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Matsuo Basho

From the blossoms of what tree
I don't know —
but this fragrance!

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Life Blossoms into vitality

Petals blossoms into flowers,
Clouds blossom into rain,
Seeds blossoms into trees,
Minutes blossom into hours,
Bricks blossom into dwellings,
Anger blossoms into destruction,
Exuberance blossoms into newness,
Nervousness blossoms into exhaustion,
Teamwork blossoms into unity,
Perseverance blossoms into success,
Beauty blossoms into enchantment,
Intrigue blossoms into enigma,
Trends blossom into innovations,
Eggs blossom into fledglings,
Rose blossoms into scent,
Sun blossoms into optimism,
Stars blossom into radiation,
Soil blossoms into vegetation,
Art blossoms into exoticism,
Ice blossoms into waterfalls,
Fire blossoms into compassion,
Imagination blossoms into concepts,
Wine blossoms into sedation,
War blossoms into hatred,
Pearls blossom into resplendence,
Dreams blossom into floatation,
Fashion blossoms into style,
Roots blossom into stem,
Salt blossoms into tanginess,
Strength blossoms into fortitude,
Resilience blossoms into conviction,
Surrender blossoms into despair,
Truth blossoms into harmony,
Relationships blossom into empathy,
Violence blossoms into prejudice,
Discrimination blossoms into bloodshed,
Scalp blossoms into hair,
Love blossoms into passion,
Peace blossoms into solidarity,
Rainbow blossoms into vivacity,
Endeavor blossoms into sweetness,
Tunes blossom into songs,
Mind blossoms into ingenuity,
Wilderness blossoms into mysticism,
Flames blossom into ardor,
Corpses blossom into ghosts,
Retreat blossoms into sadness,
Bondage blossoms into rebel,
Faith blossoms into worship,
Infidelity blossoms into nemesis,

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The mother and the artist

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of wonderfully emollient freshness; every
unfurling instant of impregnably magnificent existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of spellbindingly undefeated innocence; every
unfurling instant of symbiotically pristine existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of timelessly unconquerable truth; every unfurling
instant of bounteously magnanimous existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unfathomably unfettered creativity; every
unfurling instant of timelessly burgeoning existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of royally triumphant resplendence; every
unfurling instant of unconquerably majestic existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of eternally exhilarating vivaciousness; every
unfurling instant of redolently insuperable existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unbelievably ameliorating optimism; every
unfurling instant of marvelously benign existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of brilliantly liberated camaraderie; every
unfurling instant of iridescently inscrutable existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unshakably virgin righteousness; every
unfurling instant of beautifully untainted existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of uninhibitedly heavenly frolic; every unfurling
instant of tantalizingly sensuous existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of compassionately humanitarian friendship; every
unfurling instant of magically mitigating existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of miraculously everlasting freshness; every
unfurling instant of invincibly coalescing existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of pricelessly ubiquitous oneness; every unfurling

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Tree Time Warriors Bliss

Tree … Tree … Tree … Tree Time
Tree … Tree … Tree … Tree Time
Tree … Tree … Tree … Tree Time
Tree … Tree … Tree Time Warriors
Tree … Tree … Tree Time Warriors
Blissssss ……
Blissssss ……
Sensual
Sensual touch …
Tree Time Warriors
In E flat
Tree Time Warriors
In E flat
Tree Time Warriors
In Spiritual Sensual Touch
Tree Time
Tree time
Tree … Tree … Tree … Tree Time
Tree … Tree … Tree … Tree Time
Tree … Tree … Tree … Tree Time
Tree Time Warriors
Tree Time Warriors
And
Bliss.

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John Milton

Paradise Lost: Book 09

No more of talk where God or Angel guest
With Man, as with his friend, familiar us'd,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam'd. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death's harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous'd;
Or Neptune's ire, or Juno's, that so long
Perplexed the Greek, and Cytherea's son:

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor'd,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas'd me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem'd chief mastery to dissect
With long and tedious havock fabled knights
In battles feign'd; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon'd shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall'd feast
Serv'd up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem. Me, of these
Nor skill'd nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress'd; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring

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Dead-Maid's-Pool

Oh water, water-water deep and still,
In this hollow of the hill,
Thou helenge well o'er which the long reeds lean,
Here a stream and there a stream,
And thou so still, between,
Thro' thy coloured dream,
Thro' the drownèd face
Of this lone leafy place,
Down, down, so deep and chill,
I see the pebbles gleam!


