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But in our age the appeal to authority is weak, and I am of my age.

quote by Allen Tate
Added by Lucian Velea
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Authority Song

They like to get you in a compromising position
They like to get you there and smille in your face
They think, theyre so cute when they got you in that condition
Well I think, its a total disgrace
Chorus:
I fight authority, authority always wins
I fight authority, authority always wins
I been doing it, since I was a young kid
Ive come out grinnin
I fight authority, authority always wins
So I call up my preacher
I say: gimme strenght for round 5
He said: you dont need no strength, you need to grow up, son
I said: growing up leads to growing old and then to dying,
And dying to me dont sound like all that much fun
Chorus:
I fight authority, authority always wins
I fight authority, authority always wins
I been doing it, since I was a young kid
Ive come out grinnin
I fight authority, authority always wins
I fight authority, authority always wins
I fight authority, authority always wins
I been doing it, since I was a young kid
Ive come out grinnin
I fight authority, authority always wins
Oh no
Oh no
I fight authority, authority always wins
Chorus:
I fight authority, authority always wins
I fight authority, authority always wins
I been doing it, since I was a young kid
Ive come out grinnin
I fight authority, authority always wins
I fight authority, authority always wins
I fight authority, authority always wins
I been doing it, since I was a young kid
Ive come out grinnin
I fight authority, authority always wins

song performed by John Mellencamp
Added by Lucian Velea
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Sex Appeal

(r palmer)
Of all the girls in all the world
You got my number
Out the blue you created this obsessive desire
You steal my thunder
I cant resist your sex appeal
Youre kisses make me dizzy
The things you do you know they drive me out of my mind
I cant resist your sex appeal
You take it to the limit
Imagination running till
Its out of sight
You haunt my dreams
You make me fantasise
All of your moves, Ive got them memorised
Under your spell youve got me hypnotised
My body aches to make you satisfied
I cant resist your sex appeal
I lose my inhibitions
The way you move you make me feel
Completely wild
I cant resist your sex appeal
I knw you will deliver
You kiss my wildest dreams
Then take me out
When we make make love
Our bodies synchronise
We find the grooves and then we improvise
We lose ourselves within each others eyes
I long for you to share my appetites
I cant resist your sex appeal
Youre kisses make me dizzy
Imagination running till its out of sight
You take me right out of this world
Closer to heaven
How did you know how to capture all my secret desires
Now and forever
I cant believe
The way you tantalise
I love the way you take me by surprise
You turn me on
Its you I idolise
My body years to keep ypu satisfied
I cant resist your sex appeal
I lose my inhibitions
The way you move you make me feel
Completely wild
I cant resist your sex appeal
I know you will deliver
You kiss my wildest dreams then take me out

[...] Read more

song performed by Robert Palmer
Added by Lucian Velea
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Like No Other One

You've got me,
And I feel it's for real.
'Cause you've got,
IT...
That sex appeal.

You've got me,
And I know it's the real deal.
'Cause you've got,
IT...
That sex appeal.

And like no other one,
You've got that sex appeal.
And like no other one,
It is so real it heals.
And like no other one,
I know it's a steal!
And I've got it here,
And that for me is for real.

And like no other one,
You've got that sex appeal.
And like no other one,
It is so real it heals.
And like no other one,
I know it's a steal!
And I've got it here,
And that for me is for real.

You've got me,
And I feel it's for real.
'Cause you've got,
IT...
That sex appeal.

And like no other one,
You've got sex appeal.
And like no other one,
It's so real it heals!

You've got me,
With your sex appeal.
And it's the real deal for me,
'Cause that's the way I feel.

And like no other one,
You've got sex appeal.
And like no other one,
It's so real it heals!

[...] Read more

poem by Lawrence S. Pertillar
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Oooo...Oooo-Oooo Wee Ow-ouch!

'I'm more dominant and not the weak one.
More dominant and not the weak one.
I'm more dominant and not the weak one.
More dominant and not the weak one.'

Oooo...
Oooo-Oooo wee ow-ouch!

'More dominant and not the weak one.
I'm more dominant and not the weak one.'

Oooo...
Oooo-Oooo wee ow-ouch!

She says I'm on a pacifier.
Unreliable with too many needs.
She says I'm heat under the sheets...
But she's the one who buys the food we eat.

