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Passengers [trailer 1]

Cast: Jennifer Lawrence, Chris Pratt, Michael Sheen, Andy Garcia, Laurence Fishburne, Jamie Soricelli, Aurora Perrineau, Kimberly Battista

trailer for Passengers, directed by Morten Tyldum, screenplay by (2016)Report problemRelated quotes
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This Friendly World

R.E.M., Andy, Tony---This Friendly World
ANDY: Hi, Michael.
MICHAEL: Hi, Andy. Thanks for joining us. Do you
wanna ... you wanna sing a song together?
ANDY: Sure! Is it a sweet song?
MICHAEL: Yeah, it's real sweet.
ANDY: O.K.!
[They laugh.]
MICHAEL:
In this friendly, friendly world
With each day so full of joy
Why should any heart be lonely?
ANDY: My turn!
In this friendly, friendly world
With each night so full of dreams
Why should any heart be afraid?
The world is ...
MICHAEL ANDY:
... such a wonderful place
To wander through
When you've got someone you love
MICHAEL:
To wander along with you
ANDY: O.K., now take every second word! With ...
MICHAEL: ... the ...
ANDY: ... sky ...
MICHAEL: ... so ...
ANDY: ... full ...
MICHAEL: ... of ...
ANDY: ... stars
MICHAEL: And ...
ANDY: ... the ...
MICHAEL: ... river ...
ANDY: ... so ...
MICHAEL: ... full ...
ANDY: ... of ...
MICHAEL: ... song, Every ...
ANDY: ... heart ...
MICHAEL: ... should ...
ANDY: ... be ...
MICHAEL: ... so ...
ANDY: ... thankful
It's a friendly world! Don't you think so, Michael?
MICHAEL: Yup!
TONY: Oh yeah?! What's so friendly about it?!!
This is Tony Clifton, and, and I demand a part in
this song! I'm just as big a part of the movie as
these guys are! And, and I will not sit back while
some sought-after Colonel Kurtz wanna-be, uh, uh
has his day in the sun! I think he's enough

[...] Read more

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Elizabeth Barrett Browning

Eighth Book

ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.

The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:

[...] Read more

poem by from Aurora Leigh (1856)Report problemRelated quotes
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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Fragmentary Scenes From The Road To Avernus

Scene I
'Discontent'

LAURENCE RABY.


Laurence:
I said to young Allan M'Ilveray,
Beside the swift swirls of the North,
When, in lilac shot through with a silver ray,
We haul'd the strong salmon fish forth
Said only, 'He gave us some trouble
To land him, and what does he weigh?
Our friend has caught one that weighs double,
The game for the candle won't pay
Us to-day,
We may tie up our rods and away.'

I said to old Norman M'Gregor,
Three leagues to the west of Glen Dhu
I had drawn, with a touch of the trigger,
The best BEAD that ever I drew
Said merely, 'For birds in the stubble
I once had an eye-I could swear
He's down-but he's not worth the trouble
Of seeking. You once shot a bear
In his lair-
'Tis only a buck that lies there.'

I said to Lord Charles only last year,
The time that we topp'd the oak rail
Between Wharton's plough and Whynne's pasture,
And clear'd the big brook in Blakesvale
We only-at Warburton's double
He fell, then I finish'd the run
And kill'd clean-said, 'So bursts a bubble
That shone half an hour in the sun
What is won?
Your sire clear'd and captured a gun.'

I said to myself, in true sorrow,
I said yestere'en, 'A fair prize
Is won, and it may be to-morrow
'Twill not seem so fair in thine eyes
Real life is a race through sore trouble,
That gains not an inch on the goal,
And bliss an intangible bubble
That cheats an unsatisfied soul,
And the whole
Of the rest an illegible scroll.'

