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Nothing written for pay is worth printing. Only what has been written against the market.

quote by Ezra Pound
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The Example of Vertu : Cantos I.-VII.

Here begynneth the boke called the example of vertu.

The prologe.

Whan I aduert in my remembraunce
The famous draughtes of poetes eloquent
Whiche theyr myndes dyd well enhaunce
Bokes to contryue that were expedyent
To be remembred without Impedyment
For the profyte of humanyte
This was the custume of antyquyte.
I now symple and moost rude
And naked in depured eloquence
For dulnes rethoryke doth exclude
Wherfore in makynge I lake intellygence
Also consyderynge my grete neglygence
It fereth me sore for to endyte
But at auenture I wyll now wryte.
As very blynde in the poetys art
For I therof can no thynge skyll
Wherfore I lay it all a part
But somwhat accordynge to my wyll
I wyll now wryte for to fulfyll
Saynt Powles wordes and true sentement
All that is wryten is to oure document
O prudent Gower in langage pure
Without corrupcyon moost facundyous
O noble Chauser euer moost sure
Of frutfull sentence ryght delycyous
O vertuous Lydgat moche sentencyous
Unto you all I do me excuse
Though I your connynge do now vse
Explicit prologus.

Capitulum Primsi.
In Septembre in fallynge of the lefe
Whan phebus made his declynacyon
And all the whete gadred was in the shefe
By radyaunt hete and operacyon
Whan the vyrgyn had full domynacyon
And Dyane entred was one degre
Into the sygne of Gemyne
Whan the golden sterres clere were splendent
In the firmament puryfyed clere as crystall
By imperyall course without incombrement
As Iuppyter and Mars that be celestyall
With Saturne and Mercury that wer supernall
Myxt with venus that was not retrograte
That caused me to be well fortunate
In a slombrynge slepe with slouth opprest

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poem by Stephen Hawes
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Was It Worth It?

(tennant/lowe)
--------------------
Well I dont know why I was dreaming about you
But I do know that I was dancing without you
Then you smiled, and I was lost
You fall in love, why count the cost?
All I gave to you
All you made me do
I react when I hear people ask
Was it worth it?
Yes its worth living for
Was it worth it?
Yes its worth giving more
If Id had my way this would have happened much sooner
But until that day it was only a rumour
All at once you changed my life
And led me in to paradise
Where I had to do
What I wanted to
I react when I hear people ask
Was it worth it?
Yes its worth living for
Was it worth it?
Yes its worth giving more
I reserve the right to live
My life this way, and I dont give
A damn when I hear people say
Ill pay the price that others pay
cause its worth it
Yes its worth living for
cause its worth it
Yes its worth living for
All I gave to you
All you made me do
I react when I hear people ask
Was it worth it?
Yes its worth living for
Was it worth it?
Yes its worth giving more
And I reserve (what? )
The right to live (where? )
My life this way (how? )
I couldnt give
A damn when I (what? )
Hear people say (who? )
Ill pay the price
That others pay
cause its worth it
Yes its worth living for
cause its worth it

[...] Read more

song performed by Pet Shop Boys
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With Rose In Hand

Prayer is worth more than a rose
in my hand where love grows
for God and all he knows
The rose has a thorn
which Jesus felt on the crown he had worn.
the rose is red as the blood from his head
when he was crucifed before we were born.

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poem by Meg Harrison
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Ladies Pay

All the sailors theyre all home from leave
And everybodys waiting for them to try to deceive
The storekeepers have drawn their lace curtains bare
And all the women and the wee young girls all waiting there
Oh, but how the ladies pay
Oh, if they only knew how the ladies pay
Yeah now, how the ladies pay
Oh, when the men theyve gone away
Nobody is standing on upon the door
And nobody is feeding any of the poor
The poor sick soldier lies in bed beside his girl
Thinking of another place on the other side of the world
Ah
How the ladies pay
Oh-oh, oh, how the ladies pay
When the men theyve gone away
Oh, I wish I knew how the ladies pay
Day and night, night and day
How the ladies pay
Day and night, night and day
How the ladies pay
Day and night
Night and day
Day and night
Day and night, night and day, ladies pay now
Night and day, day and night
How the ladies pay
Day and night, night and day
How the ladies pay
Day and night now
Night and day and now
How the pay now
Oh, how the pay now
Ladies pay, ladies pay
Ah, ladies pay the way now
Ladies pay, ah, ladies pay
Ah, ladies pay
Night and day, night and day, night and day
Oh, how the ladies pay
Oh, night and day, night and day, night and day
Oh, how the ladies pay

song performed by Lou Reed
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Market Square Heroes

