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I apply paint directly from the tube and with my fingers.

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If It's Love!

It's important that unshown love,
Comes directly shown from you.
To say it...
Doesn't make,
That-love-be-true!

It's important that unshown love,
Is a thing one wants to do...
Just to prove what is said,
Is absolutely true.

A hug,
And maybe a kiss.
A touch,
That has been missed.
A show of thoughtfulness...
Can go a very long distance.

A call,
Every once in a while...
Will go further than a mile.
If love is there to be shared...
Show someone they are cared for!
And doubts will come no more.

It's important that unshown love,
Comes directly shown from you.
To say it...
Doesn't make,
That-love-be-true!

It's important it's directly shown,
If it's love.
Yes!

It's important it's directly shown,
If it's love.
Yes!

It's important it's directly shown.
It's important it's directly shown.
It's important it's directly shown,
If it's love!

It shoos a boo-hooin'...
Known.

It's important it's directly shown.
It's important it's directly shown.
It's important it's directly shown,

[...] Read more

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Paint Me Down

Paint me down
Paint me down
Paint me down
Im walking into studio
Consider strange appeal
Paint me in the home
Im brushing up on sketchbook
Designs for love unreal
Paint me in the home
Oil and skin youll need to buy it
Consider what I mean
She sinks beneath thr moving pictures
Prepare the brush for me
Im craving with this need
Paint me down
Paint me down
Paint me down
Im soaking up the surface
Conceaiving new idea
Paint me in the home
Shes oiling up her subject
But all still life is here
Paint me in the home
All the boys with framed dimension
A cover up on lust
Hell take his pain and paint it over
Prepare the brush for me
Im craving with this need
Paint me down
Paint me down
Paint me down

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Alley

Apply, apply
no reply.

I do not know
how to apply
what to apply
I do not know
whether I am
eligible to apply
I do not know
whether there is
age limit to apply
I do not know
what is the
last date to apply.

Apply, apply
no reply.

And you find a fly
in this alley.

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Bubblehead

Spinning on a mound of battered and rival fools, and freaks look out
We really are the same behind our smiles of plasticene
Siting on a sofa, going over catch me in your hands
Stuck inside a vacuum tube, I've lost control
I can't get out
I can't break my bubblehead
And now the world is caving in
I can't break this bubblehead
The vacuum tube has sucked me in
No sense of gravity I'm drifting off into the heat again
Makes this river tease my paranoia bleeds inside my head
Bobbing in a submarine feels like I'm in an acid trail again
Wish that I could pinch myself and wake up from this bubblehead
I can't break my bubblehead
And now the world is caving in
I can't break this bubblehead
The vacuum tube has sucked me in
I can't break my bubblehead
And now the world is caving in
I can't break this bubblehead
The vacuum tube has sucked me in
Pull it back together, heal reflections in our broken bones
We're so ridiculous, we dress it up with smiles and frowns
Anticipating, always waiting for the weather still to shine
Gazing in a crystal to the future as we lose our minds
I can't break my bubblehead
And now the world is caving in
I can't break this bubblehead
The vacuum tube has sucked me in
I can't break my bubblehead
And now the world is caving in
I can't break this bubblehead
The vacuum tube has sucked me in
I can't break my bubblehead
And now the world is caving in
I can't break this bubblehead
The vacuum tube has sucked me in
I can't break my bubblehead
I can't break this bubblehead
I can't break my bubblehead
I can't break this bubblehead

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Ella Wheeler Wilcox

Sign-Board

I will paint you a sign, rumseller,
And hang it above your door;
A truer and better signboard
Than ever you had before.
I will paint with the skill of a master,
And many shall pause to see
This wonderful piece of painting,
So like the reality.


I will paint yourself, rumseller,
As you wait for that fair young boy,
Just in the morning of manhood,
A mother's pride and joy.
He has no thought of stopping,
But you greet him with a smile,
And you seem so blithe and friendly,
That he pauses to chat awhile.


I will paint you again, rumseller,
I will paint you as you stand,
With a foaming glass of liquor
Extended in your hand.
He wavers, but you urge him-
Drink, pledge me just this one!
And he takes the glass and drains it,
And the hellish work is done.