She says I'm not dependable at all.
And by herself she does the best she can alone,
To make all ends meet!
When bill collectors call.
And,
She's more dominant and not the weak one.
More dominant and not the weak one.

Oooo...
Oooo-Oooo wee ow-ouch.
More dominant and not the weak one?
More dominant and not the weak one?

Submissive when she comes to the bed.
Prepared to get her needs met!
And I am ever ready.

I've lost my job and the kids are fed.
I do the best I can...
But I'm not making the bread.
And my ego's thinly spread.
When the work I've done is meager.
And the words I hear from her...
Are wrestling in my head.

'I'm more dominant and not the weak one.
More dominant and not the weak one.'
OW!
'...dominant and not the weak one.
More dominant and not the weak one.'
OW!

[...] Read more

poem by Lawrence S. Pertillar
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Strength in weakness

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

A typical Pauline sophism?
A typical Pauline syllogism?
A typical Pauline casuistry?
A typical Pauline homily.

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

Paul was disabled, you see
Was he blind? You ask
Was he lame? You ask
Was it a speech impediment?

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

Oh! He was strong in spirit
But weak in appearance
He can’t be our leader, they said
He’s an embarrassment

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

Paul said: “Yes, I am weak
But God’s strength is made perfect
In my weakness not in my strength
So up the weak and down the strong! (my words!)

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

We are all weak in some way
Weak in our words
Weak in our walk
Weak in our talk

[...] Read more

poem by James Hart
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I Get Weak

When Im with you
I shake inside
My hearts all tangled up
My tongue is tied its crazy
Cant walk, cant talk, cant eat, cant sleep
Oh, Im in love, oh Im in deep cuz baby
With a kiss you can strip me defenseless
With a touch I completely lose control
til all thats left of my strength is a memory, wo...
I get weak when I look at you
Weak when we touch
I cant speak when I look in your eyes
I get weak when youre next to me
Weak from this love
I cant speak when I look in your eyes
I get weak
Convincing eyes, persuasive lips
The helpless heart just cant resist their power
You know youve got a hold over me
You know youve got me where I want to be cuz lover
Like a wave you keep pulling me under
How Ill ever get out of this I dont know
I just know theres just no way to fight it, wo...
I get weak when I look at you
Weak when we touch
I cant speak when I look in your eyes
I get weak when youre next to me
Weak from this love
Im in deep when I look in your eyes
I get weak I get weak I get weak
Just a kiss you can strip me defenseless
Just a touch I completely lose control
til all thats left of my strength is a memory, wo...
I get weak when I look at you
Weak when we touch
I cant speak when I look in your eyes
I get weak when youre next to me
Weak from this love
I cant speak when I look in your eyes
I get weak I get weak I get weak

song performed by Belinda Carlisle
Added by Lucian Velea
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Weak

(1) Lost in time
I can't count the words
I said when I thought
They went unheard
All of these harsh thought
So unkind
"Cause I wanted you
I wanted you
And now I sit here
I'm all alone
So here sits a bloody mess
Tears fly home
A circle of angels
Deep in war
'Cause I wanted you
I wanted you
Weak as I am
No tears for you
Weak as I am
No tears for you
Deep as I am
I'm no one's fool
Weak as I am
So what am I now
But love's last home
I'm all of the soft words
I once owned
If I opened my heart
There'd be no space for air
'cause I wanted you
I wanted you
Weak as I am
No tears for you
Weak as I am
I'm too much for you
Deep as I am
I'm no one's fool
Weak as I am
With this changing soul
In this weak old heart
Oh baby, ain't I too much for you
With this changing soul
In this weak old heart
Oh baby, ain't I too much for you
[Repeat (1)]
Weak as I am
No tears for you
Weak as 'I'm nobody's fool
Deep as I am
No tears for you

[...] Read more

song performed by Rod Stewart
Added by Lucian Velea
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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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A Poet's Voice XV

Part One

The power of charity sows deep in my heart, and I reap and gather the wheat in bundles and give them to the hungry.

My soul gives life to the grapevine and I press its bunches and give the juice to the thirsty.

Heaven fills my lamp with oil and I place it at my window to direct the stranger through the dark.

I do all these things because I live in them; and if destiny should tie my hands and prevent me from so doing, then death would be my only desire. For I am a poet, and if I cannot give, I shall refuse to receive.

