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Spooks: The Greater Good

Cast: Kit Harington, Jennifer Ehle, Elyes Gabel, David Harewood, Lara Pulver, Tuppence Middleton, Peter Firth, Tim McInnerny

trailer for Spooks: The Greater Good, directed by Bharat Nalluri (2015)
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Lara

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.

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poem by Byron
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Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

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poem by Byron
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Canto the First

I.

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

[...] Read more

poem by Byron from Lara (1815)
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Peter Bell, A Tale

PROLOGUE

There's something in a flying horse,
There's something in a huge balloon;
But through the clouds I'll never float
Until I have a little Boat,
Shaped like the crescent-moon.

And now I 'have' a little Boat,
In shape a very crescent-moon
Fast through the clouds my boat can sail;
But if perchance your faith should fail,
Look up--and you shall see me soon!

The woods, my Friends, are round you roaring,
Rocking and roaring like a sea;
The noise of danger's in your ears,
And ye have all a thousand fears
Both for my little Boat and me!

Meanwhile untroubled I admire
The pointed horns of my canoe;
And, did not pity touch my breast,
To see how ye are all distrest,
Till my ribs ached, I'd laugh at you!

Away we go, my Boat and I--
Frail man ne'er sate in such another;
Whether among the winds we strive,
Or deep into the clouds we dive,
Each is contented with the other.

Away we go--and what care we
For treasons, tumults, and for wars?
We are as calm in our delight
As is the crescent-moon so bright
Among the scattered stars.

Up goes my Boat among the stars
Through many a breathless field of light,
Through many a long blue field of ether,
Leaving ten thousand stars beneath her:
Up goes my little Boat so bright!

The Crab, the Scorpion, and the Bull--
We pry among them all; have shot
High o'er the red-haired race of Mars,
Covered from top to toe with scars;
Such company I like it not!

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poem by William Wordsworth
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Canto the Second

I.

Night wanes — the vapours round the mountains curl'd,
Melt into morn, and Light awakes the world.
Man has another day to swell the past,
And lead him near to little, but his last;
But mighty Nature bounds as from her birth,
The sun is in the heavens, and life on earth;
Flowers in the valley, splendour in the beam,
Health on the gale, and freshness in the stream.
Immortal man! behold her glories shine,
And cry, exulting inly, "They are thine!"
Gaze on, while yet thy gladden'd eye may see,
A morrow comes when they are not for thee;
And grieve what may above thy senseless bier,
Nor earth nor sky will yield a single tear;
Nor cloud shall gather more, nor leaf shall fall,
Nor gale breathe forth one sigh for thee, for all;
But creeping things shall revel in their spoil,
And fit thy clay to fertilise the soil.

II.

'Tis morn — 'tis noon — assembled in the hall,
The gather'd chieftains come to Otho's call:
'Tis now the promised hour, that must proclaim
The life or death of Lara's future fame;
When Ezzelin his charge may here unfold,
And whatsoe'er the tale, it must be told.
His faith was pledged, and Lara's promise given,
To meet it in the eye of man and Heaven.
Why comes he not? Such truths to be divulged,
Methinks the accuser's rest is long indulged.

III.

The hour is past, and Lara too is there,
With self-confiding, coldly patient air;
Why comes not Ezzelin? The hour is past,
And murmurs rise, and Otho's brow's o'ercast,
"I know my friend! his faith I cannot fear,
If yet he be on earth, expect him here;
The roof that held him in the valley stands
Between my own and noble Lara's lands;
My halls from such a guest had honour gain'd,
Nor had Sir Ezzelin his host disdain'd,
But that some previous proof forbade his stay,
And urged him to prepare against to-day;
The word I pledge for his I pledge again,
Or will myself redeem his knighthood's stain."

[...] Read more

poem by Byron from Lara (1815)
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Peter Bell The Third

BY MICHING MALLECHO, Esq.

Is it a party in a parlour,
Crammed just as they on earth were crammed,
Some sipping punch-some sipping tea;
But, as you by their faces see,
All silent, and all-damned!