(derek dick, mark kelly, steve rothery, peter trewavas, michael pointer, brian jellyman, diz minnett)
I found smog at the end of my rainbow
I found my thoughts shift slowly into phase
Declared the constitution of the walkway
I realise its time to plan the day, the day
Im a market square hero gathering the storms to troop
Cause Im a market square hero speeding the beat of the streetpulse
Are you following me, are you following me?
Well suffer my pretty warriors and follow me
I got a golden handshake that nearly broke my arm
I left the ranks of shuffling graveyard people
I got rust upon my hands from the padlocked factory gates
Silent chimneys provide the silent steeples
Cause Im a market square hero gathering the storms to troop
Cause Im a market square hero speeding the beat of the streetpulse, the streetpulse
Are you following me? are you following me?
Well suffer my pretty children and follow me, follow me
Change, change, change!
Change, change, change!
I am your antichrist show me allegiance
Are you following me
I am your antichrist pledge to me defiance
Are you following me
Suffer my pretty warriors
Suffer my fallen child
Are you following me
The time has come to conquer and Ill provide your end
Suffer!
We march!
I give peace signs when I wage war in the disco
Im the warrior in the ultra violet haze
Armed with antisocial insecurity
I plan the path of destiny from this maze
Cause Im a market square hero gathering the storms to troop
Cause Im a market square hero speeding the beat of the streetpulse, the streetpulse
Are you following me? are you following me?
Well suffer my fallen angels and follow me
Im the market square hero
Im the market square hero
Were market square heroes
Were the market square heroes
Are you following me?
Im the market square hero!

song performed by Marillion
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
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The Price You Pay

(bruce springsteen)
You make up your mind, you choose the chance you take
You ride to where the highway ends and the desert breaks
Out on through an open road you ride until the day
You learn to sleep at night with the price you pay
Now with their hands held high, they reached out for the open skies
And then with their last breath
They built the roads they would ride to their deaths
Driving on through the night unable to break away
>from the restless pull of the price you pay
Oh, the price you pay, oh, the price you pay
Now you cant walk away from the price you pay
Now theyve come so far and theyve waited so long
Just to end up caught in a dream where everything goes wrong
Where the dark of night holds back the light of the day
And you gotta stand and fight for the price you pay
Oh, the price you pay, oh, the price you pay
Now you cant walk away from the price you pay
Little girl down on the strand
With that pretty little baby in your hands
Do you remember the story of the promised land
How he crossed the desert sands
And could not enter the chosen land
On the banks of the river he stayed
To face the price you pay
So let the games start
You better run you little wild heart
You can run through all the nights and all the days
But just across the county line
A stranger passin through put up a sign
That counts so many fallen away
To the price you pay,
Oh, the price you pay, oh, the price you pay
Now you cant walk away from the price you pay
Oh, the price you pay, oh, the price you pay
Now you cant walk away from the price you pay

song performed by Emmylou Harris
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

[...] Read more

poem by Charles Churchill
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Luxurious

