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Crossing the Penobscot, one found a visible descent in the scale of humanity.

quote by Francis Parkman
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
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Crossing America: July 4,2005

Crossing America,
I see small nations within its cities,
neighborhoods of people
who dream of happiness in myriad languages, and
who love America no less
because they cannot yet use the magic tongue.

A tenth generation American,
with roots that can be traced to
Boston gentry
and pioneers,
I wait in line
for a hamburger and milkshake with people who come from
the other side of the world,
still learning how it is done in the land of dreams.

Crossing America,
I hear children pledge fealty to our flag
and hope that what sometimes is
an exercise in thoughtless ceremony
will produce adults with unshakeable commitment
to what that flag represents.

Crossing America,
I feel the never ceasing breeze that sweeps
the prairies of our good fortune,
hear the soft whistle of wind through the tall
grasses of the Dakotas,
see the hot brown exhaust of Nebraska-baked feed lots
blowing east to mingle with the smoke from
the stacks of Gary and Elizabeth.

Crossing America,
I mistake the mountains on the horizon
for storm clouds, and am struck dumb
by the massive Rocky Mountain wall of sandstone and shale,
once an ocean bottom,
that rises up like a monolithic Wall of China
from the flat, legend crusted plains
of Oklahoma, Colorado, Wyoming, Montana.

Crossing America,
I am light headed, not only from the thin air above the tree line
in the Saw Tooth, the Wind River, the Tetons,
but the beauty of the twisted mountain pines,
the shriveled Douglas fir that have been raised by
never ending winds on the heights of the Continental Divide.

Crossing America,
I hide from the desert heat of Utah and Nevada

[...] Read more

poem by Ken Nye
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Crossing Over

I see the lights,
I see the road
I see everything in the
highway code
I've been whipped
and I've been spun cown
there ain't no religion here
And I'm homeward bound
Wherever you go,
wherever you are
I am crossing over
to the other side
And now I am waiting for an answer,
some kind of sign
Looking for a love
to be my guide
I am crossing over
to the other side
Friendships come
and lifetimes go
In their passing to the
bigger show
The river runs,
the tides will turn
If there's a hell,
well I've yet to learn
Wherever you go,
wherever you are
I am crossing over
to the other side
And now I am waiting for an answer,
some kind of sign
Looking for a love
to be my guide
I am crossing over
to the other side
To dream the dream that's over
before it's gone
To hold your lover here
while your heart beats so strong
Baby when I love you
when everything is gone
When I'm kissing heaven
this love is never wrong
Solo
I hear the singing,
I hear the shout
The talk of meaning
for those in doubt
But amid all the wailing and

[...] Read more

song performed by Ufo
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Crossing Over

(on the cant stop lovin you cd single)
I reach across to the other side
To make contact with you
Golden slumber, you fill my dreams
When [and? ] I make contact with you, oh
Dont ask me why Im crossing over
Oh, crossing over
Sammy: eddie:
I never got to ? whats it all about?
Really know you is there a way... out...
The way I want to now outta here
So many things i... Im like the rest;
I didnt tell you seeking an answer
I wanna tell you now
Tell me why, oh lord but why, why, why, why?
Youre crossing over why? why?
(I gotta bring you back... to see your face)
Oh, crossing over
(I wanna hear you call my name, [to] feel your touch)
Reaching out, reaching out
(hear your voice again)
(to hear your voice again)
Crossing over
(to feel your touch)
Reaching out
(to feel you)
Crossing over
(to feel)
Crossing over
(to feel)
Reaching out, reaching out
Crossing over

song performed by Van Halen
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Who Can Define Nibiru Meanings?

Who can define the plough star's
previous recorded crossings
who can define Nibiru meanings?

Is it possible for us to know about
the Destroyer's previous solar flybys
with any great degree of certainty?

crossings crossing
maker crossing points
Gilgamesh in epic

for gateway sought

'straight is the crossing point'
narrow the way that leads
Assur the boatman charges

'silver for the crossing fees'

'The Arameans were defiant
took up position at the entrance
to the... gate, crossing point'.

let the texts tell you what Nibiru is

Sumerians Mesopotamians
associated heavenly bodies with deities
the cuneiform sign for Dingir 'god'

the cuneiform sign for 'neberu' star
ancient near eastern scholars identified
stars planets as gods deified beings

numerical Sumerian reference number signs

Nibiru planet Jupiter once Mercury
god Marduk a star tri-fold four fold references
Nibiru is cometh within Pluto orbit

'He (Marduk) set fast the position
of to fix their (stars) bounds'
'let Nibiru be the holder of the crossing

place of the heaven and of the earth'
'Nibiru is his (Marduk's) star, which
he made appear in the heavens'

'the red star which stands in the south
after the gods of the night (the stars)

[...] Read more

poem by Terence George Craddock
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Behind Every Gross Appearance Has Invisible Subtle!