Peter Bell, by W. Wordsworth.

Ophelia.-What means this, my lord?
Hamlet.-Marry, this is Miching Mallecho; it means mischief.
~Shakespeare.

PROLOGUE
Pet er Bells, one, two and three,
O'er the wide world wandering be.-
First, the antenatal Peter,
Wrapped in weeds of the same metre,
The so-long-predestined raiment
Clothed in which to walk his way meant
The second Peter; whose ambition
Is to link the proposition,
As the mean of two extremes-
(This was learned from Aldric's themes)
Shielding from the guilt of schism
The orthodoxal syllogism;
The First Peter-he who was
Like the shadow in the glass
Of the second, yet unripe,
His substantial antitype.-
Then came Peter Bell the Second,
Who henceforward must be reckoned
The body of a double soul,
And that portion of the whole
Without which the rest would seem
Ends of a disjointed dream.-
And the Third is he who has
O'er the grave been forced to pass
To the other side, which is,-
Go and try else,-just like this.
Peter Bell the First was Peter
Smugger, milder, softer, neater,
Like the soul before it is
Born from that world into this.
The next Peter Bell was he,
Predevote, like you and me,
To good or evil as may come;
His was the severer doom,-

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poem by Percy Bysshe Shelley
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The peter-bird

Out of the woods by the creek cometh a calling for Peter,
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that strange crying for Peter,
Over the meadows that call is aye and forever repeated.
So let me tell you the tale, when, where, and how it all happened,
And, when the story is told, let us pay heed to the lesson.

Once on a time, long ago, lived in the State of Kentucky
One that was reckoned a witch--full of strange spells and devices;
Nightly she wandered the woods, searching for charms voodooistic--
Scorpions, lizards, and herbs, dormice, chameleons, and plantains!
Serpents and caw-caws and bats, screech-owls and crickets and adders--
These were the guides of that witch through the dank deeps of the forest.
Then, with her roots and her herbs, back to her cave in the morning
Ambled that hussy to brew spells of unspeakable evil;
And, when the people awoke, seeing that hillside and valley
Sweltered in swathes as of mist--"Look!" they would whisper in terror--
"Look! the old witch is at work brewing her spells of great evil!"
Then would they pray till the sun, darting his rays through the vapor,
Lifted the smoke from the earth and baffled the witch's intentions.

One of the boys at that time was a certain young person named Peter,
Given too little to work, given too largely to dreaming;
Fonder of books than of chores, you can imagine that Peter
Led a sad life on the farm, causing his parents much trouble.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
So it was "Peter!" all day--calling, reminding, and chiding--
Peter neglected his work; therefore that nagging at Peter!

Peter got hold of some books--how, I'm unable to tell you;
Some have suspected the witch--this is no place for suspicions!
It is sufficient to stick close to the thread of the legend.
Nor is it stated or guessed what was the trend of those volumes;
What thing soever it was--done with a pen and a pencil,
Wrought with a brain, not a hoe--surely 't was hostile to farming!

"Fudge on all readin'!" they quoth; or "that's what's the ruin of
Peter!"

So, when the mornings were hot, under the beech or the maple,
Cushioned in grass that was blue, breathing the breath of the blossoms,
Lulled by the hum of the bees, the coo of the ring-doves a-mating,
Peter would frivol his time at reading, or lazing, or dreaming.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
"Peter!" and "Peter!" all day--calling, reminding, and chiding--
Peter neglected his chores; therefore that outcry for Peter;
Therefore the neighbors allowed evil would surely befall him--
Yes, on account of these things, ruin would come upon Peter!

[...] Read more

poem by Eugene Field
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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.

Sir Peter

So-
What are their names?

John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-

Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?

John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?

Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.