Working so hard, every night and day
And now we get the pay back
Trying so hard, saving up the paper
Now we get to lay back
Working so hard, every night and day
And now we get the pay back, the pay back, the pay back
Champagne kisses, hold me in your lap of luxury
I only want to fly first-class desires, you're my limousine
So elegant, the way we ride, our passion, it just multiplies
There's platinum lightning in the sky
Look I'm livin' like a queen
This kind of love is getting expensive
We know how to live, baby
We're luxurious, like Egyptian cotton
We're so rich in love, we're rollin' in cashmere
Got it in fifth gear, baby
Diamond in the rough is lookin' so sparkly
Working so hard, every night and day
And now we get the pay back
Trying so hard, saving up the paper
Now we get to lay back
Working so hard, every night and day
And now we get the pay back, the pay back, the pay back
Sugar, honey, sexy baby
When we touch it turns to gold
Sensitive and delicate, kinda like a tuberose
You know you are my treasure chest
It's pure perfection when we kiss and
You're my Mr., I'm your Miss
Gonna be until we're old
This kind of love is getting expensive
We know how to live, baby
We're luxurious, like Egyptian cotton
Working so hard, every night and day
And now we get the pay back
Trying so hard, saving up the paper
Now we get to lay back
Working so hard, every night and day
And now we get the pay back, the pay back, the pay back
[2x]
Cha-ching, cha-ching, we're loaded and we're not gonna blow it
Cha-ching, cha-ching, we're hooked up with the love cause we grow it
Cha-ching, cha-ching, we got hydroponic love and we're smokin'
Cha-ching, cha-ching, we burn it, you and I, we are so lit
And we're so rich in love, we're rollin' in cashmere
Got it in fifth gear, baby
Diamond in the rough is lookin' so sparkly
Working so hard, every night and day
And now we get the pay back
Trying so hard, saving up the paper

[...] Read more

song performed by Gwen Stefani
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Death Of The Middle Class

Oligarchs and Banksters tighten financial screws
In a bold attempt to kill the global Middle Class
Heads of State unable/unwilling to halt this ruse
The “Great Depression of 1929” we soon surpass

ROTMS

By Andrew Gavin Marshall - Global Research

We now stand at the edge of the global financial abyss of a ‘Great Global Debt Depression, ’ where nations, mired in extreme debt, are beginning to implement ‘fiscal austerity’ measures to reduce their deficits, which will ultimately result in systematic global social genocide, as the middle classes vanish and the social foundations upon which our nations rest are swept away. How did we get here? Who brought us here? Where is this road leading? These are questions I will briefly attempt to answer.

At the heart of the global political economy is the central banking system. Central banks are responsible for printing a nation’s currency and setting interest rates, thus determining the value of the currency. This should no doubt be the prerogative of a national government, however, central banks are of a particularly deceptive nature, in which while being imbued with governmental authority, they are in fact privately owned by the world’s major global banks, and are thus profit-seeking institutions. How do central banks make a profit? The answer is simple: how do all banks make a profit? Interest on debt. Loans are made, interest rates are set, and profits are made. It is a system of debt, imperial economics at its finest.

In the United States, President Woodrow Wilson signed the Federal Reserve Act in 1913, creating the Federal Reserve System, with the Board located in Washington, appointed by the President, but where true power rested in the 12 regional banks, most notably among them, the Federal Reserve Bank of New York. The regional Fed banks were private banks, owned in shares by the major banks in each region, which elected the board members to represent them, and who would then share power with the Federal Reserve Board in Washington.

In the early 1920s, the Council on Foreign Relations was formed in the United States as the premier foreign policy think tank, dominated by powerful banking interests. In 1930, the Bank for International Settlements (BIS) was created to manage German reparations payments, but it also had another role, which was much less known, but much more significant. It was to act as a “coordinator of the operations of central banks around the world.” Essentially, it is the central bank for the world’s central banks, whose operations are kept ‘strictly confidential.’ As historian Carroll Quigley wrote:

'The powers of financial capitalism had another far-reaching aim, nothing less than to create a world system of financial control in private hands able to dominate the political system of each country and the economy of the world as a whole. This system was to be controlled in a feudalist fashion by the central banks of the world acting in concert, by secret agreements arrived at in frequent private meetings and conferences. The apex of the system was to be the Bank for International Settlements in Basel, Switzerland, a private bank owned and controlled by the world’s central banks which were themselves private corporations.'

In 1954, the Bilderberg Group was formed as a secretive global think tank, comprising intellectual, financial, corporate, political, military and media elites from Western Europe and North America, with prominent bankers such as David Rockefeller, as well as European royalty, such as the Dutch royal family, who are the largest shareholders in Royal Dutch Shell, whose CEO attends every meeting. This group of roughly 130 elites meets every year in secret to discuss and debate global affairs, and to set general goals and undertake broad agendas at various meetings. The group was initially formed to promote European integration. The 1956 meeting discussed European integration and a common currency. In fact, the current Chairman of the Bilderberg Group told European media last year that the euro was debated at the Bilderberg Group.

