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Mick Fleetwood

There are no Kleenex boxes on these loops, just so you know.

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Kleenex

All around me
All around me
Better watch that man
See him gun in hand
No one seems to see
No one seems to see
Better watch that man
See him gun in hand
What you gonna do next
What you gonna do now
Use a kleenex
Wipe out sex - kleenex
Better than love - kleenex
John paul george - kleenex
Governments use kleenex
Use a kleenex solve world problems
Better blow your nose right now
Maybe is it you?
[or someone who you know]
Better watch that man see him gun in hand
What you gonna do next
What you gonna do now
Use a kleenex
Wipe out sex - kleenex
Better than love - kleenex
Trade unions use kleenex
Governments use kleenex
Oh yeah!

song performed by Billy IdolReport problemRelated quotes
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Poetry Book - Spider Web

A Choice

Better to lack food
Than to lack truth.
Rather perish in body
Than in soul.
Better to walk naked
Than to walk empty.
Rather be silent
Than to speak falsely.
Better to accomplish nothing
Than to achieve no virtue.


Walk for Shelter

Each of one!
One of each will,
Will walk!
Some up, some down, some inside…
The hill.

Millions of flags will flutter in the wind.
Swinging pieces of cloth on plastic sticks.

And the division of territories,
Will keep each group in a box.
Tiny boxes.
Big boxes.
Tiny boxes next to big boxes.
Some boxes will have no box next to them.
Some boxes will be in the shape of a boot!

The ones who walk down,
Will be the ones swinging their flags!
Each with an individual flag.
Made of cloth and plastic.

The ones who walk up,
Will have a big flag!
Made of silk!
To place on top of the hill.
So the rest,
Each individual flag included,
Will know its place.

And the ones who walk inside,
Will have no flags.
No division.

[...] Read more

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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares

[...] Read more

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Gareth And Lynette

The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy--
And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to--
Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he--
Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'

And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'

And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw

[...] Read more

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I Know Their Name

I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. I used to play with them they lived a block away
I know their name. Their father used to drive a light blue chevrolet
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. They had a dog that used to answer to Barney
I know their name. I used to play with them they lived a block away
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
(La guitar)
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I say:
I I I I I I I know their name. I know. I know. I know their name.
I I I I I I I know their name. I know. I know. I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I know their name.
I know their name.
I know their name

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6 Minutes Of Pleasure

Six minutes, six minutes
Six minutes, six minutes
(Sample)
I know why you're here
I ain't sayin nothin
(LL Cool J)
Aiyyo baby I know why you're here
I know what you're doing
I can see it in your eyes you're up to somethin
I know what it is, but we're still cool
And we can socialize, I'm peepin ya baby
I'm holdin back I'm not lettin go
Cause a fool doesn't have a shoulder to cry on
So, give me a kiss and you service
Whether you like a mister or a miss
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
(LL Cool J)
Baby you're my dear I know why you're here
I know why you came I know what you're thinkin
I know what you need and that's what I've got
You think I'm goin crazy no I'm not drinking
I know what you want, I made ya want it
Take my hand listen to the man
You have a plan don't even risk it
What do you want a biscuit?
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me

