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John Wick: Chapter 2

Cast: Keanu Reeves, Ian McShane, Ruby Rose, John Leguizamo, Bridget Moynahan, Peter Stormare, Laurence Fishburne, Lance Reddick, David Patrick Kelly

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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Peter Bell, A Tale

PROLOGUE

There's something in a flying horse,
There's something in a huge balloon;
But through the clouds I'll never float
Until I have a little Boat,
Shaped like the crescent-moon.

And now I 'have' a little Boat,
In shape a very crescent-moon
Fast through the clouds my boat can sail;
But if perchance your faith should fail,
Look up--and you shall see me soon!

The woods, my Friends, are round you roaring,
Rocking and roaring like a sea;
The noise of danger's in your ears,
And ye have all a thousand fears
Both for my little Boat and me!

Meanwhile untroubled I admire
The pointed horns of my canoe;
And, did not pity touch my breast,
To see how ye are all distrest,
Till my ribs ached, I'd laugh at you!

Away we go, my Boat and I--
Frail man ne'er sate in such another;
Whether among the winds we strive,
Or deep into the clouds we dive,
Each is contented with the other.

Away we go--and what care we
For treasons, tumults, and for wars?
We are as calm in our delight
As is the crescent-moon so bright
Among the scattered stars.

Up goes my Boat among the stars
Through many a breathless field of light,
Through many a long blue field of ether,
Leaving ten thousand stars beneath her:
Up goes my little Boat so bright!

The Crab, the Scorpion, and the Bull--
We pry among them all; have shot
High o'er the red-haired race of Mars,
Covered from top to toe with scars;
Such company I like it not!

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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.


Sir Peter

So-
What are their names?


John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-


Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?


John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?


Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.


John Curzon


going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

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Peter Bell The Third

BY MICHING MALLECHO, Esq.

Is it a party in a parlour,
Crammed just as they on earth were crammed,
Some sipping punch-some sipping tea;
But, as you by their faces see,
All silent, and all-damned!

Peter Bell, by W. Wordsworth.


Ophelia.-What means this, my lord?
Hamlet.-Marry, this is Miching Mallecho; it means mischief.
~Shakespeare.

PROLOGUE
Pet er Bells, one, two and three,
O'er the wide world wandering be.-
First, the antenatal Peter,
Wrapped in weeds of the same metre,
The so-long-predestined raiment
Clothed in which to walk his way meant
The second Peter; whose ambition
Is to link the proposition,
As the mean of two extremes-
(This was learned from Aldric's themes)
Shielding from the guilt of schism
The orthodoxal syllogism;
The First Peter-he who was
Like the shadow in the glass
Of the second, yet unripe,
His substantial antitype.-
Then came Peter Bell the Second,
Who henceforward must be reckoned
The body of a double soul,
And that portion of the whole
Without which the rest would seem
Ends of a disjointed dream.-
And the Third is he who has
O'er the grave been forced to pass
To the other side, which is,-
Go and try else,-just like this.
Peter Bell the First was Peter
Smugger, milder, softer, neater,
Like the soul before it is
Born from that world into this.
The next Peter Bell was he,
Predevote, like you and me,
To good or evil as may come;
His was the severer doom,-

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The peter-bird

Out of the woods by the creek cometh a calling for Peter,
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that strange crying for Peter,
Over the meadows that call is aye and forever repeated.
So let me tell you the tale, when, where, and how it all happened,
And, when the story is told, let us pay heed to the lesson.

Once on a time, long ago, lived in the State of Kentucky
One that was reckoned a witch--full of strange spells and devices;
Nightly she wandered the woods, searching for charms voodooistic--
Scorpions, lizards, and herbs, dormice, chameleons, and plantains!
Serpents and caw-caws and bats, screech-owls and crickets and adders--
These were the guides of that witch through the dank deeps of the forest.
Then, with her roots and her herbs, back to her cave in the morning
Ambled that hussy to brew spells of unspeakable evil;
And, when the people awoke, seeing that hillside and valley
Sweltered in swathes as of mist--"Look!" they would whisper in terror--
"Look! the old witch is at work brewing her spells of great evil!"
Then would they pray till the sun, darting his rays through the vapor,
Lifted the smoke from the earth and baffled the witch's intentions.

