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Norman MacCaig

And it's impossible for me to read Henry James.

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Henry And Emma. A Poem.

Upon the Model of The Nut-Brown Maid. To Cloe.


Thou, to whose eyes I bend, at whose command
(Though low my voice, though artless be my hand.
I take the sprightly reed, and sing and play,
Careless of what the censuring world may say;
Bright Cloe! object of my constant vow,
Wilt thou a while unbend thy serious brow?
Wilt thou with pleasure hear thy lover's strains,
And with one heavenly smile o'erpay his pains?
No longer shall the Nut-brown Maid be old,
Though since her youth three hundred years have roll'd:
At thy desire she shall again be raised,
And her reviving charms in lasting verse be praised.

No longer man of woman shall complain,
That he may love and not be loved again;
That we in vain the fickle sex pursue,
Who change the constant lover for the new.
Whatever has been writ, whatever said
Henceforth shall in my verse refuted stand,
Be said to winds, or writ upon the sand:
And while my notes to future times proclaim
Unconquer'd love and ever-during flame,
O, fairest of the sex, be thou my muse;
Deign on my work thy influence to diffuse:
Let me partake the blessings I rehearse,
And grant me love, the just reward of verse.

As beauty's potent queen with every grace
That once was Emma's has adorn'd thy face,
And as her son has to my bosom dealt
That constant flame which faithful Henry felt,
O let the story with thy life agree,
Let men once more the bright example see;
What Emma was to him be thou to me:
Nor send me by thy frown from her I love,
Distant and sad, a banish'd man to rove:
But, oh! with pity long entreated crown
My pains and hopes: and when thou say'st that one
Of all mankind thou lovest, oh! think on me alone.

Where beauteous Isis and her husband Thame
With mingled waves for ever flow the same,
In times of yore an ancient baron lived,
Great gifts bestowed, and great respect received.

When dreadful Edward, with successful care
Led his free Britons to the Gallic war,

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Henry Wadsworth Longfellow

The Golden Legend: IV. The Road To Hirschau

PRINCE HENRY _and_ ELSIE, _with their attendants, on
horseback._

_Elsie._ Onward and onward the highway runs
to the distant city, impatiently bearing
Tidings of human joy and disaster, of love and of
hate, of doing and daring!

_Prince Henry._ This life of ours is a wild aeolian
harp of many a joyous strain,
But under them all there runs a loud perpetual wail,
as of souls in pain.

_Elsie._ Faith alone can interpret life, and the heart
that aches and bleeds with the stigma
Of pain, alone bears the likeness of Christ, and can
comprehend its dark enigma.

_Prince Henry._ Man is selfish, and seeketh pleasure
with little care of what may betide;
Else why am I travelling here beside thee, a demon
that rides by an angel's side?

_Elsie._ All the hedges are white with dust, and
the great dog under the creaking wain
Hangs his head in the lazy heat, while onward the
horses toil and strain

_Prince Henry._ Now they stop at the wayside inn,
and the wagoner laughs with the landlord's daughter,
While out of the dripping trough the horses distend
their leathern sides with water.

_Elsie._ All through life there are wayside inns,
where man may refresh his soul with love;
Even the lowest may quench his thirst at rivulets fed
by springs from above.

_Prince Henry._ Yonder, where rises the cross of
stone, our journey along the highway ends,
And over the fields, by a bridle path, down into the
broad green valley descends.

_Elsie._ I am not sorry to leave behind the beaten
road with its dust and heat;
The air will be sweeter far, and the turf will be softer
under our horses' feet.

