The difficulty is capturing surprise on film.
quote by F. Murray Abraham
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The One
No surprise
Hey that you wanna be the one again
No surprise
You wanna be the one
Heard you had a story to tell
Sold your soul in a kiss and tell
Sliding down on a helter skelter ride
Into yesterday
No way out, the price of fame
Once its told will you be the same
Rolling down on a roller coaster ride
Well be waiting for you
No surprise
Hey that you wanna be the one again
No surprise
No surprise
Hey that you wanna be the one
No surprise
You wanna be the one
Shock the world with your fall from grace
Glory days gone without a trace
No surprise youre a face without a name
But we all still love you
No surprise
Hey that you wanna be the one again
No surprise
No surprise
Hey that you wanna be the one
No surprise
You wanna be the one
Its time to tell you
Were faithful and true
Take us back to the days
When we could dream
cos it makes us happy
No surprise
Hey that you wanna be the one again
No surprise
No surprise
Hey that you wanna be the one
No surprise
No surprise
Hey that you wanna be the one again
No surprise
No surprise
Hey that you wanna be the one
No surprise
No surprise
Hey that you wanna be the one
song performed by Moody Blues
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Girls On Film (Night Version)
See them walking hand in hand
Across the bridge at midnight
Heads turning as the lights flashing out
Are so bright
And walk right out to the four line track
There's a camera rolling on her back
On her back
And I sense a rhythm humming in a frenzy
All the way down her spine
Girls on Film
Girls on Film
Girls on Film
Girls on Film
Lipstick cherry all over the lens as she's falling
And miles of sharp blue water coming in
Where she lies
The diving man's coming up for air
'Cause the crowd all love pulling Dolly by the hair
By the hair
And she wonders how she ever got here
As she goes under again
Girls on Film (Two minutes later)
Girls on Film
Girls on Film (Got your picture)
Girls on Film
Wider, baby, smile and you've just made a million
Fuses pumping live heat twisting out on a wire
Take one last glimpse into the night
I'm touching close
I'm holding bright, holding tight
Give me shudders in a whisper,
Take me up til I'm shooting a star
Girls on Film (she's more than a lady)
Girls on Film
Girls on Film (Two minutes later)
Girls on Film
Girls on Film (see you together)
Girls on Film
Girls on Film (see you later)
Girls on Film
song performed by Duran Duran
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Girls On Film
See them walking hand in hand across the bridge at midnight
Heads turning as the lights flashing out are so bright
Then walk right out to the fourline track
Theres a camera rolling on her back on her back
And I sense the rhythms humming in a frenzy
All the way down her spine
Girls on film
Girls on film
Girls on film
Girls on film
Lipstick cherry all over the lens as shes falling
In miles of sharp blue water coming in where she lies
The diving mans coming up for air
Cause the crowd all love pulling dolly by the hair, by the hair
And she wonders how she ever got here
As she goes under again
Girls on film (two minutes later)
Girls on film
Girls on film (got your picture)
Girls on film
Wider baby smiling youve just made a million
Fuses pumping live heat twisting out on a wire
Take one last glimpse into the night
Im touching close Im holding bright, holding tight
Give me shudders with a whisper take me high
Till I Im shooting a star
Girls on film (shes more than a lady)
Girls on film
Girls on film (see you together)
Girls on film
Girls on film (see you later)
Girls on film
Girls on film (two minutes later)
song performed by Duran Duran
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Red Balloon (Vishnu's Eyes)
Verse 1
Bought myself a red balloon and a blue surprise
Cause hidden in the read balloon was a peny for my eyes
Chorus
She took her lovelight from my eyes
Oh blue surprise
She took her lovelight from my eyes
Blue surprise
Verse 2
Played with toys for children as a child I got
Haven't any time for children although I've got a lot, hey
Chorus
She took her lovelight from my eyes
Oh blue surprise
She took her lovelight from my eyes
Blue surprise
Blue surprise, yeah
Chorus
She took her lovelight from my eyes
Oh blue surprise
She took her lovelight from my eyes
Blue surprise
Yeah, blue surprise
Blue surprise, yeah
Bridge
Blue surprise
Blue surprise
Vishnu's eyes
Loving eyes
Bridge
Blue surprise
Blue surprise
Vishnu's eyes
Loving eyes
song performed by Kula Shaker
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Mouth To Mouth
Ahhhhey!