In 1973, David Rockefeller, Chairman and CEO of Chase Manhattan Bank, Chairman of the Council on Foreign Relations and a member of the Steering Committee of the Blderberg Group, formed the Trilateral Commission with CFR academic Zbigniew Brzezinski. That same year, the oil price shocks created a wealth of oil money, which was discussed at that years Bilderberg meeting 5 months prior to the oil shocks, and the money was funneled through western banks, which loaned it to ‘third world’ nations desperately in need of loans to finance industrialization.

When Jimmy Carter became President in 1977, he appointed over two dozen members of the Trilateral Commission into his cabinet, including himself, and of course, Zbigniew Brzezinski, who was his National Security Adviser. In 1979, Carter appointed David Rockefeller’s former aide and friend, Paul Volcker, who had held various positions at the Federal Reserve Bank of New York and the U.S. Treasury Department, and who also happened to be a member of the Trilateral Commission, as Chairman of the Federal Reserve. When another oil shock took place in 1979, Volcker decided to raise interest rates from 2% in the late 70s, to 18% in the early 80s. The effect this had was that the countries of the developing world suddenly had to pay enormous interest on their loans, and in 1982, Mexico announced it could no longer afford to pay its interest, and it defaulted on its debt, which set off the 1980s debt crisis – collapsing nations in debt across Latin America, Africa and parts of Asia.

It was the IMF and the World Bank came to the ‘assistance’ of the Third World with their ‘structural adjustment programs’, which forced countries seeking assistance to privatize all state owned industries and resources, devalue their currencies, liberalize their economies, dismantle health, education and social services; ultimately resulting in the re-colonization of the ‘Third World’ as Western corporations and banks bought all their assets and resources, and ultimately created the conditions of social genocide, with the spread of mass poverty, and the emergence of corrupt national elites who were subservient to the interests of Western elites. The people in these nations would protest, riot and rebel, and the states would clamp down with the police and military.

In the West, corporations and banks saw rapid, record-breaking profits. This was the era in which the term ‘globalization’ emerged. While profits soared, wages for people in the West did not. Thus, to consume in an economy in which prices were rising, people had to go into debt. This is why this era marked the rise of credit cards fueling consumption, and the middle class became a class based entirely on debt.

In the 1990s, the ‘new world order’ was born, with America ruling the global economy, free trade agreements began integrating regional and global markets for the benefit of global banks and corporations, and speculation dominated the economy.

The global economic crisis arose as a result of decades of global imperialism – known recently as ‘globalization’ – and the reckless growth of– speculation, derivatives and an explosion of debt. As the economic crisis spread, nations of the world, particularly the United States, bailed out the major banks (which should have been made to fail and crumble under their own corruption and greed) , and now the West has essentially privatized profits for the banks, and socialized the risk. In other words, the nations bought the debt from the banks, and now the people have to pay for it. The people, however, are immersed in their own personal debt to such degrees that today, the average Canadian is $39,000 in debt, and students are graduating into a jobless market with tens to hundreds of thousands of dollars of student debt that they will never repay. Hence, we are now faced with a global debt crisis.

To manage the economic crisis, the G20 was established as the major international forum for cooperation among the 20 major economies of the world, including the major developing – or emerging – economies, such as India, Brazil, South Africa and China. At the onset of the financial crisis, China and Russia’s central banks began calling for the establishment of a global currency to replace the U.S. dollar as the world reserve currency. This proposal was backed by the UN and the IMF. It should be noted, however, that the Chinese and Russian central banks cooperate with the Western central banks through the Bank for International Settlements – which the President of the European Central Bank, Jean-Claude Trichet, recently said was the principle forum for “governance of central bank cooperation” and that the G20 is “the prime group for global economic governance.” In 2009, the IMF stated that the BIS “is the central and the oldest focal point for coordination of global governance arrangements.” The President of the European Union, appointed to the position after attending a Bilderberg meeting, declared 2009 as the “first year of global governance.” The 2009 Bilderberg meeting reported on the desire to create a global treasury, or global central bank, to manage the world economy. In 2009, prior to the Bilderberg meeting in fact, the G20 set in motion plans to make the IMF a global central bank of sorts, issuing and even printing its own currency – called Special Drawing Rights (SDRs) – which is valued against a basket of currencies. In May of 2010, the IMF Managing Director stated that “crisis is an opportunity, ” and while Special Drawing Rights are a step in the right direction, ultimately what is needed is “a new global currency issued by a global central bank, with robust governance and institutional features.” Thus, we see the emergence of a process towards the formation of a global central bank and a global currency, totally unaccountable to any nation or people, and totally controlled by global banking interests.

