To the mind, God is a perfect criminal. He has done such a perfect crime by creating this world that mind cannot trace how He did it. That is why the mind always freaks out about God.
quote by Prem Rawat
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Freaks On This Side
Freaks on this side, the freaks on this side {x8}
When u cant find the reason 4 the smoke
Theres probably water in the fire
When everything u know aint enough 2 float your boat
And ure lookin 4 somethin thatll take u higher
Chorus:
U got 2 get down (freaks on this side, the freaks on this side)
2 a brand new sound (freaks on this side, the freaks on this side)
In the water ull drown (freaks on this side, the freaks on this
Side)
But the lost is found (freaks on this side, the freaks on this side)
Come on, baby
When confusion tries 2 tear your world apart
And the demons fight 4 power
Thats the time u got 2 listen 2 your heart
No one knows the final hour
Chorus
When u see an illusion everywhere u look
When u know the process of creation
When u understand everything in every book
Congratulations - ure in the new power generation!
(freaks on this side, the freaks on this side) {x4}
The freaks on this side! {x3}
When everybody calls the truth by a different name
And the indifference between us still remains
God is love, love is God - simple and plain
Party in this way, theres so much more 2 gain
(freaks on this side, the freaks on this side) {repeat 2 end}
(get on down, down, down, down, down)
Freaks on this side
We drownin (get on down, down, down, down, down)
Yeah, yeah
U got 2 get down
(u got 2 get down) {x2}
Its new power generation
And ure groovin 2 another jam of the year
Think it aint when it is
And we be drownin
Glug, glug like a mug
Looka here - freak on this side
The freaks on this side
Looka here - on this side
On this side
The freaks on u got it on this side
song performed by Prince
Added by Lucian Velea
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Freaks
(derek dick, mark kelly, steve rothery, peter trewavas, ian mosley)
Have you ever met a lady, screaming angst potential?
Have you ever dreamed of romance, no matter how experimental?
Have you ever felt an alien drifting back into your hometown?
Did you think you were buying safety when you bought that piece of ground?
She said all the best freaks are here
She said all the best freaks are here, please stop staring at me
So I said all the best freaks are here
All the best freaks are here, please stop staring at me
Have you ever woke up, sweating in the middle of the night?
You search the darkness and youre scrambling for the light
Have you ever walked down the street, heard bootsteps following you?
Dont worry my son, youve got the spook squad looking after you
He said all the best freaks are here
He said all the best freaks are here, please stop staring at me
So I said all the best freaks are here
All the best freaks are here, please stop staring at me, stop staring at me
Airport terminal, patiently waiting on the last call
You feel the eyes burn the back of your head
Sign the autograph, get out of the picture, gonna have the last laugh
Feel the whispers as you head for the plane
Stop staring at me
Love and linen sheets seem so very far away
You save your pennies and you buy another day
But after all its only hide and seek, just another game
Theres so much fun to be had when youre living with a name
All the best freaks are here, all the best freaks are here
Please stop staring at me, all the best freaks are here
All the best freaks are here, please stop staring at me
Oh, stop staring at me, oh, stop staring at me
They said all the best freaks are here
All the best freaks are here, please stop staring at me
All the best freaks are here
All the best freaks are here, please stop staring at me
song performed by Marillion
Added by Lucian Velea
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Satan Absolved
(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.
[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.
Satan. Ye have in truth good cause.
Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.
[...] Read more
poem by Wilfrid Scawen Blunt
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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T-1000
The Machine is now alive!
To wreck Havok in your lives!
There's no use to hold me back!
I'm ready to attack!
I am a criminal!
I am a criminal!
I am a criminal!
I am a criminal!
The Machine is now alive!
To wreck Havok in your lives!
There's no use to hold me back!
I'm ready to attack!
I am a criminal!
I am a criminal!
I am a criminal!
I am a criminal!
The Machine is now alive!
To wreck Havok in your lives!
There's no use to hold me back!
I'm ready to attack!
I am a criminal!
I am a criminal!
I am a criminal!
I am a criminal!
The Machine is now alive!
To wreck Havok in your lives!
There's no use to hold me back!
I'm ready to attack!
(together)
I am a criminal!