And next I will paint a drunkard-
Only a year has flown,
But into that loathsome creature
The fair young boy has grown.
The work was sure and rapid.
I will paint him as he lies
In a torpid, drunken slumber,
Under the wintry skies.


I will paint the form of the mother
As she kneels at her darling's side,
Her beautiful boy that was dearer
Than all the world beside.
I will paint the shape of a coffin,
Labeled with one word-'lost,'
I will paint all this, rumseller,
And will paint it free of cost.

[...] Read more

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Ella Wheeler Wilcox

The Signboard

I will paint you a sign, rumseller,
And hang it above your door;
A truer and better signboard
Than ever you had before.
I will paint with the skill of a master,
And many shall pause to see
This wonderful piece of painting,
So like the reality.

I will paint yourself, rumseller,
As you wait for that fair young boy,
Just in the morning of manhood,
A mother’s pride and joy.
He has no thought of stopping,
But you greet him with a smile
And you seem so blithe and friendly,
That he pauses a chat awhile.

I will paint you again, rumseller,
I will paint you as you stand,
With a foaming glass of liquor
Extended in your hand.
He wavers, but you urge him –
Drink, pledge me just this one!
And he takes the glass and drains it,
And the hellish work is done.

And next I will paint a drunkard –
Only a year has flown,
But into that loathesome creature
The fair young boy has grown.
The work was sure and rapid.
I will paint him as he lies
In a torpid, drunken slumber,
Under the wintry skies.

I will paint the form of the mother
As she kneels at her darling’s side,
Her beautiful boy that was dearer
Than all the world beside.
I will paint the shape of a coffin
Labelled with one word – ‘Lost’
I will paint all this, rumseller,
And will paint it free of cost.

The sin and the shame and the sorrow,
The crime and the want and the woe
That are born there in your workshop,
No hand can paint, you know
But I’ll paint you a sign, rumseller,

[...] Read more

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Last Instructions to a Painter

After two sittings, now our Lady State
To end her picture does the third time wait.
But ere thou fall'st to work, first, Painter, see
If't ben't too slight grown or too hard for thee.
Canst thou paint without colors? Then 'tis right:
For so we too without a fleet can fight.
Or canst thou daub a signpost, and that ill?
'Twill suit our great debauch and little skill.
Or hast thou marked how antic masters limn
The aly-roof with snuff of candle dim,
Sketching in shady smoke prodigious tools?
'Twill serve this race of drunkards, pimps and fools.
But if to match our crimes thy skill presumes,
As th' Indians, draw our luxury in plumes.
Or if to score out our compendious fame,
With Hooke, then, through the microscope take aim,
Where, like the new Comptroller, all men laugh
To see a tall louse brandish the white staff.
Else shalt thou oft thy guiltless pencil curse,
Stamp on thy palette, not perhaps the worse.
The painter so, long having vexed his cloth--
Of his hound's mouth to feign the raging froth--
His desperate pencil at the work did dart:
His anger reached that rage which passed his art;
Chance finished that which art could but begin,
And he sat smiling how his dog did grin.
So mayst thou pérfect by a lucky blow
What all thy softest touches cannot do.

Paint then St Albans full of soup and gold,
The new court's pattern, stallion of the old.
Him neither wit nor courage did exalt,
But Fortune chose him for her pleasure salt.
Paint him with drayman's shoulders, butcher's mien,
Membered like mules, with elephantine chine.
Well he the title of St Albans bore,
For Bacon never studied nature more.
But age, allayed now that youthful heat,
Fits him in France to play at cards and treat.
Draw no commission lest the court should lie,
That, disavowing treaty, asks supply.
He needs no seal but to St James's lease,
Whose breeches wear the instrument of peace;
Who, if the French dispute his power, from thence
Can straight produce them a plenipotence..
Nor fears he the Most Christian should trepan
Two saints at once, St Germain, St Alban,
But thought the Golden Age was now restored,
When men and women took each other's word.