In 2010, Greece was plunged into a debt crisis, a crisis which is now spreading across Europe, to the U.K. and eventually to Japan and the United States. If we look at Greece, we see the nature of the global debt crisis. The debt is owed to major European and American banks. To pay the interest on the debt, Greece had to get a loan from the European Central Bank and the IMF, which forced the country to impose ‘fiscal austerity’ measures as a condition for the loans, pressuring Greece to commit social genocide. Meanwhile, the major banks of America and Europe speculate against the Greek debt, further plunging the country into economic and social crisis. The loan is granted, to pay the interest, yet simply has the effect of adding to the overall debt, as a new loan is new debt. Thus, Greece is caught in the same debt trap that re-colonized the Third World.

At the recent G20 meeting in Toronto, the major nations of the world agreed to impose fiscal austerity – or in other words, commit social genocide – within their nations, in a veritable global structural adjustment program. So now we will see the beginnings of the Great Global Debt Depression, in which major western and global nations cut social spending, create mass unemployment by dismantling health, education, and social services. Further, state infrastructure – such as roads, bridges, airports, ports, railways, prisons, hospitals, electric transmission lines and water – will be privatized, so that global corporations and banks will own the entirely of national assets. Simultaneously, of course, taxes will be raised dramatically to levels never before seen. The BIS said that interest rates should rise at the same time, meaning that interest payments on debt will dramatically increase at both the national and individual level, forcing governments to turn to the IMF for loans – likely in the form of its new global reserve currency – to simply pay the interest, and will thus be absorbing more debt. Simultaneously, of course, the middle class will in effect have its debts called in, and since the middle class exists only as an illusion, the illusion will vanish.

Already, towns, cities, and states across America are resorting to drastic actions to reduce their debts, such as closing fire stations, scaling back trash collection, turning off street lights, ending bus services and public transportation, cutting back on library hours or closing them altogether, school districts cutting down the school day, week or year. Simultaneously, this is occurring with a dramatic increase in the rate of privatizations or “public-private partnerships” in which even libraries are being privatized.

No wonder then, that this month, the Managing Director of the IMF warned that America and Europe, in the midst of the worst jobs crisis since the Great Depression, face an “explosion of social unrest.” Just yesterday, Europe experienced a wave of mass protests and social unrest in opposition to ‘austerity measures’, with a general strike in Spain involving millions of people, and a march on the EU headquarters in Brussels of nearly 100,000 people. As social unrest spreads, governments will likely react – as we saw in the case of the G20 in Toronto – with oppressive police state measures. Here, we see the true relevance of the emergence of ‘Homeland Security States’, designed not to protect people from terrorists, but to protect the powerful from the people.

So while things have never seemed quite so bleak, there is a dim and growing beacon of hope, in what Zbigniew Brzezinski has termed as the greatest threat to elite interests everywhere – the ‘global political awakening’. The global political awakening is representative of the fact that for the first time in all of human history, mankind is politically awakened and stirring, activated and aware, and that generally – as Zbigniew Brzezinski explains – generally is aware of global inequalities, exploitation, and disrespect. This awakening is largely the result of the information revolution – thus revealing the contradictory nature of the globalization project – as while it globalizes power and oppression, so too does it globalize awareness and opposition. This awakening is the greatest threat to entrenched elite interests everywhere. The awakening, while having taken root in the global south – already long subjected to exploitation and devastation – is now stirring in the west, and will grow as the economy crumbles. As the middle classes realize their consumption was an illusion of wealth, they will seek answers and demand true change, not the Wall Street packaged ‘brand-name’ change of Obama Inc., but true, inspired, and empowering change.

