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Animals

Cast: David Dastmalchian, Kim Shaw, John Heard, John Hoogenakker, John Lister, Lawrence MacGowan, Ilyssa Fradin

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John Dryden

Absalom and Achitophel

In pious times, e'er Priest-craft did begin,
Before Polygamy was made a sin;
When man, on many, multiply'd his kind,
E'r one to one was, cursedly, confind:
When Nature prompted, and no law deny'd
Promiscuous use of Concubine and Bride;
Then, Israel's monarch, after Heaven's own heart,
His vigorous warmth did, variously, impart
To Wives and Slaves; And, wide as his Command,
Scatter'd his Maker's Image through the Land.
Michal, of Royal blood, the Crown did wear,
A Soyl ungratefull to the Tiller's care;
Not so the rest; for several Mothers bore
To Godlike David, several Sons before.
But since like slaves his bed they did ascend,
No True Succession could their seed attend.
Of all this Numerous Progeny was none
So Beautifull, so brave as Absalon:
Whether, inspir'd by some diviner Lust,
His father got him with a greater Gust;
Or that his Conscious destiny made way
By manly beauty to Imperiall sway.
Early in Foreign fields he won Renown,
With Kings and States ally'd to Israel's Crown
In Peace the thoughts of War he could remove,
And seem'd as he were only born for love.
What e'er he did was done with so much ease,
In him alone, 'twas Natural to please.
His motions all accompanied with grace;
And Paradise was open'd in his face.
With secret Joy, indulgent David view'd
His Youthfull Image in his Son renew'd:
To all his wishes Nothing he deny'd,
And made the Charming Annabel his Bride.
What faults he had (for who from faults is free?)
His Father could not, or he would not see.
Some warm excesses, which the Law forbore,
Were constru'd Youth that purg'd by boyling o'r:
And Amnon's Murther, by a specious Name,
Was call'd a Just Revenge for injur'd Fame.
Thus Prais'd, and Lov'd, the Noble Youth remain'd,
While David, undisturb'd, in Sion raign'd.
But Life can never be sincerely blest:
Heaven punishes the bad, and proves the best.
The Jews, a Headstrong, Moody, Murmuring race,
As ever try'd th' extent and stretch of grace;
God's pamper'd people whom, debauch'd with ease,
No King could govern, nor no God could please;
(Gods they had tri'd of every shape and size
That Gods-smiths could produce, or Priests devise.)

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Robin Hood and the Monk

In somer, when the shawes be sheyne,
And leves be large and long,
Hit is full mery in feyre foreste
To here the foulys song,

To se the dere draw to the dale,
And leve the hilles hee,
And shadow hem in the leves grene,
Under the grene wode tre.

Hit befel on Whitson
Erly in a May mornyng,
The son up feyre can shyne,
And the briddis mery can syng.

'This is a mery mornyng,' seid Litull John,
'Be Hym that dyed on tre;
A more mery man then I am one
Lyves not in Cristianté.

'Pluk up thi hert, my dere mayster,'
Litull John can sey,
'And thynk hit is a full fayre tyme
In a mornyng of May.'

'Ye, on thyng greves me,' seid Robyn,
'And does my hert mych woo:
That I may not no solem day
To mas nor matyns goo.

'Hit is a fourtnet and more,' seid he,
'Syn I my Savyour see;
To day wil I to Notyngham,' seid Robyn,
'With the myght of mylde Marye.'

Than spake Moche, the mylner sun,
Ever more wel hym betyde!
'Take twelve of thi wyght yemen,
Well weppynd, be thi side.
Such on wolde thi selfe slon,
That twelve dar not abyde.'

'Of all my mery men,' seid Robyn,
'Be my feith I wil non have,
But Litull John shall beyre my bow,
Til that me list to drawe.'