Isn't it true
neither moon nor universe, not
even I or you are visible without the
invisible in us.
Visible all are, only because of
that more invisible in us! Behind every visible gross
appearance, there is more
invisible subtle appearance,
When we look at the picture,
We usually forget the canvas,
When watching a TV program, usually we can't see how
invisible electrons produce the
image.

I cannot see my own face,
just as God hides his face to us...
Therefore, could it be that we
have one and the same face?

our face is one of His face,
Yet as he can look at his other
faces using one that he can't see,
We are looking at our other faces
using this one, That we can't see,
This is the truth that The God
uses this face to look at other
faces! Yet we visible to that invisible,
And we are visible only due to
that invisible ground on which
whole world play,
World itself is visible face of that
invisible face, Every life become visible only
because of that who hides is face
behind beauty and ugly faces
alike!

poem by Ramdas Bhandarkar
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Jubilate Agno: Fragment B, Part 2

LET PETER rejoice with the MOON FISH who keeps up the life in the waters by night.

Let Andrew rejoice with the Whale, who is array'd in beauteous blue and is a combination of bulk and activity.

Let James rejoice with the Skuttle-Fish, who foils his foe by the effusion of his ink.

Let John rejoice with Nautilus who spreads his sail and plies his oar, and the Lord is his pilot.

Let Philip rejoice with Boca, which is a fish that can speak.

Let Bartholomew rejoice with the Eel, who is pure in proportion to where he is found and how he is used.

Let Thomas rejoice with the Sword-Fish, whose aim is perpetual and strength insuperable.

Let Matthew rejoice with Uranoscopus, whose eyes are lifted up to God.

Let James the less, rejoice with the Haddock, who brought the piece of money for the Lord and Peter.

Let Jude bless with the Bream, who is of melancholy from his depth and serenity.

Let Simon rejoice with the Sprat, who is pure and innumerable.

Let Matthias rejoice with the Flying-Fish, who has a part with the birds, and is sublimity in his conceit.

Let Stephen rejoice with Remora -- The Lord remove all obstacles to his glory.

Let Paul rejoice with the Scale, who is pleasant and faithful!, like God's good ENGLISHMAN.

Let Agrippa, which is Agricola, rejoice with Elops, who is a choice fish.

Let Joseph rejoice with the Turbut, whose capture makes the poor fisher-man sing.

Let Mary rejoice with the Maid -- blessed be the name of the immaculate CONCEPTION.

Let John, the Baptist, rejoice with the Salmon -- blessed be the name of the Lord Jesus for infant Baptism.

Let Mark rejoice with the Mullet, who is John Dore, God be gracious to him and his family.

Let Barnabus rejoice with the Herring -- God be gracious to the Lord's fishery.

Let Cleopas rejoice with the Mackerel, who cometh in a shoal after a leader.

Let Abiud of the Lord's line rejoice with Murex, who is good and of a precious tincture.

Let Eliakim rejoice with the Shad, who is contemned in his abundance.

Let Azor rejoice with the Flounder, who is both of the sea and of the river,

Let Sadoc rejoice with the Bleak, who playeth upon the surface in the Sun.

[...] Read more

poem by Christopher Smart
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Crossing The Border

Hey, take it and run, child
Ill ask you no questions
We traded our fortunes
Crossing the border
I hope you got lucky
You needed a change
I--i made it without you
Crossing the border
We were like a couple of wetbacks running
Standin on the banks of some dangerous river
Lookin into a brave new country
Risky business
Crossing the border
Ahhh, you--you doubled my chances
I--i sure do want your freedom
I--Ill never forget you
Crossing the border
Back when we were out there
Crossing the border
Layin it on the line
Crossing the border

song performed by Kris Kristofferson
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Mogg Megone - Part II.