Ahhhhey!
You tied the knot,
A legend is what you bought
I give you cold water,
And you swear it was wine
You bought time
If you can fool yourself,
Then why not them?
Just keep passing it,
Mouth to mouth to mouth
Ahhhhey!
Ahhhhey!
You tied the knot,
A legend is what you bought
I give you cold water,
And you swear it was wine
You bought time
If you can fool yourself,
Then why not them?
Just keep passing it,
Mouth to mouth to mouth
I can dress up the dead man, but I cant bring him back to life
Bring it out, bring it out
Ahhhhey!
You tied the knot,
Peeled your skin off,
Leave a bungle of nerves
I give you a wet noodle,
You swear that it was my tongue
A sharp one
Instead of that same old
Mouth to mouth to mouth to mouth
I can dress up the dead man, I cant bring him back to life
Bring it out, bring it out
Ahhhhey!
Ahhhhey!
Mouth to mouth
Mouth to mouth
Mouth to mouth
Ahhhhey!
Mouth to mouth
Mouth to mouth
Mouth to mouth to mouth to mouth
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life ...
This is getting old
[...] Read more
song performed by Faith No More
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Experimental Film
The color of infinity
Inside an empty glass
I'm squinting my eye
And turning off and on and on
and off the light
It's for this experimental film
Which nobody knows about and which
I'm still figuring out what's going to go
In my experimental film
Yeah, you're all gonna be in this experimental film
And even though I can't explain it
I already know how great it's
I already know the ending
It's the part that makes your face implode
I don't know what makes your face implode
But that's the way the movie ends
And in my experimental film
Which nobody knows about but which
I'm still figuring out your face implodes
At my experimental film
Yeah, you're all gonna be in this experimental film
And even though I can't explain it
I already know how great it--
Even though I can't explain it
I already know how great it's
The color of infinity
Inside an empty glass
It's for this experimental film
Which nobody knows about and which
I'm still figuring out what's going to go
In my experimental film
Yeah, you're all gonna be in this experimental film
And even though I can't explain it
I already know how great it's gonna--
Yeah, you're gonna be in this experimental film
And even though I can't explain it
I already know how great it--
Even though I can't explain it
I already know how great it's
song performed by They Might Be Giants
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The Film Of My Love
Co-starring you
And co-starring me
Starring us both together
The film of my love
Will travel the world
Forever and ever and ever
A back lot romance
A scripted affair
The screenplay a blessing from heaven
Were gone with the wind
On the orient express
To join the magnificent seven
The film of my love
Will travel the world
And travel the whole world over
The film of my love
Will travel the world
Over and over and over
The film of my love
Will travel the world
Over and over and over
Over and over and over again
Over and over and over
A close-up of yours
A long shot of mine
Superimposed together
Ill zoom in on you
With a love that is true
In cinemascope forever
A clapper board kiss
Theres an oscar in this
A hit or a miss whatever
A box office wedding
A premier for two
Well be on location forever
When pathe recall
The thrill of it all
Theyll edit us both together
A legend a classic
An epic of love
Captured on film forever
A lasting embrace
That time cant erase
Let them censor the wind
Or the weather
The film of my love
Will conquer the world
Forever and ever and ever
The film of my love
Will travel the world
[...] Read more
song performed by 10 Cc
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Pictures
Pictures
By: Adam M. Snow
Capturing life with precious moments to spare,
With smiles and love and timing so rare,
Living on forevermore within frames for all to see,
With a child's laughter as precious as can be.
Capturing memories of a soon forgotten childhood,
And family moments that never felt so good.
A truthful memoir in beautiful display,
Of a family picnic on a newborn summer day.
To savor the moments of joyous proportion,
Knowing it could all end in distortion.
Capturing the moments of an infant's first step,
Or a Christmas morn shining with pep.
An image of laughter and joyous jest,
A friendship jokes what they thought was best.
Memories taken of a sweet romance,
Of two young kids at their first school dance.
Capturing life with precious moments to spare,
With smiles and love and timing so rare.
poem by Adam M. Snow
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It Comes By Surprise
Number one,
Isn't easy to achieve...
Or can be handled by the squeamish.
Number one,
Takes unshakable faith...
With motivation that's unbreakable.
Number one,
Isn't seen in one's eyes...
It just comes by surprise.
Success that comes to one,
Comes by surprise.
