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The Forgotten i

i know how it feels to be second and not
Knowing what to do about it; and the first
one refuses to care about it.

i know how it feels being depressed inside
That small capsule with capricious un-
Happiness and hopelessness prison guards

i know how i felt riding greyhound buses unoticed
by those seated comfortably up front, white-curtains
to obscure Negroes instead of light.

i know more saints who kneel and pray
Hoping for something magica in the distance and
finding out Later or never that reality is just being.

i know how it feels to be forgotten and alone
On a stinky garbage bin eating from a can
As passer-bys cosign to oblivion.

i know how it feels being mother with
a fully matured, broken-winged bird
yet can't leave the nest.

i feel the pain of the crying womb
that month after month flower go to
Seed, die, and never to blossom.

i know how it feels remembering the
The child I 'got' but did'nt 'get'
and the deprived one could have gotten.

i know how it feels being the ignored flower growing
through the cracked sidewalk unnoticed, like
children slipping through cracked welfare system

I know about beauty, fears, joy, and loneliness;
I know about stories held, not told as signs of me;
I know that poems are evident of the obscure being…

the forgotten

Almedia Knight-Oliver January 19,2011

poem by Almedia Knight Oliver
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The Loves of the Angels

'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.

Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!

One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!

Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest

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poem by Thomas Moore
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

[...] Read more

poem by Conrad Potter Aiken
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The Zenana

WHAT is there that the world hath not
Gathered in yon enchanted spot?
Where, pale, and with a languid eye,
The fair Sultana listlessly
Leans on her silken couch, and dreams
Of mountain airs, and mountain streams.
Sweet though the music float around,
It wants the old familiar sound;

And fragrant though the flowers are breathing,
From far and near together wreathing,
They are not those she used to wear,
Upon the midnight of her hair.—

She's very young, and childhood's days
With all their old remembered ways,
The empire of her heart contest
With love, that is so new a guest;
When blushing with her Murad near,
Half timid bliss, half sweetest fear,
E'en the beloved past is dim,
Past, present, future, merge in him.
But he, the warrior and the chief,
His hours of happiness are brief;
And he must leave Nadira's side
To woo and win a ruder bride;

Sought, sword in hand and spur on heel,
The fame, that weds with blood and steel.
And while from Delhi far away,
His youthful bride pines through the day,
Weary and sad: thus when again
He seeks to bind love's loosen'd chain;
He finds the tears are scarcely dry
Upon a cheek whose bloom is faded,
The very flush of victory
Is, like the brow he watches, shaded.
A thousand thoughts are at her heart,
His image paramount o'er all,
Yet not all his, the tears that start,
As mournful memories recall
Scenes of another home, which yet
That fond young heart can not forget.
She thinks upon that place of pride,
Which frowned upon the mountain's side;

While round it spread the ancient plain,
Her steps will never cross again.
And near those mighty temples stand,
The miracles of mortal hand,

[...] Read more

poem by Letitia Elizabeth Landon
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;

Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

[...] Read more

poem by Robinson Jeffers
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Born In A Prison

Were born in a prison, raised in a prison,
Sent to a prison called school.
We cry in a prison, we love in a prison,
We dream in a prison like fools.
Wood becomes a flute when its loved,
Reach for yourself and your battered mates.
Mirror becomes a razor when its broken,
Look in the mirror and see your shattered fate.
We live with no reason, kicked round for no reason,
Thrown out without reason like tools.
We work in a prison and hate in a prison,
And die in a prison as a rule.
Wood becomes a flute when its loved,
Reach for yourself and your battered mates.
Mirror becomes a razor when its broken,
Look in the mirror and see your shattered fate.
We live in a prison mong judges and wardens
And wait for no reason for you.
We laugh in a prison, go through all four seasons,
And die with no vision of truth.
Wood becomes a flute when its loved,
Reach for yourself and your battered mates.
Mirror becomes a razor when its broken,
Look in the mirror and see your shattered fate.
Born in a prison!
(born in a prison!)
(born in a prison!)
(born in a prison!)
Born in a prison!
(born in a prison!)
(born in a prison!)
Born in a prison!
Born in a prison!
Born in a prison!
(born in a prison!)
(born in a prison!)
Born in a prison!

song performed by Yoko Ono
Added by Lucian Velea
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Born In A Prison