I am a criminal!
I am a criminal!
I am a criminal!
song performed by Fear Factory
Added by Lucian Velea
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In The Night
Zazou, what youre gonna do?
Theres a lot of people coming for you
Zazou, comment allez-vous?
A knock on the door in the night
That zazou, he dont care
Dark glasses, long hair
Takes his time, sneers at men
Some ugly people want revenge
Zazou, comment allez-vous?
A knock on the door in the night (in the night)
In the night (in the night)
That zazou, he sleeps all day
Then down to select or le collisee
Sips his drinks, orders more
Says what he thinks and its a crazy war
Zazou, what youre gonna do?
A knock on the door in the night
(in the night in the night ...)
Zazou, comment allez-vous?
A knock on the door in the night (the night the night)
And when the soldiers strut, all he cares about
Is love
When the flags are out, all he cares about
Is love
Well, theres a thin line between love and crime
And in this situation
A thin line between love and crime and -
Collaboration (-ration)
In the night
(in the night in the night in the night in the night ...)
(crime crime crime crime crime crime crime crime crime crime
Crime crime crime crime crime crime crime crime crime crime
Crime crime crime crime ...)
In the night (in the night in the night)
In the night (in the night in the night)
Zazou, what youre gonna do?
Theres a lot of people coming for you
Zazou, comment allez-vous?
A knock on the door in the night
Now everybodys under somebodys spell
Unless theyve already gone to hell
In the streets you can hear the people say
That, zazou, he should be locked away!
When the soldiers strut, all he cares about
Is love
Oh, when the flags are out, all he cares about
Is love
And theres a thin line between love and crime
And in this situation
A thin line between love and crime and
[...] Read more
song performed by Pet Shop Boys
Added by Lucian Velea
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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I. The Ring and the Book
Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.
Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Greeks Don't Want No Freaks
There was beer all over the dance floor
and the band was playin' rhythm and blues
You got down and did the gator, and half
an hour later, you were barfin' all over your
Girlfriend's shoes.
But the Greeks don't want no freaks.
The Greeks don't want no freaks
Just put a little smile on them rosy
cheeks,
'Cause the Greeks don't want no freaks.
(GATOR!!)
She was the pride and the passion of Dixie
She did exactly what her daddy had planned.
She was perfect little sister until somebody missed
her and they found her in the bushes with
the boys in the band
But the Greeks don't want no freaks
The Greeks don't want no freaks
So put a great big smile on them rosy cheeks,
'Cause the Greeks don't want no freaks
No, the Greeks don't want no freaks
Said, the Greeks don't want no freaks
Just put that monster smile on them rosy cheeks
'Cause the Greeks don't want no freaks
No, the Greeks don't want no freaks,
Ahh...
song performed by Eagles
Added by Lucian Velea
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The Greeks Dont Want No Freaks
There was beer all over the dance floor
And the band was playin rhythm and blues
You got down and did the gator, and half
An hour later, you were barfin all over your
Girlfriends shoes.
But the greeks dont want no freaks.
The greeks dont want no freaks
Just put a little smile on them rosy
Cheeks,
cause the greeks dont want no freaks.
(gator!!)
She was the pride and the passion of dixie
She did exactly what her daddy had planned.
She was perfect little sister until somebody missed
Her and they found her in the bushes with
The boys in the band
But the greeks dont want no freaks
The greeks dont want no freaks
So put a great big smile on them rosy cheeks,
cause the greeks dont want no freaks
No, the greeks dont want no freaks
Said, the greeks dont want no freaks
Just put that monster smile on them rosy cheeks
cause the greeks dont want no freaks
No, the greeks dont want no freaks,
Ahh...
song performed by Eagles
Added by Lucian Velea
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Now
Now!
(freaks on the floor) {repeats in bg during chorus)
1 2, 1 2
Light up another one dude
Chorus:
Now! (1 2 3 4, come on, come on, freaks on the floor)
(go go yeah) (now) (go go yeah)
Now! (1 2 3 4, come on, come on, freaks on the floor)
(go go yeah) (now) (go go yeah)
1 2, 1 2, 94
Im on the set, freaks on the floor
Dont worry about my name, its 2 long 2 remember
I could tell u now but wed be here til next september
3, it be like that, see?