John Curzon

going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

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poem by William Morris
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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

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poem by Gert Strydom
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All I Have (feat. Jennifer Lopez)

(LL Cool J)
Baby, don't go... Baby, don't go...
Baby, dont go... Baby, don't go...
Baby, don't go... Baby, don't go...
(Jennifer)
Ooh... Yeah... Yeah... Yeah...
(Jennifer)
It's such a shame but I'm leaving
Can't take the way you're mistreating me
And it's crazy, but oh baby
It don't matter, whatever
Don't phase me
(LL Cool J)
I don't believe you wanna leave like this
I don't believe I just had my last real kiss
I do believe we'll laugh and reminisce
Wait a minute, don't bounce baby,
let's talk about this, man...
(Jennifer)
Well I'm bouncin' and I'm out son
I gotta leave you alone
'Cause I'm good
Holdin' down my spot
And I'm good
Reppin' the girls on the block
And I'm good
I got this thing on lock
So without me you'll be fine - right
(Jennifer)
All my pride is all I have
(LL Cool J)
Pride is what you had, baby girl I'm what you have
(Jennifer)
You'll be needing me but too bad
(LL Cool J)
Be easy, don't make decisions while you're mad
(Jennifer)
The path you chose to run alone
(LL Cool J)
I know you're independent, you can make it on your own
(Jennifer)
Here with me you had a home, oh yeah...
(LL Cool J)
But time is of the essence, why spend it alone
(Jennifer)
The nights I waited up for you
Promises you made about coming through
So much time you wasted
That's why I had to replace you
(LL Cool J)

[...] Read more

song performed by LL Cool J
Added by Lucian Velea
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Adrienne Vittadini

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poem by Caasder Fronds
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The Borough. Letter XXII: Peter Grimes

Old Peter Grimes made fishing his employ,
His wife he cabin'd with him and his boy,
And seem'd that life laborious to enjoy:
To town came quiet Peter with his fish,
And had of all a civil word and wish.
He left his trade upon the sabbath-day,
And took young Peter in his hand to pray:
But soon the stubborn boy from care broke loose,
At first refused, then added his abuse:
His father's love he scorn'd, his power defied,
But being drunk, wept sorely when he died.

Yes! then he wept, and to his mind there came
Much of his conduct, and he felt the shame,--
How he had oft the good old man reviled,
And never paid the duty of a child;
How, when the father in his Bible read,
He in contempt and anger left the shed:
"It is the word of life," the parent cried;
--"This is the life itself," the boy replied;
And while old Peter in amazement stood,
Gave the hot spirit to his boiling blood:--
How he, with oath and furious speech, began
To prove his freedom and assert the man;
And when the parent check'd his impious rage,
How he had cursed the tyranny of age,--
Nay, once had dealt the sacrilegious blow
On his bare head, and laid his parent low;
The father groan'd--"If thou art old," said he,
"And hast a son--thou wilt remember me:
Thy mother left me in a happy time,
Thou kill'dst not her--Heav'n spares the double-crime."

On an inn-settle, in his maudlin grief,
This he revolved, and drank for his relief.

Now lived the youth in freedom, but debarr'd
From constant pleasure, and he thought it hard;
Hard that he could not every wish obey,
But must awhile relinquish ale and play;
Hard! that he could not to his cards attend,
But must acquire the money he would spend.

With greedy eye he look'd on all he saw,
He knew not justice, and he laugh'd at law;
On all he mark'd he stretch'd his ready hand;
He fish'd by water, and he filch'd by land:
Oft in the night has Peter dropp'd his oar,
Fled from his boat and sought for prey on shore;
Oft up the hedge-row glided, on his back

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poem by George Crabbe
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Absalom and Achitophel

