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Criminal [trailer 2]

Cast: Ryan Reynolds, Gal Gadot, Alice Eve, Gary Oldman, Kevin Costner, Scott Adkins, Tommy Lee Jones, Michael Pitt, Antje Traue, Amaury Nolasco

trailer for Criminal, directed by Ariel Vromen (2016)
Added by Veronica Serbanoiu
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Z. Comments

CRYSTAL GLOW

Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!

Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.

Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.

FRAGRANT JASMINE

Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!

Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.

I WENT THERE TO BID HER ADIEU

Kente Lucy Comment: wow great writing, what a way to bid farewell

Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.

I’M INCOMPLETE WITHOUT YOU

Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.

Margaret Alice Comment:

'To a resplendent glow of celestial flow
And two split halves unite never to part.'

Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!

IN CELESTIAL WINGS

Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.

Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!

Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.

'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'

Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.

RAGING FIRE

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poem by Praveen Kumar
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Mr. Lee

(emma pought/jannie pought/helen gathers/laurawebb/rether dixon)
One, two, three, look at mr. lee
Three, four, five, look at him jive
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee
I met my sweetie
His name is mr. lee
I met my sweetie
His name is mr. lee
He's the hansomest sweetie
That you ever did see
My heart is achin' for you mr. lee
My heart is achin' for you mr. lee
'cause i love you so
And i'll never let you go
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee
Here comes mr. lee
He's coming for me
Here comes mr. lee
He's coming for me
He's my lover boy
Let's jump for joy
Come on mr. lee and do your stuff
Come on mr. lee and do your stuff
'cause you're gonna be mine
Till the end of time
One, two, three, look at mr. lee
Three, four, five, look at him jive
One, two, three, look at mr. lee
Three, four, five, look at him jive
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee
One, two, three, look at mr. lee
Three, four, five, look at him jive
Mr. lee, mr. lee
Oh, mr. lee

[...] Read more

song performed by Diana Ross
Added by Lucian Velea
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Fit & Legit

Sey put ye hand up inna the air, hand up inna the air, hand up inna the air
You an ye man gone clear
Put ye hand up inna the air, hand up inna the air
Rule year to year
Dutty yeah
Becau ye fit an ye legit woman ye know sey ye man jus nah lef
Matta how dem gal ya want flex like harlot
Couldn't matta how dem gal ya wan run come tek set
Woman ye know ye naffi mek no check
Cau ye fit an ye legit woman ye know sey ye man jus nah lef
Matta how dem gal ya want flex like harlot
Couldn't matta how dem gal ya wan run come tek set
Woman ye know ye done copperset
Cause a you run the district
Ye move like electric
And nuff gal a try trick up ye man an mek him exit
But ye still a benefit becau ye rallyback with
Dem can't tek a thing because a you got the permit
In any case gal ye dunn run the place
If she show up her face then she gwain get erased
She a petty case up inna the one slap race
An ye dunn know already sey ye control the place
Woman ye fit an ye legit woman ye know sey ye man jus nah lef
Matta how dem gal ya want flex like harlot
Couldn't matta how dem gal ya wanna run come tek set
Woman ye know ye naffi tek no check
Becau ye fit an ye legit woman ye know sey ye man jus nah lef
Matta how dem gal ya want flex like harlot
Couldn't matta how dem gal ya wan run come tek set
Woman ye know ye naffi tek no check
Because a long time ye inna the biz
Who this gal ya think she is
She pose up 'pon ye man an she no got not a backitif
Can't live how ye live an ye man him nah go give
No respect to her becau the body it a negative
Sey pon ye property dem wan come bounce
But dem nah get a inch nor a ounce
Gal yaffi mek dem know
Sey if dem wan come clean
Nuff a that alone dem a go get becau ye an ye man him still a team
Fit an ye legit woman ye know sey ye man jus nah lef
Matta how dem gal ya want flex like harlot
Couldn't matta how dem gal ya wanna run come tek set
Woman ye know ye naffi tek no check
Becau ye fit an ye legit woman ye know sey ye man jus nah lef
Matta how dem gal ya want flex like harlot
Couldn't matta how dem gal ya wanna run come tek set
Woman ye know ye naffi tek no check
Becau daily
See the fence an want come scale it