'Tis morning over Norridgewock, -
On tree and wigwam, wave and rock.
Bathed in the autumnal sunshine, stirred
At intervals by breeze and bird,
And wearing all the hues which glow
In heaven's own pure and perfect bow,
That glorious picture of the air,
Which summer's light-robed angel forms
On the dark ground of fading storms,
With pencil dipped in sunbeams there, -
And, stretching out, on either hand,
O'er all that wide and unshorn land,
Till, weary of its gorgeousness,
The aching and the dazzled eye
Rests, gladdened, on the calm blue sky, -
Slumbers the mighty wilderness!
The oak, upon the windy hill,
Its dark green burthen upward heaves -
The hemlock broods above its rill,
Its cone-like foliage darker still,
Against the birch's graceful stem,
And the rough walnut-bough receives
The sun upon its crowded leaves,
Each colored like a topaz gem;
And the tall maple wears with them
The coronal, which autumn gives,
The brief, bright sign of ruin near,
The hectic of a dying year!

The hermit priest, who lingers now
On the Bald Mountain's shrubless brow,
The gray and thunder-smitten pile
Which marks afar the Desert Isle,
While gazing on the scene below,
May half forget the dreams of home,
That nightly with his slumbers come, -
The tranquil skies of sunny France,
The peasant's harvest song and dance,
The vines around the hillsides wreathing
The soft airs midst their clusters breathing,
The wings which dipped, the stars which shone
Within thy bosom, blue Garonne!
And round the Abbey's shadowed wall,
At morning spring and even-fall,
Sweet voices in the still air singing, -
The chant of many a holy hymn, -
The solemn bell of vespers ringing, -
And hallowed torchlight falling dim
On pictured saint and seraphim!
For here beneath him lies unrolled,

[...] Read more

poem by John Greenleaf Whittier
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A Man Of A Thousand Faces

(music: marillion lyrics: john helmer)
Im the man of a thousand faces
A little piece of me in every part I take
I hold the tape for a thousand races
A different point of view in every speech I make
Cut me a piece of my divided soul
Cry me a river, call it rock and roll
Speak to a leader with the voice of command
And when I talk to God I know hell understand
I speak to machines with the voice of humanity
Ill speak to the wise with the voice of insanity
Im the man of a thousand faces
A little piece of me in every part I take
I hold the tape for a thousand races
A different point of view in every speech I make
Cut me a piece of my divided soul
Cry me a river, call it rock and roll
Give me an attitude and watch me make it lie
Pass me a microphone
I need to testify
Well I speak to machines with the voice of humanity
Speak to the wise with the voice of insanity
Speak to the present in the past and future tense
Speak to a slave with the voice of obedience
Im the man of a thousand ages
You see my face in the stones of the parthenon
You hear my song in the babble of babylon
Im the man of a thousand riches
Be my guest at the feast of satyricon
You spend the money that my logos printed on
Well Ill speak to machines with the voice of humanity
Speak to the wise with the voice of insanity
Speak to the present in the past and future tense
Speak to a slave with the voice of obedience
I stole a fire but it burned up much too soon
I took a leap and I landed on the moon
Look at my life and it looks like cnn
You see something once yknow its gonna come around again
Well Ill speak to machines with the voice of humanity
Speak to the wise with the voice of insanity
Speak to a woman with the fatal charm of a snake
Forgive like a giver and account for all I take
Yes, I speak to machines with the voice of humanity
Speak to the wise with the voice of insanity
Speak like a leader with the voice of power and command
And when I talk to God I know hell understand
Cause Im the man of a thousand faces
Yes Im the man of a thousand faces
I stole a fire but it burned up too much too soon
I took a leap and I landed on the moon..

[...] Read more

song performed by Marillion
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The Song Of Mankind

If human fails to help humanity..
Who will think for humanity
With a feeling of li’l sympathy
Won’t be a matter of indignity…? ? ?

If human fails to help humanity
Who will think for humanity
With a feeling of li’l sympathy
Won’t be a matter of indignity…? ? ?

If human fails to help humanity…..

When a man sells his fellow men..
When a man bids for fellow men..

When a man sells his fellow men..
When a man bids for fellow men..
Uncivilized and uncultured….
Won’t be a matter of indignity? ?

If human fails to help humanity
Who will think for humanity
With a feeling of li’l sympathy
Won’t be a matter of indignity…? ? ?

If human fails to help humanity…

Let us stretch our hands..
To help the needy and poor..
With a feeling of warmth
We can make it sure! ! !

