Reclaim [trailer 2]
Cast: John Cusack, Ryan Phillippe, Rachelle Lefevre, Jacki Weaver, Luis Guzman, Briana Roy, Jandres Burgos, Veronica Faye Foo
trailer for Reclaim, directed by Alan White (2014)
Added by Veronica Serbanoiu
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Related quotes
Knyghthode and Bataile
A XVth Century Verse Paraphrase of Flavius Vegetius Renatus' Treatise 'DE RE MILITARI'
Proemium.
Salue, festa dies
i martis,
Mauortis! auete
Kalende. Qua Deus
ad celum subleuat
ire Dauid.
Hail, halyday deuout! Alhail Kalende
Of Marche, wheryn Dauid the Confessour
Commaunded is his kyngis court ascende;
Emanuel, Jhesus the Conquerour,
This same day as a Tryumphatour,
Sette in a Chaire & Throne of Maiestee,
To London is comyn. O Saviour,
Welcome a thousand fold to thi Citee!
And she, thi modir Blessed mot she be
That cometh eke, and angelys an ende,
Wel wynged and wel horsed, hidir fle,
Thousendys on this goode approche attende;
And ordir aftir ordir thei commende,
As Seraphin, as Cherubyn, as Throne,
As Domynaunce, and Princys hidir sende;
And, at o woord, right welcom euerychone!
But Kyng Herry the Sexte, as Goddes Sone
Or themperour or kyng Emanuel,
To London, welcomer be noo persone;
O souuerayn Lord, welcom! Now wel, Now wel!
Te Deum to be songen, wil do wel,
And Benedicta Sancta Trinitas!
Now prosperaunce and peax perpetuel
Shal growe,-and why? ffor here is Vnitas.
Therof to the Vnitee 'Deo gracias'
In Trinitee! The Clergys and Knyghthode
And Comynaltee better accorded nas
Neuer then now; Now nys ther noon abode,
But out on hem that fordoon Goddes forbode,
Periurous ar, Rebellovs and atteynte,
So forfaytinge her lyif and lyvelode,
Although Ypocrisie her faytys peynte.
[...] Read more
poem by Anonymous Olde English
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Reclaim
Cast: John Cusack, Ryan Phillippe, Rachelle Lefevre, Jacki Weaver, Luis Guzman, Briana Roy, Jandres Burgos, Veronica Faye Foo
trailer for Reclaim, directed by Alan White (2014)
Added by Veronica Serbanoiu
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Kung Fu Fighting (dance Remix)
Oh Oh Oh Ooooh
Ya'll ready?
Oh Oh Oh Ooooh
Yeah.
Let's Go!
Oh Oh Oh Ooooh
Now here it is, want to make you move
something with a funky Kung Foo groove
something that will make you shout
make you play to the crowd
and make you want to turn it out
so homies gather 'round (right 'round)
i'll pick you up take you on go pound-for-pound
'cuz i'm the only man who'll please ya
i got a little something that'll tease ya
so throw those hands up high (come on)
shake your body move from side to side (thats right)
cuz we just begun party people in the place yeah we're having fun
oh yeah i'm gonna be a big star
i'm gonna lay it on and go woo-hah
cuz when the mood gets exciting (come on)
when everybody's Kung Foo fighting
(Chorus)
Everybody was Kung Fu Fighting - hunh (come on, hoo-hah)
Those kids were fast as lighhing - ha (woo-chop)
In fact it was a little bit frightening - hunh (huh-huh-huh)
But they fought with expert timing. - ha
Sing it girl
Sexy Kung Foo Fighter
Let me take you higher
i got the moves baby
sing kung foo fighter
take you higher
Aaaaw yeah!
There's bright lights on and no cold flow (so what?)