In pious times, e'er Priest-craft did begin,
Before Polygamy was made a sin;
When man, on many, multiply'd his kind,
E'r one to one was, cursedly, confind:
When Nature prompted, and no law deny'd
Promiscuous use of Concubine and Bride;
Then, Israel's monarch, after Heaven's own heart,
His vigorous warmth did, variously, impart
To Wives and Slaves; And, wide as his Command,
Scatter'd his Maker's Image through the Land.
Michal, of Royal blood, the Crown did wear,
A Soyl ungratefull to the Tiller's care;
Not so the rest; for several Mothers bore
To Godlike David, several Sons before.
But since like slaves his bed they did ascend,
No True Succession could their seed attend.
Of all this Numerous Progeny was none
So Beautifull, so brave as Absalon:
Whether, inspir'd by some diviner Lust,
His father got him with a greater Gust;
Or that his Conscious destiny made way
By manly beauty to Imperiall sway.
Early in Foreign fields he won Renown,
With Kings and States ally'd to Israel's Crown
In Peace the thoughts of War he could remove,
And seem'd as he were only born for love.
What e'er he did was done with so much ease,
In him alone, 'twas Natural to please.
His motions all accompanied with grace;
And Paradise was open'd in his face.
With secret Joy, indulgent David view'd
His Youthfull Image in his Son renew'd:
To all his wishes Nothing he deny'd,
And made the Charming Annabel his Bride.
What faults he had (for who from faults is free?)
His Father could not, or he would not see.
Some warm excesses, which the Law forbore,
Were constru'd Youth that purg'd by boyling o'r:
And Amnon's Murther, by a specious Name,
Was call'd a Just Revenge for injur'd Fame.
Thus Prais'd, and Lov'd, the Noble Youth remain'd,
While David, undisturb'd, in Sion raign'd.
But Life can never be sincerely blest:
Heaven punishes the bad, and proves the best.
The Jews, a Headstrong, Moody, Murmuring race,
As ever try'd th' extent and stretch of grace;
God's pamper'd people whom, debauch'd with ease,
No King could govern, nor no God could please;
(Gods they had tri'd of every shape and size
That Gods-smiths could produce, or Priests devise.)

[...] Read more

poem by John Dryden
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Peter Anderson And Co.

He had offices in Sydney, not so many years ago,
And his shingle bore the legend `Peter Anderson and Co.',
But his real name was Careless, as the fellows understood --
And his relatives decided that he wasn't any good.
'Twas their gentle tongues that blasted any `character' he had --
He was fond of beer and leisure -- and the Co. was just as bad.
It was limited in number to a unit, was the Co. --
'Twas a bosom chum of Peter and his Christian name was Joe.

'Tis a class of men belonging to these soul-forsaken years:
Third-rate canvassers, collectors, journalists and auctioneers.
They are never very shabby, they are never very spruce --
Going cheerfully and carelessly and smoothly to the deuce.
Some are wanderers by profession, `turning up' and gone as soon,
Travelling second-class, or steerage (when it's cheap they go saloon);
Free from `ists' and `isms', troubled little by belief or doubt --
Lazy, purposeless, and useless -- knocking round and hanging out.
They will take what they can get, and they will give what they can give,
God alone knows how they manage -- God alone knows how they live!
They are nearly always hard-up, but are cheerful all the while --
Men whose energy and trousers wear out sooner than their smile!
They, no doubt, like us, are haunted by the boresome `if' or `might',
But their ghosts are ghosts of daylight -- they are men who live at night!

Peter met you with the comic smile of one who knows you well,
And is mighty glad to see you, and has got a joke to tell;
He could laugh when all was gloomy, he could grin when all was blue,
Sing a comic song and act it, and appreciate it, too.
Only cynical in cases where his own self was the jest,
And the humour of his good yarns made atonement for the rest.
Seldom serious -- doing business just as 'twere a friendly game --
Cards or billiards -- nothing graver. And the Co. was much the same.

They tried everything and nothing 'twixt the shovel and the press,
And were more or less successful in their ventures -- mostly less.
Once they ran a country paper till the plant was seized for debt,
And the local sinners chuckle over dingy copies yet.