This aint about the trippers trippin like they know they be
This aint about this, that, what, where, or how
This about the freaks doing everything they wanna do now!
Chorus {x2}
What u wantin 2 say? (get funky)
What u wanna play? (get funky)
3 4, 3 4, 99
She the new hero cuz shes so divine
Unaffected by the system, shed rather die
Than write a rap 4 some big booty heifer gettin by
On that booty, instead of doin duty
Aspire 2 be higher, I admire so I fire
Cuz its flyer 2 be hungry than phat
Take it from this sista, yall take it from that
Its flyer 2 be hungry than phat
The ride up front is better when uve been in the back
Thats a fact
This aint about this yall, it aint about that
This aint about the booty movin pumpin the max
This aint about this, that, what, where, or how
This about the freaks doing everything they wanna do now!
Chorus {x2}
What u gonna say? (get funky)
Now u wanna play? (get funky)
40, 45, snakes alive
Say one thing, do another, its time
We chill on that
Nah, I dont need a gat
Id rather see yourself checkin ass up 2 bat 4 another swing
Anybody can sing
Theres more 2 genius than the word my sister anything I would bring
Or would u rather dine alone?
If u change your mind, u can reach me on your video phone
Its a dime, as in dollars and thats my 2 bloody cents
This aint about this, that, what, where, or how
This about the freaks doing everything they wanna do now!
[...] Read more
song performed by Prince
Added by Lucian Velea
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Criminal World
You never told me of your other faces
You were the widow of a wild cat
And now I know about your special kisses
And I know you know where thats at
I guess I recognise your destination
I think I see beneath your make-up
What you want is so separation
This is no ordinary
This is no ordinary
(oh, oh, oh)
What a criminal world
The boys are like baby-faced girls
What a criminal girl
Shell show you where to shoot your gun
What a typical mothers son
The only thing that she enjoys
Is a criminal world
Where the girls are like baby-faced boys
Youve got a very heavy reputation
But no-one knows about your low-life
I know a way to find a situation
And hold a candle to your high-life disguise
You caught me kneeling at your sisters door
That was no ordinary stick-up
Im well aware just what youre looking for
I am no ordinary
I am no ordinary
(oh, oh, oh)
What a criminal world
The boys are like baby-faced boys
What a criminal girl
Shell show you where to shoot your gun
What a typical mothers son
The only thing that she enjoys
Is a criminal world
Where the girls are like baby-faced boys
Baby-faced boys
Baby-face
What a criminal world
What a criminal
Criminal
What a criminal world
What a criminal
Criminal
song performed by David Bowie
Added by Lucian Velea
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The Criminal Kind
You got a criminal mind, you got criminal looks
Boy you better look out, youre gonna get hooked
Dont you ever feel guilty when you come up short
Man you better be careful, youre gonna get caught
cause youre the criminal kind, youre the criminal kind
Man what you gonna do? where you gonna hide?
Theyre callin you a sickness, disease of the mind
Man what you go nna do? youre the criminal kind
Dont you ever get tired? dont you ever wanna quit?
Yeah its been a long time, and you still dont fit
Dog tags on the mirror, hangin down from a chain
Give up little sister, this aint gonna change
cause youre the criminal kind, youre the criminal kind
Man what you gonna do? where you gonna hide?
Theyre callin you a sickness, disease of the mind
Man what you gonna do? youre the criminal kind
Yeah, and that little girl you used to know
Just dont come around no more
Now she aint there to watch the door
She dont wanna die in no liquor store
I hope they all made money, I hope they all get rich
Yeah, I hope they give hell, to every son of a bitc h
That put a man on the carpet
Or struck him out on the line
Whoever let him get a taste of the criminal life
cause youre the criminal kind, youre the criminal kind
Man what you gonna do? where you gonna hide?
Theyre calli n you a sickness, disease of the mind
Man what you gonna do? youre the criminal kind
song performed by Tom Petty
Added by Lucian Velea
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III. The Other Half-Rome
Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!
There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk
[...] Read more
poem by Robert Browning from The Ring and the Book
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IV. Tertium Quid
True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently
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poem by Robert Browning from The Ring and the Book
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator
Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!