A kung foo fighter in a disco
he's out to take his chance
he goes for honeys in the house and he goes for romance (he's on the floor)
he's got a white suit on fight pants on and the night has just begun
cuz when he lays it on with style
a ladies man with a nice smile
and right befroe his eyes
sees a pretty young thing looking real fly (so fly)
he wants to make the score
so he takes her hand and leads her to the dance floor
he's giving her line after line
she tells him that he looks real fine
she sees the man's perfect timing
just like when he's kung foo fighting
(chorus)
[...] Read more
song performed by Fatboy Slim
Added by Lucian Velea
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Robin Hood and the Monk
In somer, when the shawes be sheyne,
And leves be large and long,
Hit is full mery in feyre foreste
To here the foulys song,
To se the dere draw to the dale,
And leve the hilles hee,
And shadow hem in the leves grene,
Under the grene wode tre.
Hit befel on Whitson
Erly in a May mornyng,
The son up feyre can shyne,
And the briddis mery can syng.
'This is a mery mornyng,' seid Litull John,
'Be Hym that dyed on tre;
A more mery man then I am one
Lyves not in Cristianté.
'Pluk up thi hert, my dere mayster,'
Litull John can sey,
'And thynk hit is a full fayre tyme
In a mornyng of May.'
'Ye, on thyng greves me,' seid Robyn,
'And does my hert mych woo:
That I may not no solem day
To mas nor matyns goo.
'Hit is a fourtnet and more,' seid he,
'Syn I my Savyour see;
To day wil I to Notyngham,' seid Robyn,
'With the myght of mylde Marye.'
Than spake Moche, the mylner sun,
Ever more wel hym betyde!
'Take twelve of thi wyght yemen,
Well weppynd, be thi side.
Such on wolde thi selfe slon,
That twelve dar not abyde.'
'Of all my mery men,' seid Robyn,
'Be my feith I wil non have,
But Litull John shall beyre my bow,
Til that me list to drawe.'
'Thou shall beyre thin own,' seid Litull Jon,
'Maister, and I wyl beyre myne,
And we well shete a peny,' seid Litull Jon,
[...] Read more
poem by Anonymous Olde English
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Heartbeat City
Oh heartbeat city
Here we come
And happy days
Count on thumbs
And nothin really
Gets us down
As long as jackis
Back in town=85hmm
Im glad you made it
I cant complain
Oh jacki (echo)
What took you so long
On just a holiday
Oh jacki (echo)
What took you so long
I thought you knew the way
(heartbeat city)
The noise electric
Never stops
And all you need
Is what you got
And theres a place
For everyone
Under heartbeat citys
Golden sun
(jacki)
Oh jacki
(what took you so long)
What took you so long
On just a holiday
Oh jacki (echo)
(what took you so long)
What took you so long
(so long)
I thought you knew the way
Oh, yeah yeah yeah
You know? (unintelligible)
Im glad you made it
I cant complain
I missed you so badly
When you jumped that train
(jacki)
Oh jacki
(what took you so long)
What took you so long
On just a holiday
Oh jacki (echo)
(what took you so long)
What took you so long
(so long)
[...] Read more
song performed by Cars
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Wat Tyler - Act III
ACT III.
SCENE—SMITHFIELD.
PIERS (meeting JOHN BALL.)
You look disturb'd, my father?
JOHN BALL.
Piers, I am so.
Jack Straw has forced the Tower: seized the Archbishop,
And beheaded him.
PIERS.
The curse of insurrection!
JOHN BALL.
Aye, Piers! our nobles level down their vassals—
Keep them at endless labour like their brutes,
Degrading every faculty by servitude:
Repressing all the energy of the mind.
We must not wonder then, that like wild beasts,
When they have burst their chains, with brutal rage
They revenge them on their tyrants.
PIERS.
This Archbishop!
He was oppressive to his humble vassals:
Proud, haughty, avaricious.—
JOHN BALL.
A true high-priest!
Preaching humility with his mitre on!
Praising up alms and Christian charity
Even whilst his unforgiving hand distress'd
His honest tenants.
[...] Read more
poem by Robert Southey
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In Pursuit of the Poetic Soul of Ryan Adams
In Pursuit of the Poetic Soul of Ryan Adams
By Uriah Lee Hamilton
Last day of summer, football Saturday afternoon. A Warm breeze was pushing me toward Ann Arbor like a happy autumn leaf in pursuit of the beautiful poetic soul of Ryan Adams. Lovely charming mood all the way playing Easy Tiger and Demolition and feeling like the universe was kind and smiling.