(_They turn down a green lane._)

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Henry Wadsworth Longfellow

The Golden Legend: II. A Farm In The Odenwald

A garden; morning;_ PRINCE HENRY _seated, with a
book_. ELSIE, _at a distance, gathering flowers._

_Prince Henry (reading)._ One morning, all alone,
Out of his convent of gray stone,
Into the forest older, darker, grayer,
His lips moving as if in prayer,
His head sunken upon his breast
As in a dream of rest,
Walked the Monk Felix. All about
The broad, sweet sunshine lay without,
Filling the summer air;
And within the woodlands as he trod,
The twilight was like the Truce of God
With worldly woe and care;
Under him lay the golden moss;
And above him the boughs of hemlock-tree
Waved, and made the sign of the cross,
And whispered their Benedicites;
And from the ground
Rose an odor sweet and fragrant
Of the wild flowers and the vagrant
Vines that wandered,
Seeking the sunshine, round and round.
These he heeded not, but pondered
On the volume in his hand,
A volume of Saint Augustine;
Wherein he read of the unseen
Splendors of God's great town
In the unknown land,
And, with his eyes cast down
In humility, he said:
'I believe, O God,
What herein I have read,
But alas! I do not understand!'

And lo! he heard
The sudden singing of a bird,
A snow-white bird, that from a cloud
Dropped down,
And among the branches brown
Sat singing
So sweet, and clear, and loud,
It seemed a thousand harp strings ringing.
And the Monk Felix closed his book,
And long, long,
With rapturous look,
He listened to the song,
And hardly breathed or stirred,
Until he saw, as in a vision,

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Henry Wadsworth Longfellow

The Golden Legend: VI. The School Of Salerno

A traveling Scholastic affixing his Theses to the gate
of the College.

_Scholastic._ There, that is my gauntlet, my banner, my shield,
Hung up as a challenge to all the field!
One hundred and twenty-five propositions,
Which I will maintain with the sword of the tongue
Against all disputants, old and young.
Let us see if doctors or dialecticians
Will dare to dispute my definitions,
Or attack any one of my learned theses.
Here stand I; the end shall be as God pleases.
I think I have proved, by profound research
The error of all those doctrines so vicious
Of the old Areopagite Dionysius,
That are making such terrible work in the churches,
By Michael the Stammerer sent from the East,
And done into Latin by that Scottish beast,
Erigena Johannes, who dares to maintain,
In the face of the truth, the error infernal,
That the universe is and must be eternal;
At first laying down, as a fact fundamental,
That nothing with God can be accidental;
Then asserting that God before the creation
Could not have existed, because it is plain
That, had he existed, he would have created;
Which is begging the question that should be debated,
And moveth me less to anger than laughter.
All nature, he holds, is a respiration
Of the Spirit of God, who, in breathing, hereafter
Will inhale it into his bosom again,
So that nothing but God alone will remain.
And therein he contradicteth himself;
For he opens the whole discussion by stating,
That God can only exist in creating.
That question I think I have laid on the shelf!

(_He goes out. Two Doctors come in disputing, and
followed by pupils._)

_Doctor Serafino._ I, with the Doctor Seraphic, maintain,
That a word which is only conceived in the brain
Is a type of eternal Generation;
The spoken word is the Incarnation.

_Doctor Cherubino._ What do I care for the Doctor Seraphic,
With all his wordy chaffer and traffic?

_Doctor Serafino._ You make but a paltry show of resistance;
Universals have no real existence!

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Please, Mrs. Henry

Well, i've already had two beers
I'm ready for the broom
Please, missus henry, won't you
Take me to my room?
I'm a good ol' boy
But i've been sniffin' too many eggs
Talkin' to too many people
Drinkin' too many kegs
Please, missus henry, missus henry, please!
Please, missus henry, missus henry, please!
I'm down on my knees
An' i ain't got a dime
Well, i'm groanin' in a hallway
Pretty soon i'll be mad
Please, missus henry, won't you
Take me to your dad?
I can drink like a fish
I can crawl like a snake
I can bite like a turkey
I can slam like a drake
Please, missus henry, missus henry, please!
Please, missus henry, missus henry, please!
I'm down on my knees
An' i ain't got a dime
Now, don't crowd me, lady
Or i'll fill up your shoe
I'm a sweet bourbon daddy
An' tonight i am blue
I'm a thousand years old
And i'm a generous bomb
I'm t-boned and punctured
But i'm known to be calm
Please, missus henry, missus henry, please!
Please, missus henry, missus henry, please!
I'm down on my knees
An' i ain't got a dime
Now, i'm startin' to drain
My stool's gonna squeak
If i walk too much farther
My crane's gonna leak
Look, missus henry
There's only so much i can do
Why don't you look my way
An' pump me a few?
Please, missus henry, missus henry, please!
Please, missus henry, missus henry, please!
I'm down on my knees
An' i ain't got a dime