[...] Read more

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From the Diary of a Mimes

At my grandmothers house, you will see a hundred years of family portraits. We are a family of mimes. The portraits are of mimes.
You may ask why would someone wish to be a mime? For it is a limited existence beings that a mime s a simile of a single frame photograph. Look at the pictures at grandmothers house, do you feel the pain? This is my pain.
Becoming a mime.
I was six or seven years old. Grandmother and I were sitting in her living room, I had slept over at her house for a weekend while mom, dad and little brother tend to other things. Grandmother was in an odd mood today. She looked at her pictures and smiled some. And cried a little." I think its time you wore your mime face." She said. Today you will learn how to become a mime." So I said" Yes madman she proceeded to make up my face.
As she put on my makeup she started to cry. She cried for a long time. I was a little girl I started crying as well. I could not watch my grandmother cry without shedding tears of my own. So we sat and cried.
'Why are we crying' I asked? 'Well dear, sometimes life deals you a hard enough blow that even a mime will cry." I said 'Ok.'I was soon to find out what she meant. This is the day I learned a safe place for a heart to be. I learned that a person could freeze emotions and save them for future use. Yes place them in a jar, to be opened at an appropriate time. For that is what I do. You see I write a sad story, open a jar of tears and cry for a minute.
So after a good cry, grandmother took my hand and led me to the foyer wondered why I had to wear my mime face. Well grandmother had hers on, so I thought it must be a family thing, and I did not question. We sat under the foyer, was hot.New Orleans is a hot place at certain times of the year. There was no breeze, was still as could be. Nothing moved, except perhaps the webs a few lucky spiders, the ones who had prey to close in on.
'God bless mother nature, child. Its infinite wisdom, allows all creatures sustenance 'Uhh grandmother, that is a spider. Kill it, mom does.''No." She says, this is his house. If he were in mine, then I would kill him, but he lives here and kills insects.'
'You say he" I asked." How do you know it is a male spider? " She sighs." I do not know.' So I ask." Then why do you say it is a male? " It is taken for granted that any unknown sex is referred to as he. God is male." I answer" God could be a woman. I do not think anyone knows Gods sex grandmother. The world would be better if God was a female.''Perhaps so child." She answers, " Perhaps so.'
'Your father used to say that when he was your age. Always a philosophy with him." And her eye tiered up again. But I saw her turn to ice of a sudden. The tears dried. Then a long white car pulled up in the driveway, grandmother took my hand and we walked to the car. A man in a grey uniform opened the door and we sat inside. 'I will remember every detail of this day. For this is where my life changed.'
The car drove us to a big fancy building, it was full of mimes dressed in black. Even as a child I realized that something was wrong, so many mimes, all crying and made up in misery faces. I wondered why. They all parted as grandmother and I entered the building.
It was an odd place. Sad sounding music reminded me of harmonies of sorrow, organs and moans and tears. There were 3 pretty boxes in the center of the room. People were all around, most of them mimes, most were crying. 'Grand mother, what is in the boxes? 'I asked." Why do all the mimes look into them and cry? ''Never mind my child. Just be a mime.'
'Well if my daddy was here he would pick me up and I could see what was in the boxes." My grandmother looked down at me and started to cry, and the tears flowed." Brace yourself girl." She said. Then she picked me up. Eagerly I looked over the side of the box. In it was the reason I became a mime. I saw my fathers body made up to be a mime laying with his hands together as if he were praying. My brother and mother the same in other boxes. I knew they had passed away.
It was hard on a little girl, to have it etched into her mind.I kicked and screamed till grandmother set me on my feet. I ran out of the room and never spoke another word until this day.




I do not like this one much.

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Diamonds In The Mine

The woman in blue, shes asking for revenge,
Man in white -- thats you -- says he has no friends.
The river is swollen up with rusty cans
And the trees are burning in your promised land.
And there are no letters in the mailbox,
And there are no grapes upon the vine,
And there are no chocolates in the boxes anymore,
And there are no diamonds in the mine.
Well, you tell me that your lover has a broken limb,
You say youre kind of restless now and its on account of him.
Well, I saw the man in question, it was just the other night,
He was eating up a lady where the lions and christians fight.
And there are no letters in the mailbox
And there are no grapes upon the vine,
And there are no chocolates in the boxes anymore,
And there are no diamonds in the mine.
(you tell them now)
Ah, there is no comfort in the covens of the witch,
Some very clever doctor went and sterilized the bitch,
And the only man of energy, yes the revolutions pride,
He trained a hundred women just to kill an unborn child.
And there are no letters in the mailbox,
Oh no, there are no, no grapes upon your vine,
And there are, there are no chocolates in your boxes anymore,
And there are no diamonds in your mine,
And there are no letters in the mailbox,
And there are no grapes upon the vine,
And there are no chocolates in your boxes anymore,
And there are no diamonds in your mine.

