fly;
Come buy, come buy;
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye,
Come buy, come buy."

Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger-tips.
"Lie close," Laura said,
Pricking up her golden head:
We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"
"Come buy," call the goblins
Hobbling down the glen.
"O! cried Lizzie, Laura, Laura,
You should not peep at goblin men."

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poem by Christina Georgina Rossetti
Added by Poetry Lover
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