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Henry Wadsworth Longfellow

The Golden Legend: V. A Covered Bridge At Lucerne

_Prince Henry_. God's blessing on the architects who build
The bridges o'er swift rivers and abysses
Before impassable to human feet,
No less than on the builders of cathedrals,
Whose massive walls are bridges thrown across
The dark and terrible abyss of Death.
Well has the name of Pontifex been given
Unto the Church's head, as the chief builder
And architect of the invisible bridge
That leads from earth to heaven.

_Elsie_ How dark it grows!
What are these paintings on the walls around us?

_Prince Henry_ The Dance Macaber!

_Elsie_ What?

_Prince Henry_ The Dance of Death!
All that go to and fro must look upon it,
Mindful of what they shall be, while beneath,
Among the wooden piles, the turbulent river
Rushes, impetuous as the river of life,
With dimpling eddies, ever green and bright,
Save where the shadow of this bridge falls on it.

_Elsie._ O, yes! I see it now!

_Prince Henry_ The grim musician
Leads all men through the mazes of that dance,
To different sounds in different measures moving;
Sometimes he plays a lute, sometimes a drum,
To tempt or terrify.

_Elsie_ What is this picture?

_Prince Henry_ It is a young man singing to a nun,
Who kneels at her devotions, but in kneeling
Turns round to look at him, and Death, meanwhile,
Is putting out the candles on the altar!

_Elsie_ Ah, what a pity 't is that she should listen
to such songs, when in her orisons
She might have heard in heaven the angels singing!

_Prince Henry_ Here he has stolen a jester's cap and bells,
And dances with the Queen.

_Elsie_ A foolish jest!

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Byron

Canto the Sixteenth

I
The antique Persians taught three useful things,
To draw the bow, to ride, and speak the truth.
This was the mode of Cyrus, best of kings --
A mode adopted since by modern youth.
Bows have they, generally with two strings;
Horses they ride without remorse or ruth;
At speaking truth perhaps they are less clever,
But draw the long bow better now than ever.

II
The cause of this effect, or this defect, --
"For this effect defective comes by cause," --
Is what I have not leisure to inspect;
But this I must say in my own applause,
Of all the Muses that I recollect,
Whate'er may be her follies or her flaws
In some things, mine's beyond all contradiction
The most sincere that ever dealt in fiction.

III
And as she treats all things, and ne'er retreats
From any thing, this epic will contain
A wilderness of the most rare conceits,
Which you might elsewhere hope to find in vain.
'T is true there be some bitters with the sweets,
Yet mix'd so slightly, that you can't complain,
But wonder they so few are, since my tale is
"De rebus cunctis et quibusdam aliis."

IV
But of all truths which she has told, the most
True is that which she is about to tell.
I said it was a story of a ghost --
What then? I only know it so befell.
Have you explored the limits of the coast,
Where all the dwellers of the earth must dwell?
'T is time to strike such puny doubters dumb as
The sceptics who would not believe Columbus.

V
Some people would impose now with authority,
Turpin's or Monmouth Geoffry's Chronicle;
Men whose historical superiority
Is always greatest at a miracle.
But Saint Augustine has the great priority,
Who bids all men believe the impossible,
Because 't is so. Who nibble, scribble, quibble, he
Quiets at once with "quia impossibile."

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Byron

Don Juan: Canto The Sixteenth

The antique Persians taught three useful things,
To draw the bow, to ride, and speak the truth.
This was the mode of Cyrus, best of kings--
A mode adopted since by modern youth.
Bows have they, generally with two strings;
Horses they ride without remorse or ruth;
At speaking truth perhaps they are less clever,
But draw the long bow better now than ever.