Ash-tree, ash-tree,
Bending o'er the well,
Why there thou bendest,
Kind hearts can tell.
'Tis that the pool is deep,
'Tis that-a single leap,
And the pool closes:
And in the solitude
Of this wild mountain wood,
None, none, would hear her cry,
From this bank where she stood
To that peak in the sky
Where the cloud dozes.


Ash-tree, ash-tree,
That art so sweet and good,
If any creeping thing
Among the summer games in the wild roses
Fall from its airy swing,
(While all its pigmy kind
Watch from some imminent rose-leaf half uncurled)-
I know thou hast it full in mind
(While yet the drowning minim lives,
And blots the shining water where it strives),
To touch it with a finger soft and kind,
As when the gentle sun, ere day is hot,
Feels for a little shadow in a grot,
And gives it to the shades behind the world.


And oh! if some poor fool
Should seek the fatal pool,
Thine arms-ah, yes! I know
For this thou watchest days, and months, and years,
For this dost bend beside
The lone and lorn well-side,
The guardian angel of the doom below,

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Banyan Tree

Banyan tree, banyan tree
that century old banyan tree
standing grandeurly for us to see
banyan tree, banyan tree.

Cool breeze passing through
seeking blessings of banyan tree
branches shaking in approval
banyan tree, banyan tree.

Glassy green with majestic trunk
touching the earth, not breaking free
shelter home for different birds
banyan tree, banyan tree.

Yellowish streaks, some with reddish tinge
welcome every season with a glee
symbol of eternal life
banyan tree, banyan tree.

Shedding leaves, like tears falling
a grandfather lamenting on its knees
new plants cuddling around
banyan tree, banyan tree.

Lord Buddha became its buddy
meditation was the only key
peace you get underneath
that is why it is banyan tree.

Banyan tree, banyan tree
wish fullfilling, it is banyan tree
just pray here and let you see
Banyan tree, banyan tree.

A life giver and just for free
Banyan is my national pride
preserve these at any cost
don't commit a homicide?

God blessed us with banyan tree
heat absorbing banyan tree
has healing powers this banyan tree
banyan tree, banyan tree.
---- X -----
copyright/Children of Lost God/Tribhawan Kaul
All rights reserved

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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The Giving Tree

Once there was a tree....
and she loved a little boy.
And everyday the boy would come
and he would gather her leaves
and make them into crowns
and play king of the forest.
He would climb up her trunk
and swing from her branches
and eat apples.
And they would play hide-and-go-seek.
And when he was tired,
he would sleep in her shade.
And the boy loved the tree....
very much.
And the tree was happy.
But time went by.
And the boy grew older.
And the tree was often alone.
Then one day the boy came to the tree
and the tree said, 'Come, Boy, come and
climb up my trunk and swing from my
branches and eat apples and play in my
shade and be happy.'
'I am too big to climb and play' said
the boy.
'I want to buy things and have fun.
I want some money?'
'I'm sorry,' said the tree, 'but I
have no money.
I have only leaves and apples.
Take my apples, Boy, and sell them in
the city. Then you will have money and
you will be happy.'
And so the boy climbed up the
tree and gathered her apples
and carried them away.
And the tree was happy.
But the boy stayed away for a long time....
and the tree was sad.
And then one day the boy came back
and the tree shook with joy
and she said, 'Come, Boy, climb up my trunk
and swing from my branches and be happy.'
'I am too busy to climb trees,' said the boy.
'I want a house to keep me warm,' he said.
'I want a wife and I want children,
and so I need a house.
Can you give me a house ?'
' I have no house,' said the tree.
'The forest is my house,

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F R A G R A N C E

F R A G R A N C E
Vavroovahana Patra.
Fragrance of jasmines provides devotion;
Beauteous is God’s lovely creation.
Fragrance of agarvati inspires all daily;
Surrendering on the Lotus feet function duty gaily.