[...] Read more

song performed by Sean Paul
Added by Lucian Velea
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Criminal

Cast: Ryan Reynolds, Gal Gadot, Alice Eve, Gary Oldman, Kevin Costner, Scott Adkins, Tommy Lee Jones, Michael Pitt, Antje Traue, Amaury Nolasco

trailer for Criminal, directed by Ariel Vromen (2016)
Added by Veronica Serbanoiu
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;

Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

[...] Read more

poem by Robinson Jeffers
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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

[...] Read more

poem by Robinson Jeffers
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To My Godchild Alice

ALICE, Alice, little Alice,
My new-christened baby Alice,
Can there ever rhymes be found
To express my wishes for thee
In a silvery flowing, worthy
Of that silvery sound?
Bonnie Alice, Lady Alice,
Sure, this sweetest name must be
A true omen to thee, Alice,
Of a life's long melody.

Alice, Alice, little Alice,
Mayst thou prove a golden chalice,
Filled with holiness like wine:
With rich blessings running o'er
Yet replenished evermore
From a fount divine:
Alice, Alice, little Alice,
When this future comes to thee,
In thy young life's brimming chalice
Keep some drops of balm for me!

Alice, Alice, little Alice,
Mayst thou grow a goodly palace,
Fitly framed from roof to floors,
Pure unto the inmost centre,
While high thoughts like angels enter
At the open doors:
Alice, Alice, little Alice,
When this beauteous sight I see,
In thy woman-heart's wide palace
Keep one nook of love for me.

Alice, Alice, little Alice,--
Sure the verse halts out of malice
To the thoughts it feebly bears,
And thy name's soft echoes, ranging
From quaint rhyme to rhyme, are changing
Into silent prayers.
God be with thee, little Alice,
Of His bounteousness may He
Fill the chalice, build the palace,
Here, unto eternity!

poem by Dinah Maria Mulock Craik
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Adam: A Sacred Drama. Act 3.

SCENE I.-- Adam and Eve.

Oh, my beloved companion!
Oh thou of my existence,
The very heart and soul!
Hast thou, with such excess of tender haste,
With ceaseless pilgrimage,
To find again thy Adam,
Thus solitary wandered?
Behold him! Speak! what are thy gentle orders?
Why dost thou pause? what ask of God? what dost thou?

Eve. Adam, my best beloved!
My guardian and my guide!
Thou source of all my comfort, all my joy!
Thee, thee alone I wish,
And in these pleasing shades
Thee only have I sought.

Adam. Since thou hast called thy Adam,
(Most beautiful companion),
The source and happy fountain of thy joy;
Eve, if to walk with me
It now may please thee, I will show thee love,
A sight thou hast not seen;
A sight so lovely, that in wonder thou
Wilt arch thy graceful brow.
Look thou, my gentle bride, towards that path,
Of this so intricate and verdant grove,
Where sit the birds embowered;
Just there, where now, with soft and snowy plumes,
Two social doves have spread their wings for flight,
Just there, thou shalt behold, (oh pleasing wonder),
Springing amid the flowers,
A living stream, that with a winding course
Flies rapidly away;
And as it flies, allures
And tempts you to exclaim, sweet river, stay!
Hence eager in pursuit
You follow, and the stream, as it it had
Desire to sport with you,
Through many a florid, many a grassy way,
Well known to him, in soft concealment flies:
But when at length he hears,
You are afflicted to have lost his sight,
He rears his watery locks, and seems to say,
Gay with a gurgling smile,
'Follow! ah, follow still my placid course!
If thou art pleased with me, with thee I sport.
And thus with sweet deceit he leads you on

[...] Read more

poem by William Cowper
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Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.

Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.

Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.

1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.

Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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poem by Ella Wheeler Wilcox
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Paradise Lost: Book 09

No more of talk where God or Angel guest
With Man, as with his friend, familiar us'd,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam'd. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death's harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous'd;
Or Neptune's ire, or Juno's, that so long
Perplexed the Greek, and Cytherea's son:

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor'd,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas'd me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem'd chief mastery to dissect
With long and tedious havock fabled knights
In battles feign'd; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon'd shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall'd feast
Serv'd up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem. Me, of these
Nor skill'd nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress'd; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring

[...] Read more

poem by John Milton
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Sally Simpson

Outside the house mr. simpson announced
Outside the house mr. simpson announced
That sally couldnt go to the meeting.
That sally couldnt go to the meeting.
He went on cleaning his blue rolls royce
He went on cleaning his blue rolls royce
And she ran inside weeping.
And she ran inside weeping.
She got to her room and tears splashed the picture
She got to her room and tears splashed the picture
Of the new messiah.
Of the new messiah.
She picked up a book of her fathers life
She picked up a book of her fathers life
And threw it on the fire!
And threw it on the fire!
She knew from the start
She knew from the start
Deep down in her heart
Deep down in her heart
That she and tommy were worlds apart,
That she and tommy were worlds apart,
But her mother said never mind your part...
But her mother said never mind your part...
Is to be what youll be.
Is to be what youll be.
The theme of the sermon was come unto me,
The theme of the sermon was come unto me,
Love will find a way,
Love will find a way,
So sally decided to ignore her dad,
So sally decided to ignore her dad,
And sneak out anyway!
And sneak out anyway!
She spent all afternoon getting ready,
She spent all afternoon getting ready,
And decided shed try to touch him,
And decided shed try to touch him,
Maybe hed see that she was free
Maybe hed see that she was free
And talk to her this sunday.
And talk to her this sunday.
She knew from the start
She knew from the start
Deep down in her heart
Deep down in her heart
That she and tommy were worlds apart,
That she and tommy were worlds apart,
But her mother said never mind your part...
But her mother said never mind your part...

[...] Read more

song performed by Who
Added by Lucian Velea
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Adam: A Sacred Drama. Act 2.

SCENE I. -- CHORUS OF ANGELS Singing.

Now let us garlands weave
Of all the fairest flowers,
Now at this early dawn,
For new-made man, and his companion dear;
Let all with festive joy,
And with melodious song,
Of the great Architect
Applaud this noblest work,
And speak the joyous sound,
Man is the wonder both of Earth and Heaven.

FIRST Angel.

Your warbling now suspend,
You pure angelic progeny of God,
Behold the labour emulous of Heaven!
Behold the woody scene,
Decked with a thousand flowers of grace divine;
Here man resides, here ought he to enjoy
In his fair mate eternity of bliss.

SECOND Angel.

How exquisitely sweet
This rich display of flowers,
This airy wild of fragrance,
So lovely to the eye,
And to the sense so sweet.

THIRD Angel.

O the sublime Creator,
How marvellous his works, and more his power!
Such is the sacred flame
Of his celestial love,
Not able to confine it in himself,
He breathed, as fruitful sparks
From his creative breast,
The Angels, Heaven, Man, Woman, and the World.

FOURTH Angel.

