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The cliches are that it's the most generic Starsky and Hutch plot you can find.

quote by Ben Stiller
Added by Lucian Velea
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Absalom and Achitophel

In pious times, e'er Priest-craft did begin,
Before Polygamy was made a sin;
When man, on many, multiply'd his kind,
E'r one to one was, cursedly, confind:
When Nature prompted, and no law deny'd
Promiscuous use of Concubine and Bride;
Then, Israel's monarch, after Heaven's own heart,
His vigorous warmth did, variously, impart
To Wives and Slaves; And, wide as his Command,
Scatter'd his Maker's Image through the Land.
Michal, of Royal blood, the Crown did wear,
A Soyl ungratefull to the Tiller's care;
Not so the rest; for several Mothers bore
To Godlike David, several Sons before.
But since like slaves his bed they did ascend,
No True Succession could their seed attend.
Of all this Numerous Progeny was none
So Beautifull, so brave as Absalon:
Whether, inspir'd by some diviner Lust,
His father got him with a greater Gust;
Or that his Conscious destiny made way
By manly beauty to Imperiall sway.
Early in Foreign fields he won Renown,
With Kings and States ally'd to Israel's Crown
In Peace the thoughts of War he could remove,
And seem'd as he were only born for love.
What e'er he did was done with so much ease,
In him alone, 'twas Natural to please.
His motions all accompanied with grace;
And Paradise was open'd in his face.
With secret Joy, indulgent David view'd
His Youthfull Image in his Son renew'd:
To all his wishes Nothing he deny'd,
And made the Charming Annabel his Bride.
What faults he had (for who from faults is free?)
His Father could not, or he would not see.
Some warm excesses, which the Law forbore,
Were constru'd Youth that purg'd by boyling o'r:
And Amnon's Murther, by a specious Name,
Was call'd a Just Revenge for injur'd Fame.
Thus Prais'd, and Lov'd, the Noble Youth remain'd,
While David, undisturb'd, in Sion raign'd.
But Life can never be sincerely blest:
Heaven punishes the bad, and proves the best.
The Jews, a Headstrong, Moody, Murmuring race,
As ever try'd th' extent and stretch of grace;
God's pamper'd people whom, debauch'd with ease,
No King could govern, nor no God could please;
(Gods they had tri'd of every shape and size
That Gods-smiths could produce, or Priests devise.)

[...] Read more

poem by John Dryden
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The Plot

My class were all slow payers,
And they weren't the best of stayers
When they came along to evening classes
Straight from keeping shop,
So I'd try to entertain them
Though I knew I'd rather brain them,
All I wanted was some input
When their heads began to drop.

'Come on guys and girls, get with it, '
I would clap my hands, 'let's live it! '
'Give me three basic ingredients
You need to build a plot! '
'A beginning, ' said one joker,
'...and an end....' - (I thought I'd choke her!)
But I couldn't get a 'middle' from them,
That was all they'd got!

'You told me you were writers
That you burn the midnight light as
Other people lie there sleeping
While you wield your mighty pens.
You've got 'character' and 'colour'
As you like to tell each other,
But without a plot you haven't got
A story for your friends.'

'All you've given me - Moon Bayers,
And a host of Vampire Slayers
And some Super Hero wielding powers
Not you, nor I have got,
And a princess who's a virgin
With some hanger on, an urchin,
Come on folks! - there's not a virgin
Over fifteen worth a drop! '

'What we need are real people,
Keep it real and keep it simple
From the hair down to the dimple
(That you shouldn't know she's got!)
Use the guy who drives the tanker,
Or the fat and balding Banker
Who's been betting on the Gee Gee's
And is skimming off the top.'

'Or the girl there, in the city
Who's naive, but very pretty
When she meets the married businessman
Who takes her out to lunch,
Then invites her back for 'drinkies'

[...] Read more

poem by David Lewis Paget
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A Generic God

“Oh my God”, an often heard phrase, empty words uttered these days,
This not the God The Bible speaks of, The One, Who reigns up above,
As He said, “Don’t speak my Name”, hastily spoken, just taken in vain,
He is The Lord, many do not fear, speaking vainly, all over this sphere.