Fragrance of Lotus is delighting;
The beautiful shrine is attracting.
Mother Mahalaxmi blesses poets in morn;
Beauteous looks the lovely dawn.

Fragrance of Mahalaxmi’s shrine enhances devotion;
Beauteous is Maa’s mysterious creation.
Mother makes poor poets wealthy;
With her desire poets remain healthy.

Fragrance of ‘rajanigandha’ enhances love affection;
Beauteous looks entire creations.
Poets enjoy the beauty silently;
Soul drinks the nectar of peace delightfully.

Fragrance of Deities takes mind to the world of peace;
Surrendering on Narayana’s lotus feet derive divine bliss.
Blessings of Gods and Goddesses makes poets popular on Earth;
Praying morn, eve, day, night derive peace, mirth.

Fragrance of Kalia’s temple provides peace;
Surrendering on the lotus feet derive bliss.
Fragrance of spiritual shrines takes mind to the world of peace,
Praying Jagannath derive divine bliss.

Fragrance of flowers on shrines enhances devotional energy;
Devotees’ path of journey becomes flowery.
Derive profound perennial peace;
Praying Neelamadhava derive divine bliss.

Offering fragrant flowers derive divine bliss;
Surrendering whole heatedly derive divine wish.
Prayer provides profound peace;
Praying derive heavenly bliss.

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Dads Cherry Tree

There was a large cherry tree in my yard
This tree t’was my dad ‘s favorite
And as the cherry tree grew up to thy sky
He did have a decision

whether or not to chop the tree down
Or risk it falling and killing him
For you see this old cherry tree did
Stand right over his bed

So if the wind kick up or lightning did strike
Would be his end for
The tree would fall and he would go
So unfortunately with the tree


So he would make great decision
And hopefully make it right
It took him many years and many a time
He thought’s the did spite

Him for the year’s went by and the cherry tree
Got more demised, nearer to the bed
As he would lay and begin to wonder
Will this take off my head

So as the year the did expire
Then He finally said
I will take the old tree down
Above my own bed

And the so alas the cherry fell
The tree would breathe its last
And be cut down to stump and be
Safe for dad once again

The tree was made low and the branches did go
Right into the meat smoker
But out of the ash cloud grew another
through the thorns and choker

the tree did live on in another a tree that grew
and so the tree was reborn
from a cherry, the trees great fruit
and so this little sapling grew and it grew

and it grew 1,2,3 foot by the crowing of the year
and so it grew and it got taller
as a little sapling then might or would do
and the tree got no smaller

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John Milton

Paradise Lost: Book 04

O, for that warning voice, which he, who saw
The Apocalypse, heard cry in Heaven aloud,
Then when the Dragon, put to second rout,
Came furious down to be revenged on men,
Woe to the inhabitants on earth! that now,
While time was, our first parents had been warned
The coming of their secret foe, and 'scaped,
Haply so 'scaped his mortal snare: For now
Satan, now first inflamed with rage, came down,
The tempter ere the accuser of mankind,
To wreak on innocent frail Man his loss
Of that first battle, and his flight to Hell:
Yet, not rejoicing in his speed, though bold
Far off and fearless, nor with cause to boast,
Begins his dire attempt; which nigh the birth
Now rolling boils in his tumultuous breast,
And like a devilish engine back recoils
Upon himself; horrour and doubt distract
His troubled thoughts, and from the bottom stir
The Hell within him; for within him Hell
He brings, and round about him, nor from Hell
One step, no more than from himself, can fly
By change of place: Now conscience wakes despair,
That slumbered; wakes the bitter memory
Of what he was, what is, and what must be
Worse; of worse deeds worse sufferings must ensue.
Sometimes towards Eden, which now in his view
Lay pleasant, his grieved look he fixes sad;
Sometimes towards Heaven, and the full-blazing sun,
Which now sat high in his meridian tower:
Then, much revolving, thus in sighs began.
O thou, that, with surpassing glory crowned,
Lookest from thy sole dominion like the God
Of this new world; at whose sight all the stars
Hide their diminished heads; to thee I call,
But with no friendly voice, and add thy name,
Of Sun! to tell thee how I hate thy beams,
That bring to my remembrance from what state
I fell, how glorious once above thy sphere;
Till pride and worse ambition threw me down
Warring in Heaven against Heaven's matchless King:
Ah, wherefore! he deserved no such return
From me, whom he created what I was
In that bright eminence, and with his good
Upbraided none; nor was his service hard.
What could be less than to afford him praise,
The easiest recompence, and pay him thanks,
How due! yet all his good proved ill in me,
And wrought but malice; lifted up so high
I sdeined subjection, and thought one step higher

