The fundamental sense of freedom is freedom from chains, from imprisonment, from enslavement by others. The rest is extension of this sense, or else metaphor.
quote by Isaiah Berlin
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Related quotes
Universal Freedom Is......
Freedom from hunger and freedom from pain
freedom from loss and so freedom from gain.
Freedom to give and freedom to share
freedom from want and that of despair.
Freedom to think and freedom to know
freedom to achieve and freedom to grow.
Freedom from bondage and freedom of liberation
freedom from ignorance and any unknown situation.
Freedom to come and freedom to leave
freedom to stay and freedom to conceive.
Freedom from struggle and freedom of ease
freedom to enjoy and the capacity to please.
Freedom from failure and freedom of success
freedom from denial and freedom of access.
Freedom from illusion and freedom of reality
freedom to become what we are in actuality.
Freedom to live and freedom to die
freedom to laugh and freedom to cry.
Freedom to speak and freedom to listen
freedom to act based on a wise decision.
Freedom from hate and freedom of love
freedom of below and freedom of above.
Freedom of the past and freedom of the present
freedom of the future and what it can represent.
Freedom from war and freedom of peace
freedom to begin and freedom to cease.
Freedom from sickness and freedom of health
freedom from poverty and mishandled wealth.
Freedom from wrong and freedom being right
freedom of the day and freedom of the night.
Freedom to choose and freedom to reject
freedom to imagine what there is to expect.
Freedom from lust and freedom from greed
freedom from anger and freedom from breed.
Freedom from jealousy and freedom from pride
freedom from within and freedom from outside.
Freedom of always not having anything to hide.
Freedom from space and also freedom from time
freedom from attachment and freedom from crime
Freedom to work and freedom to play
freedom to believe and freedom to pray.
[...] Read more
poem by George Krokos
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On the Innate Drive For What is Right
As life bled, martyrdom flared its buds.
Repression, red from irritation,
Rendered chinks and cracks; but thuds of
Armament - in cowardice - accomplice of the
Dictatorial blight thro' countless years -
Wreaked its retribution:
Yet hope began to bloom a coloured carapace
Enshrining their allegiance ‘gainst the
Terror in their tears.
And on! Splits yawned - breaches in the junta:
Flesh fought fanatical minds -
Bullets welcomed into open hands
And blessed with yearnings for morality:
Chiselled man-toys of death and mutilation
Couldn't repel the might of freedom
Surging at the bright horizon.
Crepuscular rays of purpose, body,
Flooded pandemonium with
Overwhelming clarity, direction -
Burdened clouds drifting wayward as the
Light channelled out a vision,
Intensifying focus on tomorrow -
Deepen their stride
As they home in to
What is theirs,
Rightfully theirs!
Copyright © Mark R Slaughter 2011
[...] Read more
poem by Mark R Slaughter
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Extension 33
Living at the y, extension 33,
Nothing to care or to worry.
Once I was in love with a blind man,
But my auntie told me, dont do it, its not worth it.
Living at the y, 33 years,
No one to call or to write to.
Once I was in love with a married man,
But my instincts told me, dont tell him, itll kill you.
Im sad I didnt marry the blind man,
But whats a life with three blind children?
Im glad I never told the married man,
It saved my pride and freedom.
Living at the y, in 33 rooms,
Nowhere to visit or write to.
Once I was in love, it nearly killed me,
But now I have my pride and freedom.
Freedom, freedom, freedom, freedom,
Freedom, freedom, freedom and pride.
Freedom, freedom, freedom, freedom,
Freedom, freedom, freedom and pride.
Freedom, freedom, freedom, freedom,
Freedom, freedom, freedom and pride.
Freedom, freedom, freedom, freedom,
Freedom, freedom, freedom and pride.
Freedom, freedom, freedom, freedom,
Freedom, freedom, freedom and pride.
Freedom, freedom, freedom, freedom,
Freedom, freedom, freedom.
song performed by Yoko Ono
Added by Lucian Velea
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The Believer's Principles : Chap. IV.
Faith and Sense Natural, compared and distinguished.
