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You know, if I wrote the arrangements two years from now, they would probably be a lot slicker.

quote by Bruce Johnston
Added by Lucian Velea
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If You Wanna

If you wanna
If you wanna
If you wanna love me again
Ill take you for a ride in my cadillac.
Hell be in the front, well be in the back
When youre ready
Let me know
Ill be waiting
To make arrangements for the trip
To make arrangements for the trip
To make arrangements for the trip
And if you wanna
If you wanna,
If you wanna do it again.
Ill take you to the coast for a holiday
You can be my guest
You can let me pay-yeah
When youre ready
Well, let me know.
Ill be waiting
To make arrangements for the trip
To make arrangements for the trip
To make arrangements for the trip
Whenever youre ready
When you wanna love me
This is what you need
To be thinking of me
When you plant the seed of love
When youre ready
Let me know
Ill be waiting
To make arrangements for the trip
To make arrangements for the trip
To make arrangements for the trip
Well if you want to love me
This is what you need
To be thinking of me
When you plant the seed
The seed of love
If you wanna
If you wanna
If you wanna love me again
Ill take you for a ride in my cadillac.
Hell be in the front, well be in the back
When youre ready
Let me know
Ill be waiting
To make arrangements for the trip
To make arrangements for the trip
To make arrangements for the trip

song performed by Paul McCartney
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

[...] Read more

poem by Talile Ali
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Thanks A Lot, Mom

Thanks a Lot, Mom

Thanks a lot, Mom.
Thanks for loving me to no end.
Thanks for being my loving mother.
Thanks for being my thoughtful friend.
Thanks a lot, Mom.
Thanks for feeding me and giving me a home.
Thanks for clothing me and holding me tight.
Thanks for caring when I felt alone.
Thanks a lot, Mom.
Thanks for always making me smile.
Thanks for giving me the extra push.
Thanks for going that extra mile.
Thanks a lot, Mom.
Thanks for living with no regrets.
Thanks for being the life of the party.
Thanks for going all in on bets.
Thanks a lot, Mom.
Thanks for being my inspiration.
Thanks for helping me with my homework.
Thanks for giving me motivation.
Thanks a lot, Mom.
Thanks for treating me with respect.
Thanks for knowing I'm growing up.
Thanks for knowing what to expect.
Thanks a lot, Mom.
Thanks for kicking me while I was down.
Thanks for telling me I'm a liar.
Thanks for knowing what comes around.
Thanks a lot, Mom.
Thanks for giving me my many scars.
Thanks for making me feel at home.
Thanks for breaking my aching heart.
Thanks a lot, Mom.
Thanks for taking away my friends.
Thanks for taking away my family.
Thanks for not having to pretend.
Thanks a lot, Mom.
Thanks for kicking me out of my home.
Thanks for calling me cheap and attention-seeking.
Thanks for putting me out on my own.
Thanks a lot, Mom.
Thanks for ripping away my Brett.
Thanks for saying you don't remember.
Thanks for saying I should forget.
Thanks a lot, Mom.
Thanks for believing your husband over your kid.
Thanks for rewarding him for a crime.
Thanks for punishing me for what he did.

[...] Read more

poem by Rebecca Paul
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The Circus

I remember when I wrote The Circus
I was living in Paris, or rather we were living in Paris
Janice, Frank was alive, the Whitney Museum
Was still on 8th Street, or was it still something else?
Fernand Léger lived in our building
Well it wasn’t really our building it was the building we lived in
Next to a Grand Guignol troupe who made a lot of noise
So that one day I yelled through a hole in the wall
Of our apartment I don’t know why there was a hole there
Shut up! And the voice came back to me saying something
I don’t know what. Once I saw Léger walk out of the building
I think. Stanley Kunitz came to dinner. I wrote The Circus
In two tries, the first getting most of the first stanza;
That fall I also wrote an opera libretto called Louisa or Matilda.
Jean-Claude came to dinner. He said (about “cocktail sauce”)
It should be good on something but not on these (oysters).
By that time I think I had already written The Circus
When I came back, having been annoyed to have to go
I forget what I went there about
You were back in the apartment what a dump actually we liked it
I think with your hair and your writing and the pans
Moving strummingly about the kitchen and I wrote The Circus
It was a summer night no it was an autumn one summer when
I remember it but actually no autumn that black dusk toward the post office
And I wrote many other poems then but The Circus was the best
Maybe not by far the best Geography was also wonderful
And the Airplane Betty poems (inspired by you) but The Circus was the best.