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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

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Shakuntala Act 1

King Dushyant in a chariot, pursuing an antelope, with a bow and quiver, attended by his Charioteer.
Suta (Charioteer). [Looking at the antelope, and then at the king]
When I cast my eye on that black antelope, and on thee, O king, with thy braced bow, I see before me, as it were, the God Mahésa chasing a hart (male deer), with his bow, named Pináca, braced in his left hand.

King Dushyant: The fleet animal has given us a long chase. Oh! there he runs, with his neck bent gracefully, looking back, from time to time, at the car (chariot) which follows him. Now, through fear of a descending shaft, he contracts his forehand, and extends his flexible haunches; and now, through fatigue, he pauses to nibble the grass in his path with his mouth half opened. See how he springs and bounds with long steps, lightly skimming the ground, and rising high in the air! And now so rapid is his flight, that he is scarce discernible!

Suta: The ground was uneven, and the horses were checked in their course. He has taken advantage of our delay. It is level now, and we may easily overtake him.

King Dushyant: Loosen the reins.

Suta: As the king commands. – [He drives the car first at full speed, and then gently.] – He could not escape. The horses were not even touched by the clouds of dust which they raised; they tossed their manes, erected their ears, and rather glided than galloped over the smooth plain.

King Dushyant: They soon outran the swift antelope. –Objects which, from their distance, appeared minute, presently became larger: what was really divided, seemed united, as we passed; and what was in truth bent, seemed straight. So swift was the motion of the wheels, that nothing, for many moments, was either distant or near. [He fixes an arrow in his bowstring.]

[Behind the scenes.] He must not be slain. This antelope, O king, has an asylum in our forest: he must not be slain.

Suta: [Listening and Looking.] Just as the animal presents a fair mark for our arrow, two hermits are advancing to interrupt your aim

King Dushyant: Then stop the car.

Suta: The king is obeyed. [He draws in the reins.]

Enter a Hermit and his Pupil.

Hermit: [Raising his hands.] Slay not, O mighty sovereign, slay not a poor fawn, who has found a place of refuge. No, surely, no; he must not be hurt. An arrow in the delicate body of a deer would be like fire in bale of cotton. Compared with thy keen shafts, how weak must be the tender hide of a young antelope! Replace quickly, oh! replace the arrow which thou hast aimed. The weapons of you kings and warriors are destined for the relief of the oppressed, not for the destruction of the guiltless.

King Dushyant: [Saluting them.] It is replaced.

[He places the arrow in his quiver.]

Hermit: [With joy] Worthy is that act of thee, most illustrious; of monarchs; worthy, indeed, of a prince descended from Puru. Mayst thou have a son adorned with virtues, a sovereign of the world!

Pupil: [Elevating both his hands.] Oh! by all means, may thy son be adorned with every virtue, a sovereign of the world!

King Dushyant: [Bowing to them.] My head bears with reverence the order of a Bráhmin

Hermit: Great king, we came hither to collect wood for a solemn sacrifice; and this forest, and the banks of the Malini, affords an asylum to the wild animals protected by Shakuntala, (Shakuntala) whom our holy preceptor Kanva has received as a sacred deposit. If you have no other avocation, enter yon grove, and let the rights of hospitality be duly performed. Having seen with your own eyes the virtuous behaviour of those whose only wealth is their piety, but whose worldly cares are now at an end, you will then exclaim, 'How many good subjects are defended by this arm, which the bowstring has made callous!'

King Dushyant: Is the master of your family at home?