They'd been through it all and knew it in the land of Bills and Jims --
Using Peter's own expression, they had been in `various swims'.
Now and then they'd take an office, as they called it, -- make a dash
Into business life as `agents' -- something not requiring cash.
(You can always furnish cheaply, when your cash or credit fails,
With a packing-case, a hammer, and a pound of two-inch nails --
And, maybe, a drop of varnish and sienna, too, for tints,
And a scrap or two of oilcloth, and a yard or two of chintz).
They would pull themselves together, pay a week's rent in advance,
But it never lasted longer than a month by any chance.

The office was their haven, for they lived there when hard-up --

[...] Read more

poem by Henry Lawson
Added by Poetry Lover
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The Runcorn Ferry

On the banks of the Mersey, o'er on Cheshire side,
Lies Runcorn that's best known to fame
By Transporter Bridge as takes folks over t'stream,
Or else brings them back across same.

In days afore Transporter Bridge were put up,
A ferryboat lay in the slip,
And old Ted the boatman would row folks across
At per tuppence per person per trip.

Now Runcorn lay over on one side of stream,
And Widnes on t'other side stood,
And, as nobody wanted to go either place,
Well, the trade wasn't any too good.

One evening, to Ted's superlative surprise,
Three customers came into view:
A Mr and Mrs Ramsbottom it were,
And Albert, their little son, too.

"How much for the three?" Mr Ramsbottom asked,
As his hand to his pocket did dip.
Ted said: "Same for three as it would be for one,
Per tuppence per person per trip."

"You're not charging tuppence for that little lad?"
Said Mother, her eyes flashing wild.
"Per tuppence per person per trip", answered Ted,
"Per woman, per man, or per child".

"Fivepence for three, that's the most that I'll pay",
Said Father, "Don't waste time in talk".
"Per tuppence per person per trip", answered Ted,
"And them, as can't pay, 'as to walk!"

"We can walk, an' all", said Father. "Come Mother,
It's none so deep, weather's quite mild".
So into the water the three of them stepped:
The father, the mother, the child.

The further they paddled, the deeper it got,
But they wouldn't give in, once begun.
In the spirit that's made Lancashire what she is,
They'd sooner be drownded than done.

Very soon, the old people were up to their necks,
And the little lad clean out of sight.
Said Father: "Where's Albert?" And Mother replied:
"I've got hold of his hand, he's all right!"

[...] Read more

poem by Marriott Edgar
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Jennifer Ever

She always waits for someone
Someone who'll never leave
Reveiling her decision
Her arms cover me
My couple, no one
To anyone believe
She always waits for someone
Someone, someone just like me
Jennifer
Jennifer Ever
Jennifer
Jennifer always tells me
Please don't be afraid
I just want to hold you
I only want you to stay
My couple, no one
To anyone believe
She always waits for someone
Someone, someone just like me
Jennifer
Jennifer Ever
Jennifer
Jennifer
Jennifer Ever
Jennifer
My couple, no one
To anyone believe
She always waits for someone
Someone, someone just like me
Jennifer
Jennifer Ever
Jennifer

song performed by Smashing Pumpkins
Added by Lucian Velea
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Additions

The Fire at Tranter Sweatley's

THEY had long met o' Zundays--her true love and she--
And at junketings, maypoles, and flings;
But she bode wi' a thirtover uncle, and he
Swore by noon and by night that her goodman should be
Naibor Sweatley--a gaffer oft weak at the knee
From taking o' sommat more cheerful than tea--
Who tranted, and moved people's things.

She cried, "O pray pity me!" Nought would he hear;
Then with wild rainy eyes she obeyed,
She chid when her Love was for clinking off wi' her.
The pa'son was told, as the season drew near
To throw over pu'pit the names of the peäir
As fitting one flesh to be made.

The wedding-day dawned and the morning drew on;
The couple stood bridegroom and bride;
The evening was passed, and when midnight had gone
The folks horned out, "God save the King," and anon
The two home-along gloomily hied.

The lover Tim Tankens mourned heart-sick and drear
To be thus of his darling deprived:
He roamed in the dark ath'art field, mound, and mere,
And, a'most without knowing it, found himself near
The house of the tranter, and now of his Dear,
Where the lantern-light showed 'em arrived.