Although it may be wished,
It comes by surprise.
It's not a gift to pick,
It comes by surprise.
Nobody sits until it comes by surprise.
Number one,
Isn't easy to achieve...
Or can be handled by the squeamish.
Number one,
Takes unshakable faith...
With motivation that's unbreakable.
Success that comes to one,
Comes by surprise.
Although it may be wished,
It comes by surprise.
It's not a gift to pick,
It comes by surprise.
Nobody sits until it comes by surprise.
Number one,
Isn't seen in one's eyes...
It just comes by surprise.
poem by Lawrence S. Pertillar
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When Youre Near Me I Have Difficulty
When youre near me I have difficulty respirating
When youre near me I have difficulty concentrating
When youre near me I have difficulty standing upright
When youre near me I have difficulty sleeping at night
I used to stand proud like a sphinx
In a noble immovable state
Then your heart nailed me under a jinx
Now Im feeling like a jellyfish
Just a spineless wobbly jellyfish
And its great, great, so great
I used to stand high like a pine
Just a piece of emotionless wood
When you put your body near mine
Now Im feeling like a jellyfish
And its good, good, so good
I used to be an iceman
Living in iceman town
So Im warning all you cool cool icemen
Youd better be prepared to be melted right down
Down
When youre near me I have difficulty
song performed by Xtc
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Always There
I'm running away
I've got to get home
I'm lost in a crowd
But I'm still on my own
I'm looking ahead
So I'm staying behind
I'm not being cruel
I'm just being kind
I close my eyes
It's no surprise
I'm always there
Can't count the times
I've tried to hide
And found nowhere
I'm trying to lay low
But I keep getting high
My feet on the ground
Got my head in the sky
My eye on the future
That's stuck in the past
I find I can't lose
When I aim to come last
I realise
It's no surprise
That nothing's clear
That black is white
That day is night
And there is here
I'm right on the ball
But I'm missing the mark
I burn in the sun
I'm scared of the dark
Got an ivory tower
With a bird's eye view
Got plenty of time
But nothing to do
The best disguise
It's no surprise
Is disappear
Can't count the times
I've tried to hide
And found nowhere
I'm running away
I've got to get home
[...] Read more
song performed by UB40 from Guns In The Ghetto
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Just A Little
Surprise me im looking out looking out
Surprise me you jump back up on to your feet somehow
Surprise me im looking out looking out
Surprise me you jump back up on to your....
Things appear gone..things appear gone
Where'd you go?
seems like your better half said it all
you're wonderful
seems like your better half said it all
Surprise me im looking out looking out
Surprise me you jump back up on to your feet somehow
Surprise me im looking out looking out
Surprise me you jump back up on to your....
Things appear gone..things appear gone
Where'd you go?
where'd you go?
you're wonderful
seems like your better half said it all
wonderful wonderful wonderful wonderful
angels can fly
motivation....motivation (gulp)
Things appear gone..things appear gone..things appear gone
Where'd you go? where'd you go?
you're wonderful
seems like your better half said it all
you're wonderful you're wonderful
seems like your better half said it all
where'd you go?
seems like your better half said it all
you're wonderful
seems like your better half said it
song performed by Used
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King Is White & In The Crowd
Talking by the pool of light, language from america.
She puts on the film of him, king is white and in the crowd
They are not a melting pot, say no, say no tapestry
She puts on the film of him, king is white and in the crowd
She takes his hand and she says youll stay
Shes lost in the crowd
King
Wire them up, fire them up
The life and times, the art and talk
Wire them up, fire them up
The life and times, the art and talk
Lovers run camp africa, bars in town are civilised
She puts on the film of him, king is white and in the crowd
Panorama, citylife
Youths dance proud from the waist down
She puts on the film of him, king is white and in the crowd
Shot from where the action is, a rhapsody in black and blue
She puts on the film of him, king is white and in the crowd
Love lies under western eyes, powerful yet transient
She puts on the film of him, king is white and in the crowd
Words & music : simple minds (c) emi publishing ltd reproduced without permission
song performed by Simple Minds
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King Is White And In The Crowd
Talking by the pool of light, language from Americ.