Humanity rages like a tempest, but I sigh in silence for I know the storm must pass away while a sigh goes to God.

Human kinds cling to earthly things, but I seek ever to embrace the torch of love so it will purify me by its fire and sear inhumanity from my heart.

Substantial things deaden a man without suffering; love awakens him with enlivening pains.

Humans are divided into different clans and tribes, and belong to countries and towns. But I find myself a stranger to all communities and belong to no settlement. The universe is my country and the human family is my tribe.

Men are weak, and it is sad that they divide amongst themselves. The world is narrow and it is unwise to cleave it into kingdoms, empires, and provinces.

Human kinds unite themselves one to destroy the temples of the soul, and they join hands to build edifices for earthly bodies. I stand alone listening to the voice of hope in my deep self saying, "As love enlivens a man's heart with pain, so ignorance teaches him the way of knowledge." Pain and ignorance lead to great joy and knowledge because the Supreme Being has created nothing vain under the sun.

Part Two

I have a yearning for my beautiful country, and I love its people because of their misery. But if my people rose, stimulated by plunder and motivated by what they call "patriotic spirit" to murder, and invaded my neighbor's country, then upon the committing of any human atrocity I would hate my people and my country.

I sing the praise of my birthplace and long to see the home of my children; but if the people in that home refused to shelter and feed the needy wayfarer, I would convert my praise into anger and my longing to forgetfulness. My inner voice would say, "The house that does not comfort the need is worthy of naught by destruction."

I love my native village with some of my love for my country; and I love my country with part of my love for the earth, all of which is my country; and I love the earth will all of myself because it is the haven of humanity, the manifest spirit of God.

Humanity is the spirit of the Supreme Being on earth, and that humanity is standing amidst ruins, hiding its nakedness behind tattered rags, shedding tears upon hollow cheeks, and calling for its children with pitiful voice. But the children are busy singing their clan's anthem; they are busy sharpening the swords and cannot hear the cry of their mothers.

Humanity appeals to its people but they listen not. Were one to listen, and console a mother by wiping her tears, other would say, "He is weak, affected by sentiment."

Humanity is the spirit of the Supreme Being on earth, and that Supreme Being preaches love and good-will. But the people ridicule such teachings. The Nazarene Jesus listened, and crucifixion was his lot; Socrates heard the voice and followed it, and he too fell victim in body. The followers of The Nazarene and Socrates are the followers of Deity, and since people will not kill them, they deride them, saying, "Ridicule is more bitter than killing."

Jerusalem could not kill The Nazarene, nor Athens Socrates; they are living yet and shall live eternally. Ridicule cannot triumph over the followers of Deity. They live and grow forever.

Part Three

Thou art my brother because you are a human, and we both are sons of one Holy Spirit; we are equal and made of the same earth.

You are here as my companion along the path of life, and my aid in understanding the meaning of hidden Truth. You are a human, and, that fact sufficing, I love you as a brother. You may speak of me as you choose, for Tomorrow shall take you away and will use your talk as evidence for his judgment, and you shall receive justice.

[...] Read more

poem by Khalil Gibran
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The Power Age

Key:-a - anita r - ray
R: welcome to the power age
Money, money, money
R: the power age its the new generation
We are the ones with no limitations
We had the iron and the stone
Now we got a new age that we own
But its not about the power that makes you blind
Its all about the the power thats in your mind
This is the time to get the power
The power age, this is the hour
So let the _ take you on _
A: woow...
So release all the pain that stood there before
A: this is the power age
So get with it, oyeah, you belong
Theres only one force that makes you strong
A: oh.. oh...
This is the power age
A: were reaching for the final destination
To break out of the cage
Get in to the power age
With all of the brand new generation
Its time to turn the page
We living in the power age
A: break out of your cage; into the power age
R: the age of destruction, the age of hate
And the age of violence and the ages of late
Greed and gain thats all they care
Money, money, money, with enough to share
So get with it feel the vibration
The power age its just a sensation
You can feel it down in your soul
When you let the force take control
So by now you better know the deal
A: woow...
You gotta to get high to get real
A: this is the power age
Free you mind to disgage
Welcome to the power age
A: oh.. oh...
This is the power age
A: were reaching for the final destination
To break out of the cage
Get in to the power age
With all of the brand new generation
Its time to turn the page
We living in the power age
A: were reaching for the final destination
To break out of the cage

[...] Read more

song performed by 2 Unlimited
Added by Lucian Velea
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The Hind And The Panther, A Poem In Three Parts : Part II.