When Abram's body, Sarah's womb,
Were ripe for nothing but the tomb,
Exceeding old, and wholly dead,
Unlike to bear the promis'd seed:
Faith said, 'I shall an Isaac see;'
'No, no,' said Sense, 'it cannot be;'
Blind Reason, to augment the strife,
Adds, 'How can death engender life?'
My heart is like a rotten tomb,
More dead than ever Sarah's womb;
O! can the promis'd seed of grace
Spring forth from such a barren place?
Sense gazing but on flinty rocks,
My hope and expectation chokes:
But could I, skill'd in Abram's art,
O'erlook my dead and barren heart;
And build my hope on nothing less
That divine pow'r and faithfulness;
Soon would I find him raise up sons
To Abram, out of rocks and stones.
Faith acts as busy boatmen do,
Who backward look and forward row;
It looks intent to things unseen,
Thinks objects visible too mean.
Sense thinks it madness thus to steer,
And only trusts its eye and ear;
Into faith's boat dare thrust its oar,
And put it further from the shore.
Faith does alone the promise eye;
Sense won't believe unless it see;
Nor can it trust the divine guide,
Unless it have both wind and tide.
Faith thinks the promise sure and good;
Sense doth depend on likelihood;
Faith ev'n in storms believes the seers;
Sense calls all men, ev'n prophets, liars.
Faith uses means, but rests on none;
Sense sails when outward means are gone:
[...] Read more
poem by Ralph Erskine
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Love In Chains
I see you walkin down the street
Youre turnin into paradise
The boys are crawlin at your feet
Burn them and turn them to ice
No one gets a piece of your heart
Its over cause you wont let it start
You keep your love in chains, love in chains
And only fear remains and keeps your love in chains
But isnt it time (enough), isnt it time (enough)
Oh yeah
They know you feel just like a queen
Baby, are you havin life
But all the things theyd never seen
Stab at your heart like a knife
No one knows the way that you love
Its over when its never begun
You keep your love in chains, love in chains
And only fear remains and keeps your love in chains
But isnt it time (enough), oh, isnt it time (enough)
Oh yeah
But isnt it time (enough), oh isnt it time (enough)
You keep your love in chains, love in chains
And only fear remains and keeps your love in chains
But isnt it time (enough), oh isnt it time (enough)
Love in chains, love in chains
Love in chains, love in chains
Love in chains, love in chains
Love in chains, love in chains
Love in chains
song performed by Kiss
Added by Lucian Velea
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Man In Chains
Ive only myself to blame,
Now that Im tangled up in chains,
So you say, ooh, so you say
Caught in this human cage,
Trapped, and Im fired up with rage
And somebodys got to pay
I can never talk about it,
I can never say what I want to say
So Ill take your tip and Ill bite my lip
And hope it goes away
You say Im a man of straw
Well, baby, Im gonna break your law
Then its war, ooh, yes its war
Love on a thin white line,
Love that was just a waste of time,
Oh, not anymore
I can feel it coming at me,
I can feel it coming like the wind
But, Im locked away and Im bound to stay,
So no one can get in
Im a man in chains, Im a man in chains
Oh, Im a man in chains, Im a man in chains
I only pray that before I die,
Just like a phoenix I will rise and fly
Tell me whos to blame,
Oh, Im a man, now Im a man in chains
There must be a reason why
Youre pulling the wool down on my eyes
Its a lie, its a lie
Dragging this ball and chain,
Oh, how long can I take this pain?
But somebody has to try, yeah
Oh, I can feel the pressure on me,
I can feel it taking me from the start
Sticks and stones will smash my bones,
But never break my heart
Im a man in chains, Im a man in chains
Oh, Im a man in chains, Im a man in chains
I only pray that before I die,
Just like a phoenix I will rise and fly
Tell me whos to blame,
Oh, Im a man, now Im a man in chains
I can never talk about it,
Oh, I can never say what I want to say
So Ill take your tip and Ill bite my lip
And hope it goes away
Im a man in chains, Im a man in chains
Oh, Im a man in chains, Im a man in chains
I only pray that before I die,
Just like a phoenix I will rise and fly
[...] Read more
song performed by Spandau Ballet
Added by Lucian Velea
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Is letting go a metaphor?
what is letting go -
letting go of grief?
the serenity of letting go?