Were born in a prison, raised in a prison,
Sent to a prison called school.
We cry in a prison, we love in a prison,
We dream in a prison like fools.
Wood becomes a flute when its loved,
Reach for yourself and your battered mates.
Mirror becomes a razor when its broken,
Look in the mirror and see your shattered fate.
We live with no reason, kicked round for no reason,
Thrown out without reason like tools.
We work in a prison and hate in a prison,
And die in a prison as a rule.
Wood becomes a flute when its loved,
Reach for yourself and your battered mates.
Mirror becomes a razor when its broken,
Look in the mirror and see your shattered fate.
We live in a prison mong judges and wardens
And wait for no reason for you.
We laugh in a prison, go through all four seasons,
And die with no vision of truth.
Wood becomes a flute when its loved,
Reach for yourself and your battered mates.
Mirror becomes a razor when its broken,
Look in the mirror and see your shattered fate.
Born in a prison!
(born in a prison!)
(born in a prison!)
(born in a prison!)
Born in a prison!
(born in a prison!)
(born in a prison!)
Born in a prison!
Born in a prison!
Born in a prison!
(born in a prison!)
(born in a prison!)
Born in a prison!

song performed by Yoko Ono
Added by Lucian Velea
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Maymie's Story Of Red Riding Hood

W'y, one time wuz a little-weenty dirl,
An' she wuz named Red Riding Hood, 'cause her--
Her _Ma_ she maked a little red cloak fer her
'At turnt up over her head--An' it 'uz all
Ist one piece o' red cardinal 'at 's like
The drate-long stockin's the store-keepers has.--
O! it 'uz purtiest cloak in all the world
An' _all_ this town er anywheres they is!
An' so, one day, her Ma she put it on
Red Riding Hood, she did--one day, she did--
An' it 'uz _Sund'y_--'cause the little cloak
It 'uz too nice to wear ist _ever'_ day
An' _all_ the time!--An' so her Ma, she put
It on Red Riding Hood--an' telled her not
To dit no dirt on it ner dit it mussed
Ner nothin'! An'--an'--nen her Ma she dot
Her little basket out, 'at Old Kriss bringed
Her wunst--one time, he did. And nen she fill'
It full o' whole lots an' 'bundance o' good things t' eat
(Allus my Dran'ma _she_ says ''bundance,' too.)
An' so her Ma fill' little Red Riding Hood's
Nice basket all ist full o' dood things t' eat,
An' tell her take 'em to her old Dran'ma--
An' not to _spill_ 'em, neever--'cause ef she
'Ud stump her toe an' spill 'em, her Dran'ma
She'll haf to _punish_ her!

An' nen--An' so
Little Red Riding Hood she p'omised she
'Ud be all careful nen an' cross' her heart
'At she wont run an' spill 'em all fer six--
Five--ten--two-hundred-bushel-dollars-go ld!
An' nen she kiss her Ma doo'-bye an' went
A-skippin' off--away fur off frough the
Big woods, where her Dran'ma she live at.--No!--
She didn't do _a-skippin'_, like I said:--
She ist went _walkin'_--careful-like an' slow--
Ist like a little lady--walkin' 'long
As all polite an' nice--an' slow--an' straight--
An' turn her toes--ist like she's marchin' in
The Sund'y-School k-session!

An'--an'--so
She 'uz a-doin' along--an' doin' along--
On frough the drate big woods--'cause her Dran'ma
She live 'way, 'way fur off frough the big woods
From _her_ Ma's house. So when Red Riding Hood
She dit to do there, allus have most fun--
When she do frough the drate big woods, you know.--
'Cause she ain't feared a bit o' anything!

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poem by James Whitcomb Riley
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The Ballad Of Reading Gaol

(In memoriam
C. T. W.
Sometime trooper of the Royal Horse Guards
obiit H.M. prison, Reading, Berkshire
July 7, 1896)

I

He did not wear his scarlet coat,
For blood and wine are red,
And blood and wine were on his hands
When they found him with the dead,
The poor dead woman whom he loved,
And murdered in her bed.

He walked amongst the Trial Men
In a suit of shabby grey;
A cricket cap was on his head,
And his step seemed light and gay;
But I never saw a man who looked
So wistfully at the day.

I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every drifting cloud that went
With sails of silver by.

I walked, with other souls in pain,
Within another ring,
And was wondering if the man had done
A great or little thing,
When a voice behind me whispered low,
'THAT FELLOW'S GOT TO SWING.'

Dear Christ! the very prison walls
Suddenly seemed to reel,
And the sky above my head became
Like a casque of scorching steel;
And, though I was a soul in pain,
My pain I could not feel.

I only knew what hunted thought
Quickened his step, and why
He looked upon the garish day
With such a wistful eye;
The man had killed the thing he loved,
And so he had to die.

[...] Read more

poem by Oscar Wilde
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The Troubadour. Canto 2

THE first, the very first; oh! none
Can feel again as they have done;
In love, in war, in pride, in all
The planets of life's coronal,
However beautiful or bright,--
What can be like their first sweet light?

When will the youth feel as he felt,
When first at beauty's feet he knelt?