“Dame,” said the Panther, “times are mended well,
Since late among the Philistines you fell.
The toils were pitched, a spacious tract of ground
With expert huntsmen was encompassed round;
The inclosure narrowed; the sagacious power
Of hounds and death drew nearer every hour.
'Tis true, the younger lion 'scaped the snare,
But all your priestly calves lay struggling there,
As sacrifices on their altars laid;
While you, their careful mother, wisely fled,
Not trusting destiny to save your head.
For, whate'er promises you have applied
To your unfailing Church, the surer side
Is four fair legs in danger to provide;
And whate'er tales of Peter's chair you tell,
Yet, saving reverence of the miracle,
The better luck was yours to 'scape so well.”
“As I remember,” said the sober Hind,
“Those toils were for your own dear self designed,
As well as me; and with the selfsame throw,
To catch the quarry and the vermin too,—
Forgive the slanderous tongues that called you so.
Howe'er you take it now, the common cry
Then ran you down for your rank loyalty.
Besides, in Popery they thought you nurst,
As evil tongues will ever speak the worst,
Because some forms, and ceremonies some
You kept, and stood in the main question dumb.
Dumb you were born indeed; but, thinking long,
The test, it seems, at last has loosed your tongue:
And to explain what your forefathers meant,
By real presence in the sacrament,
After long fencing pushed against a wall,
Your salvo comes, that he's not there at all:
There changed your faith, and what may change may fall.
Who can believe what varies every day,
Nor ever was, nor will be at a stay?”
“Tortures may force the tongue untruths to tell,
And I ne'er owned myself infallible,”
Replied the Panther: “grant such presence were,
Yet in your sense I never owned it there.
A real virtue we by faith receive,
And that we in the sacrament believe.”
“Then,” said the Hind, “as you the matter state,
Not only Jesuits can equivocate;
For real, as you now the word expound,
From solid substance dwindles to a sound.
Methinks, an Æsop's fable you repeat;
You know who took the shadow for the meat:
Your Church's substance thus you change at will,

[...] Read more

poem by John Dryden
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

[...] Read more

poem by Robert Browning from The Ring and the Book
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Child Of The Islands - Autumn

I.

BROWN Autumn cometh, with her liberal hand
Binding the Harvest in a thousand sheaves:
A yellow glory brightens o'er the land,
Shines on thatched corners and low cottage-eaves,
And gilds with cheerful light the fading leaves:
Beautiful even here, on hill and dale;
More lovely yet where Scotland's soil receives
The varied rays her wooded mountains hail,
With hues to which our faint and soberer tints are pale.
II.

For there the Scarlet Rowan seems to mock
The red sea coral--berries, leaves, and all;
Light swinging from the moist green shining rock
Which beds the foaming torrent's turbid fall;
And there the purple cedar, grandly tall,
Lifts its crowned head and sun-illumined stem;
And larch (soft drooping like a maiden's pall)
Bends o'er the lake, that seems a sapphire gem
Dropt from the hoary hill's gigantic diadem.
III.

And far and wide the glorious heather blooms,
Its regal mantle o'er the mountains spread;
Wooing the bee with honey-sweet perfumes,
By many a viewless wild flower richly shed;
Up-springing 'neath the glad exulting tread
Of eager climbers, light of heart and limb;
Or yielding, soft, a fresh elastic bed,
When evening shadows gather, faint and dim,
And sun-forsaken crags grow old, and gaunt, and grim.
IV.

Oh, Land! first seen when Life lay all unknown,
Like an unvisited country o'er the wave,
Which now my travelled heart looks back upon,
Marking each sunny path, each gloomy cave,
With here a memory, and there a grave:--
Land of romance and beauty; noble land
Of Bruce and Wallace; land where, vainly brave,
Ill-fated Stuart made his final stand,
Ere yet the shivered sword fell hopeless from his hand--
V.

I love you! I remember you! though years
Have fleeted o'er the hills my spirit knew,
Whose wild uncultured heights the plough forbears,
Whose broomy hollows glisten in the dew.