One of the boys at that time was a certain young person named Peter,
Given too little to work, given too largely to dreaming;
Fonder of books than of chores, you can imagine that Peter
Led a sad life on the farm, causing his parents much trouble.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
So it was "Peter!" all day--calling, reminding, and chiding--
Peter neglected his work; therefore that nagging at Peter!

Peter got hold of some books--how, I'm unable to tell you;
Some have suspected the witch--this is no place for suspicions!
It is sufficient to stick close to the thread of the legend.
Nor is it stated or guessed what was the trend of those volumes;
What thing soever it was--done with a pen and a pencil,
Wrought with a brain, not a hoe--surely 't was hostile to farming!

"Fudge on all readin'!" they quoth; or "that's what's the ruin of
Peter!"

So, when the mornings were hot, under the beech or the maple,
Cushioned in grass that was blue, breathing the breath of the blossoms,
Lulled by the hum of the bees, the coo of the ring-doves a-mating,
Peter would frivol his time at reading, or lazing, or dreaming.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
"Peter!" and "Peter!" all day--calling, reminding, and chiding--
Peter neglected his chores; therefore that outcry for Peter;
Therefore the neighbors allowed evil would surely befall him--
Yes, on account of these things, ruin would come upon Peter!

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Wonderful (Remix) (Feat. Ja Rule & R

Wonderful (Remix)?
(Featuring R. Kelly and Ja Rule)
(Intro- Harmony: R. Kelly)
Huuuummmha, ha, ha, huuummm.
Oh, oh, oh, oh, ohhhh!
Oh, oh, oh, oh!
Oh, oh, oh, oh, ohhhh!
Oh, oh, oh, oh!
(Chorus: R. Kelly and Ashanti)
(R. Kelly:) If it wasnt for the money, cars and movies stars and jewels
And all these things I got, I wonder, hey.
Would you still want me (Ashanti: Want you)?
Would you still be calling me (Ashanti: Still calling you)?
You be loving me (Ashanti: Ill be loving you, uhhh-uhhh-uhhh-uhhh)?
(Rap: Ja Rule: Verse 1)
Wanna keep you flawed with no dough?
Pimpin aint easy. Trust me I know.
When gangstas and hos,
Go, go, go, go, go, go together like chinchilla and bad weather,
Im good but been better.
All my bros, chedda and glamorous things, copped a few cars.
A crib with a east and west wing.
Cause this is how Im livin and yall women know the secrets of how to get it and keep it, how to prey on my weakness,
Cause I want the P-U-S-S-Y.
Got a lotta niggaz wonderin it aint just I,
Gotta keep ya cash comin and that's on my life.
If it wasnt for the money and the things I got,
Shit, she probably wouldnt like me.
But I keep her and Irv and Jeffrey quite icy
Sip seraphin.
Who doesnt like me and the Murderous I-N-C?
(Chorus: R. Kelly and Ashanti)
(R. Kelly:) If it wasnt for the money, cars and movies stars and jewels
And all these things I got, I wonder, hey.
Would you still want me (Ashanti: Want you)?
Would you still be calling me (Ashanti: Still calling you)?
You be loving me (Ashanti: Ill be loving you, uhhh-uhhh-uhhh-uhhh)?
(Rap: Ja Rule [and R. Kelly]: Verse 2)
I wonder why love is about money
and why you wanna take it all from me?
Honey,
My life is dark but its lovely.
Crimes, cars, cribs.
Aint that right Kelly
(R. Kelly: Oh, oh, oh, oh, oh, ohhhh!)?
Yall bitches dont know,
Money aint a thang.
Mami need a lil change,
Girl, Im pitchin quarters.
Closest to the arches but live in a fortress.