In 1967, Martin Luther King delivered a speech in which he spoke out against the Vietnam War and the American empire, and he stated that, “It seems as if we are on the wrong side of a world revolution.” So now it seems to me that the time has come for that to change.

Andrew Gavin Marshall is a Research Associate with the Centre for Research on Globalization (CRG) .

poem by Ray Lucero
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Say Something

I'm over here
Looking at you
You're over there
Watching me too
Both painting pictures of
Of how we'll kiss and hug
So what we gonna do
(So what ya gonna do? What ya gonna do)
Tell me why we're standing here
The moment's passion's all so clear
You've got my mind blown
And baby, I'm ready to go
But uh
If it's worth your while
Say something, say something
If it's worth your while
Say something good to me
Hey, hey, hey
Hey, hey
If it's worth your while
Do something good to me
(Let's make it)
Hot as you can stand it
Something like volcanic
You know it seems organic
Just like the stars and planets
Yeah, we are
So what you gonna do
(So what ya gonna do? What ya gonna do)
Tell me why we're still in here
There's nothing for us to fear
I could tell with my eyes closed
Now baby, I'm ready to go
But uh
If it's worth your while
Say something, say something
If it's worth your while
Say something good to me
Hey, hey, hey
Hey, hey
If it's worth your while
Do something good to me
If it's worth your while
Say something, say something
If it's worth your while
Say something good to me, baby
Hey, hey, hey
Hey, hey
If it's worth your while
Do something good to me

[...] Read more

song performed by Mariah Carey
Added by Lucian Velea
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Say Somethin'

I'm over here
Looking at you
You're over there
Watching me too
Both painting pictures of
Of how we'll kiss and hug
So what we gonna do?
(So what ya gonna do? What ya gonna do?)
Tell me why we're standing here
The moment's passion's all so clear
You've got my mind blown
And baby, I'm ready to go
But uhh
If it's worth your while
Say something, say something
If it's worth your while
Say something good to me
Hey, hey, hey
Hey, hey
If it's worth your while
Do something good to me
(Let's make it)
Hot as you can stand it
Something like volcanic
You know it seems organic
Just like the stars and planets
Yeah, we are
So what you gonna do?
(So what ya gonna do? What ya gonna do?)
Tell me why we're still in here
There's nothing for us to fear
I could tell with my eyes closed
Now baby, I'm ready to go
But uhh
If it's worth your while
Say something, say something
If it's worth your while
Say something good to me
Hey, hey, hey
Hey, hey
If it's worth your while
Do something good to me.
If it's worth your while
Say something, say something
If it's worth your while
Say something good to me, baby
Hey, hey, hey
Hey, hey
If it's worth your while
Do something good to me.

[...] Read more

song performed by Mariah Carey
Added by Lucian Velea
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Rent

(again... again... again... ooooh
(again... again... again... again... ...)
You dress me up, Im your puppet
You buy me things, I love it
You bring me food, I need it
You give me love, I feed it
And look at the two of us in sympathy
With everything we see
I never want anything, its easy
You buy whatever I need
But look at my hopes, look at my dreams
The currency weve spent
(ooooh) I love you, oh, you pay my rent
(ooooh) I love you, oh, you pay my rent
You phone me in the evening on hearsay
And bought me caviar
You took me to a restaurant off broadway
To tell me who you are
We never-ever argue, we never calculate
The currency weve spent
(ooooh) I love you, oh, you pay my rent
(ooooh) I love you, you pay my rent
(ooooh) I love you, oh, you pay my rent
Im your puppet
I love it
And look at the two of us in sympathy
And sometimes ecstasy
Words mean so little, and money less
When youre lying next to me
But look at my hopes, look at my dreams
The currency weve spent
(ooooh) I love you, oh, you pay my rent
(ooooh) I love you, you pay my rent
(ooooh) ooh, I love you, you pay my rent
Look at my hopes, look at my dreams
The currency weve spent
(ooooh) I love you, oh, you pay my rent
(ooooh) I love you, you pay my rent
Look at my hopes, look at my dreams
The currency weve spent
(ooooh) I love you, oh, you pay my rent
(ooooh) I love you, you pay my rent
(ooooh) I love you, you pay my rent (its easy, its so easy)
(ooooh) you pay my rent (its easy, its so easy)
(ooooh) you pay my rent (its easy, its so easy)
(ooooh) I love you (its easy, its so easy)
(its easy, its so easy)
(its easy, its so easy)
(its easy, its so easy)
(its easy, its so easy)