The cause of this effect, or this defect,--
'For this effect defective comes by cause,'--
Is what I have not leisure to inspect;
But this I must say in my own applause,
Of all the Muses that I recollect,
Whate'er may be her follies or her flaws
In some things, mine's beyond all contradiction
The most sincere that ever dealt in fiction.

And as she treats all things, and ne'er retreats
From any thing, this epic will contain
A wilderness of the most rare conceits,
Which you might elsewhere hope to find in vain.
'Tis true there be some bitters with the sweets,
Yet mix'd so slightly, that you can't complain,
But wonder they so few are, since my tale is
'De rebus cunctis et quibusdam aliis.'

But of all truths which she has told, the most
True is that which she is about to tell.
I said it was a story of a ghost--
What then? I only know it so befell.
Have you explored the limits of the coast,
Where all the dwellers of the earth must dwell?
'Tis time to strike such puny doubters dumb as
The sceptics who would not believe Columbus.

Some people would impose now with authority,
Turpin's or Monmouth Geoffry's Chronicle;
Men whose historical superiority
Is always greatest at a miracle.
But Saint Augustine has the great priority,
Who bids all men believe the impossible,
Because 'tis so. Who nibble, scribble, quibble, he
Quiets at once with 'quia impossibile.'

And therefore, mortals, cavil not at all;
Believe:--if 'tis improbable you must,
And if it is impossible, you shall:
'Tis always best to take things upon trust.
I do not speak profanely, to recall

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Henry Wadsworth Longfellow

The Golden Legend: Prologue & 1.

THE SPIRE OF STRASBURG CATHEDRAL.

Night and storm. LUCIFER, with the Powers of the
Air, trying to tear down the Cross.

_Lucifer._ HASTEN! hasten!
O ye spirits!
From its station drag the ponderous
Cross of iron, that to mock us
Is uplifted high in air!

_Voices._ O, we cannot!
For around it
All the Saints and Guardian Angels
Throng in legions to protect it;
They defeat us everywhere!

_The Bells._ Laudo Deum verum
Plebem voco!
Congrego clerum!

_Lucifer._ Lower! lower!
Hover downward!
Seize the loud, vociferous bells, and
Clashing, clanging, to the pavement
Hurl them from their windy tower!

_Voices._ All thy thunders
Here are harmless!
For these bells have been anointed,
And baptized with holy water!
They defy our utmost power.

_The Bells. Defunctos ploro!
Pestem fugo!
Festa decoro!

_Lucifer._ Shake the casements!
Break the painted
Panes that flame with gold and crimson!
Scatter them like leaves of Autumn,
Swept away before the blast!

_Voices._ O, we cannot!
The Archangel
Michael flames from every window,
With the sword of fire that drove us
Headlong, out of heaven, aghast!

_The Bells._ Funera plango!

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The Impossible and the Possible.

Poem Title: The struggle to overcome the difference between the Impossible and the Possible
Acrostic Poem 166a

The struggle to overcome the difference between the impossible and the possible.
Hope being the word that springs to mind to link these two opposites to attract.
Eternally wandering Cyber space side by side hooking onto every adjective or verb.

Seeking Impossible causes to take away excuses and make them once more possible.
To overcome the bigoted, blind, self centred mind set of the un-believers.
Reaching corners of the mind that you of Christian or Muslim Faith never thought existed.
Unless you have spent all your life on earth in a cocoon not within real time.
God has chosen you to teach the differences between the Impossible and Possible.
Given that if at first you don`t succeed... You`ll get it right next time.
Love for all your Fellow Men and Women may seem Impossible. Trust me it`s the only way.
Every possibility, has been at sometime within it`s life...seemed Impossible.

Take the making of a silk purse from one sows ear. If you will
Or the finding of a needle in a hay-stack or the abolition of third world hunger and the like.