The bride sought her cham'er so calm and so pale
That a Northern had thought her resigned;
But to eyes that had seen her in tide-times of weal,
Like the white cloud o' smoke, the red battlefield's vail,
That look spak' of havoc behind.

The bridegroom yet laitered a beaker to drain,
Then reeled to the linhay for more,
When the candle-snoff kindled some chaff from his grain--
Flames spread, and red vlankers, wi' might and wi' main,
And round beams, thatch, and chimley-tun roar.

Young Tim away yond, rafted up by the light,
Through brimble and underwood tears,
Till he comes to the orchet, when crooping thereright
In the lewth of a codlin-tree, bivering wi' fright,
Wi' on'y her night-rail to screen her from sight,
His lonesome young Barbree appears.

Her cwold little figure half-naked he views

[...] Read more

poem by Thomas Hardy
Added by Poetry Lover
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The Fire at Tranter Sweatley's

They had long met o' Zundays--her true love and she--
And at junketings, maypoles, and flings;
But she bode wi' a thirtover uncle, and he
Swore by noon and by night that her goodman should be
Naibor Sweatley--a gaffer oft weak at the knee
From taking o' sommat more cheerful than tea--
Who tranted, and moved people's things.

She cried, "O pray pity me!" Nought would he hear;
Then with wild rainy eyes she obeyed,
She chid when her Love was for clinking off wi' her.
The pa'son was told, as the season drew near
To throw over pu'pit the names of the peäir
As fitting one flesh to be made.

The wedding-day dawned and the morning drew on;
The couple stood bridegroom and bride;
The evening was passed, and when midnight had gone
The folks horned out, "God save the King," and anon
The two home-along gloomily hied.

The lover Tim Tankens mourned heart-sick and drear
To be thus of his darling deprived:
He roamed in the dark ath'art field, mound, and mere,
And, a'most without knowing it, found himself near
The house of the tranter, and now of his Dear,
Where the lantern-light showed 'em arrived.

The bride sought her cham'er so calm and so pale
That a Northern had thought her resigned;
But to eyes that had seen her in tide-times of weal,
Like the white cloud o' smoke, the red battlefield's vail,
That look spak' of havoc behind.

The bridegroom yet laitered a beaker to drain,
Then reeled to the linhay for more,
When the candle-snoff kindled some chaff from his grain--
Flames spread, and red vlankers, wi' might and wi' main,
And round beams, thatch, and chimley-tun roar.

Young Tim away yond, rafted up by the light,
Through brimble and underwood tears,
Till he comes to the orchet, when crooping thereright
In the lewth of a codlin-tree, bivering wi' fright,
Wi' on'y her night-rail to screen her from sight,
His lonesome young Barbree appears.

Her cwold little figure half-naked he views
Played about by the frolicsome breeze,
Her light-tripping totties, her ten little tooes,

[...] Read more

poem by Thomas Hardy
Added by Poetry Lover
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Peace On Earth - Little Drummer Boy