Exit off 94 West onto State Street and all excited to make my way to Liberty Street and the heart of the College town I love. Kids were milling around everywhere in their gold and blue, gleeful and happy that Michigan is now playing 500 football after a discouraging start. Parking spaces across the street from Michigan Theater in the parking structure are all taken, I have to drive to the roof and still wait for a football fan to leave.
Me and my friend Cassandra start walking around and dig everything and everyone we see. Ann Arbor brings out your gentle Jack Kerouac nature, the part of you that wants to praise everything for it’s sad but beautiful, integral purpose to this existence.
We enter an Eastern clothing and folk art store that is positively charming and enlightening. I can’t remember the name of the store. Perhaps, it is called the Enchanted Sarong. It almost felt like George Harrison was there with us, beautiful carved statues of Buddha and Krishna and Ganesha were everywhere. The sales lady was friendly and helpful and said sweetly, “we’re Om friendly” as we asked about carved symbols for the breath-word Om. The serene incense Nag Champa drifted through the room but it was now time to leave and make our way to the Ryan Adams concert at Michigan Theater.
I purchased my tickets the very minute they went on sale and prayed I had front row despite my tickets saying double A. No Such luck, but I was still happy to be in row 27. As I was waiting for the show to begin, I saw my concert friend Jeremy and got his attention. He looked as happy and as excited as myself and said he had spent a fortune at some cool record store. Jeremy then handed me a beautiful soundboard copy of Ryan Adams at the Gem Theater in downtown Detroit June 20th 2007. Man, how I’ve been longing for that show! I then gave Jeremy a copy of Ryan’s punk rock band the Finger.
Now the lights go out and the music begins. Ryan Opens with Goodnight Rose and closes with Goodnight Hollywood Boulevard. Everything in-between is just magical. The first auspicious sign was that Ryan came out playing guitar! ! In June, he only sang, he didn’t play any instruments, some injury sidelined him. The June Show as a result was more subtle, almost like MTV Unplugged. Subtle but amazing. Last night was more rocking and adventurous with reworked extended arrangements, ala the Grateful Dead. In particular was a long and lovely version of Off Broadway from Easy Tiger. At the completion of Off Broadway, I shouted, “That was gorgeous! ” Of course, I may have added an expletive, all in the interest of ecstatic joy for music.
Ryan told a story during the show about running into a girl on her way to the concert that didn’t recognize him because he dresses like a plumber. My friend after the show said she thought she saw Ryan Adams on the street near the theater. I asked, “Really? ” She said, “I saw someone that looked like a plumber.” I can say, I didn’t see Ryan on the streets anywhere in Ann Arbor yesterday, but I have been known to miss a plumber or two in my day.
The first two songs in the encore made the whole show for me. Ryan came out by himself with an acoustic guitar and sang Call Me On Your Way Back Home. Toward the end of the song, Ryan played harmonica and I screamed like a schoolgirl, pretty much the way I do whenever Bobby Dylan plays harmonica! And if that wasn’t enough to make the end of summer completely magical, Ryan then sat down at the piano and sang Sylvia Plath: Oh my God, the point of tears! I’ve waited six years to hear him sing that song live from the Album Gold. As I told my friend, that was the song that sealed the deal making Ryan Adams my modern hero! If you want to get my attention and loyalty, sing about one of the tragic poets I love.
poem by Uriah Hamilton
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Sir Peter Harpdon's End
In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.
John Curzon
Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.
Sir Peter
So-
What are their names?
John Curzon
Why, Jacques Aquadent,
And Peter Plombiere, but-
Sir Peter
What colour'd hair
Has Peter now? has Jacques got bow legs?
John Curzon
Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?
Sir Peter
O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.
John Curzon
going.
Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.
[...] Read more
poem by William Morris
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Veronica
Is it all in that pretty little head of yours?
What goes on in that place in the dark?
Well I used to know a girl and I would have
Sworn that her name was veronica
Well she used to have a carefree mind of her
Own and a delicate look in her eye
These days Im afraid shes not even sure if her name is veronica
Chorus:
Do you suppose, that waiting hands on eyes,
Veronica has gone to hide?
