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Richard Gere

I don't know any of us who are in relationships that are totally honest - it doesn't exist.

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Totally. Totally. Totally Bummed

Totally. Totally. Totally bummed.
Totally. Totally. Totally bummed.

Significant this feeling is,
Hard to overcome.
When an aging is apparent,
And nothing can be done.

And when one has a wisdom,
One developes more and more...
The pressure to pretend there isn't,
Can not be ignored.

Oh, totally. Totally. Totally bummed.
Being now an elder,
Overnight has stunned.
Totally. Totally. Totally bummed.

No more looking 26.
Overnight has stunned.
Disappearing quick was 36.
Overnight has stunned.
And the 46 that came...
Picked up 56 and split.
And now I can't believe it,
I am elderly legit.

Oh, totally. Totally. Totally bummed.
Being now an elder,
Overnight has stunned.
Totally. Totally. Totally bummed.
Being now an elder,
Overnight has stunned.

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Honest Men

Were just a stones throw
From burning hellfire
Does anybody know,
Where did all the heroes go?
Weve had our fill of
This gallery of scoundrels,
The leaders of the world,
Those power hungry liars
Rise up and sound the sirens,
Send out the searching powers,
All we need is a few good men
Send the s.o.s. and red alerts
All across the universe
Calling your honest men?
S.o.s. emergency,
Sinking fast and getting worse.
Wheres your honest men?
In some village, far away,
Or in a little town pub.
High on a mountain top
There must be an honest man
Calling all honest men
Throw out the tyrants,
The aged fat cats
Outlived their usefulness
They have led us to this mess
Make them answer,
Hold them to their promises,
And throw them in the street
If they wont tell the truth
S.o.s. and red alert
All across the universe,
Calling all honest men
S.o.s. emergency,
Sinking fast and getting worse,
Wheres your honest men?
To your stations,
Man the ramparts,
The barricades
We need new heroes urgently
We need a few good honest men
Calling all honest men
Calling all honest men
Call to him
He lives next door,
Across the street
On the upper floor.
Its our only hope we need him now
Send the s.o.s. and red alert,
All across the universe,

[...] Read more

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Totally Hot

(john farrar)
I want you
But takin it easy aint an easy thing to do
And I want you, want you
You must know
Cause baby I cant begin to keep it in
Our love is so hot, totally hot
You got to me
Baby, baby, so hot, totally hot
You got to me
Gimme what you got, ready or not
Our love is totally hot
Im burnin up
And if my mama could read my mind shed lock me up
And Im burnin, burnin
You must know
Cause baby when youre around I come unwound
Our love is so hot, totally hot
You got to me
Baby, baby, so hot, totally hot
You got to me
Gimme what you got, ready or not
Out love is totally hot
Play the game and let me do the same
And we gonna get along, gonna get along, gonna get along fine
Watchin out for my heart
But when I am near you
Near you aint the place to start, no, no, no, no
Takin it slow
Whenever I cross your trail, my brakes just fail
My love is so hot, totally hot
You got to me
Baby, baby, so hot, totally hot
You got to me
Gimme what you got, ready or not
My love is totally hot
My love is so hot, totally hot
You got to me
Baby, baby, so hot, totally hot
You got to me
Gimme what you got, ready or not
My love is totally hot
Gimme what you got, ready or not
My love is totally, totally, totally hot
(repeats)

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Broken Relationships

Wanting to mend them.
And to fix.
Those Broken relationships,
We came to know but miss.

Wanting to mend them.
And to fix.
Those broken relationships,
We came to know but miss.

Forgiving is easier when that act is done.
But to forget is not as quick,
As is wished.

Forgiving is easier when that act is done.
But to forget is not as quick,
As is wished.

Broken relationships,
Are hard to mend when they end.
Broken relationships,
Are hard to mend when they end.

Wanting to mend them.
And to fix.
Those Broken relationships,
We came to know but miss.

Wanting to mend them.
And to fix.
Those broken relationships,
We came to know but miss.

Forgiving is easier when that act is done.
But to forget is not as quick,
As is wished.

Broken relationships,
Are hard to mend when they end.
Broken relationships,
Are hard to mend when they end.
Broken relationships,
Are hard to mend when they end.
Broken relationships,
Are hard to mend when they end.

