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Motown will always be a heavy-duty part of my life because those are my roots.

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What Part Of Life Are You Living

What part of life are you living.
What part of life are you living to give?
What part of life are you giving to live.
What part of life are you giving.
What part of life are you living.

And what part of life are you living.
What part of life are you living to give?
What part of life are you giving to live.
What part of life are you giving.
What part of life are you living.

What part of life is a drive by.
What part of life is a downslide.
What part of life are you living.
What part of life are you living to give?
What part of life is a drive by.
What part of life is a downslide.

And what part of life are you living.
What part of life are you living to give?
What part of life are you giving to live.
What part of life are you giving.
What part of life are you living.

What part of life is a drive by.
What part of life is a downslide.
What part of life are you living to give?
What part of life are you willing to live.

What part of life is a drive by.
What part of life is a downslide.
What part of life are you living to give?
What part of life are you willing to live.

What part of life are you living.
What part of life are you living to give?
What part of life are you giving to live.
What part of life are you giving.
What part of life are you living.

What part of life is a drive by.
What part of life is a downslide.
What part of life are you living to give?
What part of life are you willing to live.
What part of life is a downslide.
What part of life is a drive by.
And...
What part of life are you living.
What part of life are you living to give?

[...] Read more

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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER


Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.


AUTUMN WINTER


Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

[...] Read more

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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Roots

Roots natty roots
Dread binghi dread
I and I are the roots
Some are the dry wood
Fe catch up the fire
Whoa, lo ok at that
They need some dry wood
To cook up the raw food
Whoa, look at that
I got to survive
Inna dis man maniac downpression
Got to survive
In iration, yeah
Roots natty roots
Dread binghi dread
Remember that I and I are the roots
Some are wolf
Inna sheeps clothing
Whoa, look at that
Many are called
But only a few are chosen
Whoa, look at that
Nothing that dividers can do
Cant seperate us from our father
Whoa, look at that
You see, blood is thicker than water
Whoa, look at that
Got to survive
Inna disyah ghetto, yeah
Roots natty roots
Dread binghi dread
Remember that I and I are the roots
Roots natty roots
Dread binghi dread
Whoa, I and I are the roots
Some are leaves
While some are branches
But remember I and I are the roots
Some are dry wood
Fe catch up the fire
Whoa, look at that
Got to survive
Inna dis man maniac downpression
Got to survive
In iration
Roots natty roots
Dread binghi dread
Hey, I and I are the roots
Ooh we, roots natty roots
Dread binghi dread

[...] Read more

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

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[intro]

Yo, my name is Taquell A.K.A Baby Poppa
Told ya I know ali
Yall thought I was playin
I told yall I know the Lunatics
Leezy, Nelly, Spud, Murph AND Kyjuan man
I know all of em since '99
Before Country Grammar before the Free City album
And now, Big Lee got that Heavy Starch out in the streets
It's over fo' real
Now next time Baby Poppa tell you somethin
You better listen
So keep your ears open cuz it's Ali
Heavy Starch let's go
Yo, Ali, Heavy Starch
Heavy Starch
Heavy Starch
Say it again
Heavy Starch
Do it like we do Heavy Starch Big Lee
Big Leezy fo sheezie with Heavy Starcheezy
What's up Ali
Hey Ali Heavy Starch
Peace to Ali comin from Son keepin it real, luv
Yo what's up Ali
Shouts out to Big Lee yea
Ali
Heavy Starch
What's up Ali
Heavy Starch
Big Leezy with the Heavy Starch
What's crack-a-lackin Heavy Starch
Heavy Starch
What's up Ali
Heavy Starch
Hi Ali Heavy Starch
Heavy Starch Big Lee
Big Lee Heavy Starch, Heavy Heavy Heavy Starch hahaha one luv
Right on Ali Right on Heavy Starch
Ali Heavy Starch, whatever you do dirty, keep it St. Louis

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Roots Bloody Roots

Roots Bloody Roots
Roots Bloody Roots
Roots Bloody Roots
Roots Bloody Roooaaaaaahh

I believe
In Our Fate
We Don't Need To Fake
It's All We Wanna Be
Watch Me Freeeaaak !!