'Thou shall beyre thin own,' seid Litull Jon,
'Maister, and I wyl beyre myne,
And we well shete a peny,' seid Litull Jon,

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Peace On Earth - Little Drummer Boy

David: hello...... youre the new butler?
Bing: hahaha! well, its been a long time since Ive been the new anything!
David: whats happened to hudson?
Bing: I guess hes changing.
David: yeah, he does that a lot, doesnt he? uhm... oh, Im david bowie, I live
Down the road.
Bing: oh!
David: sir percival lets me use his piano if he not around. hes not around, is
He?
Bing: I can honestly say I havent seen him, but come on in! come in!
David: but uh...
Bing: come on in!
David: are you related to sir percival?
Bing: well, distantly...
David: oh, youre not the poor relation from america, right?
Bing: ha! gee... news sure travels fast, doesnt it? Im bing.
David: oh, Im pleased to meet you. youre the one that sings, right?
Bing: well, right or wrong, I sing either way.
David: oh well, I sing too.
Bing: oh good! what kind of singing?
David: mostly the contemporary stuff. do you eh... do you like modern music?
Bing: oh, I think its marvellous! some of its really fine. but tell me, have you ever listened to any of the older fellows?
David: oh yeah, sure. I like ah... john lennon and the other one with eh...harry
Nilsson.
Bing: mmm... you go back that far, uh?
David: yeah, Im not as young as I look.
Bing: haha, none of us is these days!
David: in fact Ive got a six year old son. and he really gets excited around the christmas holiday-thing.
Bing: do you go in for anything of the traditional things in the... boy, household, christmas time?
David: oh yeah, most of them really. presents, tree, decorations, agents sliding down the chimney...
Bing: what? ?
David: oh, I was just seeing if you were paying attention.
Bing: haha!
David: actually, our family do most of the things that other families do. we
Sing the same songs.
Bing: do you?
David: oh, I even have a go at white christmas.
Bing: you do, eh!
David: and this one. this is my sons favourite. do you know this one?
Bing: oh, I do indeed, its a lovely theme.
And they told me pa-ram-pam-pam-pam
A new-born king to see pa-ram-pam-pam-pam
Our finest gifts we bring pa-ram-pam-pam-pam
Ra-pam-pam-pam, ra-pam-pam-pam
Peace on earth, can it be
Years from now, perhaps well see
See the day of glory
See the day, when men of good will
Live in peace, live in peace again
Peace on earth, can it be

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Peace On Earth / Little Drummer Boy (feat. Bing Crosby)

David: Hello...... you're the new butler?
Bing: Hahaha! Well, it's been a long time since I've been the new anything!
David: What's happened to Hudson?
Bing: I guess he's changing.
David: Yeah, he does that a lot, doesn't he? Uhm... Oh, I'm David Bowie, I live
down the road.
Bing: Oh!
David: Sir Percival let's me use his piano if he not around. He's not around, is
he?
Bing: I can honestly say I haven't seen him, but come on in! Come in!
David: But uh...
Bing: Come on in!
David: Are you related to sir Percival?
Bing: Well, distantly...
David: Oh, you're not the poor relation from America, right?
Bing: Ha! Gee... news sure travels fast, doesn't it? I'm Bing.
David: Oh, I'm pleased to meet you. You're the one that sings, right?
Bing: Well, right or wrong, I sing either way.
David: Oh well, I sing too.
Bing: Oh good! What kind of singing?
David: Mostly the contemporary stuff. Do you eh... do you like modern music?
Bing: Oh, I think it's marvellous! Some of it's really fine. But tell me, have you ever listened to any of the older fellows?
David: Oh yeah, sure. I like ah... John Lennon and the other one with eh...Harry
Nilsson.
Bing: Mmm... you go back that far, uh?
David: Yeah, I'm not as young as I look.
Bing: Haha, none of us is these days!
David: In fact I've got a six year old son. And he really gets excited around the Christmas holiday-thing.
Bing: Do you go in for anything of the traditional things in the... boy, household, Christmas time?
David: Oh yeah, most of them really. Presents, tree, decorations, agents sliding down the chimney...
Bing: What??
David: Oh, I was just seeing if you were paying attention.
Bing: Haha!
David: Actually, our family do most of the things that other families do. We
sing the same songs.
Bing: Do you?
David: Oh, I even have a go at 'White Christmas'.
Bing: You do, eh!
David: And this one. This is my son's favourite. Do you know this one?
Bing: Oh, I do indeed, it's a lovely theme.
And they told me pa-ram-pam-pam-pam
A new-born king to see pa-ram-pam-pam-pam
Our finest gifts we bring pa-ram-pam-pam-pam
Ra-pam-pam-pam, ra-pam-pam-pam
Peace on Earth, can it be
Years from now, perhaps we'll see
See the day of glory
See the day, when men of good will
Live in peace, live in peace again
Peace on Earth, can it be