Yes, mighty Lord! yes, hallowed love divine!
Who, ever in thyself completely blest,
Unconscious of a want,
Who from thyself alone, and at thy will,
Bright with beignant flames,
Without the aid of matter or of form,

[...] Read more

poem by William Cowper
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Buffalo Gal

Buffalo {repeat 16 times}
Buffalo gal,
Youve had your fun
Your buttons undone
And the times right for slaughter
Buffalo gal
Youre thirsty and theres no more water
Like the lamb on the altar
And its sad to see you looking down and feeling blue
Try your best to get on up and see it through
In a while you might smile and see the sun
Oww, the day has begun
{chorus}
And buffalo gal,
Theyre closing down the old dance hall
Ummm, buffalo gal,
What we gonna do now?
Buffalo gal,
Due to these circumstances
Theres no more dances
Buffalo gal,
[buffalo] all your chances of further romances
Will have to be nil
til I can get it sung
Is a shame your only claim to fame is jessie james
You know his middle name
Thats very strange
Stranger, you knew a friend called the friendly ranger
Oh, ya shared the danger
{repeat chorus}
Buffalo {repeat 16 times}
Buffalo gal,
You must try a big step
Youve got a big jump ahead
Buffalo gal,
The show left town
Spreading sunshine all around
And its bad to see ya, ooh, lookin blue
Dry your eyes and Ill apologise for all the lies
Try a smile and in a while, just in a while
Youll be smiling through
Ooh, buffalo gal,
Theyre closin down the old dance hall [buffalo {repeat 10 times} gal, gal]
And buffalo gal,
Oh, you look so good somehow [buffalo {repeat 9 times} gal]
Oh buffalo gal,
Oh, thats such a pretty dress [buffalo {repeat 8 times} gal]
Buffalo gal,
The show left town [buffalo {repeat 8 times} gal, gal]
Buffalo gal,

[...] Read more

song performed by Thin Lizzy
Added by Lucian Velea
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Christmas

Father:
Father:
Did you ever see the faces of children
Did you ever see the faces of children
They get so excited.
They get so excited.
Waking up on christmas morning
Waking up on christmas morning
Hours before the winter suns ignited.
Hours before the winter 1s ignited.
They believe in dreams and all they mean
They believe in dreams and all they mean
Including heavens generosity.
Including heavens generosity.
Peeping round the door
Peeping round the door
To see what parcels are for free
To see what parcels are for free
In curiosity.
In curiosity.
And tommy doesnt know what day it is.
And tommy doesnt know what day it is.
Doesnt know who jesus was or what praying is.
Doesnt know who jesus was or what praying is.
How can he be saved?
How can he be saved?
From the eternal grave.
>from the eternal grave.
Surrounded by his friends he sits so silently,
Surrounded by his friends he sits so silently,
And unaware of everything.
And unaware of everything.
Playing poxy pin ball
Playing poxy pin ball
Picks his nose and smiles and
Picks his nose and smiles and
Pokes his tongue at everything.
Pokes his tongue at everything.
I believe in love
I believe in love
But how can men whove never seen
But how can men whove never seen
Light be enlightened.
Light be enlightened.
Only if hes cured
Only if hes cured
Will his spirits future level ever heighten.
Will his spirits future level ever heighten.
And tommy doesnt know what day it is.
And tommy doesnt know what day it is.

[...] Read more

song performed by Who
Added by Lucian Velea
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Tommy

I went into a public-'ouse to get a pint o' beer,
The publican 'e up an' sez, "We serve no red-coats here."
The girls be'ind the bar they laughed an' giggled fit to die,
I outs into the street again an' to myself sez I:
O it's Tommy this, an' Tommy that, an' "Tommy, go away";
But it's "Thank you, Mister Atkins", when the band begins to play,
The band begins to play, my boys, the band begins to play,
O it's "Thank you, Mister Atkins", when the band begins to play.

I went into a theatre as sober as could be,
They gave a drunk civilian room, but 'adn't none for me;
They sent me to the gallery or round the music-'alls,
But when it comes to fightin', Lord! they'll shove me in the stalls!
For it's Tommy this, an' Tommy that, an' "Tommy, wait outside";
But it's "Special train for Atkins" when the trooper's on the tide,
The troopship's on the tide, my boys, the troopship's on the tide,
O it's "Special train for Atkins" when the trooper's on the tide.