(must be a bad metaphor)
losing represents letting go of control
I need to understand this 'letting go'
is it a metaphor for facing the inevitable?
breathing as a metaphor for living
'the practice of pruning wine vines'
is that a metaphor for letting go?
surrender. reaching towards the future
if you'll excuse another bad metaphor...
'the last of the sand is pouring...'
onion metaphors are stripped down to the core
letting go is a metaphor for acceptance
is acceptance a metaphor for failure?
'The freedom of letting go'
that does sound grand
letting go is not for the faint-hearted
my hands and heart are tired from letting go
so many times over
examine why metaphor is not
a substitute for the literal
letting go is
a metaphor
for goodbye
110709
poem by Terri Turrell
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Fundamental Humans
Fundamental Christianity
Fundamental Islam
Fundamental Judaism
Fundamental Buddhism
Fundamental?
What happened to fundamental humans?
Why so many God brokers?
Have humans forgotten how to speak directly to God?
Jihad?
Crusade?
Inquisition?
Forced missionary conversion?
Dogma?
Why have so many innocent people died in the name of God?
Fundamental religion has robbed fundamental humans,
of their sovereignty, freedom and connection to God.
An age nears;
When people awaken to inner truth
Establish a personal relationship with Creator
Restore balance within themselves
Restore balance to Mother Earth
Establish a lasting peace
Indigenous people around the world have been right all along;
“We’re all One”
poem by Ray Lucero
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Chains
I dont want any trouble. I dont want to make any waves.
I dont want any conscience. and I dont wanna be brave.
Ive kept my distance. my feelings have never been shown.
I know that Ive been walking fences,
Denied what I have known.
I carry chains. (I carry chains.)
Heavy, heavy chains. (chains that are made.)
I carry chains (I carry chains) round my feet.
I feel the weight (I feel the weight.)
Chains are the different things that should not be hanging on me.
I put my conscience under a stone, the stone under the ground.
Walked from where I had left it. I hoped it couldnt be found.
My conscience persisted. its a haunted seed I have sown.
Calls me out from the distance
And it just wont leave me alone.
I carry chains. (I carry chains.)
Chains that are made. (chains that are made.)
I carry heavy chains. (I carry chains.)
Talk about the weight. (I feel the weight.)
Chains are the temporary things that should not be hanging on me.
song performed by Chicago
Added by Lucian Velea
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Sobre Horizontes
soccer az youth
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soccer babes naked
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soccer b ives
soccer babe boobs
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soccer babby doll
soccer back acks
soccer babes tits
soccer baby gifts
soccer babes wallpaper
soccer babes strange
soccer babes porn
soccer babes uk cardiff city
soccer back ground
soccer babes paint
soccer baby crib bedding
soccer babes women
soccer baby toys
soccer babes painted
soccer babes nue
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soccer babes uk
soccer babies from disney
soccer baby cups
soccer babes renee
soccer baby bedding
soccer backgrounds html
soccer backetball shoes
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soccer background for myspace
soccer backgrounds myspace
soccer background pic
soccer backgrounds for soccer
soccer backpack adidas copa
soccer backpack wholesalers
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soccer backpack with mesh ball pocket
soccer backpack with embroidered name
soccer back pack
soccer backgrounds for myspace
soccer back injury
soccer background net
soccer background codes
soccer back packs
soccer background graphics
soccer back pack bags
[...] Read more
poem by Rwetewrt Erwtwer
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The Victories Of Love. Book II
I
From Jane To Her Mother
Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,
[...] Read more
poem by Coventry Patmore
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First day
I see you found my underground
Help yourself to guns and ammo
Nothing here has ever seen the light of day
I leave it in my head
It's the first day of the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
You'll remember me, for the rest of your life
You'll remember me, for the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
You'll remember me, for the rest of your life
You'll remember me, for the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
It's the first day of the rest of your life
song performed by Brian Molko, music by Timo Maas
Added by Simona Enache
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An Essay on Criticism
Part I
INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.
'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.
'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?
Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.
Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,
[...] Read more
poem by Alexander Pope
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The Rosciad
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.
Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
[...] Read more
poem by Charles Churchill
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Chain Of Fools (feat. Pointer Sisters)
Clint Black & The Pointer Sisters
Chain chain chains (Chain chain chains)
Chain chain chains (Chain chain chains)
Chain chain chain
Chain of fools
For four long years
I thought you were my man
But I found out
I'm just a link in your chain.
You got me where you want me
I ain't nothin but your fool
You treated me mean
Oh, you treated me cruel.
Chain chain chain (Chain chain chains)
Chain of fools
Every chain
Has got a weak link
I might be weak child
Oh, but I'll give you strength.
OOh. OOh.
You told me to leave you alone
My mother said, come on home
My doctor said, take it easy
But your lovin' is much too strong
I'm added to your.
Chain chain chain (Chain chain chains)
Chain chain chain (Chain chain chains)
Chain chain chain
Chain of fools.
--- Instrumental ---
One of these mornings
That chain is gonna break
But up until then
I'm goin'a take all I can take, oh yeah.
Chain chain chain (Chain chain chains)
Chain chain chain (Chain chain chains)
Chain chain chain
Chain of fools.
Chain chain chain (Chain chain chains)
Chain chain chain (Chain chain chains)
Chain chain chain
Chain of fools, oh yeah...
--- Instrumental with oops till fade ---
song performed by Clint Black
Added by Lucian Velea
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Chains On My Neck
Chains On My Neck
I’m black here I sit with chains on my neck
I’m beside other black men with chains on their necks
I’m waiting but while I wait my mind
takes me to my village
There, there is my home
I built it with my hands and my brothers hands
I built it with my sweat and pride
a very, very fine house indeed
But I am here sitting with chains on my neck
Beside other black men with chains on their necks
I see in my minds eye my fine house
I bring in furniture, built by my hands and my father’s hands
Strong furniture made with care from the best trees
But I am here sitting with chains on my neck
Beside other black men with chains on their necks
I see again in my minds eye my fine house
I bring in my spear, ax and shield
Deadly weapons to attack or defend
I mount them on the wall of my fine house
But I am sitting with chains on my neck
Beside me other black men with chains on their necks
I shake my chains and my house is on the other end of my chains.
Copyright 2005
poem by Watchful Steward
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In the steps of Rumi 88: Metaphor
Simile – what looks like something else –
that’s a fun game for the senses,
for the mind: oh look Dad,
there’s a scarecrow in that field
that looks just like a man, does it
really scare crows?
Oh look Dad, there’s a beggar in the street
who looks just like a scarecrow,
I wonder if the same crows
see him too?
But metaphor – ah, that’s something else:
explanations don’t quite explain it:
you see something; it brings to mind
something very different; maybe
you just forget it, pass on; maybe
you’re a poet, and you think,
that other thing casts a subtle light
on this first thing, I’ll see if others
find the same.. and, sometimes they do,
sometimes they don’t…
Metaphor brings the whole universe,
world upon world, to the mind:
you could write a poem full of metaphor
as long as the circumference of the world,
and when you’d written it out, you’d find yourself
right here again just where you were.. but
what a lot you’d seen on the way…
We’re so used to some metaphors
because by now, they’re shared,
written into language (lucky the people
who inherit languages such as these,
they’re born into poetry…) :
take ‘bread’: you walk past the baker’s shop
in the early morning when the air is clear –
or better, go in to buy your breakfast rolls:
the smell couldn’t be more wonderful,
more promising.. the bread’s so delicious,
and best eaten today..
ah yes, ‘daily bread’ – that becomes a metaphor
for all that each and every day brings –
waking up, new thoughts, new experiences,
all that brings life to life…
that covers so many subtle things…
where does it all come from?
[...] Read more
poem by Michael Shepherd
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Gotham - Book II
How much mistaken are the men who think
That all who will, without restraint may drink,
May largely drink, e'en till their bowels burst,
Pleading no right but merely that of thirst,
At the pure waters of the living well,
Beside whose streams the Muses love to dwell!
