Belief creates the actual fact.
quote by William James
Added by Lucian Velea
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Related quotes
Shes Actual Size
Words fail
Buildings tumble
The ground opens wide
Light beams down from heaven
She stands before my eyes
Shes actual size, but she seems much bigger to me
Squares may look distant in her rear view mirror but theyre actual size
As she drives away
Big men
Often tremble
As they step aside
I thought I was big once
She changed my mind
Shes actual size, but she seems much bigger to me.
Ive never known anybody like her, shes actual size
Nationwide, believe
Shes got
All the money
Money couldnt buy
Shes got something special
That someone left behind
Shes actual size, but she seems much bigger to me
Squares may look distant in her rear view mirror but theyre actual size
Actual size to her
Her face
Hangs in portrait
On the post office wall
Shes stuck in my heart now
Where my blood belongs
Shes actual size, but she seems much bigger to me
Ive never known anybody like her, shes actual size
Actual size, believe
Notes
Heres the best guess so far about the lyrics to larger than life. please give input. I need help with all of the reggae lyrics!
Shes actual size, but she seems much bigger to me
Words fail
Buildings tumble
The ground opens wide
Light beams down from heaven
She stands before my eyes
Shes actual size, but she seems much bigger to me
Squares may look distant in her rear view mirror but theyre actual size
As she drives away
Big men
Often tremble
As they step aside
I thought I was big once
She changed my mind
Shes actual size, but she seems much bigger to me
Ive never known anybody like her, shes actual size
[...] Read more
song performed by They Might Be Giants
Added by Lucian Velea
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How beautiful is
How beautiful is the Belief, when we belief in the God
How beautiful are the Creatures, when we belief in the Creator
How beautiful is the Motherhood, when we belief in the Sacrifices
How beautiful is the Fatherhood, when we belief in the Battles
How beautiful is the Childhood, when we belief in the Innocence
How beautiful is the Dream, when we belief in the Ambition
How beautiful is the Contentment, when we belief in the Simplicity
How beautiful is the Life, when we belief in the dead
How beautiful is the Love, when we belief in the Care
How beautiful is the Happiness, when we belief in the Sadness
How beautiful is the Relationships, when we belief in the Tender
How beautiful is the Fruit, when we belief in the Farming
How beautiful is the Confidence, when we belief in Our self
How beautiful is the Beauty, when we belief in Our eyes
How beautiful is the World, when we belief in Peace
How beautiful is the Friendship, when we belief in Brotherhood
How beautiful is the Marriage, when we belief in Sharing
How beautiful is the World, when we belief in the Peace
poem by Mohammed AlBalushi
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War...
war creates fighting that kills everyone...
war creates hate where love should be...
war creates tears that will never dry away...
war creates pain that wont go away...
war creates sadness that wont feel better...
war creates destruction that will take too long to fix...
war blinds us of what’s right or wrong...
war steals us of the right to be happy...
war creates gaps that keep us apart...
war creates a fire you cant put out...
war drops bombs on our hopes and dreams...
war creates children without a father, no one to tuck them in at night...
war makes it hard for a parent to say “everything will be alright” when then don’t even have anyone that they can say “good night”.
war scars a child's mind with things they cant erase...
war makes a good nights sleep a living hell...
war creates nightmares that are never-ending dreams and then, just screams
war creates guilt that eats you alive inside...
war makes you see things that make you scream inside...
war creates scars when all you've seen is blood and more...
war only leaves death when every body drops to the floor...
war creates silence after it ends, so how long till it starts again?
and when all the willing that will fight, die and say their last good night
the war will end, the living will mourn, all for peace but what was it all for? For all those people who died, just so now everyone alive, can do nothing to cope but cry...
Age 14
poem by Alexander SaPonte
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0978..... Belief Vs Trust
Belief is Doubtful, Trust is Certain
Belief is from Mind, Trust is from Heart
Belief is Lip Service; Trust is Heart Felt
Believe many; Trust only a Few
Believing is Easy, Trusting is Hard
Belief scores 50%, Trust scores 100%
Belief is Ordinary; Trust is Extra-ordinary
Belief is Start point; Trust is End Point
Belief is Limited; Trust is infinite
Belief is Shaking Hands, Trust is Embracing
Belief keeps Control; Trust gives up control
Belief is jumping opportunities; Trust is staying
Belief is not Time Tested; Trust passes Tough Times
Belief is Partial; Trust is Complete
Believe in Thoughts; Trust your Intuition
Belief in God is Attempting; Trust in God is Surrender
Belief is Important; Trust is Essential
Belief is Plastic Rose; Trust is Real Rose
(23-June-2010, Chennai)
poem by Gan Chennai
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As A Matter Of Fact
Written by s. garrett & d. boyette
Blow daddy, aww, yeah
Here we are, standing at the hard line
We made it last this long
The two of us, together since the first time
And I believe our love is still strong
Seems love has a funny way
Well, it can come or go or it can choose to stay
But love says what it has to say
(chorus)
Matter of fact (ooh, as a matter of fact)
I love you (oh, as a matter of fact)
And I love that you love me back
As a matter of fact (ooh, as a matter, a matter)
Some said we wouldnt make it this far
But they dont talk no more (no more)
The love we share is precious as a big star
And what we haves what others hope for
Seems love has a funny way
Well, it can come or go or it can choose to stay
But love says what it has to say
(chorus)
Matter of fact (ooh, as a matter of fact)
I need you (oh, as a matter of fact)
And Im glad that you need me back
As a matter of fact (ooh, as a matter, a matter)
Mm, matter of fact, yeah (ooh as a matter of fact)
I want you (yeah, as a matter of fact)
And I cant tell you more than that
As a matter of fact, (ooh, as a matter) yeah (matter)
Aww, blow, daddy
Musical interlude
Yeah, yeah, yeah
Seems love has a funny way
Well, it can come and go or it can choose to stay
But love says what it has to say
(repeat chorus)
Matter of fact (ooh, as a matter of fact)
I love you (oh, as a matter of fact)
Yeah and I love that you love me back
As a matter of fact (ooh, as a matter of fact)
Ooh, ooh, baby
Matter of fact (ooh, as a matter of fact)
I need you (yeah, as a matter of fact)
And Im glad that you need me right back
As a matter of fact
(ooh, as a matter) yeah (a matter)
song performed by Natalie Cole
Added by Lucian Velea
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I. The Ring and the Book
Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.
Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Bishop Blougram's Apology
No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little—oh, they pay the price,
You take me—amply pay it! Now, we'll talk.
So, you despise me, Mr. Gigadibs.
No deprecation—nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?—truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
Truth's break of day! You do despise me then.
And if I say, "despise me"—never fear!
1 know you do not in a certain sense—
Not in my arm-chair, for example: here,
I well imagine you respect my place
(Status, entourage, worldly circumstance)
Quite to its value—very much indeed:
—Are up to the protesting eyes of you
In pride at being seated here for once—
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop—names me—that's enough:
"Blougram? I knew him"—(into it you slide)
"Dined with him once, a Corpus Christi Day,
All alone, we two; he's a clever man:
And after dinner—why, the wine you know—
Oh, there was wine, and good!—what with the wine . . .
'Faith, we began upon all sorts of talk!
He's no bad fellow, Blougram; he had seen
Something of mine he relished, some review:
He's quite above their humbug in his heart,
Half-said as much, indeed—the thing's his trade.
I warrant, Blougram's sceptical at times:
How otherwise? I liked him, I confess!"
Che che, my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.
[...] Read more
poem by Robert Browning from Men and Women (1855)
Added by Veronica Serbanoiu
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Love Creates
Love creates mysterious things,
Love creates beautiful expressions,
Love creates everything we need,
Love creates without a thought :)
Love creates no thinking mind,
Love expresses from hearts,
Love comes through effortlessly,
Love becomes the place we share :)
Love is our greatest gift,
Love shares our hearts as one,
Love is creation and our intentions,
Love knows our beauty without pretending :)
Love creates ABUNDANCE always,
LOVE CREATES OUR INTENTIONS,
Love creates our endless wants regardless,
Love is our self expression SHARED :)
poem by Paul Jensen Jr
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Faith in Belief - Coping Strategy
Must have faith or what else is left?
Lack of faith, sorrow bereft
Belief in a God, nature, galactic deities
Even atheistic belief gives some amenities
Belief in self to succeed
The need to daily feed
Belief in love, seeking to thrive
Faith in thriving to stay alive
Those with no faith to look forward to
Stranded, without a helping clue
Grasp a belief enabling you to cope
One that brings fulfillment with hope
Faith in music unbound
Open ears to the acoustic sound
Sweet rhythms renowned
Belief that art opens the way
Creative devotion bless the day
For some, blind faith is better than none
Others may curse their belief, ready to abscond
Seek a belief peaceful, considerate
Avoid following the fanatical illiterate
The three C’s of hardiness agility
Commitment, Control, Creative ability
Deliver strong sustainability
Belief in Joy and Happiness, treasured gold
Warm goodness and kindness never cold
Resolve persistent griefs
With faith in positive beliefs
(September 2008)
poem by Joshua C. Whiting
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Two Fuse
Interactive,
And a catalyst that captures...
And a catalyst that captures,
Manufactures what it matches...
To attach and sack a catch.
Two fuse and they become attracted,
To be seen as a known fact.
Interactive,
And a catalyst that captures...
Factors in and snatches fast.
Interactive,
And a catalyst that captures...
And a catalyst that captures,
Manufactures what it matches...
To attach and sack a catch.
Two fuse and this becomes a fact.
Two fuse and this becomes a fact.
Two fuse and they become attracted,
To be seen as a known fact.
Two fuse and this becomes a fact.
Two fuse and this becomes a fact.
Interactive,
And a catalyst that captures...
Factors in and snatches fast.
Two fuse and this becomes a fact.
Two fuse and this becomes a fact.
Two fuse and they become attracted,
To be seen as a known fact.
Two fuse and this becomes a fact.
Two fuse and this becomes a fact.
Two fuse and this becomes a fact.
Two fuse and this becomes a fact.
poem by Lawrence S. Pertillar
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The Son Of Vera
I'm - the son of Vera...