[...] Read more

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Little David

Play, little david
Play little david, play
David he would sit in some dark corner
Seemed to melt the shadows with his eyes
And the song that he was playing
Was nothing less than prayin
And nothing more than sayin Im alive.
Wont you play, little david
Play little david, play
David he would send them notes a-flyin
Some that laughed and some that felt like tears
He would play them fast or slowly
Play them high or lowly
But they always come out holy to my ear
Wont you play, little david, play little david, play
I dont need no sunday sermon
Need no sunday shoes
When I hear little david playing
I got religion through and through
David he would send them notes a-flyin
Some that laughed and some that felt like tears
He would play them fast or slowly
Play them high or lowly
But they always come out holy to my ear
Wont you play, little david, play little david, play
I dont need no sunday sermon
Need no sunday shoes
When I hear little david playing
I got religion through and through
David he would send them notes a-flyin
Some that laughed and some that felt like tears
He would play them fast or slowly
Play them high or lowly
But they always come out holy to my ear
Wont you play, little david, play little david, play
Wont you play, little david, play little david, play

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David

My thought, on views of admiration hung,
Intently ravish'd and depriv'd of tongue,
Now darts a while on earth, a while in air,
Here mov'd with praise and mov'd with glory there;
The joys entrancing and the mute surprize
Half fix the blood, and dim the moist'ning eyes;
Pleasure and praise on one another break,
And Exclamation longs at heart to speak;
When thus my Genius, on the work design'd
Awaiting closely, guides the wand'ring mind.

If while thy thanks wou'd in thy lays be wrought,
A bright astonishment involve the thought,
If yet thy temper wou'd attempt to sing,
Another's quill shall imp thy feebler wing;
Behold the name of royal David near,
Behold his musick and his measures here,
Whose harp Devotion in a rapture strung,
And left no state of pious souls unsung.

Him to the wond'ring world but newly shewn,
Celestial poetry pronounc'd her own;
A thousand hopes, on clouds adorn'd with rays,
Bent down their little beauteous forms to gaze;
Fair-blooming Innocence with tender years,
And native Sweetness for the ravish'd ears,
Prepar'd to smile within his early song,
And brought their rivers, groves, and plains along;
Majestick Honour at the palace bred,
Enrob'd in white, embroider'd o'er with red,
Reach'd forth the scepter of her royal state,
His forehead touch'd, and bid his lays be great;
Undaunted Courage deck'd with manly charms,
With waving-azure plumes, and gilded arms,
Displaid the glories, and the toils of fight,
Demanded fame, and call'd him forth to write.
To perfect these the sacred spirit came,
By mild infusion of celestial flame,
And mov'd with dove-like candour in his breast,
And breath'd his graces over all the rest.
Ah! where the daring flights of men aspire
To match his numbers with an equal fire;
In vain they strive to make proud Babel rise,
And with an earth-born labour touch the skies.
While I the glitt'ring page resolve to view,
That will the subject of my lines renew;
The Laurel wreath, my fames imagin'd shade,
Around my beating temples fears to fade;
My fainting fancy trembles on the brink,
And David's God must help or else I sink.

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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.


Sir Peter

So-
What are their names?


John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-


Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?


John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?


Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.


John Curzon


going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

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Henry Wadsworth Longfellow

Courtship of Miles Standish, The

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

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Henry Wadsworth Longfellow

The Courtship of Miles Standish

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

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Wat Tyler - Act III

ACT III.


SCENE—SMITHFIELD.


PIERS (meeting JOHN BALL.)

You look disturb'd, my father?


JOHN BALL.

Piers, I am so.
Jack Straw has forced the Tower: seized the Archbishop,
And beheaded him.