Verse is with them a knack, an idle toy,
A rattle gilded o'er, on which a boy
May play untaught, whilst, without art or force,
Make it but jingle, music comes of course.
Little do such men know the toil, the pains,
The daily, nightly racking of the brains,
To range the thoughts, the matter to digest,
To cull fit phrases, and reject the rest;
To know the times when Humour on the cheek
Of Mirth may hold her sports; when Wit should speak,
And when be silent; when to use the powers
Of ornament, and how to place the flowers,
So that they neither give a tawdry glare,
'Nor waste their sweetness in the desert air;'
To form, (which few can do, and scarcely one,
One critic in an age, can find when done)
To form a plan, to strike a grand outline,
To fill it up, and make the picture shine
A full and perfect piece; to make coy Rhyme
Renounce her follies, and with Sense keep time;
To make proud Sense against her nature bend,
And wear the chains of Rhyme, yet call her friend.
Some fops there are, amongst the scribbling tribe,
Who make it all their business to describe,
No matter whether in or out of place;
Studious of finery, and fond of lace,
Alike they trim, as coxcomb Fancy brings,
The rags of beggars, and the robes of kings.
Let dull Propriety in state preside
O'er her dull children, Nature is their guide;
Wild Nature, who at random breaks the fence
Of those tame drudges, Judgment, Taste, and Sense,
Nor would forgive herself the mighty crime
Of keeping terms with Person, Place, and Time.
Let liquid gold emblaze the sun at noon,
With borrow'd beams let silver pale the moon;
Let surges hoarse lash the resounding shore,
Let streams meander, and let torrents roar;
Let them breed up the melancholy breeze,
To sigh with sighing, sob with sobbing trees;
Let vales embroidery wear; let flowers be tinged
With various tints; let clouds be laced or fringed,
They have their wish; like idle monarch boys,
Neglecting things of weight, they sigh for toys;
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poem by Charles Churchill
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Solomon on the Vanity of the World, A Poem. In Three Books. - Pleasure. Book II.
The Argument
Solomon, again seeking happiness, inquires if wealth and greatness can produce it: begins with the magnificence of gardens and buildings; the luxury of music and feasting; and proceeds to the hopes and desires of love. In two episodes are shown the follies and troubles of that passion. Solomon, still disappointed, falls under the temptations of libertinism and idolatry; recovers his thought; reasons aright; and concludes that, as to the pursuit of pleasure and sensual delight, All Is Vanity and Vexation of Spirit.
Try then, O man, the moments to deceive
That from the womb attend thee to the grave:
For wearied Nature find some apter scheme;
Health be thy hope, and pleasure be thy theme;
From the perplexing and unequal ways
Where Study brings thee from the endless maze
Which Doubt persuades o run, forewarn'd, recede
To the gay field, and flowery path, that lead
To jocund mirth, soft joy, and careless ease:
Forsake what my instruct for what may please:
Essay amusing art and proud expense,
And make thy reason subject to thy sense.
I communed thus: the power of wealth I tried,
And all the various luxe of costly pride;
Artists and plans relieved my solemn hours:
I founded palaces and planted bowers,
Birds, fishes, beasts, of exotic kind
I to the limits of my court confined,
To trees transferr'd I gave a second birth,
And bade a foreign shade grace Judah's earth.
Fish-ponds were made where former forests grew
And hills were levell'd to extend the view.
Rivers, diverted from their native course,
And bound with chains of artificial force,
From large cascades in pleasing tumult roll'd,
Or rose through figured stone or breathing gold.
From furthest Africa's tormented womb
The marble brought, erects the spacious dome,
Or forms the pillars' long-extended rows,
On which the planted grove and pensile garden grows.
The workmen here obey the master's call,
To gild the turret and to paint the wall;
To mark the pavement there with various stone,
And on the jasper steps to rear the throne:
The spreading cedar, that an age had stood,
Supreme of trees, and mistress of the wood,
Cut down and carved, my shining roof adorns,
And Lebanon his ruin'd honour mourns.
A thousand artists show their cunning powers
To raise the wonders of the ivory towers:
A thousand maidens ply the purple loom
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poem by Matthew Prior
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