As if her least smile could confer
A kingdom on its worshipper;
Or ever care, or ever fear
Had cross'd love's morning hemisphere.
And the young bard, the first time praise
Sheds its spring sunlight o'er his lays,
Though loftier laurel, higher name,
May crown the minstrel's noontide fame,
They will not bring the deep content
Of his lure's first encouragement.
And where the glory that will yield
The flush and glow of his first field
To the young chief? Will RAYMOND ever
Feel as he now is feeling?--Never.

The sun wept down or ere they gain'd
The glen where the chief band remain'd.

It was a lone and secret shade,
As nature form'd an ambuscade
For the bird's nest and the deer's lair,
Though now less quiet guests were there.
On one side like a fortress stood
A mingled pine and chesnut wood;
Autumn was falling, but the pine
Seem'd as it mock'd all change; no sign
Of season on its leaf was seen,
The same dark gloom of changeless green.
But like the gorgeous Persian bands
'Mid the stern race of northern lands,
The chesnut boughs were bright with all
That gilds and mocks the autumn's fall.

Like stragglers from an army's rear
Gradual they grew, near and less near,
Till ample space was left to raise,
Amid the trees, the watch-fire's blaze;
And there, wrapt in their cloaks around,
The soldiers scatter'd o'er the ground.

[...] Read more

poem by Letitia Elizabeth Landon
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White Light, White Heat

(as heard on the ziggy farwell concert lp.)
White light - white light gonna drive me out of my brain
White light - white light gonna make me feel so insane
White heat - white heat shapin them down to my toes
White light - white lights got it now, goodness knows
White light - white light gonna drive me out of my mind
White light - white lights surely gonna make me blind
White heat - white heat shaping way down to my toes
White light - white light could kill me now, goodness knows
Oh, oh, white light
Oh, oh, white light
Oh, oh, white heat
Oh, oh, white heat
White light - white light gonna drive me out of my brain
White light - white light gonna make me feel so insane
White heat - white heat shapin them down to my toes
White light - white lights got it now, goodness knows
White light - white light gonna drive me out of my mind
White light - white lights surely gonna make me blind
White heat - white heat shaping way down to my toes
White light - white light could kill me now, goodness knows
Oh, oh, white light
Oh, oh, white light
Oh, oh, white heat
Oh, oh, white heat
Oh, oh, white light
Oh, oh, white light
Oh, oh, white heat
Oh, oh, white heat
White lights a-flashing
White light
Still feels right
Whats that sound, whats that sound
Dont turn on, be dead or alive
No feeling
Here she comes
Oww, yeah
(oh, oh, oh, oh) here she comes
(oh, oh, oh, oh)
(oh, oh, oh, oh)
(ah, ah, ah, ah)

song performed by David Bowie
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by Robert Browning from The Ring and the Book
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The Idols

An Ode
Luce intellettual, piena d' amore

Prelude
Lo, the spirit of a pulsing star within a stone
Born of earth, sprung from night!
Prisoned with the profound fires of the light
That lives like all the tongues of eloquence
Locked in a speech unknown!
The crystal, cold and hard as innocence,
Immures the flame; and yet as if it knew
Raptures or pangs it could not but betray,
As if the light could feel changes of blood and breath
And all--but--human quiverings of the sense,
Throbs of a sudden rose, a frosty blue,
Shoot thrilling in its ray,
Like the far longings of the intellect
Restless in clouding clay.

Who has confined the Light? Who has held it a slave,
Sold and bought, bought and sold?
Who has made of it a mystery to be doled,
Or trophy, to awe with legendary fire,
Where regal banners wave?
And still into the dark it sends Desire.
In the heart's darkness it sows cruelties.
The bright jewel becomes a beacon to the vile,
A lodestar to corruption, envy's own:
Soiled with blood, fought for, clutched at; this world's prize,
Captive Authority. Oh, the star is stone
To all that outward sight,
Yet still, like truth that none has ever used,
Lives lost in its own light.

Troubled I fly. O let me wander again at will
(Far from cries, far from these
Hard blindnesses and frozen certainties!)
Where life proceeds in vastness unaware
And stirs profound and still:
Where leafing thoughts at shy touch of the air
Tremble, and gleams come seeking to be mine,
Or dart, like suddenly remembered youth,
Like the ache of love, a light, lost, found, and lost again.
Surely in the dusk some messenger was there!
But, haunted in the heart, I thirst, I pine.--
Oh, how can truth be truth
Except I taste it close and sweet and sharp
As an apple to the tooth?

[...] Read more

poem by Robert Laurence Binyon
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

[...] Read more

poem by Robinson Jeffers
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Happiness Is Not Comforts

‘Does Happiness depend upon comfort? ’
The answer is definitely a big, ‘No! ’
Happiness lies in not comforts alone!
Happiness is not a static quality of the human mind, body and soul.

All can’t remain happy all the time.
It would be foolishness to wish for a life, filled with happiness alone;
Happiness is more when woes come in-between.
Happiness is just a feeling weird!