I Say
We're Growing Every Day
Getting Stronger In Every Way
I'll Take You To A Place
Where We Shall Find Our

Roots Bloody Roots
Roots Bloody Roots
Roots Bloody Roots
Roots Bloody Roots

Rain
Bring Me The Strength
Is Breeding Me This Way
To Get To Another Day
And All I Want To See
Set Us Free

Why
Can't You See
Can't You Feel
This Is Real
Ahhh

I Pray
We Don't Need To Change
Our Ways To Be Saved
That All We Wanna Be
Watch Us Freak

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

[...] Read more

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

[...] Read more

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Don't Come Around Here

How do you know when it's over
How do you know where did it all go wrong
Can I embrace the perfect stranger
How do you know and where did it all go wrong
Cause lately could you tell
I lost the only one
Could you tell
Stoke the funeral
So now it's just me, myself and I
Don't come around here (don't come around here)
Just to see me cryin' (see me cryin')
Don't come around here (don't come around here)
Just because you can (because you can, yeah, yeah)
Cause you can
How do you find tinsel Motown
How do you find it if it's the only one
Dear, love is strange the right emotion
How do you find if it's the only one
Cause lately (lately) could you tell (could you tell)
I lost the only one
Could you tell (could you tell, could you tell)
Stoke the funeral
So now it's just me, myself and I
Don't come around here (don't come around here)
Just to see me cryin' (see me cryin')
Don't come around here (don't come around here)
Just because you can (because you can, yeah, yeah)
Give me Motown (tinsel Motown, lady)
Tinsel Motown (one emotion maybe)
One emotion (with a perfect stranger)
Tinsel Motown (me, myself and I)
Don't come around here
Just to see me cryin'
Don't come around here
Just because you can
Don't come around here (don't come around here)
Just to see me cryin' (see me cryin')
Please don't come around here (don't come around here)
Just because you can (because you can, yeah, yeah)
Cause you can
Don't come around here (don't come around here)
Just to see me cryin' (see me cryin')
Please don't watch me cryin'
Please don't watch me cryin', yeah
Cause you can
Don't come around here
Please don't come around here
Just to see me cryin'

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The Motown Song

(larry john mcnally)
Bring over some of your old motown records
Well put the speakers in the window and well go
On the roof and listen to the miracles
Echo to the alley down below
Lets dance together just for the night
Lets dont worry about the future or nothin else
cause just like the musics sayin you gotta take chances
Go ahead just do it and trust yourself
Theres a soul in the city
Watching over us tonight
Theres a soul in the city
Saying everythings gonna be all right
So bring over some of your old motown records
Well put the speakers in the window and well go
On the roof and listen to the miracles
Echo to the alley down below
They wish us luck
But they think were just dreaming
Lets prove them wrong baby
cause you know what luck is
Luck is believing youre lucky
Thats all and showing just a little bit of faith
Theres a soul in the city
Watching over us I swear
Theres a soul in the city
Theres a whole world waiting out there
Listen
I got plans for us
Playing like a skip on a record
Through my head all night long
But when we walk that darkened stairway
And step out on the roof
I know what were feeling cant be wrong
Bring over some of your old motown records
Well put the speakers in the window and well go
On the roof and listen to the miracles
Echo to the alley down below
Bring over some of your old motown records
Well put the speakers in the window and well go
On the roof and listen to the miracles
Echo to the alley down below
let the temptations sing it one time
Bring over some of you old motown records
Well put the speakers in the window and well go
On the roof and listen to the miracles
Echo to the alley down below

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Motown (In Remembrance Of...)

Where are the sounds of Motown now?
That innovative and daring reach to be different!
Nothing today can captivate...
Except Beyoncé who tintillates imaginations!
Taking her creativity to fresh and new dimensions.
Blazing with excitement that awakens,
A dormant void of cookie cutter mass produced
Sameness that lacks snap and crackle!

Where are the sounds of Motown now?
There is no 'beat' today that repeats or come close,
To those Brewster Project folks...
Who toasted all of Detroit back then!
Every released song was a 'gem' it seemed.
Evoked from the mind of Berry Gordy's dream!
And today we listen to celebrated crap!
From 'ghetto stars' who make millions...
Lifting 'originality' tweaked off stolen tracks!

I wish that Motown could come back!
Inspiring with a motivation...
The writers, singers and producers
Holland-Dozier and Holland
Certainly did not lack!
When the sounds of Motown were around,
There seemed to be less crime to be found....
And more hand claps!

I wish that Motown could come back!
Like those things that brought good feelings...
Gone!
Never to be time-released,
But forever time-capsule trapped!