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Elegy to Imagination

It seems it was just yesterday
When a tree
Was not a tree
Trees were in fact
Giants

Was it really that long ago
When my daddy
Was not only a daddy
But a superhero
A knight in shining armor
And a horse, all in one day

And boxes
Oh how wonderful they were
They were cars
And houses and trains
And beds and so much more

But now,
A tree is a tree
My dad is a dad
And a box
Sadly
Is a box

Where hath this imagination gone?
When did it disappear?
I'm not completely sure
Somewhere between childhood
And the present

But I have a passport
Back to the imagination
Of my childhood

When it gets dark
And the walls close in
At least my jacket
Is not a jacket
For a split second
It is a monster

But after a split second
I run out of time
And I am back
To the reality
That jackets are jackets
And boxes are boxes
Oh, how i miss

[...] Read more

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You Know My Name

You know my name
Look up the number
You know my name
Look up the number
You you know you know my name
You you know you know my name
Good evening and welcome to slaggers
Featuring denis o'bell
Come on ringo, let's hear it for denis
Good evening
You know my name
Better look up the number
You know my name
(that's right) look up the number
You you know you know my name
You you know you know my name
You know my name
Ba ba ba ba ba ba ba ba ba
Look up my number
You know my name
That's right look up the number
Oh you know you know
You know my name you know you know you know my name.
Huh huh huh huh
You know my name
Ba ba ba pum
Look up the number
You know my name
Look up the number
You-a you know you know my name
Baby you-a you know you know my name
You know my name you know you know you know my name
Go on denis, let's hear it for denis o'bell
You know my name you know you know you know you know you know my name
Prrr you know my name and the number
You know my name and the number you know you know my name
Look up me number
You know my number three you know my number two
You know my number three you know my number four
You know my name you know number too
You know my name you know my number
What's up with you?
You know my name
That's right
Yeah.

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The Eternal Kansas City

Chorus (choir singing)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city)?
(van singing)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Train down to st. louis
Get me there alright
Over to the city there, you know that one
Where the farmers daughter digs the farmers son
Dig your charlie parker
Basie and young
Witherspoon and jay mcshann
They will come
Oooowoooowoooo
Chorus (van and choir in background)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Lady liberty in waiting
You know she lights the way
Her name is billie, shes a holiday
And the city is eternal -- hey, cant you see?
Its inside of you and its inside of me
Oooowoooowoooo
Chorus (van and choir in background)
You know, you know the way to kansas city?
You know, you know the way to kansas city?
You know, you know the way to kansas city?
You know, you know the way to kansas city ?
You know...the way to kansas city
You know...the way to kansas city
Wild thing
You know the way to kansas city (choir only)
Thank you man (van)
You know the way to kansas city
Sing it (van)
You know the way to kansas city (van and choir)
Hit it (van)
You know...the way to kansas city
You know...the way to kansas city

[...] Read more

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A tale of our times.

(The life of Howard R Hughes is phenomenal. He was born in Houston, US on 24/12/1905 and expired on 05/04/1976. He owned a number of companies and was the Chairman of Hughes Aircrafts. But his richness did not give him a peaceful life towards the end. Life is afterall not a question of material richness but a measure of richness of mind and heart. His life naturally compels everybody to reflect on the moral and spiritual values of life. Hence this poem has a purpose unto mankind. I haven't tried to shorten this long, narrative poem for the fact that the reader should get to the whole issue of how a man could dig his own foundations to ruin himself. Let us take a lession out of his life) .


On board an air ambulance,
On way to The Methodist Hospital,
Unknown and unsung
He breathed his last.

His billions were a waste,
Richness could not save his life.
From the springs of yore
It was a wreckless wander unto a recluse and beyond.

Once upon a time
The winds were blowing soft.
Long long ago
His seasons were normal and perfect.

During his prime life
He was an archetype.
A daring aviator, an indefatigable tinkerer,
He owned a flag carrying airline and myriad companies.

It was a huge take off,
A marvellous flight, sprawling dreams.
Hollywood lay under his very feet,
Billions lay in his golden pocket!

He could burn all his wealth
And still remain as an unquestionable king.
That was his word, command and affordability,
Those were his hay days, umpteen seasons.

When it is day light,
Twilight is in sure reserve.
When it is twilight,
Mid-night is not far off.

Man has his eccentric levels,
He has his strange moods and ways.
Within the world of his psychic bounds
Man often stands in isolation.

Beyond billions
Man is often a thinker.
It can lead to philosophy,
Else, to eccentricity.

Without a seed
A tree can’t grow.