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Elizabeth Barrett Browning

Ninth Book

EVEN thus. I pause to write it out at length,
The letter of the Lady Waldemar.–

'I prayed your cousin Leigh to take you this,
He says he'll do it. After years of love,
Or what is called so,–when a woman frets
And fools upon one string of a man's name,
And fingers it for ever till it breaks,–
He may perhaps do for her such thing,
And she accept it without detriment
Although she should not love him any more
And I, who do not love him, nor love you,
Nor you, Aurora,–choose you shall repent
Your most ungracious letter, and confess,
Constrained by his convictions, (he's convinced)
You've wronged me foully. Are you made so ill,
You woman–to impute such ill to me?
We both had mothers,–lay in their bosom once.
Why, after all, I thank you, Aurora Leigh,
For proving to myself that there are things
I would not do, . . not for my life . . nor him . .
Though something I have somewhat overdone,–
For instance, when I went to see the gods
One morning, on Olympus, with a step
That shook the thunder in a certain cloud,
Committing myself vilely. Could I think,
The Muse I pulled my heart out from my breast
To soften, had herself a sort of heart,
And loved my mortal? He, at least, loved her;
I heard him say so; 'twas my recompence,
When, watching at his bedside fourteen days,
He broke out ever like a flame at whiles
Between the heats of fever . . . 'Is it thou?
'Breathe closer, sweetest mouth!' and when at last
The fever gone, the wasted face extinct
As if it irked him much to know me there,
He said, Twas kind, 'twas good, 'twas womanly,'
(And fifty praises to excuse one love)
'But was the picture safe he had ventured for?'
And then, half wandering . . 'I have loved her well,
Although she could not love me.'–'Say instead,'
I answered, 'that she loves you.'–'Twas my turn
To rave: (I would have married him so changed,
Although the world had jeered me properly
For taking up with Cupid at his worst,
The silver quiver worn off on his hair.)
'No, no,' he murmured, 'no, she loves me not;
'Aurora Leigh does better: bring her book
'And read it softly, Lady Waldemar,
'Until I thank your friendship more for that,

[...] Read more

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Healthy Back Bag

animated bag of chips
amor dive bag
american eagle outfitters bags
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an interchangeable foundation bag
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amy butlet runaway bag pattern
angel bag
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allowed to carry on garment bag
a nimal bag print tote
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alternative to plastic trash bags
amish buggy bag
alpha poly bag
ammo shoulder bag
american sign language tote bags
animated gif people with hand bags
amazing bag grace pipe
altieri bags

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All I Have (feat. Jennifer Lopez)

(LL Cool J)
Baby, don't go... Baby, don't go...
Baby, dont go... Baby, don't go...
Baby, don't go... Baby, don't go...
(Jennifer)
Ooh... Yeah... Yeah... Yeah...
(Jennifer)
It's such a shame but I'm leaving
Can't take the way you're mistreating me
And it's crazy, but oh baby
It don't matter, whatever
Don't phase me
(LL Cool J)
I don't believe you wanna leave like this
I don't believe I just had my last real kiss
I do believe we'll laugh and reminisce
Wait a minute, don't bounce baby,
let's talk about this, man...
(Jennifer)
Well I'm bouncin' and I'm out son
I gotta leave you alone
'Cause I'm good
Holdin' down my spot
And I'm good
Reppin' the girls on the block
And I'm good
I got this thing on lock
So without me you'll be fine - right
(Jennifer)
All my pride is all I have
(LL Cool J)
Pride is what you had, baby girl I'm what you have
(Jennifer)
You'll be needing me but too bad
(LL Cool J)
Be easy, don't make decisions while you're mad
(Jennifer)
The path you chose to run alone
(LL Cool J)
I know you're independent, you can make it on your own
(Jennifer)
Here with me you had a home, oh yeah...
(LL Cool J)
But time is of the essence, why spend it alone
(Jennifer)
The nights I waited up for you
Promises you made about coming through
So much time you wasted
That's why I had to replace you
(LL Cool J)

[...] Read more

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Elizabeth Barrett Browning

Second Book

TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow

[...] Read more

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G.K. Chesterton

To St. Michael in Time of Peace

Michael, Michael: Michael of the Morning,
Michael of the Army of the Lord,
Stiffen thou the hand upon the still sword, Michael,
Folded and shut upon the sheathed sword, Michael,
Under the fullness of the white robes falling,
Gird us with the secret of the sword.

When the world cracked because of a sneer in heaven,
Leaving out for all time a scar upon the sky,
Thou didst rise up against the Horror in the highest,
Dragging down the highest that looked down on the Most High:
Rending from the seventh heaven the hell of exaltation
Down the seven heavens till the dark seas burn:
Thou that in thunder threwest down the Dragon
Knowest in what silence the Serpent can return.