Life could become boring and monotonous, when happiness is prolonged.
Even the pauper can be happier than the prince.
Even the beggar smiles and sleeps well, despite much strife.

Happiness is a frame of mind that’s dynamic in nature;
Happiness is a kind of mood of feeling very well;
Happiness is a state of one, when life seems worth living;
Happiness is something strange that varies with time, experience and wisdom.

Happiness is all within;
Happiness is in giving;
Happiness is in sharing;
Happiness is the ceiling, whatever you fix!

Happiness does not wholly depend on comforts;
Happiness cannot be bought by money;
Happiness is not all luxury;
Happiness is abstract to the core!

Happiness is in being child-like, though adult;
Happiness is in making and seeing the less fortunate ones, smile;
Happiness is in acting adult-like, although a child
Happiness is in giving something to someone, although you still need it.

Happiness is in sacrificing for others’ sake;
Happiness is in giving up your chance to someone, who most needs it;
Happiness is in doing acts of charity;
Happiness is when you’ve led a righteous life.

Happiness to some is in dreams alone;
Happiness to some doing risky feats;
Happiness to a few is in a sheer lazy life;
Happiness to some is in yeoman service to mankind.

Happiness is a phenomenon;
Happiness is a quirk of fate;
Happiness is quite rare and scarce at times;
Happiness to some is in living in a virtual world!

Happiness is in braving the storms of life;

[...] Read more

poem by John Celes
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The Dream

'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!

So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.

Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,

To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,

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poem by Caroline Elizabeth Sarah Norton
Added by Poetry Lover
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Ballad of Reading Gaol - I

Version I

He did not wear his scarlet coat,
For blood and wine are red,
And blood and wine were on his hands
When they found him with the dead,
The poor dead woman whom he loved,
And murdered in her bed.

He walked amongst the Trial Men
In a suit of shabby grey;
A cricket cap was on his head,
And his step seemed light and gay;
But I never saw a man who looked
So wistfully at the day.

I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every drifting cloud that went
With sails of silver by.

I walked, with other souls in pain,
Within another ring,
And was wondering if the man had done
A great or little thing,
When a voice behind me whispered low,
'That fellows got to swing.'

Dear Christ! the very prison walls
Suddenly seemed to reel,
And the sky above my head became
Like a casque of scorching steel;
And, though I was a soul in pain,
My pain I could not feel.

I only knew what hunted thought
Quickened his step, and why
He looked upon the garish day
With such a wistful eye;
The man had killed the thing he loved
And so he had to die.

Yet each man kills the thing he loves
By each let this be heard,

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poem by Oscar Wilde
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Ballad of Reading Gaol II

Version II

He did not wear his scarlet coat,
For blood and wine are red,
And blood and wine were on his hands
When they found him with the dead,
The poor dead woman whom he loved,
And murdered in her bed.

He walked amongst the Trial Men
In a suit of shabby gray;
A cricket cap was on his head,
And his step seemed light and gay;
But I never saw a man who looked
So wistfully at the day.

I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every drifting cloud that went
With sails of silver by.

I walked, with other souls in pain,
Within another ring,
And was wondering if the man had done
A great or little thing,
When a voice behind me whispered low,
'That fellow's got to swing.'

Dear Christ! the very prison walls
Suddenly seemed to reel,
And the sky above my head became
Like a casque of scorching steel;
And, though I was a soul in pain,
My pain I could not feel.

I only knew what haunted thought
Quickened his step, and why
He looked upon the garish day
With such a wistful eye;
The man had killed the thing he loved,
And so he had to die.

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poem by Oscar Wilde
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Courtship of Miles Standish, The

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

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poem by Henry Wadsworth Longfellow
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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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poem by Robinson Jeffers
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Feels So Good

Feels good
Im stranded on a spaceship hideaway
And something makes me think Im here to stay
Im so happy where I am
Feels good
Ive journeyed to the other atmospheres
And every breath I take just makes it clear
Im holding heaven in my hands
Its automatic baby and it feels good
And it feels so good
Feels good
And it feels so good
Feels good
These extra-sensory sensations
Are causing me some complications
Electrostatic information
Feels good
Im playing with a pleasure trafficker
Arriving soon intergalactica
Im holding heaven in my hands
Its automatic baby and it feels good
Feels good
Feels good
Feels good
Feels good
And it feels so good
Feels good
And it feels so good
Feels good
And it feels so good
Feels good
And it feels so good
Feels good
Feels so good
Feels so good
Feels so good
Feels good
Feels so good
Feels so good
Feels so good
Feels good
Im stranded on a spaceship hideaway
Feels good
And it feels so good
Feels good
And it feels so good
Feels good
And it feels so good
Feels good
And it feels so good

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song performed by Jamiroquai
Added by Lucian Velea
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