[...] Read more

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Patrick White

Spots On A Paint Rag

Spots on a paint rag trying to figure out
if they're part of a larger picture.
Daubs and smudges and smears of black and red.
Topographies of dry thick ridges of blue acrylic,
peach-coloured mesas bruised
by the encroaching violets of dusk in a painted desert.
Are these the wanna-be windows of life
who failed to achieve a whole and harmonious view
of what they're doing here swiping off knives
thick with the gore of cadmium red,
cleaning off brushes that get to go out
on the field to caress and poke
stars and trees into being? Waterboys, not players.

I say the word, life, and I feel tonight like
the heaviness of a bell that's supplanted my heart.
The right root, but the wrong blossom.
Even though I'd melt that bell
back down into raucous cannon
to defend the concept to my very last breath.
But tonight I'm tunnelling under the foundations
of the cornerstones of life to bring
the walls down on top of my head,
like an avalanche of prophetic skulls
to just get a peek inside the grand paradigm,
the white light of the gessoed underpainting.
The secret garden with low-hanging fruit
on easy street with the sacred whores of Babylon.

An existential sadness, deep as a death-wound,
as if I'd just been stabbed in the heart
by the hands of a clock that mistook me for an intruder,
undermines me from below, a pyramid built on quicksand.
As if all those who had drowned in life
like fish up over their gills in water
were swimming in the watershed of every tear
that almost makes it up over the top of the dam
I try to throw up like a manly front to what
I know I won't be able to hold back for long.

And there go the villages in the flooded valley
I tried to live among like a neighbourly mountain
come to Muhammad on the way up and down.
It's cold and lonely and the air is thin
at the peaks of experience, with only
a star and a cloud for company.
The hard diamond in the rough I used to be
has grown mushy over the years. Tears.
Imagine that. Warm, salt seas with undulant tides
of emotion coursing in and out,

[...] Read more

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God's Character

God has got many paradoxical characteristics
For example
He is the Giver of Life
And the Giver of Death
He is the Giver of Honor and Prestige
And the Giver of Insult and Humiliation
He is the Most Merciful
And the Most Cruel

God felt the pain and sorrow
When He understood it’s impossible
To have His spouse of imagination in reality
It hurts God’s feelings
If anyone says there is more than one God
Because He has no spouse, parents and children
And it’s not at all good news for God
Although He has got many consolations.

God is not all good
God hides even His own sins to some extent
But there’s no one to bring God to justice
That’s why we should be scared of God

Although God's body is able to eat and drink
He doesn’t eat and drink
If the whole universe is turned into His food
It won't satisfy His hunger
God’s body doesn’t sleep and drowse
Although He is able to that
Because He's got so many things to do

Although God's body is able to enjoy sex
But He doesn't do that
Because He is the only one of His species

God’s body always speaks the truth
God’s body doesn’t laugh loudly, He smiles
God's body blesses when He feels happy
God’s body curses when He becomes angry
God’s body doesn’t injure or kill anyone directly
God’s body usually uses His throne
To go to distant places
God’s body doesn’t expand His visible glow
Most of the times

God is unable to change His own character
And thereby change His own fate
God has got all the materials
To create His own spouse
But He lacks the necessary know-how

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An Array And Plethora

An array and plethora,
Of love...
Is too diverse for me.
I like it,
Directly!

An array and plethora,
Of love...
Is too diverse for me.
I need it,
More directly!

I want to know that which is given,
Has no loopholes I could miss.

I want to know my feelings felt,
Aren't pushed aside to dust on shelves.

An array and plethora,
Of love...
Is too diverse for me.
I like it,
Directly!

When I'm wrapped in a hug,
And my lips are kissed...
I like it,
Directly!

When I see eyes on me melt with mist.
I like this...
Directly!

I like to know that which is given,
Has no loopholes I could miss.
Oh,
I like it more directly.

I like to know that which is given,
Has no loopholes I could miss.
And...
I like it more directly.