Down through the universe the vast night falling
(Michael, Michael: Michael of the Morning!)
Far down the universe the deep calms calling
(Michael, Michael: Michael of the Sword!)
Bid us not forget in the baths of all forgetfulness,
In the sigh long drawn from the frenzy and the fretfulness
In the huge holy sempiternal silence
In the beginning was the Word.

When from the deeps of dying God astounded
Angels and devils who do all but die
Seeing Him fallen where thou couldst not follow,
Seeing Him mounted where thou couldst not fly,
Hand on the hilt, thou hast halted all thy legions
Waiting the Tetelestai and the acclaim,
Swords that salute Him dead and everlasting
God beyond God and greater than His Name.

Round us and over us the cold thoughts creeping
(Michael, Michael: Michael of the battle-cry!)
Round us and under us the thronged world sleeping
(Michael, Michael: Michael of the Charge!)
Guard us the Word; the trysting and the trusting
Edge upon the honour and the blade unrusting
Fine as the hair and tauter than the harpstring
Ready as when it rang upon the targe.

He that giveth peace unto us; not as the world giveth:
He that giveth law unto us; not as the scribes:
Shall he be softened for the softening of the cities
Patient in usury; delicate in bribes?
They that come to quiet us, saying the sword is broken,
Break man with famine, fetter them with gold,
Sell them as sheep; and He shall know the selling

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To St. Micheal in Time of Peace

Michael, Michael: Michael of the Morning,
Michael of the Army of the Lord,
Stiffen thou the hand upon the still sword, Michael,
Folded and shut upon the sheathed sword, Michael,
Under the fullness of the white robes falling,
Gird us with the secret of the sword.


When the world cracked because of a sneer in heaven,
Leaving out for all time a scar upon the sky,
Thou didst rise up against the Horror in the highest,
Dragging down the highest that looked down on the Most High:
Rending from the seventh heaven the hell of exaltation
Down the seven heavens till the dark seas burn:
Thou that in thunder threwest down the Dragon
Knowest in what silence the Serpent can return.


Down through the universe the vast night falling
(Michael, Michael: Michael of the Morning!)
Far down the universe the deep calms calling
(Michael, Michael: Michael of the Sword!)
Bid us not forget in the baths of all forgetfulness,
In the sigh long drawn from the frenzy and the fretfulness
In the huge holy sempiternal silence
In the beginning was the Word.


When from the deeps of dying God astounded
Angels and devils who do all but die
Seeing Him fallen where thou couldst not follow,
Seeing Him mounted where thou couldst not fly,
Hand on the hilt, thou hast halted all thy legions
Waiting the Tetelestai and the acclaim,
Swords that salute Him dead and everlasting
God beyond God and greater than His Name.


Round us and over us the cold thoughts creeping
(Michael, Michael: Michael of the battle-cry!)
Round us and under us the thronged world sleeping
(Michael, Michael: Michael of the Charge!)
Guard us the Word; the trysting and the trusting
Edge upon the honour and the blade unrusting
Fine as the hair and tauter than the harpstring
Ready as when it rang upon the targe.


He that giveth peace unto us; not as the world giveth:
He that giveth law unto us; not as the scribes:

[...] Read more

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Byron

The Vision of Judgment

I

Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.

II

The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,
Or curb a runaway young star or two,
Or wild colt of a comet, which too soon
Broke out of bounds o'er th' ethereal blue,
Splitting some planet with its playful tail,
As boats are sometimes by a wanton whale.

III

The guardian seraphs had retired on high,
Finding their charges past all care below;
Terrestrial business fill'd nought in the sky
Save the recording angel's black bureau;
Who found, indeed, the facts to multiply
With such rapidity of vice and woe,
That he had stripp'd off both his wings in quills,
And yet was in arrear of human ills.

IV

His business so augmented of late years,
That he was forced, against his will no doubt,
(Just like those cherubs, earthly ministers,)
For some resource to turn himself about,
And claim the help of his celestial peers,
To aid him ere he should be quite worn out
By the increased demand for his remarks:
Six angels and twelve saints were named his clerks.

V

This was a handsome board — at least for heaven;
And yet they had even then enough to do,
So many conqueror's cars were daily driven,
So many kingdoms fitted up anew;

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Vision of Judgment, The

I

Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.