Most people who travel this sod, believe in something, they call a god,
This god isn’t The God of the Bible, One to whom we all shall be liable,
A generic god, many men herald, not God above, but one of the world,
Gods that have been created by men; gods, who Christ shall condemn.

The generic god’s held up by many, varying views, by which are plenty,
Embraced by people of all kinds, deep thinkers and even small minds,
So whatever men want to believe, this is the god, that they can receive,
And no changes are required of them, as their god will never condemn.

They may or not believe in Heaven, a belief tainted with spiritual leaven,
Changing instead, God’s Eternal Truth, so they are heading for reproof,
Also, as far as most men can tell, many of those do not believe in Hell,
As one’s death is final in their eyes, seeing no life at all, after man dies.

Now there’s men who once believed, but by Satan have been deceived,
Teaching all men shall find a place, in Heaven, apart from God’s Grace,
This is all part of man’s falling away, to a generic god we hear of today,
Falling from God’s Solid Ground, to another god, that will not be found.

(Copyright ©09/2011)

poem by Bob Gotti
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Sestina: Terminataur

Enveloped by the glow of bedside light,
a small child listens spellbound to a plot.
A parent tells a story quite absurd
of cyborgs, birds and dinosaurs, most mean.
A science fiction tale of keen-edged claw
and culminating fast with time machine.

‘A fearsome shrewd reptilian machine
was lurking ‘mid striated cycad light.
His iridescent scaly skin and claw
advising ‘gainst the trespass of his plot.
A grey bird hovered close; what could it mean?
and conversation flowed; now that's absurd'!

‘Tyrannosaurus said, 'You're quite absurd',
'a cyborg bird with so-called time machine',
'and plans which sound both devilish and mean',
'involving death by catastrophic light'.
'You wish to beg my pardon for the plot',
'and ask respectfully to shake my claw'? ! ? ! ? ! '

‘The cyborg bird said, 'Cousin, take my claw',
'I'm your descendent, though it sounds absurd'.
'Our fourth millennium A.D. course is plot',
'whereby we triumph over man machine'.
'I'm here to guide the bird-made meteor light',
'so we can wing ascent; see what I mean'? '

‘Just then a ratty mammal, snide and mean,
who hid within the cycad's curving claw,
quick swiped the heedless bird in dusky light
and thereby foiled cretaceous scheme absurd.
The meteor missed and dinosaur machine
retained its topmost spot, in spite of plot'.

The father closes zany fiction plot
and though his sharp-toothed grin looks wily mean,
he is a loving dinosaur machine.
The sleepy dino-child lets go his claw
and slips into a dreaming world absurd.
He kisses scaly snout and dims the light.

The moral here is both absurd and light.
I mean by this: Beware the bird machine
which may still plot to claim the upper claw.

poem by Diane Hine
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Where The River Flows

Music : rudolf schenker
Lyrics: klaus meine
Under suburban skies
Where life is bleeding
Where concrete skies are grey
Theres plenty of room for dreaming
I still keep coming here
Follow those traces
I travel back in time
Remember all those places
Feels like I never left
The houses still standing
Down by the river where
The dreams are never ending
You find me
You find me
You find me by the river
You find me
You find me
You find me where the river flows
Under the silent moon
This industrial city
Is heartland even though
Lifes been not that pretty
I still keep coming here
To that old river
To find my roots just where
The future lives forever
You find me
You find me
You find me by the river
You find me
You find me
You find me, you can find me
By the river where dreams will never die
By the river under suburban skies
You find me
You find me
You find me by the river
You find me
You find me
You find me where the river flows
By the river where dreams have never died
By the river I look through childrens eyes
You find me
You find me
You find me by the river
You find me
You find me
You find me where the river flows

[...] Read more

song performed by Scorpions
Added by Lucian Velea
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Bishop Blougram's Apology

No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little—oh, they pay the price,
You take me—amply pay it! Now, we'll talk.

