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Ray Bradbury

Living at risk is jumping off the cliff and building your wings on the way down.

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

[...] Read more

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

[...] Read more

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Running The Risk

Seeing you, watching you
Watching me
I hold back my emotions
I keep them veiled in secrecy
I cant let go of this thing weve started
Wasnt looking for love
No conspiracy of the broken hearted
I dont know how far to go
Until Im gone, gone, gone
I couldnt see the danger
It was just a little taste of temptation
I could not read the silence
That was written on your face
But here comes that feeling again
And theres nothing more I can do
I keep running the risk of losing you
Theres nothing more I can say
Im still running the risk of you walking away
Im lost drowning in a sea of emotion
Ive got one simple need
I need you to feel my devotion
I dont know how far to go
Until Im gone, yeah gone
Its a complicated picture
Im all tangled up in temptation
I couldnt read the silence
That was written on your face
But here comes that feeling again
And theres nothing more I can do
I keep running the risk of losing you
Theres nothing more I can say
Im still running the risk of you walking away
Im running the risk of losing you
Im walking this tightrope
Youre my only hope
Theres nothing more I can do
I keep running the risk of losing you
Losing you
And theres nothing more I can do
I keep running the risk of losing you
Theres nothing more I can say
Im still running the risk of you walking away
Im running the risk of losing you
Im walking this tightrope
Darling, youre my only hope
Theres nothing more I can do
I keep running the risk of losing you
Im running the risk of losing you
Im telling you honey
This heart of mine cant run the risk

[...] Read more

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House of fire (Lyrics)

House of fire
House of fire, yeah
Let's build a house of fire, baby
Not one of wood or stone
Walk thru my door of desire, baby
Come on in and make it your home
Don't need a window to watch you, baby
Don't need no roof overhead
Don't need no key to unlock ya, baby
I'll use my lovin'instead
I won't tire
Take me higher
Building a house of fire, baby
Buildin'it with our love
We are buildin'a house of fire every time we touch
House of fire
House of fire
We ain't gotta pay rent now, baby
No landlord to throw us out
I want to play in your garden, baby
When you want it give me a shout
I won't tire
Take me higher
Building a house of fire, baby
Buildin'it with our love
We are building a house of fire every time we touch
We are building this house together, baby
Standing on solid ground
We are building a house of fire
That you can't tear down
Brick by brick the flames get higher
Build it strong with our desire
Building a house of fire, baby
Building it with our love
We are building a house of fire every time we touch
We are building this house together, baby
Standing on solid ground
We are building a house of fire
That you can't tear down
Building a house of fire, baby
Building it with our love
We are building a house of fire every time we touch

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The Mutiny of the Chains

PENAL COLONY OF WESTERN AUSTRALIA, 1857


THE sun rose o'er dark Fremantle,
And the Sentry stood on the wall;
Above him, with white lines swinging,
The flag-staff, bare and tall:
The flag at its foot—the Mutiny Flag—
Was always fast to the line,—
For its sanguine field was a cry of fear,
And the Colony counted an hour a year
In the need of the blood-red sign.

The staff and the line, with its ruddy flash,
lake a threat or an evil-bode,
Were a monstrous whip with a crimson lash,
Fit sign for the penal code.

The Sentry leant on his rifle, and stood
By the mast, with a deep-drawn breath;
A stern-browed man, but there heaved a sigh
For the sight that greeted his downward eye
In the prison-square beneath.

In yellow garb, in soldier lines,
One hundred men in chains;
While the watchful warders, sword in hand,
With eyes suspicious keenly scanned
The links of the living lanes.

There, wary eyes met stony eyes,
And stony face met stone.
There was never a gleam of trust or truce;
In the covert thought of an iron loose,
Grim warder and ward were one.

Why was it so, that there they stood,—
Stern driver and branded slave?
Why rusted the gyve in the bondman's blood,
No hope for him but the grave?
Out of thousands there why was it so
That one hundred hearts must feel
The bitterest pang of the penal woe,
And the grind of a nation's heel?