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Fra Lippo Lippi

I am poor brother Lippo, by your leave!
You need not clap your torches to my face.
Zooks, what's to blame? you think you see a monk!
What, 'tis past midnight, and you go the rounds,
And here you catch me at an alley's end
Where sportive ladies leave their doors ajar?
The Carmine's my cloister: hunt it up,
Do—harry out, if you must show your zeal,
Whatever rat, there, haps on his wrong hole,
And nip each softling of a wee white mouse,
Weke, weke, that's crept to keep him company!
Aha, you know your betters! Then, you'll take
Your hand away that's fiddling on my throat,
And please to know me likewise. Who am I?
Why, one, sir, who is lodging with a friend
Three streets off—he's a certain...how d'ye call?
Master—a...Cosimo of the Medici,
I' the house that caps the corner. Boh! you were best!
Remember and tell me, the day you're hanged,
How you affected such a gullet's gripe!
But you, sir, it concerns you that your knaves
Pick up a manner nor discredit you:
Zooks, are we pilchards, that they sweep the streets
And count fair prize what comes into this net?
He's Judas to a tittle, that man is!
Just such a face! Why, sir, you make amends.
Lord, I'm not angry! Bid your hangdogs go
Drink out this quarter-florin to the health
Of the munificent House that harbors me
(And many more beside, lads! more beside!)
And all's come square again. I'd like his face—
His, elbowing on his comrade in the door
With the pike and lantern—for the slave that holds
John Baptist's head a-dangle by the hair
With one hand ("Look you, now," as who should say)
And his weapon in the other, yet unwiped!
It's not your chance to have a bit of chalk,
A wood-coal or the like? or you should see!
Yes, I'm the painter, since you style me so.
What, brother Lippo's doings, up and down,
You know them and they take you? like enough!
I saw the proper twinkle in your eye—
'Tell you, I liked your looks at very first.
Let's sit and set things straight now, hip to haunch.
Here's spring come, and the nights one makes up bands
To roam the town and sing out carnival,
And I've been three weeks shut within my mew,
A-painting for the great man, saints and saints
And saints again. I could not paint all night—
Ouf! I leaned out of window for fresh air.

[...] Read more

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I Want To Paint

I

I want to paint
2000 dead birds crucified on a background of night
Thoughts that lie too deep for tears
Thoughts that lie too deep for queers
Thoughts that move at 186,000 miles/second
The Entry of Christ into Liverpool in 1966
The installation of Roger McGough in the Chair of Poetry at Oxford
Francis Bacon making the President's Speech at the Royal Academy dinner

I want to paint
50 life-sized nudes of Marianne Faithfull
(all of them painted from life)
Welsh Maids by Welsh Waterfalls
Heather Holden as Our Lady of Haslingden
A painting as big as Piccadilly full of neon signs and buses
Christmas decorations and beautiful girls with dark blonde hair shading their faces

I want to paint
The assassination of the entire Royal Family
Enormous pictures of every pavingstone in Canning Street
The Beatles composing a new national anthem
Brian Patten writing poems with a flamethrower on disused ferry boats
A new cathedral 50 miles high made entirely of pram wheels
An empty Woodbine packet covered in kisses
I want to paint
A picture made from the tears of dirty-faced children in Chatham Street

I want to paint
I LOVE YOU across the steps of St. George's hall
I want to paint

Pictures
II

I want to paint
The Simultaneous and Historical Faces of Death
10,000 shocking pink hearts with your name on
The phantom negro postmen who bring me money in my dreams
The first plastic daffodil of spring pushing its way
Through the OMO packets in the supermarket
The portrait of every sixth-form schoolgirl in the country
A full-scale map of the world with YOU at the centre
An enormous lily-of-the-valley with every flower on a separate canvas

Life-sized jelly babies shaped like Hayley Mills
A black-and-red flag flying over Parliament
I want to paint
Every car crash on all the motorways of England

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Paint Dimensionality Soul In Oils

if I painted pictures
I would draw you in charcoal
wash away drama tears in watercolours
paint dimensionality of durability soul in oils
span a universe of senses touch emotions thoughts

if I painted pictures
I would paint dream images
I would paint visions of inner mind's eye
I would paint life in veils swirling kaleidoscopic moods
I would paint canvasses imprinting fabric expanding universes

but I travel eons far
load canvasses are too heavy
I walk journey through many phase worlds
seasons landscapes in many climates beckon bled feet
I paint mind songs in words life haunting edges spaces

swallow flame words into soul at own risk
I paint distances between seen unseen at world's edges
I paint portraits above beneath mask as multi veils
I paint shift faces figures skin deeds intended done deeds
I paint poetry life in shifting kaleidoscopic images souls