Let us stretch our hands..
To help the needy and poor..
With a feeling of warmth
We can make it sure! ! !

If a man cant be a human…
How would a demon become human? ?

If a man cant be a human…
How would a demon become human? ?
And If a demon becomes human
Won’t be a matter of indignity? ?

(Originally composed in Assamese as ‘Manuhe Manuhor Babe’ by Dr. Bhupen Hazarika)

(Set to original tune)

poem by Kamal Jyoti Borah
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
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The Recluse - Book First

HOME AT GRASMERE

ONCE to the verge of yon steep barrier came
A roving school-boy; what the adventurer's age
Hath now escaped his memory--but the hour,
One of a golden summer holiday,
He well remembers, though the year be gone--
Alone and devious from afar he came;
And, with a sudden influx overpowered
At sight of this seclusion, he forgot
His haste, for hasty had his footsteps been
As boyish his pursuits; and sighing said,
'What happy fortune were it here to live!
And, if a thought of dying, if a thought
Of mortal separation, could intrude
With paradise before him, here to die!'
No Prophet was he, had not even a hope,
Scarcely a wish, but one bright pleasing thought,
A fancy in the heart of what might be
The lot of others, never could be his.
The station whence he looked was soft and green,
Not giddy yet aerial, with a depth
Of vale below, a height of hills above.
For rest of body perfect was the spot,
All that luxurious nature could desire;
But stirring to the spirit; who could gaze
And not feel motions there? He thought of clouds
That sail on winds: of breezes that delight
To play on water, or in endless chase
Pursue each other through the yielding plain
Of grass or corn, over and through and through,
In billow after billow, evermore
Disporting--nor unmindful was the boy
Of sunbeams, shadows, butterflies and birds;
Of fluttering sylphs and softly-gliding Fays,
Genii, and winged angels that are Lords
Without restraint of all which they behold.
The illusion strengthening as he gazed, he felt
That such unfettered liberty was his,
Such power and joy; but only for this end,
To flit from field to rock, from rock to field,
From shore to island, and from isle to shore,
From open ground to covert, from a bed
Of meadow-flowers into a tuft of wood;
From high to low, from low to high, yet still
Within the bound of this huge concave; here
Must be his home, this valley be his world.
Since that day forth the Place to him--'to me'
(For I who live to register the truth
Was that same young and happy Being) became

[...] Read more

poem by William Wordsworth
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Margrave

On the small marble-paved platform
On the turret on the head of the tower,
Watching the night deepen.
I feel the rock-edge of the continent
Reel eastward with me below the broad stars.
I lean on the broad worn stones of the parapet top
And the stones and my hands that touch them reel eastward.
The inland mountains go down and new lights
Glow over the sinking east rim of the earth.
The dark ocean comes up,
And reddens the western stars with its fog-breath
And hides them with its mounded darkness.

The earth was the world and man was its measure, but our minds
have looked
Through the little mock-dome of heaven the telescope-slotted
observatory eyeball, there space and multitude came in
And the earth is a particle of dust by a sand-grain sun, lost in a
nameless cove of the shores of a continent.
Galaxy on galaxy, innumerable swirls of innumerable stars, endured
as it were forever and humanity
Came into being, its two or three million years are a moment, in
a moment it will certainly cease out from being
And galaxy on galaxy endure after that as it were forever . . .
But man is conscious,
He brings the world to focus in a feeling brain,
In a net of nerves catches the splendor of things,
Breaks the somnambulism of nature . . . His distinction perhaps,
Hardly his advantage. To slaver for contemptible pleasures
And scream with pain, are hardly an advantage.
Consciousness? The learned astronomer
Analyzing the light of most remote star-swirls
Has found them-or a trick of distance deludes his prism-
All at incredible speeds fleeing outward from ours.
I thought, no doubt they are fleeing the contagion
Of consciousness that infects this corner of space.

For often I have heard the hard rocks I handled
Groan, because lichen and time and water dissolve them,
And they have to travel down the strange falling scale
Of soil and plants and the flesh of beasts to become
The bodies of men; they murmur at their fate
In the hollows of windless nights, they'd rather be anything
Than human flesh played on by pain and joy,
They pray for annihilation sooner, but annihilation's
Not in the book yet.