[...] Read more

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

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You And I Know

They ask why do we live love die do we
Take a chance maybe ask a dance do we
Risk the pain never quite regain never
Oh we bleed the dark never miss the mark never

Well you and I know I know you and I know you and I know
You and I know I know you and I know you and I know
You and I know I know you and I know you and I know

They don't know of the place we go lover
All the blues are green nothing in between lover
And when the darkness falls through the fine glass walls lover
Oh it makes the sound of the outward bound lover

But you and I know I know you and I know you and I know
You and I know I know you and I know you and I know
You and I know I know you and I know you and I know
Oh

Well they're looking right through me
And back into themselves
And I'm thinking that they knew me
When they laugh at someone else

Well you and I know I know you and I know you and I know
You and I know I know you and I know you and I know
You and I know I know you and I know you and I know
Oh I know you and I know you and I know
Oh I know you and I know you and I know
I know
Yes

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You Know Where You Went Wrong

(tennant/lowe)
---------------
Two men on the street
Drinking something cheap
No home, no family
Its cold, nowhere to sleep
Passers-by never catch their eye
Anywhere, one man drinks, the other swears
You know where you went wrong
You know where you went wrong
(aaaah) you know
You know where you went wrong
You know where you went wrong
(aaaah) you know
The old man cant understand
No one will shake his hand
I gave security, bombs and colour tv
It cost a few lives
Someones son always dies
No one shakes his hand
He dont understand
You know where you went wrong
You know where you went wrong
(aaaah) you know
You know where you went wrong
You know where you went wrong
(aaaah) you know
This is the history of the world
Of every boy and every girl
Who dont understand whats going on anymore
The history of the world
Of every boy and every girl
Who dont understand whats going on anymore
(whats going on? )
Two girls have a photograph
One looks, the other laughs
He could have been mine
Why did I change my mind?
Then hands on hips
The other girl says: admit! admit!
You know where you went wrong
You know where you went wrong
(aaaah) you know
You know where you went wrong
You know where you went wrong
(aaaah) you know
This is the history of the world (of the world)
Of every boy and every girl
Who dont (who dont) understand (understand)
Whats going on anymore (whats going on? )

[...] Read more

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Heads

Papersnow
From no talking just heads
(a. partridge, c. frantz, j. harrison, t. blast murray, t. weymouth)
Andy partridge: vocals, whistles and lyrics
Tina weymouth: backing vocals and bass guitar
Blast murray: guitar
Chris frantz: bongos, drums and loops
Jerry harrison: keyboards
[transcribed by troy peters ]
Pink confetti, shotgun wedding
Rocket secrets someones shredding
Nineteenth floor.
Laundry ticket that exploded
Joust with quaker pamphlet goaded
Into war.
Ankle deep we heroes amble
Ankle deep we wade
Ankle deep through someone elses
Ticker tape parade
Softly, softly, softly
Falls papersnow...
Softly, softly, softly
All of our works blow away...
Petals fell on petaluma
Till receipt from montezumas
Burger hut.
Every day a billion dollars
Fall as black and white blue-collars
Plough their rut.
Softly, softly, softly
Falls papersnow...
Softly, softly, softly
All of our works blow away...
Ankle deep we heroes amble
Ankle deep we wade
Ankle deep through someone elses
Ticker tape parade
Jets folded from wall street journal
Shoot down cartons care of colonels
Chicken ranch.
Kleenex where the guys been cryin
Goodbye note from girl whos flyin
To new branch.
Softly, softly, softly
Falls papersnow...
Softly, softly, softly
All of our works blow away...
Letter that Id meant to send you
To torpedo and up-end you
Sheet by sheet.

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Heads

Papersnow
From no talking just heads
(a. partridge, c. frantz, j. harrison, t. blast murray, t. weymouth)
Andy partridge: vocals, whistles and lyrics
Tina weymouth: backing vocals and bass guitar
Blast murray: guitar
Chris frantz: bongos, drums and loops
Jerry harrison: keyboards
[transcribed by troy peters ]
Pink confetti, shotgun wedding
Rocket secrets someones shredding
Nineteenth floor.
Laundry ticket that exploded
Joust with quaker pamphlet goaded
Into war.
Ankle deep we heroes amble
Ankle deep we wade
Ankle deep through someone elses
Ticker tape parade
Softly, softly, softly
Falls papersnow...
Softly, softly, softly
All of our works blow away...
Petals fell on petaluma
Till receipt from montezumas
Burger hut.
Every day a billion dollars
Fall as black and white blue-collars
Plough their rut.
Softly, softly, softly
Falls papersnow...
Softly, softly, softly
All of our works blow away...
Ankle deep we heroes amble
Ankle deep we wade
Ankle deep through someone elses
Ticker tape parade
Jets folded from wall street journal
Shoot down cartons care of colonels
Chicken ranch.
Kleenex where the guys been cryin
Goodbye note from girl whos flyin
To new branch.
Softly, softly, softly
Falls papersnow...
Softly, softly, softly
All of our works blow away...
Letter that Id meant to send you
To torpedo and up-end you
Sheet by sheet.