II

The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,
Or curb a runaway young star or two,
Or wild colt of a comet, which too soon
Broke out of bounds o'er th' ethereal blue,
Splitting some planet with its playful tail,
As boats are sometimes by a wanton whale.

III

The guardian seraphs had retired on high,
Finding their charges past all care below;
Terrestrial business fill'd nought in the sky
Save the recording angel's black bureau;
Who found, indeed, the facts to multiply
With such rapidity of vice and woe,
That he had stripp'd off both his wings in quills,
And yet was in arrear of human ills.

IV

His business so augmented of late years,
That he was forced, against his will no doubt,
(Just like those cherubs, earthly ministers,)
For some resource to turn himself about,
And claim the help of his celestial peers,
To aid him ere he should be quite worn out
By the increased demand for his remarks:
Six angels and twelve saints were named his clerks.

V

This was a handsome board — at least for heaven;
And yet they had even then enough to do,
So many conqueror's cars were daily driven,
So many kingdoms fitted up anew;

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Jennifer Ever

She always waits for someone
Someone who'll never leave
Reveiling her decision
Her arms cover me
My couple, no one
To anyone believe
She always waits for someone
Someone, someone just like me
Jennifer
Jennifer Ever
Jennifer
Jennifer always tells me
Please don't be afraid
I just want to hold you
I only want you to stay
My couple, no one
To anyone believe
She always waits for someone
Someone, someone just like me
Jennifer
Jennifer Ever
Jennifer
Jennifer
Jennifer Ever
Jennifer
My couple, no one
To anyone believe
She always waits for someone
Someone, someone just like me
Jennifer
Jennifer Ever
Jennifer

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Andy Warhol

(this is andy warhole and its take one, take one)
Its, its warhol actually
(what did I say)
Whole, its whole as in wholes
(andy warhol)
Wah, andy war hol, andy war hol (he)
Like whole hub
He
Ha
Are you ready
(yeah)
Ha ha ha ha ha ha
Like to take a cement fix
Be a standing cinema
Dress my friends up just for show
See them as they really are
Put a peephole in my brain
Two new pence to have a go
Id like to be a gallery
Put you all inside my show
Andy warhol looks a scream
Hang him on my wall
Andy warhol, silver screen
Cant tell them apart at all
Andy walking, andy tired
Andy take a little snooze
Tie him up when hes fast asleep
Send him on a pleasant cruise (hm hm hm)
When he wakes up on the sea
He sure to think of me and you
Hell think about paint and hell think about glue
What a jolly boring thing to do
Andy warhol looks a scream
Hang him on my wall
Andy warhol, silver screen
Cant tell them apart at all
Andy warhol looks a scream
Hang him on my wall
Andy warhol, silver screen
Cant tell them apart at all
(handclaps)

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Killing Andy Warhol

Did you ever see the sun rise up
Above this blackened hole
Did you ever feel that what you wants
Not under your control
Ever think that how you feel
Is not quite what you are
Some of us are satellites
Some are superstars
Theyre killing andy warhol
Hes a saint and hes a thief
Well all die a million times
Thats what I believe
Killing andy warhol
Killing andy warhol
They say the rain in europe
Cools you down and helps you think
Water, water everywhere
Nothing you can drink
Kissing andy warhol
His skin feels like a shark
White hair sits so beautiful
Eyelids are so dark
And Im trying to get ahead
Like any boy or girl
Thered be no dictators anywhere
If I could rule the world
Killing andy warhol
Killing andy warhol
Thats impossible - he got all that money
Adorable - having all that money
Feasable - that its all black money
Its so criminal - making all that money
All I want, is what Id want
But I dont want that now
Theyre dressing andy warhol up
If only thay knew how
Jesus on the neon sign
Turns and starts to laugh
And Im thinking about this oxygen
And how Ill make it last
Killing andy warhol
Hes a saint - yeah hes a thief
Motorways are everywhere
With no clean air to breathe
Killing andy warhol
Killing andy warhol
Till the end of time
Till the end of time
Having all that money
Killing andy warhol

[...] Read more

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Byron

Canto the Fifteenth

I
Ah! -- What should follow slips from my reflection;
Whatever follows ne'ertheless may be
As à-propos of hope or retrospection,
As though the lurking thought had follow'd free.
All present life is but an interjection,
An "Oh!" or "Ah!" of joy or misery,
Or a "Ha! ha!" or "Bah!" -- a yawn, or "Pooh!"
Of which perhaps the latter is most true.