[...] Read more

poem by Caroline Elizabeth Sarah Norton
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To Hide In Disguise Those Weak and Fragile

Although their calculated misdeeds succeeded,
They appear to now fear...
The repercussions of their activities.
And looking weak and fragile...
Without the armor worn to adorn their fetes.

Guaranteed to show in battle defeat,
That enemy to knock off their feet.
And from them to squeeze a victory sweet.
To hide in disguise those weak and fragile.

Although their calculated misdeeds succeeded,
They appear to now fear...
The repercussions of their activities.
And looking weak and fragile...
Without the armor worn to adorn their fetes.

Guaranteed to show in battle defeat,
That enemy to knock off their feet.
And from them to squeeze a victory sweet.
To hide in disguise those weak and fragile.

And from them to squeeze a victory sweet.
To hide in disguise those weak and fragile.
And from them to squeeze a victory sweet.
To hide in disguise those weak and fragile.
And from them to squeeze a victory sweet.
To hide in disguise those weak and fragile.
To hide in disguise those weak and fragile.
To hide in disguise those weak and fragile.

And from them to squeeze a victory sweet.
To hide in disguise those weak and fragile.
And from them to squeeze a victory sweet.
To hide in disguise those weak and fragile.
To hide in disguise those weak and fragile.
To hide in disguise those weak and fragile.

And from them to squeeze a victory sweet.

poem by Lawrence S. Pertillar
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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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poem by Sir Francis Bacon
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Selected Poems Of Dr. Mahendra Bhatnagar [2]

[1] O WINGED STEEDS OF DESTINY

O Winged steeds of Destiny!
Holding thy reins
With confidence
And with firm hands,
We will pull them
To give ye direction,
Every time!

Lustrous and indomitable,
We are the sons of the soil
We stand by the toil
We cherish the youthful vigour;
We will pull
Thy bridle — mind you —
To give ye direction,
Every time!

O ye, the sentinels and the stars foretelling!
Our labour is marked with brilliance,
We will pull out
Thy light undecaying;
For, we can reach
The inaccessible Space
Through endurance and steadfast endeavours.
O ye, our stars!
We will, forsooth,
Take away from ye
Thy brilliance!

O ye, the moving invisible hand!
Thou art the invincible citadels
Echoing the distressed cries
Of the ill-fated ones!
Bathed in sweat
We will wash
Thy ominous lines,
And singing sweet the inspiring music
Of hard work,
We will break through
Thy citadels
Of distress and destruction!

O winged steeds of Destiny!
We will hold thy bridle
And give ye direction!

 

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poem by Mahendra Bhatnagar
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Religio Laici

(OR A LAYMAN'S FAITH)

Dim, as the borrow'd beams of moon and stars
To lonely, weary, wand'ring travellers,
Is reason to the soul; and as on high,
Those rolling fires discover but the sky
Not light us here; so reason's glimmering ray
Was lent not to assure our doubtful way,
But guide us upward to a better day.
And as those nightly tapers disappear
When day's bright lord ascends our hemisphere
So pale grows reason at religion's sight:
So dies, and so dissolves in supernatural light.
Some few, whose lamp shone brighter, have been led
From cause to cause, to Nature's secret head;
And found that one first principle must be:
But what, or who, that Universal He;
Whether some soul incompassing this ball
Unmade, unmov'd; yet making, moving all;
Or various atoms' interfering dance
Leapt into form (the noble work of chance
Or this great all was from eternity;
Not even the Stagirite himself could see;
And Epicurus guess'd as well as he:
As blindly grop'd they for a future state;
As rashly judg'd of Providence and Fate:
But least of all could their endeavours find
What most concern'd the good of human kind.
For happiness was never to be found;
But vanish'd from 'em, like enchanted ground.
One thought content the good to be enjoy'd:
This, every little accident destroy'd:
The wiser madmen did for virtue toil:
A thorny, or at best a barren soil:
In pleasure some their glutton souls would steep;
But found their line too short, the well too deep;
And leaky vessels which no bliss could keep.
Thus anxious thoughts in endless circles roll,
Without a centre where to fix the soul:
In this wild maze their vain endeavours end:
How can the less the greater comprehend?
Or finite reason reach infinity?
For what could fathom God were more than He.