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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

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John Wick: Chapter 2 [trailer 2]

Cast: Keanu Reeves, Ian McShane, Ruby Rose, John Leguizamo, Bridget Moynahan, Peter Stormare, Laurence Fishburne, Lance Reddick, David Patrick Kelly

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Ruby Baby (Party LP Outtake)

No, Rock and Roll, this is how you do rock n' roll
Rockin' Ruby
Here's how you sing it
Well now I gotta girl now and Ruby is her name
Let's see I need some beat boys
Well this girl don't love me, but I love her just the same
Pick it up boys
Woah oh oh Ruby Ruby
How I want you
Like a ghost I'm a gonna haunt you
Ruby Ruby, Ruby will you be mine
Ruby Ruby Ruby Baby
Well now each time I see you, baby my heart cries
Ruby Ruby Ruby Baby
Ah it does Ruby
Well now I'm gonna steal you away from all those guys
Ruby Ruby Ruby Baby
Whoa oh oh oh oh oh
From the happy day I met you
I made a bet that I was gonna get you
Umm?
Ruby will you be mine
Let's oink awhile
oink oink
oink oink
bow
oink oink bow
Whoa oh oh oh oh
bow
oink oink
woof woof
Well I gotta girl I said Ruby is her name
What's her name?
Ruby
Carol
When this girl looks at me she just sets my soul aflame
Ruby Ruby Ruby Baby
Whoa oh oh oh oh
Forgot it
What are you gonna do now?
Aba zaba aba zaba zaba doo
Ruby Ruby Ruby Ruby Ruby Ruby Baby
You always forget the words, every time

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Fragmentary Scenes From The Road To Avernus

Scene I
'Discontent'

LAURENCE RABY.


Laurence:
I said to young Allan M'Ilveray,
Beside the swift swirls of the North,
When, in lilac shot through with a silver ray,
We haul'd the strong salmon fish forth
Said only, 'He gave us some trouble
To land him, and what does he weigh?
Our friend has caught one that weighs double,
The game for the candle won't pay
Us to-day,
We may tie up our rods and away.'

I said to old Norman M'Gregor,
Three leagues to the west of Glen Dhu
I had drawn, with a touch of the trigger,
The best BEAD that ever I drew
Said merely, 'For birds in the stubble
I once had an eye-I could swear
He's down-but he's not worth the trouble
Of seeking. You once shot a bear
In his lair-
'Tis only a buck that lies there.'

I said to Lord Charles only last year,
The time that we topp'd the oak rail
Between Wharton's plough and Whynne's pasture,
And clear'd the big brook in Blakesvale
We only-at Warburton's double
He fell, then I finish'd the run
And kill'd clean-said, 'So bursts a bubble
That shone half an hour in the sun
What is won?
Your sire clear'd and captured a gun.'

I said to myself, in true sorrow,
I said yestere'en, 'A fair prize
Is won, and it may be to-morrow
'Twill not seem so fair in thine eyes
Real life is a race through sore trouble,
That gains not an inch on the goal,
And bliss an intangible bubble
That cheats an unsatisfied soul,
And the whole
Of the rest an illegible scroll.'

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Narrative [ My Perspective ]