Yes, makin' mock o' uniforms that guard you while you sleep
Is cheaper than them uniforms, an' they're starvation cheap;
An' hustlin' drunken soldiers when they're goin' large a bit
Is five times better business than paradin' in full kit.
Then it's Tommy this, an' Tommy that, an' "Tommy, 'ow's yer soul?"
But it's "Thin red line of 'eroes" when the drums begin to roll,
The drums begin to roll, my boys, the drums begin to roll,
O it's "Thin red line of 'eroes" when the drums begin to roll.

We aren't no thin red 'eroes, nor we aren't no blackguards too,
But single men in barricks, most remarkable like you;
An' if sometimes our conduck isn't all your fancy paints,
Why, single men in barricks don't grow into plaster saints;
While it's Tommy this, an' Tommy that, an' "Tommy, fall be'ind",
But it's "Please to walk in front, sir", when there's trouble in the wind,
There's trouble in the wind, my boys, there's trouble in the wind,
O it's "Please to walk in front, sir", when there's trouble in the wind.

You talk o' better food for us, an' schools, an' fires, an' all:
We'll wait for extry rations if you treat us rational.
Don't mess about the cook-room slops, but prove it to our face
The Widow's Uniform is not the soldier-man's disgrace.
For it's Tommy this, an' Tommy that, an' "Chuck him out, the brute!"
But it's "Saviour of 'is country" when the guns begin to shoot;
An' it's Tommy this, an' Tommy that, an' anything you please;
An' Tommy ain't a bloomin' fool -- you bet that Tommy sees!

poem by Rudyard Kipling
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Paradise Lost: Book X

Thus they in lowliest plight repentant stood
Praying, for from the Mercie-seat above
Prevenient Grace descending had remov'd
The stonie from thir hearts, and made new flesh
Regenerat grow instead, that sighs now breath'd
Unutterable, which the Spirit of prayer
Inspir'd, and wing'd for Heav'n with speedier flight
Then loudest Oratorie: yet thir port
Not of mean suiters, nor important less
Seem'd thir Petition, then when th' ancient Pair
In Fables old, less ancient yet then these,
Deucalion and chaste Pyrrha to restore
The Race of Mankind drownd, before the Shrine
Of Themis stood devout. To Heav'n thir prayers
Flew up, nor missed the way, by envious windes
Blow'n vagabond or frustrate: in they passd
Dimentionless through Heav'nly dores; then clad
With incense, where the Golden Altar fum'd,
By thir great Intercessor, came in sight
Before the Fathers Throne: Them the glad Son
Presenting, thus to intercede began.
See Father, what first fruits on Earth are sprung
From thy implanted Grace in Man, these Sighs
And Prayers, which in this Golden Censer, mixt
With Incense, I thy Priest before thee bring,
Fruits of more pleasing savour from thy seed
Sow'n with contrition in his heart, then those
Which his own hand manuring all the Trees
Of Paradise could have produc't, ere fall'n
From innocence. Now therefore bend thine eare
To supplication, heare his sighs though mute;
Unskilful with what words to pray, let mee
Interpret for him, mee his Advocate
And propitiation, all his works on mee
Good or not good ingraft, my Merit those
Shall perfet, and for these my Death shall pay.
Accept me, and in mee from these receave
The smell of peace toward Mankinde, let him live
Before thee reconcil'd, at least his days
Numberd, though sad, till Death, his doom (which I
To mitigate thus plead, not to reverse)
To better life shall yeeld him, where with mee
All my redeemd may dwell in joy and bliss,
Made one with me as I with thee am one.
To whom the Father, without Cloud, serene.
All thy request for Man, accepted Son,
Obtain, all thy request was my Decree:
But longer in that Paradise to dwell,
The Law I gave to Nature him forbids:
Those pure immortal Elements that know

[...] Read more

poem by John Milton
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Alice Deejay

Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
I close my eyes
Im music
Im rhythm
Im a dj, I am alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
I close my eyes
Im music
Im rhythm
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
I am alice deejay

song performed by Alice Deejay
Added by Lucian Velea
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This Friendly World