Or the creation of the Love of Nation unto Nation... The end to all War or domination
Very nearly every single problem has a solution, indeed sometimes many solutions do exist.
Electricity, how unbelievable to the even the wisest man once upon a time thought “impossible
Radio waves converted into the sweetest sounds ever heard by mortal Man
Communication instant Chat across the Globe in real time ….one to one...”Impossible
Of loving commitment between different creeds and cultures without ever meeting possible.
Mighty soon God will look down on earth and see the two words rolled into one!
Entreating the Impossible always Possible and the Possible never Impossible.

The struggle to overcome the difference between the Impossible and the Possible.
Holy Holy Holy, Eureka, Glory be! We are getting there, I do believe I really do believe.
Eternally where two Poets or more can get together to speak as one, in one Like-minded.

Difference between the Impossible and the Possible are reduced to nil
In practical terms every metaphor, rhetoric, noun or verb or adjective can be polished.
From the most impossible dream into the possible reality of the finest prose ever written.
From the dullest of dyslectic mutterings to the most flowery of sweetest love songs.
Endlessly tripping from the lips of stranger meeting stranger, wisest verse ever heard.
Re-acting opposites attracting the Impossible with the Possible. Judge for yourselves.
Enacting with the humble Poet that composed this message. You may never chance to meet.
Never in a Thousand years of trying, these chances, sure don't happen every day.
Catch the Impossible catch on the very boundaries of your mind to make a difference.
Every chance that one single catch will win your team the Game.

By making then the Impossible Possible, you have changed in one action the life you have.
Every Impossible thought can then be dismissed from your mind possibly forever
The sun to leave the sky, the rivers all run dry, a baby not to cry ….Impossible.
We have that song within our mind, which keeps our feet upon the ground
Every now and then to be able to accept that all things are not Possible.

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Disobedience

James James
Morrison Morrison
Weatherby George Dupree
Took great
Care of his Mother,
Though he was only three.
James James Said to his Mother,
"Mother," he said, said he;
"You must never go down
to the end of the town,
if you don't go down with me."

James James
Morrison's Mother
Put on a golden gown.
James James Morrison's Mother
Drove to the end of the town.
James James Morrison's Mother
Said to herself, said she:
"I can get right down
to the end of the town
and be back in time for tea."

King John
Put up a notice,
"LOST or STOLEN or STRAYED!
JAMES JAMES MORRISON'S MOTHER
SEEMS TO HAVE BEEN MISLAID.
LAST SEEN
WANDERING VAGUELY:
QUITE OF HER OWN ACCORD,
SHE TRIED TO GET DOWN
TO THE END OF THE TOWN -
FORTY SHILLINGS REWARD!"

James James
Morrison Morrison
(Commonly known as Jim)
Told his
Other relations
Not to go blaming him.
James James
Said to his Mother,
"Mother," he said, said he:
"You must never go down to the end of the town
without consulting me."

James James
Morrison's mother
Hasn't been heard of since.

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Dont Ya Tell Henry

Dont ya tell henry,
Apples got your fly.
I went down to the river on a saturday morn,
A-lookin around just to see whos born.
I found a little chicken down on his knees,
I went up and yelled to him,
Please, please, please!
He said, dont ya tell henry,
Dont ya tell henry,
Dont ya tell henry,
Apples got your fly.
I went down to the corner at a-half past ten,
Is lookin around, I wouldnt say when.
I looked down low, I looked above,
And who did I see but the one I love.
She said, dont ya tell henry,
Dont ya tell henry,
Dont ya tell henry,
Apples got your fly.
Now, I went down to the beanery at half past twelve,
A-lookin around just to see myself.
I spotted a horse and a donkey, too,
I looked for a cow and I saw me a few.
They said, dont ya tell henry,
Dont ya tell henry,
Dont ya tell henry,
Apples got your fly.
Now, I went down to the pumphouse the other night,
A-lookin around, it was outa sight.
I looked high and low for that big ol tree,
I did go upstairs but I didnt see nobody but me.
I said, dont ya tell henry,
Dont ya tell henry,
Dont ya tell henry,
Apples got your fly.