Patrick Jonathan Derilus
Mr. Filie
Period 6/7
Poetry

My Perspective

Patrick Jonathan Derilus is a young boy trying to turn his life around by defeating the demons that continue to destroy him….His life is somewhat different from how society sees everything else….
Feeling as if he is a cursed child …Cursed as if he is forever trapped in a cold cell…”Understanding” reality and how things happen is one of the things that attempts to get the best out of him and ironically it is succeeding…
But Patrick tries to look on the bright side of things and persists to becoming the best of the best…but there are spawns in which the devil created that prevents the young warrior from doing so…
“Depression”, “Doubt” and “Self Confidence” are some of the demons capable of easily annihilating Patrick…addressing these entity’s…Patrick is half way through this mile run..
But not aware of what goes on in his Penetrable temple, Destruction carries on to running amuck..
Patrick can hardly make it through the day when these Demons try to pursue him…Blood is spilled, but the low class warrior is still persistently consistent…
The only things that keep him alive are “Hope”, “Faith”, and the little confidence he has left…Inside the doors of the devil, as a New Jack; Patrick was clueless on how and why he reacts to things a certain way…Also to the way he is to this very day…Feeling like he was being controlled by a puppet master, he foolishly is put into one of Satan’s traps..As years went by, Patrick slowly began to picking up things in his mind and how it worked…
He learned on how to adapt and respond to these subliminal messages… but in time, Satan is able to quickly counteract on anything Patrick optimistically attempted to do. Leaving him with loopholes that would destroy Patrick from the inside…”WHY DOES MY MOOD AND PERSONALITY CONTINUE TO FLUCTUATE…? ” Patrick asks himself. So many questions asked but none of them answered… Satan has Patrick right where he wants him. “If I can’t rid of Patrick any other way, I can only destroy him mentally in which Patrick is easily fooled” Satan says.
Once internally defeated, pessimistic venoms leak into the sanctum of Patrick’s temple and slowly it is melting...”WHY ME? ! ” Patrick asks. Having the ability to even think for himself, Patrick wonders if he shall continue to fight off these Demons or become feasted upon…”Words coming from another voice will not be able to help me” Patrick says. Solutions being formed in his mind are to making the evil Entity’s disappear for good by finding an antidote to purifying Patrick’s mind…
But believing they are “antidotes” is too good to be true…Satan has created a loophole for everything in order to rid of Patrick anyway he can… Then realizing Patrick is seemingly hopeless on what to do for himself to Destroy Satan, He comes to the conclusion that Satan cannot destroy what does not exist… “WHEN MY SHACKLES OF DEPRESSION ARE BROKEN, I SHALL FIND TRUE HAPPINESS” Patrick sadly says. But he does not believe he shall rid of himself… He believes he shall continue to fight this everlasting war with Satan until these Demons are extinguished from the inside...Until he is Mentally Strong and is at peace with his mind…Patrick has vowed to attempting to destroy “Depression”, “Doubt” and “Negativity” in order to becoming the Man that he intends to be…Trying to recover from his internal scars.

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Robin Hood and the Monk

In somer, when the shawes be sheyne,
And leves be large and long,
Hit is full mery in feyre foreste
To here the foulys song,

To se the dere draw to the dale,
And leve the hilles hee,
And shadow hem in the leves grene,
Under the grene wode tre.

Hit befel on Whitson
Erly in a May mornyng,
The son up feyre can shyne,
And the briddis mery can syng.

'This is a mery mornyng,' seid Litull John,
'Be Hym that dyed on tre;
A more mery man then I am one
Lyves not in Cristianté.

'Pluk up thi hert, my dere mayster,'
Litull John can sey,
'And thynk hit is a full fayre tyme
In a mornyng of May.'

'Ye, on thyng greves me,' seid Robyn,
'And does my hert mych woo:
That I may not no solem day
To mas nor matyns goo.

'Hit is a fourtnet and more,' seid he,
'Syn I my Savyour see;
To day wil I to Notyngham,' seid Robyn,
'With the myght of mylde Marye.'

Than spake Moche, the mylner sun,
Ever more wel hym betyde!
'Take twelve of thi wyght yemen,
Well weppynd, be thi side.
Such on wolde thi selfe slon,
That twelve dar not abyde.'

'Of all my mery men,' seid Robyn,
'Be my feith I wil non have,
But Litull John shall beyre my bow,
Til that me list to drawe.'

'Thou shall beyre thin own,' seid Litull Jon,
'Maister, and I wyl beyre myne,
And we well shete a peny,' seid Litull Jon,

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With Rose In Hand

Prayer is worth more than a rose
in my hand where love grows
for God and all he knows
The rose has a thorn
which Jesus felt on the crown he had worn.
the rose is red as the blood from his head
when he was crucifed before we were born.


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The Borough. Letter XXII: Peter Grimes

Old Peter Grimes made fishing his employ,
His wife he cabin'd with him and his boy,
And seem'd that life laborious to enjoy:
To town came quiet Peter with his fish,
And had of all a civil word and wish.
He left his trade upon the sabbath-day,
And took young Peter in his hand to pray:
But soon the stubborn boy from care broke loose,
At first refused, then added his abuse:
His father's love he scorn'd, his power defied,
But being drunk, wept sorely when he died.