II
But, more or less, the whole's a syncopé
Or a singultus -- emblems of emotion,
The grand antithesis to great ennui,
Wherewith we break our bubbles on the ocean, --
That watery outline of eternity,
Or miniature at least, as is my notion,
Which ministers unto the soul's delight,
In seeing matters which are out of sight.

III
But all are better than the sigh supprest,
Corroding in the cavern of the heart,
Making the countenance a masque of rest,
And turning human nature to an art.
Few men dare show their thoughts of worst or best;
Dissimulation always sets apart
A corner for herself; and therefore fiction
Is that which passes with least contradiction.

IV
Ah! who can tell? Or rather, who can not
Remember, without telling, passion's errors?
The drainer of oblivion, even the sot,
Hath got blue devils for his morning mirrors:
What though on Lethe's stream he seem to float,
He cannot sink his tremors or his terrors;
The ruby glass that shakes within his hand
Leaves a sad sediment of Time's worst sand.

V
And as for love -- O love! -- We will proceed.
The Lady Adeline Amundeville,
A pretty name as one would wish to read,
Must perch harmonious on my tuneful quill.
There's music in the sighing of a reed;
There's music in the gushing of a rill;
There's music in all things, if men had ears:
Their earth is but an echo of the spheres.

[...] Read more

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Byron

Don Juan: Canto The Fifteenth

Ah!--What should follow slips from my reflection;
Whatever follows ne'ertheless may be
As à-propos of hope or retrospection,
As though the lurking thought had follow'd free.
All present life is but an interjection,
An 'Oh!' or 'Ah!' of joy or misery,
Or a 'Ha! ha!' or 'Bah!'-- a yawn, or 'Pooh!'
Of which perhaps the latter is most true.

But, more or less, the whole's a syncope
Or a singultus - emblems of emotion,
The grand antithesis to great ennui,
Wherewith we break our bubbles on the ocean,--
That watery outline of eternity,
Or miniature at least, as is my notion,
Which ministers unto the soul's delight,
In seeing matters which are out of sight.

But all are better than the sigh supprest,
Corroding in the cavern of the heart,
Making the countenance a masque of rest,
And turning human nature to an art.
Few men dare show their thoughts of worst or best;
Dissimulation always sets apart
A corner for herself; and therefore fiction
Is that which passes with least contradiction.

Ah! who can tell? Or rather, who can not
Remember, without telling, passion's errors?
The drainer of oblivion, even the sot,
Hath got blue devils for his morning mirrors:
What though on Lethe's stream he seem to float,
He cannot sink his tremors or his terrors;
The ruby glass that shakes within his hand
Leaves a sad sediment of Time's worst sand.

And as for love--O love!--We will proceed.
The Lady Adeline Amundeville,
A pretty name as one would wish to read,
Must perch harmonious on my tuneful quill.
There's music in the sighing of a reed;
There's music in the gushing of a rill;
There's music in all things, if men had ears:
Their earth is but an echo of the spheres.

The Lady Adeline, right honourable;
And honour'd, ran a risk of growing less so;
For few of the soft sex are very stable
In their resolves--alas! that I should say so!
They differ as wine differs from its label,

[...] Read more

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Jamie

Jamie, what you doing now?
What you doing now girl?
Please, please tell me
Cause I need to know, I need to know now
When I was down, you came to me
And promised you'd always be
By my side, now you're gone
And I'm waiting patiently
Jamie, I want you to know
Jamie, oh Jamie, I'm so glad you're mine
We'll be together a long time
Jamie, what you doing now?
He's dialin' your car phone
Please, please be true
You know that I trust you, do that which you must do
When I was down, you came to me
And promised you'd always be
By my side, now you're gone
And I'm waiting patiently
Jamie, I want you to know
Jamie, oh Jamie, I'm so glad you're mine
We'll be together a long time
You've got the Beach Boys, and your firm's got the Stones
But I know you won't leave me alone
Sometimes it seems you're not with me
It hurts me so much, it hurts me so much
Sometimes it seems you're not with me
It hurts me so much, it hurts me so much
You are the most, you're so rad, you're so fresh
And I'm so glad I am yours, you are mine
Show me where and I will sign
When I was down, you came to me
And promised you'd always be
By my side, now you're gone
And I'm waiting, waiting
Jamie, oh Jamie, I'm so glad you're mine
We'll be together a long time
Jamie, believe me, I won't let you down
Cause you are the best lawyer in town
Sometimes it seems you're not with me
It hurts me so much, it hurts me so much
Sometimes it seems you're not with me
It hurts me so much, it hurts me so much
It hurts me so much, it hurts me so much
[Thanks to getupkid16x@aol.com for these lyrics]