Why, but for choice—the bondman's choice?
They balanced the gains and pains;.
They took their chance of the chains.
There spake in their hearts a hidden voice
Of the blinding joy of a freeman's burst

[...] Read more

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Building The Perfect Beast

The power of reason, the top of the heap
Were the ones who can kill the things we
Dont eat
Sharper than a serpents tongue
Tighter than a bongo drum
Quicker than a one-night stand
Slicker than a mambo band
And now the day is come
Soon he will be released
Glory hallelujah!
Were building the perfect beast
(building, building, etc..)
Its olympus this time- olympus or bust
For we have met the enemy -and he is us
And now the day is come
Soon he will be released
Glory hallelujah!
Were building the perfect beast
(building, building)
Ever since we crawled out of the ocean
And stood upright on the land
There are some things that we just dont
Understand:
Relieve all pain and suffering
And lift us out of the dark
Turn us all into methuselah-
But where are we gonna park?
(building, building)
The secrets of eternity-
Weve found the lock and turned the key
Were shakin up those building blocks
Going deeper into that box- (pandora
Wouldnt like it)
And now the day is come
Soon he will be released
Glory hallelujah!
Were building the perfect beast
(building, building)
All the way to malibu from the land of the
Talking drum-
Just look how far-look how far weve come

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Bad Dream

Im living in a bad dream.
Theyre supposed to be here by now.
What the hell is taking them so long?
I parked the car just like they said.
Now, Im sitting, waiting for a bullet in my head.
Im living in a bad dream.
Im living in a bad dream.
Im living in a bad dream gone bad.
Im living in a bad dream.
Im living in a bad dream
Im living in a bad dream thats sad.
Im supposed to be feeling better by now.
What the hell is taking me so long?
I hit the hay just like they said.
Now, Im sitting, waiting for a bell in my head.
Im living in a bad dream.
Im living in a bad dream.
Im living in a bad dream gone bad.
Im living in a bad dream.
Im living in a bad dream
Im living in a bad dream thats sad.
On a curve, lost control.
On a cliff, lost control.
This is not happening to me.
I say so.
Im supposed to be a better person by now.
What the hell is taking me so long?
Dying saviors off sum cross.
Now, Im hoping and Im praying that theyll nullify my losses.
Im living in a bad dream.
Im living in a bad dream.
Im living in a bad dream gone bad.
Im living in a bad dream.
Im living in a bad dream
Im living in a bad dream thats sad.
Im living in a bad dream.
Im living in a bad dream.
Im living in a bad dream gone bad.
Im living in a bad dream.
Im living in a bad dream
Im living in a bad dream thats sad.
Im living in a bad dream.
Gordon gano: vocals, guitar
Brian ritchie: acoustic bass guitar, vocals, autoharp
Guy hoffman: drums, vocals
David vartanian: electric piano
Produced by brian ritchie and gordon gano
Recorded and mixed by david vartanian at dvs perversion room, milwaukee, wi
gorno music reprinted with permission

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Living In A World That Some Can Not Leave

Living high in a castle,
Without a mote.
Isn't easy to do...
When one searches the horizon,
For a delivery...
Of an awaited treasured boat.

And one who demands,
They can command steps quicker...
While jumping double dutch,
Without a visable rope.
Should be left alone...
If a commitment to doing this is shown.

Living in a castle and there is no mote...
And waiting for delivery of a big boat,
While jumping double dutch without a visable rope...
Some need!

People should be left to live lives they believe!

Living high in a castle,
Without a mote.
Isn't easy to do...
When one searches the horizon,
For a delivery...
Of an awaited treasured boat.

And one who demands,
They can command steps quicker...
While jumping double dutch,
Without a visable rope.
Should be left alone...
If a commitment to doing this is shown.

People should be left to live lives they believe!

Living in a castle and there is no mote...
And waiting for delivery of a big boat,
While jumping double dutch without a visable rope...
Some need!

People should be left to live lives they believe!

Living in a castle and there is no mote...
And waiting for delivery of a big boat,
While jumping double dutch without a visable rope...
Some need!

People should be left to live lives they believe!

[...] Read more

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The Loves of the Angels

'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.

Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!

One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!

Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest

[...] Read more

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Working In The Building

Im working on the building
It's a true foundation
I'm holding up the blood-stained
Banner for my lord
Well I never get tired, tired, tired of working on the building
I'm going up to heaven to get my reward
Im working on the building
It's a true foundation
I'm holding up the blood-stained
Banner for my lord
Well I never get tired, tired, tired of working on the building
I'm going up to heaven oh yeah, to get my reward
Im working on the building
It's a true foundation
I'm holding up the blood-stained
Banner for my lord
Well I never get tired, tired, tired of working on the building
I'm going up to heaven oh yeah, to get my reward
Im working on the building
It's a true foundation
I'm holding up the blood-stained
Banner for my lord
Well I never get tired, tired, tired of working on the building
I'm going up to heaven oh yeah, to get my reward
Im working on the building
It's a true foundation
I'm holding up the blood-stained
Banner for my lord
Well I never get tired, tired, tired of working on the building
I'm going up to heaven oh yeah, to get my reward

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Working On The Building

(words & music by hoyle - boulas)
Im working on the building
Its a true foundation
Im holding up the blood-stained
Banner for my lord
Well I never get tired, tired, tired of working on the building
Im going up to heaven to get my reward
Im working on the building
Its a true foundation
Im holding up the blood-stained
Banner for my lord
Well I never get tired, tired, tired of working on the building
Im going up to heaven oh yeah, to get my reward
Im working on the building
Its a true foundation
Im holding up the blood-stained
Banner for my lord
Well I never get tired, tired, tired of working on the building
Im going up to heaven oh yeah, to get my reward
Im working on the building
Its a true foundation
Im holding up the blood-stained
Banner for my lord
Well I never get tired, tired, tired of working on the building
Im going up to heaven oh yeah, to get my reward
Im working on the building
Its a true foundation
Im holding up the blood-stained
Banner for my lord
Well I never get tired, tired, tired of working on the building
Im going up to heaven oh yeah, to get my reward

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Desdemonas Building A Rocket Ship

[transcribed by bo b]
Desdemonas building a rocket ship
By: jimmy buffett
1996
Desdemonas building a rocket ship
Desdemonas going away
Desdemonas building a rocket ship
Blasting off today
Shes got a passion for cookies
A crew full of rookies
Its going to be a hell of a blow
Desdemonas building a rocket ship
And Ive got to go
A women on a mission
Quite familiar with quasars
Her heart is in a kitchen
But her soul is in the stars
Crystal clear on logic
But short on expertise
This is a very ancient puzzle
She feels herself a piece
Desdemonas building a rocket ship
Desdemonas going away
Desdemonas building a rocket ship
Blasting off today
She got a passion for cookies
A crew full of rookies
Its going to be a hell of a blow
Desdemonas building a rocket ship
Guess Ive got to go
She was down in puerto rico
Doing a scientist
True, he was no geek though
She was taken with his kiss
It was under the giant telescope
Were she heard the calling voice
It came screaming though the light years
She never had a choice
Pleiades calling her home
Seven sisters, she hears her distant sisters
Pleiades calling me home
Seven sisters, she hears her seven sisters
Pleiades calling her home
Seven sisters, she hears her distant sisters
Pleiades calling me home
Seven sisters, she hears her seven sisters
A woman on a mission
Quite familiar with quasars
Her hearts still in the kitchen
But her soul is in the stars

[...] Read more

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Go On

i met a girl traveling 'round the world, leaving pieces behind
she said she'd wait for me, i can't make her see that she's called to other skies
i can't be her place to hide
it's comin' up, it's comin' up again (live here long to make her stay)
and what are you doin' in my head? and why did you call me when you're dead!? (go on!)
so go on, go and take on the world (building castles, building castles!)
expand your wings across the sky, take my words and say good-night and never say good-bye
maybe in another time, you could have been mine
expand your wings and fly and look to the sky
it's comin' up, (don't forget to write me) it's comin' up again
indulge in everything you'll see (what are you doin' in my head?)
and why did you call me when you're dead!? (go on!)
so go on, go and take on the world (building castles, building castles!)
expand your wings across the sky, take my words and say good-night and never say good-bye
so how are your dreams? whatever lover they may be
so how are your dreams? whatever lover they may be (go on!)
so go on, go and take on the world (building castles, building castles!)
expand your wings across the sky, take my words and say good-night and never say good-bye
expand your wings and fly and look to the sky
expand your wings and fly
expand your wings and fly