Sometimes I feel I actually am the person
Who did this, who wrote that, including that poem The Circus
But sometimes on the other hand I don’t.
There are so many factors engaging our attention!
At every moment the happiness of others, the health of those we know and our own!
And the millions upon millions of people we don’t know and their well-being to think about
So it seems strange I found time to write The Circus
And even spent two evenings on it, and that I have also the time
To remember that I did it, and remember you and me then, and write this poem about it
At the beginning of The Circus
The Circus girls are rushing through the night
In the circus wagons and tulips and other flowers will be picked
A long time from now this poem wants to get off on its own
Someplace like a painting not held to a depiction of composing The Circus.

Noel Lee was in Paris then but usually out of it
In Germany or Denmark giving a concert
As part of an endless activity
Which was either his career or his happiness or a combination of both
Or neither I remember his dark eyes looking he was nervous
With me perhaps because of our days at Harvard.

[...] Read more

poem by Kenneth Koch
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Never Ready For a Maiming

I'm not a cough dropp popper,
To hide a tainted breath.
If my breath gets that bad,
I'll get myself arrested.

You may offer your suggestions,
If onions eatened overwhelm.
But we're not together kissing.
So dismiss what you smell.

You're not all that...
To get me to believing there's an interest.

You ask me why my shoes aren't spitshined.
And my tie not straight...
As if we're dating,
To become cell mates.

Don't aggitate me please,
I'm not ready for it!
If I felt the need to strip...
I'll walk around,
And be naked!

You don't know my name!
And we wont get that far.
So there's no reason to make claims...
You and I have made arrangements.

Don't aggitate me please,
I'm not ready for it!
If I felt the need to strip...
I'll walk around,
And be naked!

So there's no reason to make claims...
You and I have made arrangements.

Estranged I'll be from those 'arrangements'.
Don't wanna woe.
Don't try to sell me those arrangements.
No woe I owe.
Don't get me panicked.
Don't get me panicked.
Don't get me panicked,
By arrangements.
Don't wanna woe.
No maniac will trap me training.
No woe I owe.
To get me ready for a maiming!

[...] Read more

poem by Lawrence S. Pertillar
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Dangerous Type

Can I touch you, are you out of touch
I guess I never noticed that much
Geranium lover, Im live on your wire
Oo come and take me whoever you are
Shes a lot like you
The dangerous type
Shes a lot like you
Come on and hold me tight
Oo inside angel, always upset
Keeps on forgettin that we ever met
Can I bring you out in the light
My curiositys got me tonight
Shes a lot like you
The dangerous type
Oo shes a lot like you
Come on and hold me tight
Museum directors with high shaking heads
They kick white shadows until they play dead
They want to crack your crossword smile
Oo can I take you out for awhile, yeah
Shes a lot like you
The dangerous type
Shes a lot like you
Come on and hold me tight
Shes a lot like you
The dangerous type
Shes a lot like you
Come on and hold me tight
Tonight
Shes a lot like you
The dangerous type
Shes a lot like you
Come on and hold me tight
Tonight
Shes a lot like you
The dangerous type, alright
Shes a lot like you
Come on and hold me tight
(tonight) tonight
Shes a lot like you
The dangerous type
Tonight
Shes a lot like you
Come on and hold me tight
Tonight
Shes a lot like you
The dangerous type
Shes a lot like you
Tonight
Shes a lot like you

[...] Read more

song performed by Cars
Added by Lucian Velea
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Write in Sand and Stone

Today, my friend yelled at me.
I wrote in sand my friend yelled at me.
Today, my friend punched me.
I wrote in sand my friend punched me.
Today, my friend cursed me.
I wrote in sand my friend cursed me.
Today, my friend abandoned me.
I wrote in sand my friend abandoned me.
Today, my friend insulted me.
I wrote in sand my friend insulted me.

Today, my friend asked me for forgiveness.
I wrote in stone my friend asked for forgiveness.
Today, my friend saved my life.
I wrote in stone my friend saved my life.
Today, my friend made me smile.
I wrote in stone my friend made me smile.
Today, my friend told me she cares for me.
I wrote in stone my friend cares for me.
Today, my friend was grateful for me.
I wrote in stone my friend was grateful for me.

I wrote in sand the bad things my friend did to me.
I wrote in stone the nice things did to me.