And all the time she laughs at those who shout her name and steal her clothes
Veronica
Veronica
Did the days drag by? did the favours wane?
Did he roam down the town all the time?
Will you wake from your dream, with a wolf at
The door, reaching out for veronica
Well it was all of sixty-five years ago
When the world was the street where she lived
And a young man sailed on a ship in the sea
With a picture of veronica
On the empress of india
And as she closed her eyes upon the world and
Picked upon the bones of last weeks news
She spoke his name outloud again
Chorus
Veronica sits in her favourite chair and she sits
Very quiet and still
And they call her a name that they never get
Right and if they dont then nobody else will
But she used to have a carefree mind of her
Own, with devilish look in her eye
Saying you can call me anything you like, but
My name is veronica
Chorus
song performed by Elvis Costello
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Duck an' Fowl
Now, when a bloke 'e cracks a bloke fer insults to a skirt,
An' wrecks a joint to square a lady's name,
They used to call it chivalry, but now they calls it dirt,
An' the end of it is cops an' quod an' shame.
Fer insults to fair Gwendoline they 'ad to be wiped out;
But Rosie's sort is jist fair game-when Ginger ain't about.
It was Jimmie Ah Foo's cook-shop, which is close be Spadger's Lane,
Where a variegated comp'ny tears the scran,
An' there's some is 'tup'ny coloured,' an' some is 'penny plain,'
Frum a lawyer to a common lumper-man.
Or a writer fer the papers, or a slaver on the prowl,
An' noiseless Chows a-glidin' 'round wiv plates uv duck an' fowl.
But if yeh wanted juicy bits that 'ung around Foo's perch
Yeh fetched 'em down an' wolfed 'em in yer place.
An' Foo sat sad an' solim, like an 'oly man in church,
Wiv an early-martyr look upon 'is face;
Wot never changed, not even when a toff upon a jag
Tried to pick up Ginger's Rosie, an' collided wiv a snag.
Ginger Mick's bin at the races, an' 'e'd made a little rise,
'Avin' knowed a bloke wot knowed the trainer's cook.
An' easy money's very sweet, as punters reckernise,
An' sweetest when yeh've prized it orf a 'book.'
So Ginger calls fer Rosic, an' to celerbrate 'is win
'E trots 'er down to Ah Foo's joint to splash a bit uv tin.
There wus lights, an' smells of Asia, an' a strange, Chow-'aunted scene;
Floatin' scraps of forrin lingo 'it the car;
But Rose sails in an' takes 'er scat like any soshul queen
Sich as stokes 'erself wiv foy grass orl the year.
'Duck an' Fowl' 's 'er nomination; so ole Ginger jerks 'is frame
'Cross to git some fancy pickin's, an' to give 'is choice a name.
While Ginger paws the tucker, an' 'as words about the price,
There's a shickered toff slings Rosie goo-goo eyes.
'E's a mug 'oo thinks 'e's 'it a flamin' 'all uv scarlet vice
An' 'e picks on gentle Rosie fer a prize.
Then 'e tries to play at 'andies, an' arrange about a meet;
But Rosie fetches 'im a welt that shifts 'im in 'is seat.
Ginger's busy makin' bargins, an' 'e never seen the clout;
'E is 'agglin' wiv Ah Foo fer 'arf a duck;
But the toff's too shick or silly fer to 'cave 'is carkis out,
An' to fade while goin's good an' 'e's in luck.
Then Ginger clinched 'is bargin, an', as down the room 'e came,
'E seen the toff jump fritm 'is seat, an' call the girl a name.