[...] Read more

song performed by XtcReport problemRelated quotes
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Out In The Street

Out!
Out!
Out in the street
Out in the street
Im talkin bout slowly
Im talkin bout slowly
Im not gonna rest
Im not gonna rest
Woman, you dont know me
Woman, you dont know me
Yeah, you dont know me, no
Yeah, you dont know me, no
Know me, no
Know me, no
Know me, no
Know me, no
Yeah, but Im a-gonna know you
Yeah, but Im a-gonna know you
Hey listen, woman
Hey listen, woman
You just cant throw me
You just cant throw me
I wont stand it
I wont stand it
If you dont know me
If you dont know me
If you dont know me, no
If you dont know me, no
Know me, no
Know me, no
Know me, no
Know me, no
Yeah, but Im a-gonna know you
Yeah, but Im a-gonna know you
Listen to me
Listen to me
Im telling you
Im telling you
You look at me, woman
You look at me, woman
Yeah, tell the truth
Yeah, tell the truth
I know your mind
I know your mind
I can see that youre in need
I can see that youre in need
Ill show you woman
Ill show you woman
Yeah, that you belong to me
Yeah, that you belong to me

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song performed by WhoReport problemRelated quotes
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I Need To Know

Well the talk on the street
Says you might go solo
A good friend of mine saw you leavin by the back door
I need to know(I need to know)
I need to know(I need to know)
If you think youre gonna leave
Then you better say so
I need to know(I need to know)
I need to know(I need to know)
Because I dont know how long
I can hold on
And if your makin me wait
If youre leadin me on
I need to know(I need to know)
I need to know(I need to know)
Who woulda thought
That youd fall for his line
All of a sudden its
Me on the outside
I need to know(I need to know)
I need to know(I need to know)
If you think youre gonna leave
Then you better say so
I need to know(I need to know)
I need to know(I need to know)
Because I dont know how long
I can hold on
And if your makin me wait
If youre leadin me on
I ne ed to know(I need to know)
I need to know(I need to know)
I need to know(I need to know)
I need to know(I need to know)
If you think youre gonna leave
Then you better say so
I need to know(I need to know)
I need to know( I need to know)
Because I dont know how long
I can hold on
And if your makin me wait
If youre leadin me on
I need to know(I need to know)
I need to know(I need to know)

song performed by Tom PettyReport problemRelated quotes
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Riot Act, April 29, 1992

I'm going out and get something.
I don't know what.
I don't care.
Whatever's out there, I'm going to get it.
Look in those shop windows at boxes
and boxes of Reeboks and Nikes
to make me fly through the air
like Michael Jordan
like Magic.
While I'm up there, I see Spike Lee.
Looks like he's flying too
straight through the glass
that separates me
from the virtual reality
I watch everyday on TV.
I know the difference between
what it is and what it isn't.
Just because I can't touch it
doesn't mean it isn't real.
All I have to do is smash the screen,
reach in and take what I want.
Break out of prison.
South Central homey's newly risen
from the night of living dead,
but this time he lives,
he gets to give the zombies
a taste of their own medicine.
Open wide and let me in,
or else I'll set your world on fire,
but you pretend that you don't hear.
You haven't heard the word is coming down
like the hammer of the gun
of this black son, locked out of this big house,
while massa looks out the window and sees only smoke.
Massa doesn't see anything else,
not because he can't,
but because he won't.
He'd rather hear me talking about mo' money,
mo' honeys and gold chains
and see me carrying my favorite things
from looted stores
than admit that underneath my Raider's cap,
the aftermath is staring back
unblinking through the camera's lens,
courtesy of CNN,
my arms loaded with boxes of shoes
that I will sell at the swap meet
to make a few cents on the declining dollar.
And if I destroy myself
and my neighborhood

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