So, you despise me, Mr. Gigadibs.
No deprecation—nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?—truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
Truth's break of day! You do despise me then.
And if I say, "despise me"—never fear!
1 know you do not in a certain sense—
Not in my arm-chair, for example: here,
I well imagine you respect my place
(Status, entourage, worldly circumstance)
Quite to its value—very much indeed:
—Are up to the protesting eyes of you
In pride at being seated here for once—
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop—names me—that's enough:
"Blougram? I knew him"—(into it you slide)
"Dined with him once, a Corpus Christi Day,
All alone, we two; he's a clever man:
And after dinner—why, the wine you know—
Oh, there was wine, and good!—what with the wine . . .
'Faith, we began upon all sorts of talk!
He's no bad fellow, Blougram; he had seen
Something of mine he relished, some review:
He's quite above their humbug in his heart,
Half-said as much, indeed—the thing's his trade.
I warrant, Blougram's sceptical at times:
How otherwise? I liked him, I confess!"
Che che, my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.

[...] Read more

poem by Robert Browning from Men and Women (1855)
Added by Veronica Serbanoiu
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Apple Cobbler

Track: Apple Cobbler
Artist: LL Cool J
Guest Artists:
Album: The DEFinition
------------------------------------------------------
Lyrics:
INTRO
Uh
Uh
Uh
Uh huh
Uh
Uh
That joint is hot baby
VERSE 1
Lights, Camera, Action hold up
You know my style I been blowed up
Paper was young now it is growed up
Stack so big its hard to fold up
Yo D find another rubber band in the truck
Count up the money Ima stand in the cut
Stroll in the party I toast cris up
Tell Vladmir hook the guest list up
Shake that cookie like what like what
Toss me rapper like lightning struck
Look at that apple cobbler butt
What you wanna do
What you think wont cut
NBA Live in my truck
Parking lot like all jammed up
If theres beef its best you duck
Im gonna eat it Im fulled up
HOOK
Give it to me
That Apple Cobbler
Better yet
Can I see
That Apple Pie
Give it to me
That apple cobbler
Better yet
Can I get
Can I get it deep fried
VERSE 2
So much sugar is making my head rush
Tell me what the recipe is for that stuff
Break me off a piece of crust
Im so full Im bout to bust
Just one slice is not enough
Dang that thing tight like handcuffs

[...] Read more

song performed by LL Cool J
Added by Lucian Velea
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Apple Cobbler Ft. Timbaland

[LL Cool J]
Uhh.. uhh.. uhh.. uh-huh
Uhh.. uhh.. that joint is hot baby!
[Verse One]
Lights, camera, action - hold up
You know my style, I been blowed up
Paper was young, now it's growed up
Stacks so thick it's hard to fold up
Yo B, find another rubberband in the truck
Count up the money, I'ma stand in the cut
Stroll in the party and I toast Cris' up
Tell that a muh-hucca gets this up
Shake that cookie like what like what
Toss me a drop it's like lightning struck
Look at that apple cobbler butt
Whatchu wanna do, whatchu think? Want cut
NBA Live in my truck
Parkin lot like all jammed up
If there's beef it's best you duck
I'm gon' eat 'til I'm filled up
[Chorus: Timbaland]
Throw it to me - that apple cobbler
Baby it, can I see (can I see) that apple pie?
I said throw it to me - that apple cobbler
Baby it, can I get (hey) can I get it deep fried?
[Verse Two]
So much sugar it's makin my head rush
Tell me what the recipe is for that stuff
Break me off a piece of crust
I'm so full I'm bout to bust
Just one slice is not enough
Dang that thang tight like handcuffs
What I gotta say to you for you to give it up?
What if I was payin you so you could live it up?
Hoochie seats inside yo' truck
Tiffany rocks and trillion cuts
You be Starsky, I be Hutch
Ride shotgun, I pop that clutch
Juicy sweatpants drive me nuts
Take my 2-way, stay in touch
I'm gon' scoop you, heat you up
Take you, bake you, eat you up
[Chorus]
[Verse Three]
Turn that hair 'round, buck them hips
Love when your hair get stuck to your lips
Apple cobbler sweet and thick
I'm gon' eat you 'til I'm sick
Yo' dessert is worth a grip
I admit you make me trip