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Brother

Whoa!whoa!whoa!
Somebodys jumping in the tub with your brother (2x)
Whoa!whoa!whoa!
Somebodys definitely jumping in the tub with your brother (2x)
Somebodys definitely jumping in the tub with your brother
Jumping in the tub with your cousin
Somebodys definitely jumping in the tub with your brother
Uncle!
Somebodys jumping in the tub with your brother!
Somebodys jumping in the tub with your mother!
Whoa!whoa!whoa!

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Jumping Someone Else's Train

Don't say what you mean
You might spoil your face
If you walk in the crowd
You won't leave any trace
It's always the same
You're jumping someone else's train
It won't take you long
To learn the new smile
You'll have to adapt
Or you'll be out of style
It's always the same
You're jumping someone else's train
If you pick up on it quick
You can say you were there
Again and again and again
You're jumping someone else's train
It's the latest wave
That you've been craving for
The old ideal
Was getting such a bore
Now you're back in line
Going not quite quite as far
But in half the time
Everyone's happy
They're finally all the same
'cause everyone's jumping
Everyone else's train
Jumping someone else's train
Jumping someone else's train
Jumping someone else's train

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In The Middle

Chorus:
I'm caught up in the middle
Jumping through the riddle
I'm falling just a little tonight (uh uh)
Cos everybody's making trouble
Someone's burst their bubble
But we'll be getting by alright (uh uh uh)
Chorus:
I'm caught up in the middle
Jumping through the riddle
I'm falling just a little tonight (uh uh)
Cos everybody's making trouble
Someone's burst their bubble
But we'll be getting by alright (uh uh uh)
Sooner or later this drunken elevator
Is gonna stop where I'm supposed to be
It's ten past eleven, I'm half way up to heaven
But I'm stuck in reality
Life's kind of funny
Not in it for the money
But I know that I've gotta pay
Love's gonna getcha
But only when I letcha
And I don't wanna turn away
Why can't the boys be the toys
That the girls want the boys to be
And why can't the girls see the world
That the boys want the girls to see, yeah
Chorus:
I'm caught up in the middle
Jumping through the riddle
I'm falling just a little tonight (uh uh)
Cos everybody's making trouble
Someone's burst their bubble
But we'll be getting by alright (uh uh uh)
At night it's on the low
No front just sing the flow
We're speaking all in code
To get to the place we know
Sweat running down my back
I'm wearing leather, black
Falling into a trap
There is no turning back
I got my ladies with me
Fellas get cool and freaky
But we've gotta keep him tame
Cos we don't wanna play that game
Everybody from the block
Needs to be feeling nice
It ain't no weakest party

[...] Read more

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Two To The Power Of Love

(duet with cliff richards)
Janet: I know we just met, but I feel like Ive known you before
Cliff: but something about you my heart has been searching
Janet: I dont understand it, its over my head
Cliff: so dont try to solve it, just feel it instead. ooh
Chorus:
It isnt really such a mystery
Anyway you add it up it turns out to be
Attraction automatic, a simple mathematics
Two to the power of love
Janet: I look in your eyes and everything falls into place
Cliff: you dont have to say it, its written all over your face
Janet: by my calculation, Im falling for you
Cliff: its a perfect equation
Janet and cliff: and I know that its true
Repeat chorus
Janet and cliff:
Its complicated, but its easy to see
A combination that was meant to be
Its something you can count on
Repeat chorus
It isnt really just a shot in the dark
Somebody mustve worked it out on the chart
Attraction automatic, a simple mathematics
Two to the power of love

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My Needs Not Met

I'm manifesting something brittle.
Something needing special company.
I fiddle-faddled in the middle.
And weakened both batteries.