[...] Read more

song performed by Pet Shop Boys
Added by Lucian Velea
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Black Market White Baby Dealer

My black market white baby dealer
Is hunting around overseas
My black market white baby dealer
Brings back clean, fresh white babies to me
Clean, fresh white babies to me
My black market white baby dealer
Is rooting around overseas
My black market white baby dealer
Kidnaps clean, fresh white babies for me
Clean, fresh white babies for me
My smile is dime a dozen
My lips are cherry red
My eyes are blue like the sky is blue
I got good shoulders under my head
I look like your mother
I look like your great-aunt
So sit me down in the family photo
And everyone tells me that i, I look just like you
My black market white baby dealer
Is hunting around overseas
My black market white baby dealer
Brings back clean, fresh white babies to me
He brings back
Oh my god, he brings back
He brings back clean, fresh, white expensive babies
He brings back
Oh charlie, he brings back
He brings back clean, fresh, white expensive babies
I come post-production
I dont need natal care
Im already fully assembled
Down to the very last part, its all there
So take me to your family
So take me to your home
Buddy, take me in as your next generation
And Ill take you out of the lost one and into mine
My black market white baby dealer
Is hunting around overseas
My black market white baby dealer
Brings back clean, fresh white babies to me
Clean, fresh white babies to me
Clean, fresh white babies to me

song performed by Liz Phair
Added by Lucian Velea
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Lake Worth Herald

The Lake Worth Herald records events in Lake Worth town
Mark Easton works hard making sure Lake Worth Herald paper gets out.
It's Wednesday afternoon and the printing press is running
all of Mark's stories are real life, serious and also funny.
The Lake Worth Library had an article on me
with UniCandle unicorn and doll Melodie.
It was November 2006 and I was on
Lake Worth Herald's cover page
sitting on birthday chair where
children celebrate their age.
Lake Worth Herald is printing
my new poetry book
-the one you are reading-
soon also on the Nook.
Mark was gracious and helped get my book right
he is friendly and easy to work with editing my book
to make it out of sight!
For it has a glow in the dark cover
it is different not like any other.
Thanks Mark for your kindness in working with me
it was a pleasure working with you and also a
"Thank You" from my doll on the front cover Melodie!

Written by Suzae Chevalier on March 10,2012

poem by Christina Sunrise
Added by Poetry Lover
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The Lake Worth Herald

The Lake Worth Herald records events in Lake Worth town
Mark Easton works hard making sure Lake Worth Herald paper gets out.
It's Wednesday afternoon and the printing press is running
all of Mark's stories are real life, serious and also funny.
The Lake Worth Library had an article on me
with UniCandle unicorn and doll Melodie.
It was November 2006 and I was on
Lake Worth Herald's cover page
sitting on birthday chair where
children celebrate their age.
Lake Worth Herald is printing
my new poetry book
-the one you are reading-
soon also on the Nook.
Mark was gracious and helped get my book right
he is friendly and easy to work with editing my book
to make it out of sight!
For it has a glow in the dark cover
it is different not like any other.
Thanks Mark for your kindness in working with me
it was a pleasure working with you and also a
"Thank You" from my doll on the front cover Melodie!