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Henry Wadsworth Longfellow

The Golden Legend: III. A Street In Strasburg

Night.
PRINCE HENRY _wandering alone, wrapped in a cloak._

_Prince Henry._ Still is the night. The sound of feet
Has died away from the empty street,
And like an artisan, bending down
His head on his anvil, the dark town
Sleeps, with a slumber deep and sweet.
Sleepless and restless, I alone,
In the dusk and damp of these wails of stone,
Wander and weep in my remorse!

_Crier of the dead (ringing a bell)._ Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!

_Prince Henry._ Hark! with what accents loud and hoarse
This warder on the walls of death
Sends forth the challenge of his breath!
I see the dead that sleep in the grave!
They rise up and their garments wave,
Dimly and spectral, as they rise,
With the light of another world in their eyes!

_Crier of the dead._ Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!

_Prince Henry._ Why for the dead, who are at rest?
Pray for the living, in whose breast
The struggle between right and wrong
Is raging terrible and strong,
As when good angels war with devils!
This is the Master of the Revels,
Who, at Life's flowing feast, proposes
The health of absent friends, and pledges,
Not in bright goblets crowned with roses,
And tinkling as we touch their edges,
But with his dismal, tinkling bell,
That mocks and mimics their funeral knell!

_Crier of the dead._ Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!

_Prince Henry._ Wake not, beloved! be thy sleep
Silent as night is, and as deep!

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A Case Of The Demon Drink

How many times have we heard
alcohol called the demon drink,
many.many times I suppose,
but there is no such thing as the demon drink.
Now when Jesus turned water into wine,
I’m sure that he didn’t put any demons in it
just to spice it up.

The demon drink as it is called
originated with the Temperance Movement.
Astonishing enough the movement was not started
by a woman, but was formed by a man.
What I am about to tell you
is the untold story about its origins.

It all started in the early 1800’s
with Henry Whittle and his wife Gertrude.
Now Henry was a boozer
who could lay the drink down
with the best of them.

One night he got carried away
on a sea of alcohol.
He went so far that
he wasn’t sure just where he lived.
He left his friends at the bar
and off he staggered.
He found the street where he lived
and staggered down it.

What house did he live at he wasn’t really sure.
All he knew was his Gertrude
always left the door unlocked for him.
He began to try the doors one by one,
when one opened
he quickly stumbled in.

He climbed the stairs as quietly as he could,
shucking his clothes as he went.
Until finally all that he had on
was his red long johns and his boots.
He tiptoed along to the bedroom
where he could hear Gertrude snoring.

Moving inside he climbed into bed.
What Henry didn’t know
he was in the wrong house.
The house belonged to Pierre the lumberjack,
and when he climbed into bed,
he climbed in bed it was with Pierre.

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Marmion: Canto V. - The Court

I.

The train has left the hills of Braid;
The barrier guard have open made
(So Lindesay bade) the palisade,
That closed the tented ground;
Their men the warders backward drew,
And carried pikes as they rode through
Into its ample bound.
Fast ran the Scottish warriors there,
Upon the Southern band to stare.
And envy with their wonder rose,
To see such well-appointed foes;
Such length of shaft, such mighty bows,
So huge, that many simply thought,
But for a vaunt such weapons wrought;
And little deemed their force to feel,
Through links of mail, and plates of steel,
When rattling upon Flodden vale,
The clothyard arrows flew like hail.

II.