Hermit: Our preceptor is gone to Sómatirt'ha, in hopes of deprecating some calamity, with which destiny threatens the irreproachable Shakuntala, and he has charged her, in his absence, to receive all guests with due honour.

King Dushyant: Holy man, I will attend her; and she, having observed my devotion, will report it favourably to the venerable sage.

Both: Be it so; and we depart on our own business. [The Hermit and his Pupil go out.]

King Dushyant: Drive on Suta. By visiting the abode of holiness, we shall purify our souls.

Suta: As the king (may his life be long!) commands. [He drives on.]

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A Poem Of Syntax

A poet and his bird, his dog, his cat and his tree
A poet and the bird in the tree
A poet and his dog in the tree
A poet and his dog in the tree and the wind and the cloud
The bird in the tree, the dog in the tree, the cat in the tree,
The bird in the tree, the dog on the tree, the cat under the tree,
The bird on the tree, the bird in a tree, a bird in a tree, a bird in the tree,
And the wind and the cloud and the poet and his dog and his cat and the tree

The dog chases the cat the cat chases the bird
And they all arrive in that tree
Where the poet is sitting under that tree
The poet takes the dog and the cat was envious
And the bird looks at them in silence
The silence looks at the poet in the eye
Of the cat and the bird flies away
The poet and the dog is the poem of friendship
The cat and the dog is the poem of the endless natural quarrels
And the bird that flies away against the cat and the dog and the poet and the tree
And flies against the wind that the bird is now fighting
And the clouds that seem so blue and blue

The bird that actually flies away
Is actually me
I was not the poet with the dog

I am not the tree I am not the wind I am not the cloud I am not the poet there who had a dog as friend and I was not the quarrelsome thing from the blue and out of the blue

I am the bird with wings and I always fly away to places
Against the wind to places where I can be as always be the bird with wings in silence

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The Zenana

WHAT is there that the world hath not
Gathered in yon enchanted spot?
Where, pale, and with a languid eye,
The fair Sultana listlessly
Leans on her silken couch, and dreams
Of mountain airs, and mountain streams.
Sweet though the music float around,
It wants the old familiar sound;

And fragrant though the flowers are breathing,
From far and near together wreathing,
They are not those she used to wear,
Upon the midnight of her hair.—

She's very young, and childhood's days
With all their old remembered ways,
The empire of her heart contest
With love, that is so new a guest;
When blushing with her Murad near,
Half timid bliss, half sweetest fear,
E'en the beloved past is dim,
Past, present, future, merge in him.
But he, the warrior and the chief,
His hours of happiness are brief;
And he must leave Nadira's side
To woo and win a ruder bride;

Sought, sword in hand and spur on heel,
The fame, that weds with blood and steel.
And while from Delhi far away,
His youthful bride pines through the day,
Weary and sad: thus when again
He seeks to bind love's loosen'd chain;
He finds the tears are scarcely dry
Upon a cheek whose bloom is faded,
The very flush of victory
Is, like the brow he watches, shaded.
A thousand thoughts are at her heart,
His image paramount o'er all,
Yet not all his, the tears that start,
As mournful memories recall
Scenes of another home, which yet
That fond young heart can not forget.
She thinks upon that place of pride,
Which frowned upon the mountain's side;

While round it spread the ancient plain,
Her steps will never cross again.
And near those mighty temples stand,
The miracles of mortal hand,

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Alone, Looking for Blossoms Along the River

this path mom walked
to market each morn
she must have loved the flowers by the river too