Written by Suzae Chevalier on March 10,2012

poem by Suzae Chevalier
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Was It All Worth It

Words and music by queen
What is there left for me to do in this life
Did I achieve what I had set in my sights
Am I a happy man or is this sinking sand
Was it all worth it was it all worth it
Yeah now hear my story let me tell you about it
We bought a drum kit blew my own trumpet
Played the circuit thought we were perfect
Was it all worth it
Giving all my heart and soul and staying up all night
Was it all worth it
Living breathing rocknroll a godforsaken life
Was it all worth it was it all worth it all these years
Put down our money without counting the cost
It didnt matter if we won if we lost
Yes we were vicious yes we could kill
Yes we were hungry yes we were brill
We served a purpose like a bloody circus
We were so dandy we love you madly
Was it all worth it
Living breathing rocknroll this godforsaken life
Was it all worth it was it all worth it
When the hurly burlys done
We went to bali saw God and dali
So mystic surrealistic
Was it all worth it yeah yeah
Giving all my heart and soul staying up all night
Was it all worth it
Living breathing rocknroll this never ending fight
Was it all worth it was it all worth it
Yes it was a worthwhile experience
It was worth it

song performed by Queen
Added by Lucian Velea
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Ooh, Ohh, Hey...

(hook)
Ill pay a penny for your thoughts
A nickel for your kiss, you know that I will
Ill pay a penny for your thoughts, yes I will
A nickel for your kiss, you know that I will (listen)
Listen honey baby, theres something that ive
Gotta make clear
You may have had other lovers in your life
That cant compare to whats going down here
I promise Ill be gentle, Im gonna give you all
That Ive got (got)
Dont say no, let your body go,
Ill do my thing nice and slow if you tell me your
Thoughts
(hook)
Ill pay a penny for your thoughts
A nickel for your kiss, you know that I will
Ill pay a penny for your thoughts, come on
Nickel for your kiss, you know that I will, I will
I will pay anything to know whats on your mind
I do whatever it takes, pretty baby
I will pay anything to know whats on your
Mind please tell me baby, I would pay anytime, tell me whats on your mind
Yeah, yeah, yeah
Girl I wanna work your body
Like your body was a (9) to (5)
And just when you think Im getting tired baby
Ill be putting in overtime
I only want to please you, to tease you is not my style
Just let me know when your ready for love
Girl you gotta make up your mind
Ill pay a penny for your thoughts
A nickel for your kiss, you know that I will
Ill pay a penny for your thoughts, yes I will
A nickel for your kiss, you know that I will
I will pay anything to know whats on your mind
I will pay anythign to know whats om your mind
I will pay anytime, tell me whats on your mind
I will pay anytime, tell me whats on your mind
Baby tell me, tell me baby
Whatever you want girl
Whatever you need lady
Ill be right there for you baby, yes I will
Ill pay a penny for your thoughts
A nickel for your kiss, I will

song performed by Usher
Added by Lucian Velea
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Two-An'-Six

Merry voices chatterin',
Nimble feet dem patterin',
Big an' little, faces gay,
Happy day dis market day.

Sateday, de marnin' break,
Soon, soon market-people wake;
An' de light shine from de moon
While dem boy, wid pantaloon
Roll up ober dem knee-pan,
'Tep across de buccra lan'
To de pastur whe' de harse
Feed along wid de jackass,
An' de mule cant' in de track
Wid him tail up in him back,
All de ketchin' to defy,
No ca' how dem boy might try.

In de early marnin'-tide,
When de cocks crow on de hill
An' de stars are shinin' still,
Mirrie by de fireside
Hots de coffee for de lads
Comin' ridin' on de pads
T'rown across dem animul--
Donkey, harse too, an' de mule,
Which at last had come do'n cool.
On de bit dem hol' dem full:
Racin' ober pastur' lan',
See dem comin' ebery man,
Comin' fe de steamin' tea
Ober hilly track an' lea.

Hard-wuk'd donkey on de road
Trottin' wid him ushal load,
Hamper pack' wi' yam an' grain,
Sour-sop, and Gub'nor cane.

Cous' Sun sits in hired dray,
Drivin' 'long de market way;
Whole week grindin' sugar cane
T'rough de boilin' sun an' rain,
Now, a'ter de toilin' hard,
He goes seekin' his reward,
While he's thinkin' in him min'
Of de dear ones lef behin',
Of de loved though ailin' wife,
Darlin' treasure of his life,
An' de picknies, six in all,
Whose 'nuff burdens 'pon him fall:

[...] Read more

poem by Claude McKay
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