Nor less did Marmion's skilful view
Glance every line and squadron through;
And much he marvelled one small land
Could marshal forth such various band:
For men-at-arms were here,
Heavily sheathed in mail and plate,
Like iron towers for strength and weight,
On Flemish steeds of bone and height,
With battle-axe and spear.
Young knights and squires, a lighter train,
Practised their chargers on the plain,
By aid of leg, of hand, and rein,
Each warlike feat to show,
To pass, to wheel, the croupe to gain,
The high curvet, that not in vain
The sword sway might descend amain
On foeman's casque below.
He saw the hardy burghers there
March armed, on foot, with faces bare,
For vizor they wore none,
Nor waving plume, nor crest of knight;
But burnished were their corslets bright,
Their brigantines, and gorgets light,
Like very silver shone.
Long pikes they had for standing fight,
Two-handed swords they wore,
And many wielded mace of weight,

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Walter Henry Hagan

Walter, walter henry
I say walter henry hagan
You done gone and broke my heart
Walter, walter henry
You know that I believed you
When you swore wed never part
Well you said you had to have me
And well you dang well did
You took me from my country home
When I was just a kid
And you took me off to boston
Put a baby on my knee
Left me to dangle-dingle
So far from tennessee
Now patrick might have been one
But you aint been no saint
But a good ole irish boy
They say well always have this drink
And you just wont stop chasin
All those other woman around
A ramblin and agamblin
Throwin irish whiskey down
Walter, walter henry
Walter henry hagan
You dont listen when I call
Walter, walter henry
Of all the men Ive ever loved
I loved you best of all
Oh play one for ol walter henry boys
Walter, walter henry
Walter henry hagan
You done left your mark on me
Walter, walter henry
If you ever sober up
Im waitin back in tennessee
If you ever sober up
Im waitin back in tennessee
Walter, walter henry
Yoddle-le-ee-hee
Yoddle-le-ee-hee
Walter henry hagan
You done left your mark on me

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Byron

Canto the Thirteenth

I
I now mean to be serious; -- it is time,
Since laughter now-a-days is deem'd too serious.
A jest at Vice by Virtue's call'd a crime,
And critically held as deleterious:
Besides, the sad's a source of the sublime,
Although when long a little apt to weary us;
And therefore shall my lay soar high and solemn,
As an old temple dwindled to a column.

II
The Lady Adeline Amundeville
('T is an old Norman name, and to be found
In pedigrees, by those who wander still
Along the last fields of that Gothic ground)
Was high-born, wealthy by her father's will,
And beauteous, even where beauties most abound,
In Britain -- which of course true patriots find
The goodliest soil of body and of mind.

III
I'll not gainsay them; it is not my cue;
I'll leave them to their taste, no doubt the best:
An eye's an eye, and whether black or blue,
Is no great matter, so 't is in request,
'T is nonsense to dispute about a hue --
The kindest may be taken as a test.
The fair sex should be always fair; and no man,
Till thirty, should perceive there's a plain woman.

IV
And after that serene and somewhat dull
Epoch, that awkward corner turn'd for days
More quiet, when our moon's no more at full,
We may presume to criticise or praise;
Because indifference begins to lull
Our passions, and we walk in wisdom's ways;
Also because the figure and the face
Hint, that 't is time to give the younger place.

V
I know that some would fain postpone this era,
Reluctant as all placemen to resign
Their post; but theirs is merely a chimera,
For they have pass'd life's equinoctial line:
But then they have their claret and Madeira
To irrigate the dryness of decline;
And county meetings, and the parliament,
And debt, and what not, for their solace sent.

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Byron

Don Juan: Canto The Thirteenth

I now mean to be serious;--it is time,
Since laughter now-a-days is deem'd too serious.
A jest at Vice by Virtue's call'd a crime,
And critically held as deleterious:
Besides, the sad's a source of the sublime,
Although when long a little apt to weary us;
And therefore shall my lay soar high and solemn,
As an old temple dwindled to a column.

The Lady Adeline Amundeville
('Tis an old Norman name, and to be found
In pedigrees, by those who wander still
Along the last fields of that Gothic ground)
Was high-born, wealthy by her father's will,
And beauteous, even where beauties most abound,
In Britain - which of course true patriots find
The goodliest soil of body and of mind.

I'll not gainsay them; it is not my cue;
I'll leave them to their taste, no doubt the best:
An eye's an eye, and whether black or blue,
Is no great matter, so 'tis in request,
'Tis nonsense to dispute about a hue -
The kindest may be taken as a test.
The fair sex should be always fair; and no man,
Till thirty, should perceive there 's a plain woman.