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Action Man In A Motown Suit

Lets stay a while and watch him
Hes moving into action man
Hes looking good but maybe
Hes in the wrong direction man
But he wanna get a little, get a little
Every night, get a little, get a little
Something for his appetite
Everybody needs to have a recreation
Everybody needs a little comfort for the soul
Youll never make it in a motown suit
No way to fake it man theyre not your roots
No, youll never make it in a motown suit
You cant be a drummer without rhythm
Cant blow your horn if you aint blue
Some folks they just aint got it in 'em
Tell me boy now does that sound like you
Hes cruising with the singles
Down the margarita bar
Hes boring to distraction
Pushing words and talking stars
(whats your sign)
Hes gotta take a little, take a little
On the side, make a little, make a little
Something for his appetite
Everybody needs a little lubrication
Someone with imagination got to break the ice
Youll never make it in a motown suit
No way to fake it man theyre not your roots
No, youll never make it in a motown suit
You cant be a lover without rhythm
Dont blow your horn if you aint true
No point in playing valentino
Hes a sham and brother so are you
You cant be a drummer without rhythm
Cant blow your horn if you aint blue
Some folks they just aint got it in 'em
Tell me boy now does that sound like you

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Action Man In Motown Suit

Let's stay a while and watch him
He's moving into action man
He's looking good but maybe
He's in the wrong direction man
But he wanna get a little, get a little
Every night, get a little, get a little
Something for his appetite
Everybody needs to have a recreation
Everybody needs a little comfort for the soul
You'll never make it in a motown suit
No way to fake it man they're not your roots
No, you'll never make it in a motown suit
You can't be a drummer without rhythm
Can't blow your horn if you ain't blue
Some folks they just ain't got it in 'em
Tell me boy now does that sound like you
He's cruising with the singles
Down the margarita bar
He's boring to distraction
Pushing words and talking stars
(What's your sign)
He's gotta take a little, take a little
On the side, make a little, make a little
Something for his appetite
Everybody needs a little lubrication
Someone with imagination got to break the ice
You'll never make it in a motown suit
No way to fake it man they're not your roots
No, you'll never make it in a motown suit
You can't be a lover without rhythm
Don't blow your horn if you ain't true
No point in playing Valentino
He's a sham and brother so are you
You can't be a drummer without rhythm
Can't blow your horn if you ain't blue
Some folks they just ain't got it in 'em
Tell me boy now does that sound like you

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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

[...] Read more

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Elizabeth Barrett Browning

Second Book

TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow

[...] Read more

poem by from Aurora Leigh (1856)Report problemRelated quotes
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Heavy Metal Universe

We're the masters of the wind
We're demons left in howl
we're the undefeated warriors
we have heard the call

We're the keepers and the leaders
of the only thing we love
we're the saviours
and protectors from above

In your sky there is no limit
and masters we have none
heavy metal is the only one

'cause its heavy metal universe
an it's never going down
flying 'cross the universe
we're heavy metal bound
we're heavy metal bound

With a burning hot desire
like a supersonic blast
we have come to show the world
that we have come to last

There ain't no way to stop us
and you'll never kill our pride
'cause it's not only music
it's a chosen way of life

And our world has got no borders
and in union we all stand
'cause heavy metal is our promissed land

'cause it's a heavy metal universe
with a heavy metal sound
masters of the thunder
shake you to the ground

It's a heavy metal bomber
and it's never going down
flying 'cross the universe
we're heavy metal bound
we're heavy metal bound

See my hands held to the sky
let me rock you 'till forever
raise your voice we're soaring high
swear allegance now or never
burning up we build a flame

[...] Read more

song performed by Gamma RayReport problemRelated quotes
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Pull Up The Roots

Hello again
Yes indeed my friend
I can tell
Goin get together again
I could be right
I could b ewrong
I feel nice when I sing this song
And I dont mind
Whatever happens is fine
Baby likes to keep on playing . . .
What do I know, what do I know?
Wilder than the place we live in . . .
Ill take you there, Ill take you there
I dont mind some slight disorder . . .
Pull up the roots pull up the roots
And I know evry living creature . .
Pull up the roots, pull up the roots
And I know you
I understand what you do
Yes, indeed
I put the hat on my head
Come outa your mess
Bring yourself in
I feel nice when I start to sing
And I can see
Evryone else is like me
Towns that dissapeared completely . . .
Pull up the roost, pull up the roots
Miles and miles of endless highway . . .
Pull up the roost, pull up the roots
Colored lights and shiney curtains . . .
Ill take you there, Ill take you there
Evrything has been forgiven . . .
Pull up the roost, pull up the roots
Well I have a good time . . . when I go out of my mind
And its a wonderful place . . . and I cant wait to be there
And I hear beautiful sounds . . . coming outa the ground
Gonna take us a while . . . but well go hundreds of times
Baby likes to keep on playing . . .
What dyou know? what dyou I know?
Wilder than the place we live in . . .
Ill take you there, Ill take you there
And I dont mind some slight disorder . . .
Pull up the roots pull up the roots
And no more time for talkin it over . . .
Pull up the roots, pull up the roots
Well I have a good time . . . when I go out of my mind
And its a wonderful place . . . and I cant wait to be there
And I hear beautiful sounds . . . coming outa the ground
Someone musta been high . . . but I guess its alright

song performed by Talking HeadsReport problemRelated quotes
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