R.E.M., Andy, Tony---This Friendly World
ANDY: Hi, Michael.
MICHAEL: Hi, Andy. Thanks for joining us. Do you
wanna ... you wanna sing a song together?
ANDY: Sure! Is it a sweet song?
MICHAEL: Yeah, it's real sweet.
ANDY: O.K.!
[They laugh.]
MICHAEL:
In this friendly, friendly world
With each day so full of joy
Why should any heart be lonely?
ANDY: My turn!
In this friendly, friendly world
With each night so full of dreams
Why should any heart be afraid?
The world is ...
MICHAEL ANDY:
... such a wonderful place
To wander through
When you've got someone you love
MICHAEL:
To wander along with you
ANDY: O.K., now take every second word! With ...
MICHAEL: ... the ...
ANDY: ... sky ...
MICHAEL: ... so ...
ANDY: ... full ...
MICHAEL: ... of ...
ANDY: ... stars
MICHAEL: And ...
ANDY: ... the ...
MICHAEL: ... river ...
ANDY: ... so ...
MICHAEL: ... full ...
ANDY: ... of ...
MICHAEL: ... song, Every ...
ANDY: ... heart ...
MICHAEL: ... should ...
ANDY: ... be ...
MICHAEL: ... so ...
ANDY: ... thankful
It's a friendly world! Don't you think so, Michael?
MICHAEL: Yup!
TONY: Oh yeah?! What's so friendly about it?!!
This is Tony Clifton, and, and I demand a part in
this song! I'm just as big a part of the movie as
these guys are! And, and I will not sit back while
some sought-after Colonel Kurtz wanna-be, uh, uh
has his day in the sun! I think he's enough

[...] Read more

song performed by REM
Added by Lucian Velea
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Paradise Lost: Book 11

Undoubtedly he will relent, and turn
From his displeasure; in whose look serene,
When angry most he seemed and most severe,
What else but favour, grace, and mercy, shone?
So spake our father penitent; nor Eve
Felt less remorse: they, forthwith to the place
Repairing where he judged them, prostrate fell
Before him reverent; and both confessed
Humbly their faults, and pardon begged; with tears
Watering the ground, and with their sighs the air
Frequenting, sent from hearts contrite, in sign
Of sorrow unfeigned, and humiliation meek.
Thus they, in lowliest plight, repentant stood
Praying; for from the mercy-seat above
Prevenient grace descending had removed
The stony from their hearts, and made new flesh
Regenerate grow instead; that sighs now breathed
Unutterable; which the Spirit of prayer
Inspired, and winged for Heaven with speedier flight
Than loudest oratory: Yet their port
Not of mean suitors; nor important less
Seemed their petition, than when the ancient pair
In fables old, less ancient yet than these,
Deucalion and chaste Pyrrha, to restore
The race of mankind drowned, before the shrine
Of Themis stood devout. To Heaven their prayers
Flew up, nor missed the way, by envious winds
Blown vagabond or frustrate: in they passed
Dimensionless through heavenly doors; then clad
With incense, where the golden altar fumed,
By their great intercessour, came in sight
Before the Father's throne: them the glad Son
Presenting, thus to intercede began.
See$ Father, what first-fruits on earth are sprung
From thy implanted grace in Man; these sighs
And prayers, which in this golden censer mixed
With incense, I thy priest before thee bring;
Fruits of more pleasing savour, from thy seed
Sown with contrition in his heart, than those
Which, his own hand manuring, all the trees
Of Paradise could have produced, ere fallen
From innocence. Now therefore, bend thine ear
To supplication; hear his sighs, though mute;
Unskilful with what words to pray, let me
Interpret for him; me, his advocate
And propitiation; all his works on me,
Good, or not good, ingraft; my merit those
Shall perfect, and for these my death shall pay.
Accept me; and, in me, from these receive
The smell of peace toward mankind: let him live