That done it. Less than larf a mo, an' 'ell got orf the chain;
[...] Read more
poem by Clarence Michael James Stanislaus Dennis
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Dream Weaver
Dream weaver
Ive just closed my eyes again
Climbed aboard the dream weaver train
Driver take away my worries of today
And leave tomorrow behind
Ooh dream weaver
I believe you can get me through the night
Ooh dream weaver
I believe we can reach the morning light
Fly me high through the starry skies
Maybe to an astral plane
Cross the highways of fantasy
Help me to forget todays pain
Ooh dream weaver
I believe you can get me through the night
Ooh dream weaver
I believe we can reach the morning light
Though the dawn may be coming soon
There still may be some time
Fly me away to the bright side of the moon
And meet me on the other side
Ooh dream weaver
I believe you can get me through the night
Ooh dream weaver
I believe we can reach the morning light
Dream weaver
Dream weaver
Dream weaver
- gary wright
song performed by Reo Speedwagon
Added by Lucian Velea
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John Daniel
(Dolly Parton)
John Daniel came to town one summer afternoon
Wearin' dirty work clothes so everyone presumed
He was just another logger from the loggin' camp nearby
And he was, but there was somethin' different in John Daniel's eyes
John Daniel was a young man, not more than twenty-four
And there was an air about him that one could not ignore
And in spite of callused hands & dirty clothes, his face was kind
And I wanted so to know what was in John Daniel's mind
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's somethin' about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
I rented him a room; he went upstairs like all the rest
It was Saturday and he'd be goin' in to town, I guessed
But he left in a robe and sandals, with a Bible in his hand;
And I thought to myself, John Daniel, I don't understand
Now I'd planned to meet some friends of mine when I got off at three,
In the park we often gather to talk of love and peace
When I got there I found that a crowd had gathered 'round;
And there I saw John Daniel a sittin' on the ground
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's somethin' about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
So, "You want to be free," he said, "Well, this is how you can."
As he read from the Bible he held in his hand
We were searchin' for the truth not knowin' where to look,
Not knowin' that the answers all were in John Daniel's book
John Daniel told us all how we could be free
John Daniel taught us all a better way for you and me
He came to us in our own way so we'd be sure to see
He had the light and essence of the man from Galilee
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's something about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
John Daniel, John Daniel, John Daniel
John Daniel do you hold the answer to a higher plan?
John Daniel came to town one summer afternoon
Wearin' dirty work clothes so everyone presumed
He was just another logger from the loggin' camp nearby
And he was, but there was somethin' different in John Daniel's eyes
Ooh, John Daniel, tell me where did you come from
Tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's something about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
song performed by Dolly Parton
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For Veronica's Sake
(Alice Cooper / Bernie Taupin / Dick Wagner)
I got my name and number
I got my bed assigned
I got a dog in the city pound
That I left behind
I'm strapped down and wild-eyed
She's locked up in a pen
She needs somebody to feed her
And I'm her only friend
So for Veronica's sake I gotta get out of here
Yeah for Veronica's sake, she can get pretty weird
Yeah for Veronica's sake I gotta get myself out of here
We both been put in cages
We got our shots and tags
I got my sweatin' fist to shake
She's got her tail to wag
She has to bark and whimper
While I could scream and shout
The clock above the psycho ward
Says time is running out
So for Veronica's sake I gotta get out of here
Yeah for Veronica's sake, she can get pretty weird
Yeah for Veronica's sake I gotta get myself out of here
And I can see her howling all night at the lonely moon
They're going to give her the gas if I don't get there soon
I gotta get there soon
For Veronica's sake I gotta get out of here
Yeah for Veronica's sake, she can get pretty weird
----------------------------------------------------------
song performed by Alice Cooper
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John, John
John, oh, john,
John,
Let's hope for peace.
Oh, john, let's hope for peace.
John, oh, john,
Let's hope for peace,
Let's hope for peace,
Let's hope for peace,
Peace, peace, peace.
Oh, john, oh, john, john, john,
Oh, john,
John,
Oh, oh, john, john, john,
John, john, john, john, john, john,
John, john, john, john, john, john, john,
Let's hope, hope, hope, hope, hope, hope, hope for peace.
Peace -
John.
song performed by Yoko Ono
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John, John
John, oh, john,
John,
Let's hope for peace.
Oh, john, let's hope for peace.
John, oh, john,
Let's hope for peace,
Let's hope for peace,
Let's hope for peace,
Peace, peace, peace.