Winds will erase the bad things written in sand.
Nothing can erase the nice things written in stone.
Forgive and Forget

poem by Natalie Vail
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We Care A Lot

We care a lot
We care a lot
We care a lot about disasters, fires, floods and killer bees
We care a lot about nasa shuttle falling in the sea
We care a lot about starvation and the food that live aid bought
We care a lot about disease, baby, rock hudson, rock yeah!
We care a lot
We care a lot
We care a lot about the gamblers and the pushers and the freaks
We care a lot about the people who live off the street
We care a lot about the welfare of all the boys and girls
We care a lot about you people cause were out to save the world
Yeah!
(chorus) and its a dirty job but someones got to do it!
We care a lot about the army, navy, air force, and marines
We care a lot about the ny, sf, and lapd
We care a lot about you people, about your guns
We care a lot about the wars youre fighting, gee, that looks like fun
We care a lot about the cabbage patch, the smurfs, and dmc
We care a lot about madonna and we cop for mr.t
We care a lot about the little things, the bigger things we top
We care a lot about you people, yeah, you bet we care a lot
(chorus) and its a dirty job but someones gotta do it....

song performed by Faith No More
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
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Mama Says

Eat a lot sleep a lot brush em like crazy
Run a lot do a lot never be lazy
(good boy)
Eat a lot sleep a lot brush em like crazy
Run a lot do a lot never be lazy
Eat a lot sleep a lot brush em like crazy
Run a lot do a lot never be lazy
Eat a lot sleep a lot brush em like crazy
Run a lot do a lot never be lazy
Never be lazy be lazy
Eat a lot sleep a lot brush em like crazy
Run a lot do a lot never be lazy boy
Poof!

song performed by Beach Boys
Added by Lucian Velea
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If It Was About A Lot Of Money

If it was about a lot of money...
My mind would be,
Trimmed in dollar bills.
With-my-thoughts-on a million of them,
And a caring less of my fellowman.

And if it was about a lot of money...
I'd ignore,
Every two cents made.
By anybody wanting to deliver to me,
Any consciousness attached to common sense.

If it was about a lot of money.
If it was about a lot of money.
If it was about a lot of money...
I wouldn't be concerned about the suffering seen.

And if it was about a lot of money.
If it was about a lot of money.
And if it was about a lot of money...
My eyes wouldn't cry when I see these scenes.

If it was about a lot of money...
My mind would be,
Trimmed in dollar bills.
With-my-thoughts-on a million of them,
And a caring less of my fellowman.

If it was about a lot of money...
I'd ignore,
Every two cents made.
By anybody wanting to deliver to me,
Any consciousness to instigate.

If it was about a lot of money.
If it was about a lot of money.
If it was about a lot of money...
I wouldn't be concerned about the suffering seen.

I'd fill my pockets and get away!
If it was about a lot of money.
I'd fill my pockets each and everyday.
If it was about a lot of money.
I'd fill my pockets and get away!
If it was about a lot of money.
I'd fill my pockets up and run the other way.
If it was about a lot of money.

If it was about a lot of money.
If it was about a lot of money.

[...] Read more

poem by Lawrence S. Pertillar
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Brian Wilson Christmas Interview

Well, along with our special feature of this beach boys christmas album,
Once again Im happy to see the smiling face of the leader of
This popular group here in the studio, brian wilson.
Good to see you again, brian.
Hi, jack.
This beach boys christmas album is really something.
Ah, dick reynolds did the arrangements, I guess, huh?
Yes, he did. he did a beautiful job, a wonderful job.
Is this the first time youve worked with him?
Right. Id been, uh, wanting to meet him and work with him for quite a long time.
Now whos idea was it to have you featured on this, uh, one particular tune--i,
I was particularly impressed with it--a blue christmas.
Well, i... sort of picked out that song to sing for myself.
I, I love the song and uh, Ive always wanted to sing it, so I thought Id sing it.
Well, maybe this will be the start of a whole new career, huh?
I dont know, thats... it, it could, and it couldnt. ah... I really dont know.
Well, lets leave it to the listeners to see what they think of it.
Right.
I notice this album has uh, ah, along with some of the popular things like, uh,
Ill be home for christmas, uh, auld lang syne, and uh, um, we three kings
And some of the traditional things, that you have a couple of your,
Your own, uh, beach boys type sounds in the lp, too.
Uh-huh, weve more or less made one side, uh, our own style, and...
Kind of a teen side and an adult side.
Uh-huh, right, um-hm. contrasting.
Uh-huh. now, we have, uh, one of your originals coming up here, brian.
Uh, christmas day. you wrote this for the album specifically?
Yes, I did. uh-huh.
Uh-huh. and now, do you do your, the vocal arrangements,
Or did dick reynolds handle all of that?
Dick handled the vocal arrangements on the, ah, the modern side
--the traditional side--and I did the, ah, vocal and the
Arrangements of the music on our own style--our basic style--side.
Dick did the strings, also, on the, uh, on the modern side.
Coming up now, ah, a very sentimental type christmas song,
Particularly for those who are away from home during this time of year
--Ill be home for christmas. any, ah, thing particular about this,
This tune that youd like to say, brian?
Ah, well, I guess theres something very obvious when you hear the song.
Its, ah, theres a very definite influence of the four freshmen
On the arrangement as well as the delivery, and, uh, obviously
We all look up and admire the style of the four freshmen and,
Uh, I feel this has been the greatest--one of the greater--
Vocal influences, ah, in the world today.
Well, its certainly been, uh, nice of you to take the time to come
By again here for our special beach boys christmas show.
You have a fine album here and, uh, I hope youll be home for christmas.
Well, I hope I will, too. I hope everyones home for christmas.
I do, too. brian wilson, thanks again for coming by.
Thank you very much, jack.