[...] Read more

song performed by LL Cool J
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My house is a bit like a teenager's bedroom. The kind of pictures you have hanging up on your wall say a lot about you. I've got ones of Evel Knievel, Elvis and Starsky and Hutch, signed by David Soul.

quote by Tim Vine
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Our reward for Starsky and Hutch was getting to write The Six Million Dollar Man for Todd.

quote by Thomas Lennon
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The Princess (part 2)

At break of day the College Portress came:
She brought us Academic silks, in hue
The lilac, with a silken hood to each,
And zoned with gold; and now when these were on,
And we as rich as moths from dusk cocoons,
She, curtseying her obeisance, let us know
The Princess Ida waited: out we paced,
I first, and following through the porch that sang
All round with laurel, issued in a court
Compact of lucid marbles, bossed with lengths
Of classic frieze, with ample awnings gay
Betwixt the pillars, and with great urns of flowers.
The Muses and the Graces, grouped in threes,
Enringed a billowing fountain in the midst;
And here and there on lattice edges lay
Or book or lute; but hastily we past,
And up a flight of stairs into the hall.

There at a board by tome and paper sat,
With two tame leopards couched beside her throne,
All beauty compassed in a female form,
The Princess; liker to the inhabitant
Of some clear planet close upon the Sun,
Than our man's earth; such eyes were in her head,
And so much grace and power, breathing down
From over her arched brows, with every turn
Lived through her to the tips of her long hands,
And to her feet. She rose her height, and said:

'We give you welcome: not without redound
Of use and glory to yourselves ye come,
The first-fruits of the stranger: aftertime,
And that full voice which circles round the grave,
Will rank you nobly, mingled up with me.
What! are the ladies of your land so tall?'
'We of the court' said Cyril. 'From the court'
She answered, 'then ye know the Prince?' and he:
'The climax of his age! as though there were
One rose in all the world, your Highness that,
He worships your ideal:' she replied:
'We scarcely thought in our own hall to hear
This barren verbiage, current among men,
Light coin, the tinsel clink of compliment.
Your flight from out your bookless wilds would seem
As arguing love of knowledge and of power;
Your language proves you still the child. Indeed,
We dream not of him: when we set our hand
To this great work, we purposed with ourself
Never to wed. You likewise will do well,
Ladies, in entering here, to cast and fling

[...] Read more

poem by Alfred Lord Tennyson
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Rode to a Knight Impale - after John Keats - Ode to a Nightingale

. :) kindly refer to notes. :)

My part aches and a rousing stiffness pains
my whole as though viagra I had drank,
or loosened up some pheronomic chains
split seconds past, endorphined, anticipating prank.
'Tis not through envy that I ask a lot,
but seeking through your image happiness,
love-lipped epitome of all that please
amused muse stays aware that what you've got
conjurs wet dreams, streams’ ready eddies numberless,
straw hollow swallows spring in full-throated ease.

O, for a draught of vintage! that hath been
fat vat prime time cocked, erect in deep pelvic berth,
tasting of horny fauna’s jelly beans,
dancing tandem to tambourine song since sunny birth!
O for a beaker full of the warm south,
filled to whet winking brink noways obscene,
with beaded bubbles oozing at the brim,
of purple-hooded mouth;

That I might drink, and leave the world unseen,
and with thee knock on doors quite in the swim:
ride far away, knot solve, and quite forget
what you senses leaves had never known,
no weariness, no fever, and no fret.
Here, men lose wit to hear each other groan
as palsy shakes a few, sad, beardless chins,
where youth grows pale, and spectre-thin, and sighs;
where but to think of size baits rod with sorrow
and leaden-eyed despairs,
No, Beauty, none may mime your lustrous eyes,
where new Love pines, fears un-orgasmic morrow.