Oh, john, oh, john, john, john,
Oh, john,
John,
Oh, oh, john, john, john,
John, john, john, john, john, john,
John, john, john, john, john, john, john,
Let's hope, hope, hope, hope, hope, hope, hope for peace.
Peace -
John.
song performed by Yoko Ono
Added by Lucian Velea
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Conroy's Gap
This was the way of it, don't you know --
Ryan was "wanted" for stealing sheep,
And never a trooper, high or low,
Could find him -- catch a weasel asleep!
Till Trooper Scott, from the Stockman's Ford --
A bushman, too, as I've heard them tell --
Chanced to find him drunk as a lord
Round at the Shadow of Death Hotel.
D'you know the place? It's a wayside inn,
A low grog-shanty -- a bushman trap,
Hiding away in its shame and sin
Under the shelter of Conroy's Gap --
Under the shade of that frowning range
The roughest crowd that ever drew breath --
Thieves and rowdies, uncouth and strange,
Were mustered round at the "Shadow of Death".
The trooper knew that his man would slide
Like a dingo pup, if he saw the chance;
And with half a start on the mountain side
Ryan would lead him a merry dance.
Drunk as he was when the trooper came,
to him that did not matter a rap --
Drunk or sober, he was the same,
The boldest rider in Conroy's Gap.
"I want you, Ryan," the trooper said,
"And listen to me, if you dare resist,
So help me heaven, I'll shoot you dead!"
He snapped the steel on his prisoner's wrist,
And Ryan, hearing the handcuffs click,
Recovered his wits as they turned to go,
For fright will sober a man as quick
As all the drugs that the doctors know.
There was a girl in that shanty bar
Went by the name of Kate Carew,
Quiet and shy as the bush girls are,
But ready-witted and plucky, too.
She loved this Ryan, or so they say,
And passing by, while her eyes were dim
With tears, she said in a careless way,
"The Swagman's round in the stable, Jim."
Spoken too low for the trooper's ear,
Why should she care if he heard or not?
Plenty of swagmen far and near --
And yet to Ryan it meant a lot.
That was the name of the grandest horse
In all the district from east to west;
[...] Read more
poem by Andrew Barton Paterson
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Tale XIX
THE CONVERT.
Some to our Hero have a hero's name
Denied, because no father's he could claim;
Nor could his mother with precision state
A full fair claim to her certificate;
On her own word the marriage must depend -
A point she was not eager to defend:
But who, without a father's name, can raise
His own so high, deserves the greater praise;
The less advantage to the strife he brought,
The greater wonders has his prowess wrought;
He who depends upon his wind and limbs,
Needs neither cork nor bladder when he swims;
Nor will by empty breath be puff'd along,
As not himself--but in his helpers--strong.
Suffice it then, our Hero's name was clear,
For call John Dighton, and he answer'd 'Here!'
But who that name in early life assign'd
He never found, he never tried to find:
Whether his kindred were to John disgrace,
Or John to them, is a disputed case;
His infant state owed nothing to their care -
His mind neglected, and his body bare;
All his success must on himself depend,
He had no money, counsel, guide, or friend;
But in a market-town an active boy
Appear'd, and sought in various ways employ;
Who soon, thus cast upon the world, began
To show the talents of a thriving man.
With spirit high John learn'd the world to
brave,
And in both senses was a ready knave;
Knave as of old obedient, keen, and quick,
Knave as of present, skill'd to shift and trick;
Some humble part of many trades he caught,
He for the builder and the painter wrought;
For serving-maids on secret errands ran,
The waiter's helper, and the ostler's man;
And when he chanced (oft chanced he) place to lose,
His varying genius shone in blacking shoes:
A midnight fisher by the pond he stood,
Assistant poacher, he o'erlook'd the wood;
At an election John's impartial mind
Was to no cause nor candidate confined;
To all in turn he full allegiance swore,
And in his hat the various badges bore:
His liberal soul with every sect agreed,
Unheard their reasons, he received their creed:
[...] Read more
poem by George Crabbe
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The White Cliffs
I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.
II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.