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song performed by Beach Boys
Added by Lucian Velea
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Dear Michael

She wrote dear michael
Youll probably never get this letter
Michael, I wrote you a hundred times before
Knowing how I feel
Ill write a hundred more
Dear michael, every time your records on
(michael michael)
Michael, I close my eyes and sing along
Dreaming youre singing to me.
(ouuuuuuuuuuuuuuuuuuuuuuuuuuuuh)
And then she wrote:
(ouuuuuuuuuuuuuuuuuuuuuuuuuuuuuh)
Michael, I love you
I held the tears back long as I can
(ouuuuuuuuuuuuuuuuuuuuuuuuuuuuuh)
Im sealing my feelings in this envelope
(ouuuuuuuuuuuuuuuuuuuuuuuuuuuuuh)
cause I wanna be more than just your number one fan
Im gonna answer your letter
(michael michael)
Ill start beginning with the abcs of loving you
(I love ya)
(she wrote)
(michael michael)
(I love ya)
Your letter really touched my heart
(she wrote)
Ive been dreaming of meeting the picture
That you send along, signed with all your love
(michael michael)
(I wrote ya)
(she wrote)
Im gonna write you back, ouuh, I promess you that
(wont you write me back? , please write me back)
Girl, I think I love you
(michael michael)
Hurry, hurry mister postman, take my letter, tell her I love her
(she wrote)
(wont you write me back, please write me back)
(michael michael)
(she wrote)
Hurry, hurry mister postman, take my letter tell her I love her
(wont you write me back, please write me back)
(michael michael)
Yeah,
(I wrote you)
(she wrote)
Im gonna write you back
I promess you that...

song performed by Michael Jackson
Added by Lucian Velea
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The Dream

'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!

So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.

Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,

To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,

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poem by Caroline Elizabeth Sarah Norton
Added by Poetry Lover
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Too Much Of Anything

I think these hands have felt a lot,
I think these hands have felt a lot,
I dont know, what have I touched,
I dont know, what have I touched,
I think these eyes have seen a lot,
I think these eyes have seen a lot,
I dont know, maybe theyve seen too much.
I dont know, maybe theyve seen too much.
I think this brain has thought a lot,
I think this brain has thought a lot,
Searching, trying to find the crutch,
Searching, trying to find the crutch,
I think this heart has bled once too often,
I think this heart has bled once too often,
This time its bled a bit too much.
This time its bled a bit too much.
Too much of anything, too much for me,
Too much of anything, too much for me,
Too much of everything gets too much for me.
Too much of everything gets too much for me.
I cant remember before 49,
I cant remember before 49,
But I know that 48 was there,
But I know that 48 was there,
My ears let in what I should speak out,
My ears let in what I should speak out,
Hmmm, theres something in the air.
Hmmm, theres something in the air.
Ooh, Ive overloaded on my way,
Ooh, Ive overloaded on my way,
Bye, bye, bye, bye, you better keep in touch.
Bye, bye, bye, bye, you better keep in touch.
Think your ears hear a whole lot of music,
Think your ears hear a whole lot of music,
And like me theyve caught a bit too much.
And like me theyve caught a bit too much.
Too much of anything, is too much for me,
Too much of anything, is too much for me,
Too much of everything gets too much for me.
Too much of everything gets too much for me.
I think these hands have felt a lot,
I think these hands have felt a lot,
I dont know, what have I touched,
I dont know, what have I touched,
I think these eyes have seen a lot,
I think these eyes have seen a lot,
I dont know, maybe theyve seen too much.
I dont know, maybe theyve seen too much.
I think this brain has thought a lot,
I think this brain has thought a lot,

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song performed by Who
Added by Lucian Velea
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The White Cliffs

I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.

II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.

III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid

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poem by Alice Duer Miller
Added by Poetry Lover
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