And after that serene and somewhat dull
Epoch, that awkward corner turn'd for days
More quiet, when our moon's no more at full,
We may presume to criticise or praise;
Because indifference begins to lull
Our passions, and we walk in wisdom's ways;
Also because the figure and the face
Hint, that 'tis time to give the younger place.

I know that some would fain postpone this era,
Reluctant as all placemen to resign
Their post; but theirs is merely a chimera,
For they have pass'd life's equinoctial line:
But then they have their claret and Madeira
To irrigate the dryness of decline;
And county meetings, and the parliament,
And debt, and what not, for their solace sent.

And is there not religion, and reform,
Peace, war, the taxes, and what's call'd the 'Nation'?
The struggle to be pilots in a storm?
The landed and the monied speculation?
The joys of mutual hate to keep them warm,

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Love and Honor

Sed neque Medorum silvae, ditissima terra
Nec pulcher Ganges, atque auro turbidus Haemus,
Laudibus Angligenum certent; non Bactra, nec Indi,
Totaque thuriferis Panchaia pinguis arenis.

Imitation.

Yet let not Median woods, (abundant track!)
Nor Ganges fair, nor Haemus, miser-like,
Proud of his hoarded gold, presume to vie
With Britain's boast and praise; nor Persian Bactra,
Nor India's coasts, nor all Panchaia's sands,
Rich, and exulting in their lofty towers.

____

Let the green olive glad Hesperian shores;
Her tawny citron, and her orange groves,
These let Iberia boast; but if in vain,
To win the stranger plant's diffusive smile,
The Briton labours, yet our native minds,
Our constant bosoms, these the dazzled world
May view with envy; these Iberian dames
Survey with fix'd esteem and fond desire.
Hapless Elvira! thy disastrous fate
May well this truth explain, nor ill adorn
The British lyre; then chiefly, if the Muse,
Nor vain, nor partial, from the simple guise
Of ancient record catch the pensive lay,
And in less grovelling accents give to Fame.
Elvira! loveliest maid! the Iberian realm
Could boast no purer breast, no sprightlier mind,
No race more splendent, and no form so fair.
Such was the chance of war, this peerless maid,
In life's luxuriant bloom, enrich'd the spoil
Of British victors, victory's noblest pride!
She, she alone, amid the wailful train
Of captive maids, assign'd to Henry's care,
Lord of her life, her fortune, and her fame!
He, generous youth! with no penurious hand,
The tedious moments, that unjoyous roll
Where Freedom's cheerful radiance shines no more,
Essay'd to soften; conscious of the pang
That Beauty feels, to waste its fleeting hours
In some dim fort, by foreign rule restrain'd,
Far from the haunts of men, or eye of day!
Sometimes, to cheat her bosom of its cares,
Her kind protector number'd o'er the toils
Himself had worn; the frowns of angry seas,
Or hostile rage, or faithless friend, more fell

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Said Sadly

James iha: you should know that I love you
And I cant help but fall for you
Oh honey Im just a fool
Now you know
Nina gordon: darling, Ill never be true
You see, for so long I was blue
James iha: Im not the lonely one
Nina gordon: and if I hurt, then you will, too
Oh honey I always lose
Now you know
James iha & nina gordon: lover, when will you?
James iha: Im so afraid that noone cares
James iha & nina gordon: lover, cant find you
James iha: I swear to God dont leave me here
James iha & nina gordon: now you know
James iha & nina gordon: only you know that it cant be
When noone else here really means
James iha: anything to me
James iha & nina gordon: if you hurt inside
If you confide in me again
Nina gordon: since you ran away
James iha: hold me now, tell me how
Nothings lost
James iha & nina gordon: lover, when will you?
Im so afraid that noone cares
Lover, cant find you
And noone knows what brings us here
Lover
James iha: hold me now
Nina gordon: hold me now
James iha: tell me how
James iha & nina gordon: nothings lost

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