So, I thought, the rumor
Of human consciousness has gone abroad in the world,
The sane uninfected far-outer universes

[...] Read more

poem by Robinson Jeffers
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Emotional Love

I woke up today
Everything is on my shoulders
I never told her
Such emotional love
I hear what you say
Yes I owe ya
But I dont know ya
And I smash soldiers with love
Ill come there today
To your station
Its recreation
This passing notion of love
I hear what you say
Its demonstration
Crossing oceans above
Crossing oceans above
Hand on my shoulder
Like I told her
I control ya
Crossing oceans above
Sally in the roses
What she knows is
Such emotional love
Such emotional love
Such emotional love
Such emotional love
Such emotional love
Such emotional love
Not for beginners
Or sunday sinners
Court disasters
A. j. just killed his love
Whos on the left and right
Lonely days and nights
Whos your master
When gods pass motions above
I hear what you play
On your station
Smashing soldiers with love
Crossing oceans above
Such emotional love
Such emotional love
Such emotional love
Such emotional love
I woke up today
Everything is on my shoulders
I never told her
Such emotional love
I hear what you say
Yes I owe ya

[...] Read more

song performed by John Mellencamp
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The Rivers Too Wide

(morrison)
The rivers too wide now for crossing
The waters rush too loud for talking
We never build bridges for walking
cause the rivers too wide
A gentle stream once flowed between us
But love could cross it easily
Till stormy skies brought bitter teardrops
And made that stream a raging river
Come between you and me
The rivers too wide now for crossing
The waters rush too loud for talking
We never build bridges for walking
Theres no getting to the other side
The rivers too wide now for crossing
The current goes too deep for mending
It looks like an unhappy ending
cause the rivers too wide
Good lessons learned are not forgotten
We gave up love to save our pride
Next time Im faced with rising waters
Ill build a bridge of love and kindness
Reaching to the other side
The rivers too wide now for crossing
The waters rush too loud for talking
We never build bridges for walking
Theres no getting to the other side
The rivers too wide now for crossing
The current goes too deep for mending
It looks like an unhappy ending
cause the rivers too wide

song performed by Olivia Newton-John
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Metaphors of a Magnifico

Twenty men crossing a bridge,
Into a village,
Are twenty men crossing twenty bridges,
Into twenty villages,
Or one man
Crossing a single bridge into a village.

This is old song
That will not declare itself . . .

Twenty men crossing a bridge,
Into a village,
Are
Twenty men crossing a bridge
Into a village.

That will not declare itself
Yet is certain as meaning . . .

The boots of the men clump
On the boards of the bridge.
The first white wall of the village
Rises through fruit-trees.
Of what was it I was thinking?
So the meaning escapes.

The first white wall of the village...
The fruit-trees...

poem by Wallace Stevens
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A Rhymed Lesson (Urania)

Yes, dear Enchantress,—­wandering far and long,
In realms unperfumed by the breath of song,
Where flowers ill-flavored shed their sweets around,
And bitterest roots invade the ungenial ground,
Whose gems are crystals from the Epsom mine,
Whose vineyards flow with antimonial wine,
Whose gates admit no mirthful feature in,
Save one gaunt mocker, the Sardonic grin,
Whose pangs are real, not the woes of rhyme
That blue-eyed misses warble out of time;—­
Truant, not recreant to thy sacred claim,
Older by reckoning, but in heart the same,
Freed for a moment from the chains of toil,
I tread once more thy consecrated soil;
Here at thy feet my old allegiance own,
Thy subject still, and loyal to thy throne!

My dazzled glance explores the crowded hall;
Alas, how vain to hope the smiles of all!
I know my audience. All the gay and young
Love the light antics of a playful tongue;
And these, remembering some expansive line
My lips let loose among the nuts and wine,
Are all impatience till the opening pun
Proclaims the witty shamfight is begun.
Two fifths at least, if not the total half,
Have come infuriate for an earthquake laugh;
I know full well what alderman has tied
His red bandanna tight about his side;
I see the mother, who, aware that boys
Perform their laughter with superfluous noise,
Beside her kerchief brought an extra one
To stop the explosions of her bursting son;
I know a tailor, once a friend of mine,
Expects great doings in the button line,—­
For mirth’s concussions rip the outward case,
And plant the stitches in a tenderer place.
I know my audience,—­these shall have their due;
A smile awaits them ere my song is through!