David: hello...... youre the new butler?
Bing: hahaha! well, its been a long time since Ive been the new anything!
David: whats happened to hudson?
Bing: I guess hes changing.
David: yeah, he does that a lot, doesnt he? uhm... oh, Im david bowie, I live
Down the road.
Bing: oh!
David: sir percival lets me use his piano if he not around. hes not around, is
He?
Bing: I can honestly say I havent seen him, but come on in! come in!
David: but uh...
Bing: come on in!
David: are you related to sir percival?
Bing: well, distantly...
David: oh, youre not the poor relation from america, right?
Bing: ha! gee... news sure travels fast, doesnt it? Im bing.
David: oh, Im pleased to meet you. youre the one that sings, right?
Bing: well, right or wrong, I sing either way.
David: oh well, I sing too.
Bing: oh good! what kind of singing?
David: mostly the contemporary stuff. do you eh... do you like modern music?
Bing: oh, I think its marvellous! some of its really fine. but tell me, have you ever listened to any of the older fellows?
David: oh yeah, sure. I like ah... john lennon and the other one with eh...harry
Nilsson.
Bing: mmm... you go back that far, uh?
David: yeah, Im not as young as I look.
Bing: haha, none of us is these days!
David: in fact Ive got a six year old son. and he really gets excited around the christmas holiday-thing.
Bing: do you go in for anything of the traditional things in the... boy, household, christmas time?
David: oh yeah, most of them really. presents, tree, decorations, agents sliding down the chimney...
Bing: what? ?
David: oh, I was just seeing if you were paying attention.
Bing: haha!
David: actually, our family do most of the things that other families do. we
Sing the same songs.
Bing: do you?
David: oh, I even have a go at white christmas.
Bing: you do, eh!
David: and this one. this is my sons favourite. do you know this one?
Bing: oh, I do indeed, its a lovely theme.
And they told me pa-ram-pam-pam-pam
A new-born king to see pa-ram-pam-pam-pam
Our finest gifts we bring pa-ram-pam-pam-pam
Ra-pam-pam-pam, ra-pam-pam-pam
Peace on earth, can it be
Years from now, perhaps well see
See the day of glory
See the day, when men of good will
Live in peace, live in peace again
Peace on earth, can it be

[...] Read more

song performed by David Bowie
Added by Lucian Velea
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Peace On Earth / Little Drummer Boy (feat. Bing Crosby)

David: Hello...... you're the new butler?
Bing: Hahaha! Well, it's been a long time since I've been the new anything!
David: What's happened to Hudson?
Bing: I guess he's changing.
David: Yeah, he does that a lot, doesn't he? Uhm... Oh, I'm David Bowie, I live
down the road.
Bing: Oh!
David: Sir Percival let's me use his piano if he not around. He's not around, is
he?
Bing: I can honestly say I haven't seen him, but come on in! Come in!
David: But uh...
Bing: Come on in!
David: Are you related to sir Percival?
Bing: Well, distantly...
David: Oh, you're not the poor relation from America, right?
Bing: Ha! Gee... news sure travels fast, doesn't it? I'm Bing.
David: Oh, I'm pleased to meet you. You're the one that sings, right?
Bing: Well, right or wrong, I sing either way.
David: Oh well, I sing too.
Bing: Oh good! What kind of singing?
David: Mostly the contemporary stuff. Do you eh... do you like modern music?
Bing: Oh, I think it's marvellous! Some of it's really fine. But tell me, have you ever listened to any of the older fellows?
David: Oh yeah, sure. I like ah... John Lennon and the other one with eh...Harry
Nilsson.
Bing: Mmm... you go back that far, uh?
David: Yeah, I'm not as young as I look.
Bing: Haha, none of us is these days!
David: In fact I've got a six year old son. And he really gets excited around the Christmas holiday-thing.
Bing: Do you go in for anything of the traditional things in the... boy, household, Christmas time?
David: Oh yeah, most of them really. Presents, tree, decorations, agents sliding down the chimney...
Bing: What??
David: Oh, I was just seeing if you were paying attention.
Bing: Haha!
David: Actually, our family do most of the things that other families do. We
sing the same songs.
Bing: Do you?
David: Oh, I even have a go at 'White Christmas'.
Bing: You do, eh!
David: And this one. This is my son's favourite. Do you know this one?
Bing: Oh, I do indeed, it's a lovely theme.
And they told me pa-ram-pam-pam-pam
A new-born king to see pa-ram-pam-pam-pam
Our finest gifts we bring pa-ram-pam-pam-pam
Ra-pam-pam-pam, ra-pam-pam-pam
Peace on Earth, can it be
Years from now, perhaps we'll see
See the day of glory
See the day, when men of good will
Live in peace, live in peace again
Peace on Earth, can it be

[...] Read more

song performed by David Bowie
Added by Lucian Velea
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