III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid
[...] Read more
poem by Alice Duer Miller
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The Libelle of Englyshe Polycye
Here beginneth the Prologe of the processe of the Libelle of Englyshe polycye, exhortynge alle Englande to kepe the see enviroun and namelye the narowe see, shewynge whate profete commeth thereof and also whate worshype and salvacione to Englande and to alle Englyshe menne.
The trewe processe of Englysh polycye
Of utterwarde to kepe thys regne in rest
Of oure England, that no man may denye
Ner say of soth but it is one the best,
Is thys, as who seith, south, north, est and west
Cheryshe marchandyse, kepe thamyralte,
That we bee maysteres of the narowe see.
For Sigesmonde the grete Emperoure,
Whyche yet regneth, whan he was in this londe
Wyth kynge Herry the vte, prince of honoure,
Here moche glorye, as hym thought, he founde,
A myghty londe, whyche hadde take on honde
To werre in Fraunce and make mortalite,
And ever well kept rounde aboute the see.
And to the kynge thus he seyde, 'My brothere',
Whan he perceyved too townes, Calys and Dovere,
'Of alle youre townes to chese of one and other
To kepe the see and sone for to come overe,
To werre oughtwardes and youre regne to recovere,
Kepe these too townes sure to youre mageste
As youre tweyne eyne to kepe the narowe see'.
For if this see be kepte in tyme of werre,
Who cane here passe withought daunger and woo?
Who may eschape, who may myschef dyfferre?
What marchaundy may forby be agoo?
For nedes hem muste take truse every foo,
Flaundres and Spayne and othere, trust to me,
Or ellis hyndered alle for thys narowe see.
Therfore I caste me by a lytell wrytinge
To shewe att eye thys conclusione,
For concyens and for myne acquytynge
Ayenst God, and ageyne abusyon
And cowardyse and to oure enmyes confusione;
For iiij. thynges oure noble sheueth to me,
Kyng, shype and swerde and pouer of the see.
Where bene oure shippes, where bene oure swerdes become?
Owre enmyes bid for the shippe sette a shepe.
Allas, oure reule halteth, hit is benome.
[...] Read more
poem by Anonymous Olde English
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Walkin' In Jerusalem
Walkin in Jerusalem?
Diamond Rio
Oh John, Oh John what did you say, walking in Jerusalem just like John
I'll meet you there on the judgement day, walking in Jerusalem just like John.
...........instrumental..............
(quicker now)
Oh John, Oh John what did you say, walking in Jerusalem just like John
I'll meet you there on the judgement day, walking in Jerusalem just like John.
I'm gonna be ready
I'm gonna be ready
I'm gonna be ready (lord) I'm walking in Jerusalem just like John.
Yeah
I'm gonna be ready
I'm gonna be ready
I'm gonna be ready (lord) I'm walking in Jerusalem just like John.
...........instrumental..............
Some come crippled, and some come lame, walking in Jerusalem just like John
Some come walking in Jesus' name, walking in Jerusalem just like John
I'm gonna be ready
I'm gonna be ready
I'm gonna be ready (lord) I'm walking in Jerusalem just like John.
Yeah
I'm gonna be ready
I'm gonna be ready
I'm gonna be ready (lord) I'm walking in Jerusalem just like John.
....... instrumental........
If you get to heaven before I do, walking in Jerusalem just like John.
Tell all my friends I'm coming too, walking in Jerusalem just like John
I'm gonna be ready
I'm gonna be ready
I'm gonna be ready (lord) I'm walking in Jerusalem just like John.
Yeah
I'm gonna be ready
I'm gonna be ready
I'm gonna be ready (lord) I'm walking in Jerusalem just like John.
........... instrumental...........
Well carrying a load upon your shoulder, walking in Jerusalem just like John.
Yeah I'll meet you there at the first crossover, walking in Jerusalem just like John.
Yeah
I'm gonna be ready
I'm gonna be ready
I'm gonna be ready (lord) I'm walking in Jerusalem just like John.
REPEAT 2 times
I'm gonna be ready
I'm gonna be ready
I'm gonna be ready LORD
(slow right down)
To ........Walking in Jerusalem.......... Just like John
song performed by Diamond Rio
Added by Lucian Velea
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