It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!
Well,
Let others climb the heights o' the court, the camp!
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poem by Robert Browning from The Ring and the Book
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Metamorphoses: Book The Tenth
THENCE, in his saffron robe, for distant Thrace,
Hymen departs, thro' air's unmeasur'd space;
By Orpheus call'd, the nuptial Pow'r attends,
But with ill-omen'd augury descends;
Nor chearful look'd the God, nor prosp'rous spoke,
Nor blaz'd his torch, but wept in hissing smoke.
In vain they whirl it round, in vain they shake,
No rapid motion can its flames awake.
The Story of With dread these inauspicious signs were view'd,
Orpheus And soon a more disastrous end ensu'd;
and Eurydice For as the bride, amid the Naiad train,
Ran joyful, sporting o'er the flow'ry plain,
A venom'd viper bit her as she pass'd;
Instant she fell, and sudden breath'd her last.
When long his loss the Thracian had deplor'd,
Not by superior Pow'rs to be restor'd;
Inflam'd by love, and urg'd by deep despair,
He leaves the realms of light, and upper air;
Daring to tread the dark Tenarian road,
And tempt the shades in their obscure abode;
Thro' gliding spectres of th' interr'd to go,
And phantom people of the world below:
Persephone he seeks, and him who reigns
O'er ghosts, and Hell's uncomfortable plains.
Arriv'd, he, tuning to his voice his strings,
Thus to the king and queen of shadows sings.
Ye Pow'rs, who under Earth your realms extend,
To whom all mortals must one day descend;
If here 'tis granted sacred truth to tell:
I come not curious to explore your Hell;
Nor come to boast (by vain ambition fir'd)
How Cerberus at my approach retir'd.
My wife alone I seek; for her lov'd sake
These terrors I support, this journey take.
She, luckless wandring, or by fate mis-led,
Chanc'd on a lurking viper's crest to tread;
The vengeful beast, enflam'd with fury, starts,
And thro' her heel his deathful venom darts.
Thus was she snatch'd untimely to her tomb;
Her growing years cut short, and springing bloom.
Long I my loss endeavour'd to sustain,
And strongly strove, but strove, alas, in vain:
At length I yielded, won by mighty love;
Well known is that omnipotence above!
But here, I doubt, his unfelt influence fails;
And yet a hope within my heart prevails.
That here, ev'n here, he has been known of old;
At least if truth be by tradition told;
If fame of former rapes belief may find,
You both by love, and love alone, were join'd.
[...] Read more
The Redemption of Werthur
Oh don't let thy passion break free,
Taciturn and reserved thou should be,
Hearken to Werthur, the poor man,
Who was undone by effusive passion.
So say those of quiet disposition,
Who see demonstrative emotion as a sin,
Saying its not quite right,
For passion to give us that much fight,
They see it as a perversion of normal function,
From which we should all run,
They say that it appears unnatural,
To heed passions fiery call.
Better to keep it locked behind a facade of stone,
To make sure that its never shown,
Better to be hiding behind our reservations,
Than feel our natural sensations.
Better to be stoical without the philosophy,
Than let our emotions occasionally run free,
Better to be defended by a wall of indifference,
Than to be delighted by every sense.
However it is no crime to delight in sensation,
No crime to revel in elation,
No crime to see wonder in simple things,
No crime to be enjoy what life brings.
No crime to feel the temptations of emotion,
No crime to feel reverence and devotion,
No crime to feel desire coursing through our veins,
No crime to feel calm acceptance at what life ordains.
No crime to say what you feel,
No crime to let your heart occasionally reel,
No crime to feel what you say,
No crime to feel wonder at a dawning day.
No crime to take pleasure in vicissitude,
No crime to speculate about our finitude,
No crime to feel agog at Fortunes wheel,
It's no crime to feel.
It is a crime to deny the Human side,
Where passion is left outside,
It is a crime to think passion faulty,
It is a crime to not let emotion free.
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poem by Bill Bob
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The Undying One- Canto III
'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?
If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!
'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!
'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst
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poem by Caroline Elizabeth Sarah Norton
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