I'm manifesting something brittle.
And I'm seeking from you empathy...
Cause my baby has had it with me.
And now I find myself...
Walking up and down the streets.

I'm manifesting something brittle.
Something needing special company.
I fiddle-faddled in the middle.
And weakened both batteries.

I'm manifesting something brittle.
And I'm seeking from you empathy...
Cause my baby has had it with me.
And now I find myself...
Walking up and down the streets.

Never thought I'd be the one.
Living on the streets.
Disbelieving...
And living on the streets.
And seeing...
Living on the streets,
My needs not met!
Living on the streets.
And regretting.
Living on the streets.

Never thought I'd be the one.
Living on the streets.
Disbelieving...
And living on the streets.
And seeing...
Living on the streets,
My needs not met!
Living on the streets.
And regretting.
Living on the streets.

Never thought I'd be the one.
Living on the streets.
And seeing...
Living on the streets,
My needs...
Living on the streets,

[...] Read more

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What Are We Really Living For?

What are we really living for?
If we don't seek love.
What are we living for?
If inside we can't be happy.

We're living for,
The pursuit of it...
And some people think,
It is a ship coming in.
And all they have to do is sit and giggle and grin.

What are we really living for?
Does it get to show.
What are we really living for?
Who on Earth knows.
What are we really living for?
Is it for upheavel.
What are we really living for?
Or a treated evil.
What are we really living for?
Deceit and disbelief.
What are we really living for?
Or for other people.
What are we really living for?
To meet and greet.

What are we really living for?
Does it get to show.
What are we really living for?
Who on Earth knows.
What are we really living for?
Is it for upheavel.
What are we really living for?
Or a treated evil.
What are we really living for?
Or, are we too blind...
What are we really living for?

To see we're here...
And are together on the right scene.
We just don't want to know what it means...
To Let go, Let God, and let happiness,
Be released!

What are we really living for?
If we don't seek love.
What are we really living for?
If inside,
We can't-be-happy.

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Flap Your Wings

Drop down and get your eagle on, girl (flap your wings)
Drop down and get your eagle on, girl (flap your wings)
Hell naw, ain't leavin' me alone, girl (flap your wings)
Drop down and get your eagle on, girl (flap your wings)
Drop down and get your eagle on, girl (flap your wings)
Drop down and get your eagle on, girl (flap your wings)
Hell naw, ain't leavin' me alone, girl (flap your wings)
Drop down and get your eagle on, girl
She's got that sweat drippin' all over her body
[Girl] Do you like that sweat drippin' all over my body?
Yea, I like that
That sweat drippin' all over your body
[Girl] You like that sweat drippin' all over my body
[Nelly]
It's summertime, and I'm back again
And went to VA, oh, got my friends
Say what's up, Pharrell
[Pharrell] Look whats on the nail
Yeah but, let's show 'em what's above the nail, Bling
A hundred thou couldn't get you one of these (Not one of these)
I guarantee it ain't a flaw on one of these (One of these)
Two hundred thou, couldn't get you in the league
Get three hundred thou, you couldn't even buy the keys
I think you need to add 50 more G's
Now, shall I proceed?
[Ladies] Yes, indeed (Ho)
I need to see you take it down to the floor
Spread your wings, if you real, ma, fly real low
Pause for a second ma, grind real slow
And if you do it right
All day we'll go (Ho)
I talk a lil' Fred Seigal girl (Seigal, girl)
Bonnie and Judy Lee with your bag all beaded, girl
Apple bottom pair underneath it
You talkin' like you don't need it
I can tell you see it
I like that in you
I don't see nothin wrong
Drop down and get your eagle on (Whoa)
[Hook]
[Nelly] Now, what's next to trenscend up in this party
OPP time, now let's get naughty
You take babygirl, and I'ma take shorty
With the sweat drippin' all over her body
We gone move if you wanna (Oh)
Groove if you wanna (Oh)
Throw your nose up, ma, and get rude if you wanna
Ain't got nothin' to lose, nor to prove
Babygirl soaked like she just got out of the pool (Eh)
I know you're thirsty, ma

[...] Read more

song performed by NellyReport problemRelated quotes
Added by Lucian Velea
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