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Purple And Silver

frozen evenings
on me, they camp greetings
intruding me to the dark feelings
demolishing any happy traces
that i once discovered
teardropp cases, these faces
never seem to get em' outta my head
paint in purple, paint it silver


track a train
to the valley of midnight pain
which i once suffered
i still suffer
when we look back to the spring shower
they left us, leaving poison flowers
i extracted the pulp
she wrapped the words
we made a bomb
mark our words
paint them purple, paint them silver


bang bang now check this out
heavy storm outside
reminds me of one inside
tornado of tears
volcano of fears
but they had to hit
and hit they did
birth of a kid
off color white
put up a fight
listening to 9 crimes
i've been given too much time
he did his part
i broke mine fast
paint it silver
msg delivered
paint it purple
i start to crumble


over the top
the boat beneath the blue whale
river of lost got a new sail
they met the pain at the oceans date
cross the fence in senses
sit at the last bench
bury the drench

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Sonnet: Whither Thy Art, Man?

Yes, men and women, paint their eyelashes,
And dye their hair in hues and paint their nails;
And wear head-bands, multi-colored sashes,
And paint the tortoises and shells of snails.

Some paint their bodies fully or one-half;
Some paint their country’s flag over their face;
Some look like leopards, lions, clowns that laugh;
Some tattoo pictures or paint words so base.

Some paint their naked bodies as if dressed
Or apply stickers of men, Gods or beast;
Their art on human skins looks to them best
And dance in ritual for a sumptuous feast.

The art of man has gone so crazy now,
For men paint Dogs, cats, cattle, also cow.

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Paint body art beautiful

her majesty the hand
with nail graffiti polish
pain in henna red
paint in henna black
paint paint my heart

paint body art faithful
faithful to the strokes
paint in strokes divine
paint in strokes of red
paint in strokes of black
paint paint my heart

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Sam Loves Joann

(tia sillers/john tirro)
Joann was is an awkward position
Very unmarried and starting to show
Joann had wanted to be a beautician
She thought it looked like a good time to go
Got on a greyhound to ride up to macon
No one is new brunswick would quite understand
She wouldnt look at the side of the highway
Where written in spray paint said sam loves joann
Joann, joann, how could you leave your man
Im yours forever in big old blue letters
Its written in spray paint sam loves joann
Sams on his way to the state penitentiary
He doesnt know hes a father to be
Sam only wanted to borrow a chevy
But the state locked him up and they threw out the key
Sam hoped to take her away to get married
But he never asked her, so much for big plans
Now the prison bus takes him on down that same highway
Where written in spray paint sam loves joann
Joann, joann, how could you leave your man
Im yours forever in big old blue letters
Its written in spray paint sam loves joann
Funny how things from the heat of the moment
Like making a baby or getting tattooed
Last a lot longer than ever expected
Feelings might fade but the facts never do
Its all the same in the small towns and big towns
The names might change but across this great land
Just take a ride along any old highway
Its written in spray paint sam loves joann
Joann, joann, how could you leave your man
Im yours forever in big old blue letters
Its written in spray paint sam loves joann
Joann, joann, how could you leave your man
Im yours forever in big old blue letters
Its written in spray paint sam loves joann
Its written in spray paint sam loves joann
Its written in spray paint sam loves joann

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As The Master Suggests

Wasn't it just yesterday,
It was said...
He was too incompetent to lead.
And today they hope he succeeds,
To keep them protected...
From experiencing total economic devastation.

And yes,
The situation is a mess.
But guess who's gotta clean up...
After they have treated themselves,
Less than guests.

Guess who's left to paint the veranda,
As the master suggests?
Then joke...
Sitting from a chair,
Known to be the master's favorite seat.
Overlooking the cleanup.
And sharing jokes with similar minds...
About eating fried chicken,
Watermelon.
And who commits all the crime!
Producing babies 'they' can't feed.
And guess who's left to paint the veranda?
Me!

Wasn't it just yesterday,
It was said...
He was too incompetent to lead.
And today they hope he succeeds,
To keep them protected...
From experiencing total economic devastation.