Yes! then he wept, and to his mind there came
Much of his conduct, and he felt the shame,--
How he had oft the good old man reviled,
And never paid the duty of a child;
How, when the father in his Bible read,
He in contempt and anger left the shed:
"It is the word of life," the parent cried;
--"This is the life itself," the boy replied;
And while old Peter in amazement stood,
Gave the hot spirit to his boiling blood:--
How he, with oath and furious speech, began
To prove his freedom and assert the man;
And when the parent check'd his impious rage,
How he had cursed the tyranny of age,--
Nay, once had dealt the sacrilegious blow
On his bare head, and laid his parent low;
The father groan'd--"If thou art old," said he,
"And hast a son--thou wilt remember me:
Thy mother left me in a happy time,
Thou kill'dst not her--Heav'n spares the double-crime."

On an inn-settle, in his maudlin grief,
This he revolved, and drank for his relief.

Now lived the youth in freedom, but debarr'd
From constant pleasure, and he thought it hard;
Hard that he could not every wish obey,
But must awhile relinquish ale and play;
Hard! that he could not to his cards attend,
But must acquire the money he would spend.

With greedy eye he look'd on all he saw,
He knew not justice, and he laugh'd at law;
On all he mark'd he stretch'd his ready hand;
He fish'd by water, and he filch'd by land:
Oft in the night has Peter dropp'd his oar,
Fled from his boat and sought for prey on shore;
Oft up the hedge-row glided, on his back

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George Meredith

Margaret's Bridal Eve

I

The old grey mother she thrummed on her knee:
There is a rose that's ready;
And which of the handsome young men shall it be?
There's a rose that's ready for clipping.

My daughter, come hither, come hither to me:
There is a rose that's ready;
Come, point me your finger on him that you see:
There's a rose that's ready for clipping.

O mother, my mother, it never can be:
There is a rose that's ready;
For I shall bring shame on the man marries me:
There's a rose that's ready for clipping.

Now let your tongue be deep as the sea:
There is a rose that's ready;
And the man'll jump for you, right briskly will he:
There's a rose that's ready for clipping.

Tall Margaret wept bitterly:
There is a rose that's ready;
And as her parent bade did she:
There's a rose that's ready for clipping.

O the handsome young man dropped down on his knee:
There is a rose that's ready;
Pale Margaret gave him her hand, woe's me!
There's a rose that's ready for clipping.

II

O mother, my mother, this thing I must say:
There is a rose in the garden;
Ere he lies on the breast where that other lay:
And the bird sings over the roses.

Now, folly, my daughter, for men are men:
There is a rose in the garden;
You marry them blindfold, I tell you again:
And the bird sings over the roses.

O mother, but when he kisses me!
There is a rose in the garden;
My child, 'tis which shall sweetest be!
And the bird sings over the roses.

O mother, but when I awake in the morn!

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William Butler Yeats

Narrative And Dramatic The Wanderings Of Oisin

BOOK I

S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.

S. Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain

[...] Read more

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Kelly Watch The Stars

Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
The stars
The stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
The stars
The stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
The stars
The stars.

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Soul Of A Woman

Kelly price feat/shawn smith
I need healing....
1 - I need a healing for my soul
So give me a healing for my soul
Repeat 1
I need healing
[kelly] hello?
[shawn] kelly?
Just for my soul
I need healing
Yeah, yeah
[kelly] hello
[shawn] kelly, please dont hang up
[kelly] look, I dont have time for this, alright?
[shawn] listen, Ive heard everythign you said today
I dont understand what it is you need from me
Just, please....
Let me come by so we can talk?
[kelly] whatever
Just for my soul
Repeat 1 while:
[kelly] I must be crazy
What was I thinkin?
I should have just told him he couldnt come
I wont open the door when he gets here
Thats all
I just wont open the door
He knows Im here though
Oh god
Im just so tired of this
[kelly] alright, alright, alright
[shawn] damn, I thought you wasnt gonna let me in, sweetheart
[kelly] you almost thought right
Howd you get here so fast anyway?
Whatd you do, fly?
[shawn] why you always gotta be so sarcastic towards me, sweetheart?
Listen, I didnt come here to argue
I didnt come here to fuss or fight
I came here to make things right
I want you to know that I understand what I did
And I wanna make things better between me and you
[kelly] how you figure you can do that?
[shawn] well, I can start by saying that I love you
I mean, ah......
[kelly] Ive heard that before
[shawn] I dont know what to say, um, this is....
I know I did so many things wrong, but..
[kelly] I dont believe you
[shawn] i, I love you, I really do
Can you take me back, please?