The Deist thinks he stands on firmer ground;
Cries [lang g]eur{-e}ka[lang e] the mighty secret's found:
God is that spring of good; supreme, and best;
We, made to serve, and in that service blest;
If so, some rules of worship must be given;
Distributed alike to all by Heaven:

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poem by John Dryden
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Worth Forest

Come, Prudence, you have done enough to--day--
The worst is over, and some hours of play
We both have earned, even more than rest, from toil;
Our minds need laughter, as a spent lamp oil,
And after their long fast a recompense.
How sweet the evening is with its fresh scents
Of briar and fern distilled by the warm wind!
How green a robe the rain has left behind!
How the birds laugh!--What say you to a walk
Over the hill, and our long promised talk
About the rights and wrongs of infancy?
Our patients are asleep, dear angels, she
Holding the boy in her ecstatic arms,
As mothers do, and free from past alarms,
The child grown calm. If we, an hour or two,
Venture to leave them, 'tis but our hope's due.
My tongue is all agog to try its speed
To a new listener, like a long--stalled steed
Loosed in a meadow, and the Forest lies
At hand, the theme of its best flatteries.
See, Prudence, here, your hat, where it was thrown
The night you found me in the house alone
With my worst fear and these two helpless things.
Please God, that worst has folded its black wings,
And we may let our thoughts on pleasure run
Some moments in the light of this good sun.
They sleep in Heaven's guard. Our watch to--night
Will be the braver for a transient sight--
The only one perhaps more fair than they--
Of Nature dressed for her June holiday.

This is the watershed between the Thames
And the South coast. On either hand the streams
Run to the great Thames valley and the sea,
The Downs, which should oppose them, servilely
Giving them passage. Who would think these Downs,
Which look like mountains when the sea--mist crowns
Their tops in autumn, were so poor a chain?
Yet they divide no pathways for the rain,
Nor store up waters, in this pluvious age,
More than the pasteboard barriers of a stage.
The crest lies here. From us the Medway flows
To drain the Weald of Kent, and hence the Ouse
Starts for the Channel at Newhaven. Both
These streams run eastward, bearing North and South.
But, to the West, the Adur and the Arun
Rising together, like twin rills of Sharon,
Go forth diversely, this through Shoreham gap,
And that by Arundel to Ocean's lap.
All are our rivers, by our Forest bred,

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poem by Wilfrid Scawen Blunt
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Palinodia

TO THE MARQUIS GINO CAPPONI.

I was mistaken, my dear Gino. Long
And greatly have I erred. I fancied life
A vain and wretched thing, and this, our age,
Now passing, vainest, silliest of all.
Intolerable seemed, and _was_, such talk
Unto the happy race of mortals, if,
Indeed, man ought or could be mortal called.
'Twixt anger and surprise, the lofty creatures laughed
Forth from the fragrant Eden where they dwell;
Neglected, or unfortunate, they called me;
Of joy incapable, or ignorant,
To think my lot the common lot of all,
Mankind, the partner in my misery.
At length, amid the odor of cigars,
The crackling sound of dainty pastry, and
The orders loud for ices and for drinks,
'Midst clinking glasses, and 'midst brandished spoons,
The daily light of the gazettes flashed full
On my dim eyes. I saw and recognized
The public joy, and the felicity
Of human destiny. The lofty state
I saw, and value of all human things;
Our mortal pathway strewed with flowers; I saw
How naught displeasing here below endures.
Nor less I saw the studies and the works
Stupendous, wisdom, virtue, knowledge deep
Of this our age. From far Morocco to
Cathay, and from the Poles unto the Nile,
From Boston unto Goa, on the track
Of flying Fortune, emulously panting,
The empires, kingdoms, dukedoms of the earth
I saw, now clinging to her waving locks,
Now to the end of her encircling boa.
Beholding this, and o'er the ample sheets
Profoundly meditating, I became
Of my sad blunder, and myself, ashamed.

The age of gold the spindles of the Fates,
O Gino, are evolving. Every sheet,
In each variety of speech and type,
The splendid promise to the world proclaims,
From every quarter. Universal love,
And iron roads, and commerce manifold,
Steam, types, and cholera, remotest lands,
Most distant nations will together bind;
Nor need we wonder if the pine or oak
Yield milk and honey, or together dance

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poem by Count Giacomo Leopardi
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