And yes,
The situation is a mess.
But guess who's gotta clean up...
After they have treated themselves,
Less than guests.
Guess who's left to paint the veranda,
As the master suggests?

And guess who's left to paint the veranda?
As the master suggests.
Guess who's left to paint the veranda?
As the master suggests.
And guess who's left to paint the veranda?
As the master suggests.
And guess who's left to paint the veranda?
As the master suggests.

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Tire Shop

I went down yesterday
to fix a leak in my tire. Off Bridge street
there's a place 95 cents
flats fixed,
smeary black paint on warped wood plank
between two bald tires.
I go in, an old Black man
with a Jackie Gleason hat greasy soft
with a mashed cigar stub in mouth
and another old Chicano man
working the other
pneumatic hissing tire changer. The walls are black with rubber
soot blown black dust everywhere
and rows of worn tires on gnawed board racks for sale,
air hoses snaking and looped over the floor.
I greet the two old men
'Yeah, how's it going!'
No response.
They look up at me as if I just gave them a week to live.
'I got a tire needs a tube.'
Rudy, a young Chicano emerges from the black part of the room
pony tailed and plump
walks me out to my truck and looks at the tire.
'It'll cost you five bucks to take off and change.'
I nod.
He tells the old Chicano, who pulls the roller jack
with a long steel handle outside,
and I wait in the middle of the grunting oval tire
changing machines,
while the old guy goes out and returns with my tire.
He looks at me like a disgruntled Carny
handling the ferriswheel
for the millionth time
and I'm just another ache in the arm,
a spoiled kid.
I watch the two old men work the tire machines
step on the foot levers that send the bars around
flipping the tire from the rim
and I wonder what brought these two old men to work here
on this gray evening in February –
are they ex-cons?
Drunks or addicts?
He whips the tube out,' Rudy ' he yells
and I see a gaping hole in the tube,
'Can't patch that,' Rudy says
Then in Spanish Slang says, 'no podemos pachiarlo,'
'we got a pile of old tubes over there, we'll do it for ten
dollars.'
At first I think he might be taking me
but I hedge away from that thought

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The Colony Of Slippermen

The arrival
Leaving by the same door from which he had come in, he finds some sort of freaks ghetto on the other side. when they catch sight of him, the entire street of distorted figures burst into laughte
E of the colony approaches him.
Rael:
I wandered lonely as a cloud,
Till I came upon this dirty street.
Ive never seen a stranger crowd;
Slubberdegullions on squeaky feet,
Continually pacing,
With nonchalant embracing,
Each orifice disgracing
And one facing me moves to say hellay.
He is grotesque in every feature, a mixture of ugly lumps and stumps. his lips slip across his chin as he smiles in welcome and offers his slippery handshake.
His skins all covered in slimy lumps.
With lips that slide across each chin.
His twisted limbs like rubber stumps
Are waved in welcome say please join in.
My grip must be flipping,
Cos his handshake keeps slipping,
My hopes keep on dipping
And his lips keep on smiling all the time.
Rael is a little disillusioned, when the slipperman reveals that the entire colony have one-by-one been through the same glorious romantic tragedy with the same three lamia, who regenerate thems
Every time, and that now rael shares their physical appearance and shadowy fate.
Slipperman:
We, like you, have tasted love.
Dont be alarmed at what you see,
You yourself are just the same
As what you see in me.
Rael:
Me, like you? like that!
Slipperman:
You better watch it son, your sentence has only just begun
You better run and join your brother john.
Amongst the contorted faces of the slippermen, rael recognises what is left of his brother john. they hug each other.
A visit to the doktor
John bitterly explains that the entire life of the slipperman is devoted to satisfying the never-ending hunger of the senses, which has been inherited from the lamia. there is only one escape ro
A dreaded visit to the notorious doktor dyper who will remove the source of the problems, or to put it less politely, castrate.
They discuss the deceptively-named escape for a long time and decide to go together to visit the doktor.
Slipperman:
Youre in the colony of slippermen.
Theres no who? why? what? or when?
You get out if youve got the gripe
To see, doktor dyper, reformed sniper - hell whip off your
Windscreenwiper
Rael:
John and I are able
To face the doktor and his marble table.
The doktor:
Understand rael, thats the end of your tail.
Rael:

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