[...] Read more

poem by John Milton
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In Pursuit of the Poetic Soul of Ryan Adams

In Pursuit of the Poetic Soul of Ryan Adams

By Uriah Lee Hamilton

Last day of summer, football Saturday afternoon. A Warm breeze was pushing me toward Ann Arbor like a happy autumn leaf in pursuit of the beautiful poetic soul of Ryan Adams. Lovely charming mood all the way playing Easy Tiger and Demolition and feeling like the universe was kind and smiling.
Exit off 94 West onto State Street and all excited to make my way to Liberty Street and the heart of the College town I love. Kids were milling around everywhere in their gold and blue, gleeful and happy that Michigan is now playing 500 football after a discouraging start. Parking spaces across the street from Michigan Theater in the parking structure are all taken, I have to drive to the roof and still wait for a football fan to leave.
Me and my friend Cassandra start walking around and dig everything and everyone we see. Ann Arbor brings out your gentle Jack Kerouac nature, the part of you that wants to praise everything for it’s sad but beautiful, integral purpose to this existence.
We enter an Eastern clothing and folk art store that is positively charming and enlightening. I can’t remember the name of the store. Perhaps, it is called the Enchanted Sarong. It almost felt like George Harrison was there with us, beautiful carved statues of Buddha and Krishna and Ganesha were everywhere. The sales lady was friendly and helpful and said sweetly, “we’re Om friendly” as we asked about carved symbols for the breath-word Om. The serene incense Nag Champa drifted through the room but it was now time to leave and make our way to the Ryan Adams concert at Michigan Theater.
I purchased my tickets the very minute they went on sale and prayed I had front row despite my tickets saying double A. No Such luck, but I was still happy to be in row 27. As I was waiting for the show to begin, I saw my concert friend Jeremy and got his attention. He looked as happy and as excited as myself and said he had spent a fortune at some cool record store. Jeremy then handed me a beautiful soundboard copy of Ryan Adams at the Gem Theater in downtown Detroit June 20th 2007. Man, how I’ve been longing for that show! I then gave Jeremy a copy of Ryan’s punk rock band the Finger.
Now the lights go out and the music begins. Ryan Opens with Goodnight Rose and closes with Goodnight Hollywood Boulevard. Everything in-between is just magical. The first auspicious sign was that Ryan came out playing guitar! ! In June, he only sang, he didn’t play any instruments, some injury sidelined him. The June Show as a result was more subtle, almost like MTV Unplugged. Subtle but amazing. Last night was more rocking and adventurous with reworked extended arrangements, ala the Grateful Dead. In particular was a long and lovely version of Off Broadway from Easy Tiger. At the completion of Off Broadway, I shouted, “That was gorgeous! ” Of course, I may have added an expletive, all in the interest of ecstatic joy for music.
Ryan told a story during the show about running into a girl on her way to the concert that didn’t recognize him because he dresses like a plumber. My friend after the show said she thought she saw Ryan Adams on the street near the theater. I asked, “Really? ” She said, “I saw someone that looked like a plumber.” I can say, I didn’t see Ryan on the streets anywhere in Ann Arbor yesterday, but I have been known to miss a plumber or two in my day.
The first two songs in the encore made the whole show for me. Ryan came out by himself with an acoustic guitar and sang Call Me On Your Way Back Home. Toward the end of the song, Ryan played harmonica and I screamed like a schoolgirl, pretty much the way I do whenever Bobby Dylan plays harmonica! And if that wasn’t enough to make the end of summer completely magical, Ryan then sat down at the piano and sang Sylvia Plath: Oh my God, the point of tears! I’ve waited six years to hear him sing that song live from the Album Gold. As I told my friend, that was the song that sealed the deal making Ryan Adams my modern hero! If you want to get my attention and loyalty, sing about one of the tragic poets I love.

poem by Uriah Hamilton
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