I know myself. Not servile for applause,
My Muse permits no deprecating clause;
Modest or vain, she will not be denied
One bold confession due to honest pride;
And well she knows the drooping veil of song
Shall save her boldness from the caviller’s wrong.
Her sweeter voice the Heavenly Maid imparts
To tell the secrets of our aching hearts
For this, a suppliant, captive, prostrate, bound,
She kneels imploring at the feet of sound;

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poem by Oliver Wendell Holmes
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Earthworm Descent

Love watching earthworms
at night, with a flash light
shining on them as
they make their descent
into the ground.

So slimy are they
but so fun to try
and catch them
before they make
their descent
into the ground.

As a child used
to go into backyard
in search of the
earthworm watching
as it burrows into
the soil,
tying so hard to
crab them as they
slip through my fingers
and make their
descent into the ground.

Would just try to
catch them for
fun, not fishing
putting them in
a jar and watching
them as they
would burrow into
the soil.

Later would let
them go without
harm and watching
as they made
their descent
into the ground.

poem by Jim Foulk
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A Poet's Voice XV

Part One

The power of charity sows deep in my heart, and I reap and gather the wheat in bundles and give them to the hungry.

My soul gives life to the grapevine and I press its bunches and give the juice to the thirsty.

Heaven fills my lamp with oil and I place it at my window to direct the stranger through the dark.

I do all these things because I live in them; and if destiny should tie my hands and prevent me from so doing, then death would be my only desire. For I am a poet, and if I cannot give, I shall refuse to receive.

Humanity rages like a tempest, but I sigh in silence for I know the storm must pass away while a sigh goes to God.

Human kinds cling to earthly things, but I seek ever to embrace the torch of love so it will purify me by its fire and sear inhumanity from my heart.

Substantial things deaden a man without suffering; love awakens him with enlivening pains.

Humans are divided into different clans and tribes, and belong to countries and towns. But I find myself a stranger to all communities and belong to no settlement. The universe is my country and the human family is my tribe.

Men are weak, and it is sad that they divide amongst themselves. The world is narrow and it is unwise to cleave it into kingdoms, empires, and provinces.

Human kinds unite themselves one to destroy the temples of the soul, and they join hands to build edifices for earthly bodies. I stand alone listening to the voice of hope in my deep self saying, "As love enlivens a man's heart with pain, so ignorance teaches him the way of knowledge." Pain and ignorance lead to great joy and knowledge because the Supreme Being has created nothing vain under the sun.

Part Two

I have a yearning for my beautiful country, and I love its people because of their misery. But if my people rose, stimulated by plunder and motivated by what they call "patriotic spirit" to murder, and invaded my neighbor's country, then upon the committing of any human atrocity I would hate my people and my country.

I sing the praise of my birthplace and long to see the home of my children; but if the people in that home refused to shelter and feed the needy wayfarer, I would convert my praise into anger and my longing to forgetfulness. My inner voice would say, "The house that does not comfort the need is worthy of naught by destruction."

I love my native village with some of my love for my country; and I love my country with part of my love for the earth, all of which is my country; and I love the earth will all of myself because it is the haven of humanity, the manifest spirit of God.

Humanity is the spirit of the Supreme Being on earth, and that humanity is standing amidst ruins, hiding its nakedness behind tattered rags, shedding tears upon hollow cheeks, and calling for its children with pitiful voice. But the children are busy singing their clan's anthem; they are busy sharpening the swords and cannot hear the cry of their mothers.

Humanity appeals to its people but they listen not. Were one to listen, and console a mother by wiping her tears, other would say, "He is weak, affected by sentiment."

Humanity is the spirit of the Supreme Being on earth, and that Supreme Being preaches love and good-will. But the people ridicule such teachings. The Nazarene Jesus listened, and crucifixion was his lot; Socrates heard the voice and followed it, and he too fell victim in body. The followers of The Nazarene and Socrates are the followers of Deity, and since people will not kill them, they deride them, saying, "Ridicule is more bitter than killing."

Jerusalem could not kill The Nazarene, nor Athens Socrates; they are living yet and shall live eternally. Ridicule cannot triumph over the followers of Deity. They live and grow forever.

Part Three

Thou art my brother because you are a human, and we both are sons of one Holy Spirit; we are equal and made of the same earth.

You are here as my companion along the path of life, and my aid in understanding the meaning of hidden Truth. You are a human, and, that fact sufficing, I love you as a brother. You may speak of me as you choose, for Tomorrow shall take you away and will use your talk as evidence for his judgment, and you shall receive justice.

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poem by Khalil Gibran
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