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Alone, Looking for Blossoms Along the River
The sorrow of riverside blossoms inexplicable,
And nowhere to complain - I've gone half crazy.
I look up our southern neighbor. But my friend in wine
Gone ten days drinking. I find only an empty bed.
A thick frenzy of blossoms shrouding the riverside,
I stroll, listing dangerously, in full fear of spring.
Poems, wine - even this profusely driven, I endure.
Arrangements for this old, white-haired man can wait.
A deep river, two or three houses in bamboo quiet,
And such goings on: red blossoms glaring with white!
Among spring's vociferous glories, I too have my place:
With a lovely wine, bidding life's affairs bon voyage.
Looking east to Shao, its smoke filled with blossoms,
I admire that stately Po-hua wineshop even more.
To empty golden wine cups, calling such beautiful
Dancing girls to embroidered mats - who could bear it?
East of the river, before Abbot Huang's grave,
Spring is a frail splendor among gentle breezes.
In this crush of peach blossoms opening ownerless,
Shall I treasure light reds, or treasure them dark?
At Madame Huang's house, blossoms fill the paths:
Thousands, tens of thousands haul the branches down.
And butterflies linger playfully - an unbroken
Dance floating to songs orioles sing at their ease.
I don't so love blossoms I want to die. I'm afraid,
Once they are gone, of old age still more impetuous.
And they scatter gladly, by the branchful. Let's talk
Things over, little buds -open delicately, sparingly.
Tu Fu

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Elegiac Feelings American

1
How inseparable you and the America you saw yet was never
there to see; you and America, like the tree and the
ground, are one the same; yet how like a palm tree
in the state of Oregon. . . dead ere it blossomed,
like a snow polar loping the
Miami—
How so that which you were or hoped to be, and the
America not, the America you saw yet could
not see
So like yet unlike the ground from which you stemmed;
you stood upon America like a rootless
Hat-bottomed tree; to the squirrel there was no
divorcement in its hop of ground to its climb of
tree. . . until it saw no acorn fall, then it knew
there was no marriage between the two; how
fruitless, how useless, the sad unnaturalness
of nature; no wonder the dawn ceased being
a joy. . . for what good the earth and sun when
the tree in between is good for nothing. . . the
inseparable trinity, once dissevered, becomes a
cold fruitless meaningless thrice-marked
deathlie in its awful amputation. . . O butcher
the pork-chop is not the pig—The American
alien in America is a bitter truncation; and even
this elegy, dear Jack, shall have a butchered
tree, a tree beaten to a pulp, upon which it'll be
contained—no wonder no good news can be
written on such bad news—
How alien the natural home, aye, aye, how dies the tree when
the ground is foreign, cold, unfree—The winds
know not to blow the seed of the Redwood where
none before stood; no palm is blown to Oregon,
how wise the wind—Wise
too the senders of the prophet. . . knowing the
fertility of the designated spot where suchmeant
prophecy be announced and answerable—the
sower of wheat does not sow in the fields of cane;
for the sender of the voice did also send the ear.
And were little Liechtenstein, and not America, the
designation. . . surely then we'd the tongues of
Liechtenstein—
Was not so much our finding America as it was America finding
its voice in us; many spoke to America as though
America by land-right was theirs by law-right
legislatively acquired by materialistic coups of
wealth and inheritance; like the citizen of society
believes himself the owner of society, and what he
makes of himself he makes of America and thus when
he speaks of America he speaks of himself, and quite

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Henry Wadsworth Longfellow

Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

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He Loves And He Rides Away

'Twas in that island summer where
They spin the morning gossamer,
And weave the evening mist,
That, underneath the hawthorn-tree,
I loved my love, and my love loved me,
And there we lay and kissed,
And saw the happy ships upon the yielding sea.


Soft my heart, and warm his wooing,
What we did seemed, while 'twas doing,
Beautiful and wise;
Wiser, fairer, more in tune,
Than all else in that sweet June,
And sinless as the skies
That warmed the willing earth thro' all the languid noon.


Ah that fatal spell!
Ere the evening fell
I fled away to hide my frightened face,
And cried that I was born,
And sobbed with love and scorn,
And in the darkness sought a darker place,
And blushed, and wept, and blushed, and dared not think of morn.


Day and night, day and night,
And I saw no light,
Night and day, night and day,
And in my woe I lay
And dreamed the dreams they dream who cannot sleep:
My speech was withered, and I could not pray;
My tears were frozen, and I could not weep.


I saw the hawthorn rise
Between me and the skies,
I felt the shadow was from pole to pole,
I felt the leaves were shed,
I felt the birds were dead,
And on the earth I snowed the winter of my soul.


Like to the hare wide eyed,
That with her throbbing side
Pressed to the rock awaits the coming cry,
In my despair I sate
And waited for my fate;
And as the hunted hare returns to die,

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