Away! away! for I will fly to thee,
not roped in by vile censors, critics’ pards,
but on untrammelled wings of intimacy,
though most dull brains perplex, their sloth retards.
Already with thee! tender is the night,
and tenderness my motto ‘tis well known
to massage tissues starry nights, sun days,
without the which love’s light
moons absence of reflection, breezes blown
through tortuous gameplays, inexperienced ways.

You should not care what flowers are at your feet,
for all is incense garland, and endows

[...] Read more

poem by Jonathan Robin
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Find Your Way Back

You know its been a long long road
Since I packed up and left on my own
And I can carry a heavy load
Just try n get back to her heart
I sure aint got no home
I seem to find love where I ramble
And when its time to go
I hear that voice again, say n
Chorus:
Find your way back
Find your way back to her heart
Find your way back
Find your way back to her heart
Leave a message with the rain
You can find me where the wind blows
The snow across the pain
And the frost upon the heart
You got no place to be
Still you wonder where youre goin
And why I had to leave
I hear a voice and it says to me
Find your way back
Find your way back to her heart
Find your way back
Find your way back to her heart
To her heart, cmon
I know its too late now
But I wish I could go back in time
And start all over somehow
And get it right from the start
Find your way back
Find your way back to her heart
Find your way back
Find your way back to her heart
Find your way back (find your way back) find your way back
Find your way back (find your way back) find your way back
Find your way back (find your way back) find your way back
Find your way back (find your way back) find your way back...

song performed by Starship
Added by Lucian Velea
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Find Your Way Back

You know its been a long long road
Since I packed up and left on my own
And I can carry a heavy load
Just try n get back to her heart
I sure aint got no home
I seem to find love where I ramble
And when its time to go
I hear that voice again, say n
Chorus:
Find your way back
Find your way back to her heart
Find your way back
Find your way back to her heart
Leave a message with the rain
You can find me where the wind blows
The snow across the pain
And the frost upon the heart
You got no place to be
Still you wonder where youre goin
And why I had to leave
I hear a voice and it says to me
Find your way back
Find your way back to her heart
Find your way back
Find your way back to her heart
To her heart, cmon
I know its too late now
But I wish I could go back in time
And start all over somehow
And get it right from the start
Find your way back
Find your way back to her heart
Find your way back
Find your way back to her heart
Find your way back (find your way back) find your way back
Find your way back (find your way back) find your way back
Find your way back (find your way back) find your way back
Find your way back (find your way back) find your way back...

song performed by Starship
Added by Lucian Velea
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Find Out

Ive seen em doing battle
Ive heard in times of war
Still I keep on going
Though its different than before
Theyve been riding high
Up where the cold winds blow
Miles above that highway
Where the rest of us all go
To find out
You have to find out
Its good to find out
Before you open your mouth
Find out
Now dont you find out
You better find out
Before you fill in the blanks
Go find out what it takes
To make a boy break down and cry
Go find out his young mistake
Is a premature goodbye (its a privilege you can buy)
Find out
Where it goes
Find out
Faster roads
Find out
It never grows
Find out
For yourself
You never tried to find the time it takes
To work it out
Its not a waste to taste
The sweat it takes
To work it out
Work!
You dont need a battle
You dont need a war
You dont need any lessons
To find out whats in store
You been riding high
You felt the cold winds blow
Now get back on the highway
Where the others have to go
And find out
And maybe when you do
Youll even find out
You havent got a clue
Unless you find out
Its never like they say
Your gonna find out
Youll take it all the way

[...] Read more

song performed by Devo
Added by Lucian Velea
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The generic Canadian style of illustration is different from the generic American style.

quote by John Kricfalusi
Added by Lucian Velea
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I'm just trying to avoid any sort of generic kind of music - I don't want to do generic jazz or fusion.

quote by Andy Summers
Added by Lucian Velea
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