a
She puts on the film of him, King is white and in the crowd
They are not a melting pot, say no, say no tapestry
She puts on the film of him, King is white and in the crowd
She takes his hand and she says you'll stay
She's lost in the crowd
King
Wire them up, fire them up
The life and times, the art and talk
Wire them up, fire them up
The life and times, the art and talk
Lovers run camp Africa, Bars in town are civilised
She puts on the film of him, King is white and in the crowd
Panorama, Citylife
Youth's dance proud from the waist down
She puts on the film of him, King is white and in the crowd
Shot from where the action is, a rhapsody in black and blue
She puts on the film of him, King is white and in the crowd
Love lies under western eyes, powerful yet transient
She puts on the film of him, King is white and in the crowd
song performed by Simple Minds
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This be the last time we use the phrase 'Slumdog
We, as Indians, have reasons
To be proud of having
Created history by the film
“Slumdog Millionaire”
At the same time, we, as human beings,
Have to have hung our heads for
Having created slums
Slum, as it means
An overcrowded area of a city,
Where the housing is in a very bad condition
And people live in unhygienic conditions
With no basic facilities
And who created slums,
Not the people residing there
But those whose greed has brought
These slum dwellers into these
Unfit-for-living conditions
The technicalities employed in
Filming this movie deserve all praise
While the different ways of living
Of the slum dwellers equally deserve attention
Of the entire human race
For correction and improvement
The film was declared to be
The best-directed
While the slum tribes have no directions
And they have no one to direct
The film was declared to be
The best film
While the slum where the film was shot
Is the worst place
For any human being
Let the recognition of the film
Bring to light the plight of slumdogs
To the fore
And let the human race do everything
Possible to move these people
Out of the slums, wherever they are,
And to help them live a decent, if not better, living
We shall be doing a great service
If this becomes the last ever time
We use this phrase “Slumdog”
poem by Bashyam Narayanan
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Girl And Gun
“All that you need is a girl and a gun
if you making a film, ” said Jean-Luc Godard.
In the dark with a girl you can have as much fun
as a guy who’s been laid in a film that is noir,
but if, when you switch on the light, you discover
the girl isn’t loaded, walk out of the trailer,
and if she complains that you’ve been a bad lover,
take out a revolver with which you can nail her.
Inspired by Manohla Dargis’s review of Gustav Deutsch’s “Film 1st, a Girl & an Gun” in the December 2,2009 NYT (“The Old Clips, A Paradise Found and Lost”) :
“To make a film, ” Jean-Luc Godard once memorably said, “all you need is a girl and a gun.” (A little money helps.) In “Film Ist. a Girl & a Gun, ” the Austrian director Gustav Deutsch complicates this witty, deceptively simple formula with a wealth of found footage (material shot by others for other purposes) borrowed from film archives from around the world. As the title suggests, there are girls (voluptuous, ecstatic, threatened) and there are guns (hard, phallic, threatening) along with something of a narrative. If the narrative that Mr. Deutsch has created is rather less thrilling than his mostly silent and often glorious images, this is nonetheless a story well worth considering, and watching. Using material gathered from the likes of the Imperial War Museum (in Britain) and the Kinsey Institute for Research in Sex, Gender and Reproduction (at Indiana University) , he has fashioned something of an origin story about cinema itself. It’s a tale that begins with an unidentified image of a woman in buckskin shooting at some targets and ends with a cowboy bandit pointing his gun at the camera, an image appropriated from Edwin S. Porter’s 1903 short, “The Great Train Robbery, ” one of the most famous in cinema history. Tucked between these loaded images, as it were, is a vision of cinematic paradise, found and lost.
Tumult of a kind pursues the shooting woman (nothing new there) in the form of a mesmerizing, mysterious shot of what looks like an archery target in flames and some text (“at the first Chaos came to be”) from “Theogony, ” an epic Greek poem by Hesiod about the origin of the world. The archery target gives way to fiery orange images of billowing smoke and some electronic thrumming. (The intermittent score tends to underscore the obvious.) The thrumming turns to droning, the smoke turns to lava, followed by more Hesiod (“wide-bosomed earth”) , a woman with bountiful breasts, “Paradeisos” (Greek for paradise) and naked beachfront frolickers…
Women turn out to be the fly in the ointment in “a Girl & a Gun.” (“Dead flies cause the ointment of the apothecary to send forth a stinking savor” or so it says in Ecclesiastes.) Among the many images that follow, many beautifully and floridly tinted, are sleeping, dreaming and fornicating clothed and unclothed women. In one early section, a woman drowsing in a steam room seems to dream of both an undulating jellyfish and a swimming man. In another section, a woman watches a man spin four strange dials hidden behind a cabinet, as if he were initiating her into a secret world. (On the soundtrack, you hear “she dies.”) A world, a subsequent shot suggests — of a woman reading a newspaper with the headline “Cine Monde” — that has been made from images…With “a Girl & a Gun, ” Mr. Deutsch brings in Eros and Thanatos to a seductive if familiar end.