[...] Read more

song performed by Kelly PriceReport problemRelated quotes
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Soul Of A Woman[Interlude]

Kelly price feat/shawn smith
I need healing....
1 - I need a healing for my soul
So give me a healing for my soul
Repeat 1
I need healing
[kelly] hello?
[shawn] kelly?
Just for my soul
I need healing
Yeah, yeah
[kelly] hello
[shawn] kelly, please dont hang up
[kelly] look, I dont have time for this, alright?
[shawn] listen, Ive heard everythign you said today
I dont understand what it is you need from me
Just, please....
Let me come by so we can talk?
[kelly] whatever
Just for my soul
Repeat 1 while:
[kelly] I must be crazy
What was I thinkin?
I should have just told him he couldnt come
I wont open the door when he gets here
Thats all
I just wont open the door
He knows Im here though
Oh god
Im just so tired of this
[kelly] alright, alright, alright
[shawn] damn, I thought you wasnt gonna let me in, sweetheart
[kelly] you almost thought right
Howd you get here so fast anyway?
Whatd you do, fly?
[shawn] why you always gotta be so sarcastic towards me, sweetheart?
Listen, I didnt come here to argue
I didnt come here to fuss or fight
I came here to make things right
I want you to know that I understand what I did
And I wanna make things better between me and you
[kelly] how you figure you can do that?
[shawn] well, I can start by saying that I love you
I mean, ah......
[kelly] Ive heard that before
[shawn] I dont know what to say, um, this is....
I know I did so many things wrong, but..
[kelly] I dont believe you
[shawn] i, I love you, I really do
Can you take me back, please?

[...] Read more

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Kelly's Conversion

KELLY the Ranger half opened an eye
To wink at the Army passing by,
While his hot breath, thick with the taint of beer,
Came forth from his lips in a drunken jeer.
Brown and bearded and long of limb
He lay, as the Army confronted him
And, clad in grey, one and all did pray
That his deadly sins might be washed away—
But Kelly stubbornly answered ‘Nay.'
Then the captain left him in mild despair,
But before the music took up its blare
A pale-faced lassie stepped out and spoke—
A little sad girl in a sad grey cloak—
‘Rise up, Kelly! your work's to do:
Kelly, the Saviour's a-calling you!'
He strove to look wise; rubbed at his eyes;
Looked down at the ground, looked up at the skies;
And something that p'r'aps was his conscience stirred:
He seemed perplexed as again he heard
The girl with the garments of saddest hue
Say, ‘Kelly, the Saviour's a-calling you!'
He got on his knees and thence to his feet,
And stumbled away down the dusty street;
Contrived to cadge at the pub a drink,
But still in his ear the glasses chink
And jingle only the one refrain,
Clear as the lassie's voice again:
Kelly, Kelly, come here to me!
Kelly the Rager, I've work for thee!'
He trembled, and dropped the tumbler, and slopped
The beer on the counter: the barman stopped,
With a curious eye on his haggard face.
Kelly, old fellow! you're going the pace.
Don't you fancy it's time to take
A pull on yourself—put your foot on the brake?
You'll have the horrors, without a doubt,
This time next week, if you don't look out.'
But he didn't—he sobered himself that night:
‘That time next week' he was nearly right:
Yet still at the mill, though he'd stopped the grog,
As the saw bit into the green pine log,
The wood shrieked out to him in its pain
A fragment caught of the same refrain,
As the swift teeth cut and the sawdust flew—
Kelly, Kelly, I've work for you!'

Then the seasons fell and the floods came down
And laid the dust in the frightened town.
No more the beat of hoofs and feet
Was heard the length of the crooked street;

[...] Read more

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