I did not write you the letters for long,
Vera Pavlovna.
Winds have carried me away,
Winds were singing me a song
Once - impudently,
The other time - terribly,
At last - plaintively.
I'm - the son of Vera.
Oh, how did you help me, mother!
Mama Vera...
You embraced me on the empty stations, mama Vera.
I'm - the son of Vera.
You were waiting for the useless son to be back, mama Vera...
And you asked me to write
in my letters the only truth, mama Vera...
I'm - the son of Vera!
The Belief not into god, not in angels, not in the next world!
I'm - the son of belief in sun,
Which is shining through the tatters of clouds!
I'm - the son of belief in the labour of a man,
In the flowers on the burnt earth.
I'm - the son of belief!
The belief in the silence under the torture!
And in the song before the execution!
I'm - the son of belief in the terrestial love,
dazzling as a miracle.
I'm - the son of belief in the Morrow
such as I wish it to be!
And in the people, who are wide as a road!
Sincere, and worthy...
I'm - the son of belief, I despise ninnies!
I hate ones, whining and groaning! ..
I write to you only the truth, mama Vera.
Only the truth...
Only here is much a business!
Forgive me,
I'll not be back soon...
poem by Robert Rozhdestvensky, translated by Lyudmila Purgina
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
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Eighth Book
ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.
The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
[...] Read more
poem by Robert Browning from The Ring and the Book
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
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poem by Robert Browning from The Ring and the Book
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus
Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—
Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse
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poem by Robert Browning from The Ring and the Book
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Odessa - My Principessa
About many famous cities we can talk:
London, Paris, Naples or New York,
But when you walk along Odessa
You will love our principessa
If you are wise enough and not a bore.
The fact is such,
The fact is such:
There's no city in the world
I love so much.
You will smile to the famous Duke,
From the second hatch at him you'll look
And if he gives you the welcoming hand
You will have to understand
That Odessa is the smile of God.
The fact is such,
The fact is such:
There's no city in the world
I love so much.
The girls in our city are the pearls,
God gave them sense of humor and a charm.
You come here and you will see
The beauty of the bluest sea
And you will be surprised but not alarmed.
The fact is such,
The fact is such:
There's no city in the world
I love so much.
And Sasha Pushkin was an odessite,
As here he recalled a wonderous moment
He cursed and praised our and his Odessa
Because he really loved principessa,
Which was and is and always bright.
The fact is such,
The fact is such:
There's no city in the world
I love so much.
You can go any place you like
To New York, Paris or even London,
All of them are really so nice,
But in Odessa you'll be certainly surprised
By the smell of sea, acacia, cherry, linden...
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poem by Larisa Rzhepishevska
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I Hate The Fact
I hate the fact
that one can steal your heart
and leave it broken in many parts
I hate the fact
that one can make you feel
but then you looked he had turned the wheel
I hate the fact
that one can catch your eye
and finally find it was for a while
I hate the fact
that one can sweep you off your feet
into a fantasy that only you could feel
I hate the fact
that when you hear ones name
you remember he was once your dame
I hate the fact
that you had to go
and you left me here with a broken soul
I hate the fact
that love was there
but left me in pain that one cant bare
I hate the fact
that memories hurt
and that nothing ever seems to ever work
I hate the fact
that i cry so much
that everyday i long to feel your touch
I hate the fact
that i cant move on
but maybe its something that can make me strong
poem by Miri Tuecemo
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Canto the Seventh
I
O Love! O Glory! what are ye who fly
Around us ever, rarely to alight?
There's not a meteor in the polar sky
Of such transcendent and more fleeting flight.
Chill, and chain'd to cold earth, we lift on high
Our eyes in search of either lovely light;
A thousand and a thousand colours they
Assume, then leave us on our freezing way.
II
And such as they are, such my present tale is,
A non-descript and ever-varying rhyme,
A versified Aurora Borealis,
Which flashes o'er a waste and icy clime.
When we know what all are, we must bewail us,
But ne'ertheless I hope it is no crime
To laugh at all things -- for I wish to know
What, after all, are all things -- but a show?
III
They accuse me -- Me -- the present writer of
The present poem -- of -- I know not what --
A tendency to under-rate and scoff
At human power and virtue, and all that;
And this they say in language rather rough.
Good God! I wonder what they would be at!
I say no more than hath been said in Danté's
Verse, and by Solomon and by Cervantes;
IV
By Swift, by Machiavel, by Rochefoucault,
By Fénélon, by Luther, and by Plato;
By Tillotson, and Wesley, and Rousseau,
Who knew this life was not worth a potato.
'T is not their fault, nor mine, if this be so --
For my part, I pretend not to be Cato,
Nor even Diogenes. -- We live and die,
But which is best, you know no more than I.
V
Socrates said, our only knowledge was
"To know that nothing could be known;" a pleasant
Science enough, which levels to an ass
Each man of wisdom, future, past, or present.
Newton (that proverb of the mind), alas!
Declared, with all his grand discoveries recent,
That he himself felt only "like a youth
Picking up shells by the great ocean -- Truth."
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poem by Byron from Don Juan (1824)
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