PIERS.

The curse of insurrection!


JOHN BALL.

Aye, Piers! our nobles level down their vassals—
Keep them at endless labour like their brutes,
Degrading every faculty by servitude:
Repressing all the energy of the mind.
We must not wonder then, that like wild beasts,
When they have burst their chains, with brutal rage
They revenge them on their tyrants.


PIERS.

This Archbishop!
He was oppressive to his humble vassals:
Proud, haughty, avaricious.—


JOHN BALL.

A true high-priest!
Preaching humility with his mitre on!
Praising up alms and Christian charity
Even whilst his unforgiving hand distress'd
His honest tenants.

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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The White Cliffs

I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.

II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.


III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid

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John Daniel

(Dolly Parton)
John Daniel came to town one summer afternoon
Wearin' dirty work clothes so everyone presumed
He was just another logger from the loggin' camp nearby
And he was, but there was somethin' different in John Daniel's eyes
John Daniel was a young man, not more than twenty-four
And there was an air about him that one could not ignore
And in spite of callused hands & dirty clothes, his face was kind
And I wanted so to know what was in John Daniel's mind
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's somethin' about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
I rented him a room; he went upstairs like all the rest
It was Saturday and he'd be goin' in to town, I guessed
But he left in a robe and sandals, with a Bible in his hand;
And I thought to myself, John Daniel, I don't understand
Now I'd planned to meet some friends of mine when I got off at three,
In the park we often gather to talk of love and peace
When I got there I found that a crowd had gathered 'round;
And there I saw John Daniel a sittin' on the ground
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's somethin' about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
So, "You want to be free," he said, "Well, this is how you can."
As he read from the Bible he held in his hand
We were searchin' for the truth not knowin' where to look,
Not knowin' that the answers all were in John Daniel's book
John Daniel told us all how we could be free
John Daniel taught us all a better way for you and me
He came to us in our own way so we'd be sure to see
He had the light and essence of the man from Galilee
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's something about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
John Daniel, John Daniel, John Daniel
John Daniel do you hold the answer to a higher plan?
John Daniel came to town one summer afternoon
Wearin' dirty work clothes so everyone presumed
He was just another logger from the loggin' camp nearby
And he was, but there was somethin' different in John Daniel's eyes
Ooh, John Daniel, tell me where did you come from
Tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's something about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?

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Tale XIX

THE CONVERT.

Some to our Hero have a hero's name
Denied, because no father's he could claim;
Nor could his mother with precision state
A full fair claim to her certificate;
On her own word the marriage must depend -
A point she was not eager to defend:
But who, without a father's name, can raise
His own so high, deserves the greater praise;
The less advantage to the strife he brought,
The greater wonders has his prowess wrought;
He who depends upon his wind and limbs,
Needs neither cork nor bladder when he swims;
Nor will by empty breath be puff'd along,
As not himself--but in his helpers--strong.
Suffice it then, our Hero's name was clear,
For call John Dighton, and he answer'd 'Here!'
But who that name in early life assign'd
He never found, he never tried to find:
Whether his kindred were to John disgrace,
Or John to them, is a disputed case;
His infant state owed nothing to their care -
His mind neglected, and his body bare;
All his success must on himself depend,
He had no money, counsel, guide, or friend;
But in a market-town an active boy
Appear'd, and sought in various ways employ;
Who soon, thus cast upon the world, began
To show the talents of a thriving man.
With spirit high John learn'd the world to

brave,
And in both senses was a ready knave;
Knave as of old obedient, keen, and quick,
Knave as of present, skill'd to shift and trick;
Some humble part of many trades he caught,
He for the builder and the painter wrought;
For serving-maids on secret errands ran,
The waiter's helper, and the ostler's man;
And when he chanced (oft chanced he) place to lose,
His varying genius shone in blacking shoes:
A midnight fisher by the pond he stood,
Assistant poacher, he o'erlook'd the wood;
At an election John's impartial mind
Was to no cause nor candidate confined;
To all in turn he full allegiance swore,
And in his hat the various badges bore:
His liberal soul with every sect agreed,
Unheard their reasons, he received their creed:

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I Need That (I Want That) (feat. Lil' Kim)

ft. Lil' Kim
[Intro: Kiely]
Haha, 3LDub baby, A Girl Can Mack
[Verse 1: Kiely]
Yo, if you don't like expensive things
Then you can bounce if you don't wanna get it together
You could be out, 'cause I'm all about gettin' them things
From the truck to the house, to the gear and them rings
No doubt, coulda done it but ain't no hoe for you
Now I try to tell you but all you do is sit around
It takes more than hope and a dream
I got a mean team puttin' in work to get the cream, what
[Chorus: Lil' Kim (3LW)]
Money and hot rides (I need that)
The platinum and shine (I need that)
The house and the gear (I need that)
I'm sayin' baby (I... want... that...)
[Verse 2: Adrienne (Kiely)]
Life can turn you in so many different directions
Then I got a mind to win
(Can't remember why I got with you)
I want everything, but I need to stay realistic
I'm gonna live this dream
(From hear on out, that's what I'm about)
[Chorus 2x]
[Verse 3: Adrienne (Kiely)]
Boy I feel for you, you think you have it real easy
You don't even have a clue
(Can't remember why I got with you)
I'm gonna do my thang, sorry if you feel rejected
You need to do the same
(From here on out, that's what I'm about)
[Bridge: 3LW (Lil' Kim)]
I need these things, you can't supply me
It's too easy, for you to stop tryin' (Uh-huh)
Get off your feet, do it for yourself (Let's do it)
I can't stick around with shady feelings
(Lil' Kim, Queen Bee, 3LW)
[Verse 4: Lil' Kim]
Jackpot, goodness gracious the papers
Where the cash at, where the stash at
Nigga pass that, up the bonds and stocks
And the canary yellow D flawless rocks
Introducing the Lil' Kim Shepard Watch
I'm on fire, 'bout to turn it up a notch
Keep ya yacht, I want ships inside my estate
With FullForce written on the license plate
Heliports and helicopters with gold propellers
Tryna have more cheese then mozzarella
I need stables, there's only one way to live (What's that?)

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Megamix

Featuring you keep me hangin on, another step (closer to you) and say you really want me.
(we keep in touch)
(keep me hangin on)
Set me free why dont cha babe
Get out of my life why dont cha babe
cause you dont really love me
You just keep me hanginon
Set me free why dont cha babe
Get out of my life why dont cha babe
You dont really need me
But you keep me hanginon
Why do you keep a comin around
Playing with my heart
Why dont cha get out of my life
And let me make a brand new start
Let me get over you
The way youve gotten over me yeah
Set me free why dont cha babe
Get out of my life why dont cha babe
cause you dont really love me
You just keep me hanginon
No you dont really need me
You just keep me (keep me) hangin on
You say although we broke up
You still just wanna be friends
But how can we still be friends
When seeing you only breaks my heart again
(and there aint nothing I can do about it)
(keep me hangin on)
(yeah)
Get out, get out of my life
And let me sleep at night
cos you dont really love me
You just keep me (keep me) hanginon
(keep me hangin on)
(keep me hangin on)
(keep me hangin on)
Another step nearer your heart
Another step closer to knowing you
Another step nearer your heart
Im on my way
Junior: I never thought it could happen
Being close to someone like you
Kim: but you know this isnt just a minute affair
If we make time and take a lot of care
I love everything about it
Junior: (everything)
Kim: theres such a good feel about it
Junior:and I know where Im gonna be
If you take a step closer to me

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John, John

John, oh, john,
John,
Let's hope for peace.
Oh, john, let's hope for peace.
John, oh, john,
Let's hope for peace,
Let's hope for peace,
Let's hope for peace,
Peace, peace, peace.
Oh, john, oh, john, john, john,
Oh, john,
John,
Oh, oh, john, john, john,
John, john, john, john, john, john,
John, john, john, john, john, john, john,
Let's hope, hope, hope, hope, hope, hope, hope for peace.
Peace -
John.