12/2/09
poem by Gershon Hepner
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Baby What A Big Surprise
Right before my very eyes
I thought that you were only fakin it
And like before my heart was takin it
Baby what a big surprise
Right before my very eyes
Yesterday it seemed to me
My life was nothing more than wasted time
But here today youve softly changed my mind
Baby what a big surprise
Right before my very eyes
Baby what a big surprise
Just to be alone
Was a little more than I could take
Then you came to stay
Hold me in the morning
Love me in the afternoon
Help me find my way
Baby what a big surprise
Right before my very eyes
Baby what a big surprise
Baby what a big surprise
Right before my very eyes
Baby what a big surprise
song performed by Peter Cetera
Added by Lucian Velea
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Taken By Surprise
J. spinks, t. lewis
She wakes me up in the middle of the night
When Im rolling over - rolling over
She keeps on asking is there something on my mind - I know
Shes getting close just a little too closer - and yet
Secrets are hard form me to hide
cos I never know what she might find
Telling her lies
Taken by surprise - taken by surprise yeah
She calls me up every minute of the day
Its like shes checking me over - always over my should and then
We talk and talk until theres nothing left to say
But she wont leave me alone every night
She never says whats on her mind
And the way it looks - well I know she aint blind
Telling her lies
Taken by surprise - taken by surprise yeah
You know this game is the same
All the world over
But no one laughs when theyre taking the blame
Over your should - taken by surprise
Cant close my eyes in case I talk in my sleep
Ooh I gotta lotta secrets that I know I wanna keep yeah
And she might even know whats going on
And its all just an act when she says nothings wrong
Like a disguise
Taken by surprise - taken by surprise
song performed by Outfield
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III. The Other Half-Rome
Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!
There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk
[...] Read more
poem by Robert Browning from The Ring and the Book
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Paradise Lost: Book 02
High on a throne of royal state, which far
Outshone the wealth or Ormus and of Ind,
Or where the gorgeous East with richest hand
Showers on her kings barbaric pearl and gold,
Satan exalted sat, by merit raised
To that bad eminence; and, from despair
Thus high uplifted beyond hope, aspires
Beyond thus high, insatiate to pursue
Vain war with Heaven; and, by success untaught,
His proud imaginations thus displayed:--
"Powers and Dominions, Deities of Heaven!--
For, since no deep within her gulf can hold
Immortal vigour, though oppressed and fallen,
I give not Heaven for lost: from this descent
Celestial Virtues rising will appear
More glorious and more dread than from no fall,
And trust themselves to fear no second fate!--
Me though just right, and the fixed laws of Heaven,
Did first create your leader--next, free choice
With what besides in council or in fight
Hath been achieved of merit--yet this loss,
Thus far at least recovered, hath much more
Established in a safe, unenvied throne,
Yielded with full consent. The happier state
In Heaven, which follows dignity, might draw
Envy from each inferior; but who here
Will envy whom the highest place exposes
Foremost to stand against the Thunderer's aim
Your bulwark, and condemns to greatest share
Of endless pain? Where there is, then, no good
For which to strive, no strife can grow up there
From faction: for none sure will claim in Hell
Precedence; none whose portion is so small
Of present pain that with ambitious mind
Will covet more! With this advantage, then,
To union, and firm faith, and firm accord,
More than can be in Heaven, we now return
To claim our just inheritance of old,
Surer to prosper than prosperity
Could have assured us; and by what best way,
Whether of open war or covert guile,
We now debate. Who can advise may speak."
He ceased; and next him Moloch, sceptred king,
Stood up--the strongest and the fiercest Spirit
That fought in Heaven, now fiercer by despair.
His trust was with th' Eternal to be deemed
Equal in strength, and rather than be less
Cared not to be at all; with that care lost
Went all his fear: of God, or Hell, or worse,
He recked not, and these words thereafter spake:--
[...] Read more
poem by John Milton
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