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Jamie Telfer

It fell about the Martinmas tyde,
When our Border steeds get corn and hay
The captain of Bewcastle hath bound him to ryde,
And he's ower to Tividale to drive a prey.

The first ae guide that they met wi',
It was high up Hardhaughswire;
The second guide that we met wi',
It was laigh down in Borthwick water.

'What tidings, what tidings, my trusty guide?'
'Nae tidings, nae tidings, I hae to thee;
But, gin ye'll gae to the fair Dodhead,
Mony a cow's cauf I'll let thee see.'

And whan they cam to the fair Dodhead,
Right hastily they clam the peel;
They loosed the kye out, ane and a',
And ranshackled the house right weel.

Now Jamie Telfer's heart was sair,
The tear aye rowing in his e'e;
He pled wi' the captain to hae his gear,
Or else revenged he wad be.

The captain turned him round and leugh;
Said--'Man, there's naething in thy house,
But ae auld sword without a sheath,
That hardly now wad fell a mouse!'

The sun was na up, but the moon was down,
It was the gryming o' a new fa'n snaw,
Jamie Telfer has run three myles a-foot,
Between the Dodhead and the Stobs's Ha'

And whan he cam to the fair tower yate,
He shouted loud, and cried weel hie,
Till out bespak auld Gibby Elliot--
'Wha's this that brings the fraye to me?'

'It's I, Jamie Telfer o' the fair Dodhead,
And a harried man I think I be!
There's naething left at the fair Dodhead,
But a waefu' wife and bairnies three.

'Gae seek your succour at Branksome Ha'.
For succour ye'se get nane frae me!
Gae seek your succour where ye paid black-mail,
For, man! ye ne'er paid money to me.'

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Andy McElroe

My brother Andy said, that for a soldier he would go,
So great excitement came upon the house of McElroe.
My father sold a bog-hole to equip him for the war.
And my mother sold the cushions of her Sunday jaunting car.
And when brave Andy reach'd the front, 'twas furious
work he made,
They appointed him a private in the Crocodile Brigade.
The sound of Andy's battle cry struck terror thro' the foe.
His foot was on the desert and his name was McElroe.
At least that's what the letter said that came across the foam.
To Andy's anxious relatives awaiting him at home.
The papers say he ran away before he met the foe.
But that was quite unlike the style of Andy McElroe.

One morning brave Lord Wolseley for a battle felt inclined;
But all could see the general had something on his mind;
Sez he, 'My staff, 'twere dangerous to face yon deadly foe,
Unless we're sure that quite prepared is Andy McElroe.'
Then Andy cried, 'I'm here, my lord, and ready for the fray,'
'Advance then,' cried Lord Wolseley, 'and let every trumpet bray.'
Then England, Ireland, Scotland, rolled together on the foe,
But far ahead of everyone rushed Andy McElroe.
At least, that's what the letter said that came across the foam
To Andy's anxious relatives, awaiting him at home.
The government despatches had another tale- but no!
We won't believe a word against brave Andy McElroe.

The Mahdi had gone up a tree, a spyglass in his eye,
To see his Paynim chivalry the northern prowess try;
But soon he saw a form of dread, and cried in tones of woe,
'Be jabers let me out of this - there's Andy McElroe.'
Then down he hurried from his tree, and straight away he ran,
To keep appointments, as he said, in distant Kordofan,
And fled those Arab soldiery like sand siroccos blow,
Pursued (with much profanity) by Andy McElroe.
At least, that's what he told us when returning o'er the foam
To greet his anxious relatives, awaiting him at home.
So sing the song of triumph, and let all your bumpers flow,
In honour of our countryman, brave Andrew McElroe.

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