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John, John

John, oh, john,
John,
Let's hope for peace.
Oh, john, let's hope for peace.
John, oh, john,
Let's hope for peace,
Let's hope for peace,
Let's hope for peace,
Peace, peace, peace.
Oh, john, oh, john, john, john,
Oh, john,
John,
Oh, oh, john, john, john,
John, john, john, john, john, john,
John, john, john, john, john, john, john,
Let's hope, hope, hope, hope, hope, hope, hope for peace.
Peace -
John.

song performed by Yoko OnoReport problemRelated quotes
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We've Heard It All Before

Einstein, he said, nothings original
Find something new, That's easy for him to say
Took his whole life explaining his theory
Try squeezing your life into 3 minute songs like
"My love, your face is a symphony
You play the strings of my heart
Say that we never shall part
If you say goodbye, then I'll surely die without you"
Oh, we've heard it all before
Oh, we've heard it all before
Don't wanna hear it anymore
We've heard it, we've heard it (oy)
We've heard it, we've heard it (oy)
We've heard it, we've heard it (oy)
We've heard it, we've heard it (oy)
We've come a long way from mono to stereo
Mozart would freak at the crap on the radio
Hits all produced by computer technology
Stick it in one end, it comes out the other
"My love, your face is a symphony
You play the strings of my heart
Say that we never shall part
If you say goodbye, then I'll surely die without you"
Oh, we've heard it all before
Oh, we've heard it all before
Don't wanna hear it anymore
We've heard it, we've heard it (oy)
We've heard it, we've heard it (oy)
We've heard it, we've heard it (oy)
We've heard it, we've heard it (oy)
You plug us in and we regurgitate the hits
Bombard your senses with sound of microchips
Program it digitally into the top five
Brainwash your ears, is it tape or is it live?
Live, live, live, live, live, live, live, live, live
Oh, we've heard it all before, we've heard it, we've heard it
Oh, we've heard it all before, we've heard it, we've heard it
Don't wanna hear it anymore, we've heard it, we've heard it
Oh, we've heard it all before, we've heard it, we've heard it
Oh

song performed by 10 CcReport problemRelated quotes
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Goliath Of Gath

SAMUEL, Chap. xvii.

YE martial pow'rs, and all ye tuneful nine,
Inspire my song, and aid my high design.
The dreadful scenes and toils of war I write,
The ardent warriors, and the fields of fight:
You best remember, and you best can sing
The acts of heroes to the vocal string:
Resume the lays with which your sacred lyre,
Did then the poet and the sage inspire.
Now front to front the armies were display'd,
Here Israel rang'd, and there the foes array'd;
The hosts on two opposing mountains stood,
Thick as the foliage of the waving wood;
Between them an extensive valley lay,
O'er which the gleaming armour pour'd the day,
When from the camp of the Philistine foes,
Dreadful to view, a mighty warrior rose;
In the dire deeds of bleeding battle skill'd,
The monster stalks the terror of the field.
From Gath he sprung, Goliath was his name,
Of fierce deportment, and gigantic frame:
A brazen helmet on his head was plac'd,
A coat of mail his form terrific grac'd,
The greaves his legs, the targe his shoulders prest:
Dreadful in arms high-tow'ring o'er the rest
A spear he proudly wav'd, whose iron head,
Strange to relate, six hundred shekels weigh'd;
He strode along, and shook the ample field,
While Phoebus blaz'd refulgent on his shield:
Through Jacob's race a chilling horror ran,
When thus the huge, enormous chief began:
"Say, what the cause that in this proud array
"You set your battle in the face of day?
"One hero find in all your vaunting train,
"Then see who loses, and who wins the plain;
"For he who wins, in triumph may demand
"Perpetual service from the vanquish'd land:
"Your armies I defy, your force despise,
"By far inferior in Philistia's eyes:
"Produce a man, and let us try the fight,
"Decide the contest, and the victor's right."
Thus challeng'd he: all Israel stood amaz'd,
And ev'ry chief in consternation gaz'd;
But Jesse's son in youthful bloom appears,
And warlike courage far beyond his years:
He left the folds, he left the flow'ry meads,
And soft recesses of the sylvan shades.
Now Israel's monarch, and his troops arise,
With peals of shouts ascending to the skies;

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