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Jack Honest, or the Widow and Her Son

Jack Honest was only eight years of age when his father died,
And by the death of his father, Mrs Honest was sorely tried;
And Jack was his father's only joy and pride,
And for honesty Jack couldn't be equalled in the country-side.

So a short time before Jack's father died,
'Twas loud and bitterly for Jack he cried,
And bade him sit down by his bedside,
And then told him to be honest whatever did betide.

John, he said, looking him earnestly in the face,
Never let your actions your name disgrace,
Remember, my dear boy, and do what's right,
And God will bless you by day and night.

Then Mr Honest bade his son farewell, and breathed his last,
While the hot tears from Jack's eyes fell thick and fast;
And the poor child did loudly sob and moan,
When he knew his father had left him and his mother alone.

So, as time wore on, Jack grew to be a fine boy,
And was to his mother a help and joy;
And, one evening, she said, Jack, you are my only prop,
I must tell you, dear, I'm thinking about opening a shop.

Oh! that's a capital thought, mother, cried Jack,
And to take care of the shop I won't be slack;
Then his mother said, Jackey, we will try this plan,
And look to God for his blessing, and do all we can.

So the widow opened the shop and succeeded very well,
But in a few months fresh troubles her befell--
Alas! poor Mrs Honest was of fever taken ill,
But Jack attended his mother with a kindly will.

But, for fear of catching the fever, her customers kept away,
And once more there wasn't enough money the rent to pay;
And in her difficulties Mrs Honest could form no plan to get out,
But God would help her, she had no doubt.

So, one afternoon, Mrs Honest sent Jack away
To a person that owed her some money, and told him not to stay,
But when he got there the person had fled,
And to return home without the money he was in dread.

So he saw a gentleman in a carriage driving along at a rapid rate,
And Jack ran forward to his mansion and opened the lodge-gate,
Then the gentleman opened his purse and gave him, as he thought, a shilling
For opening the lodge-gate so cleverly and so willing.

[...] Read more

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Please Don't Pass Me By

I was walking in new york city and i brushed up against the man in front of me. i felt a cardboard placard on his back. and when we passed a streetlight, i could read it, it said "please do
Ass me by - i am blind, but you can see -i've been blinded totally - please don't pass me by." i was walking along 7th avenue, when i came to 14th street i saw on the corner curious mutilat
Of the human form; it was a school for handicapped people. and there were cripples, and people in wheelchairs and crutches and it was snowing, and i got this sense that the whole city was singin
S:
Oh please don't pass me by,
Oh please don't pass me by,
For i am blind, but you can see,
Yes, i've been blinded totally,
Oh please don't pass me by.
And you know as i was walking i thought it was them who were singing it, i thought it was they who were singing it, i thought it was the other who was singing it, i thought it was someone else.
S i moved along i knew it was me, and that i was singing it to myself. it went:
Please don't pass me by,
Oh please don't pass me by,
For i am blind, but you can see,
Well, i've been blinded totally,
Oh please don't pass me by.
Oh please don't pass me by.
Now i know that you're sitting there deep in your velvet seats and you're thinking "uh, he's up there saying something that he thinks about, but i'll never have to sing that song." but
Omise you friends, that you're going to be singing this song: it may not be tonight, it may not be tomorrow, but one day you'll be on your knees and i want you to know the words when the time co
Because you're going to have to sing it to yourself, or to another, or to your brother. you're going to have to learn to sing this song, it goes:
Please don't pass me by,
Ah you don't have to sing this .. not for you.
Please don't pass me by,
For i am blind, but you can see,
Yes, i've been blinded totally,
Oh please don't pass me by.
Well i sing this for the jews and the gypsies and the smoke that they made. and i sing this for the children of england, their faces so grave. and i sing this for a saviour with no one to save.
Won't you be naked for me? hey, won't you be naked for me? it goes:
Please don't pass me by,
Oh please don't pass me by,
For i am blind, but you can see,
Yes, i've been blinded totally,
Oh now, please don't pass me by.
Now there's nothing that i tell you that will help you connect the blood tortured night with the day that comes next. but i want it to hurt you, i want it to end. oh, won't you be naked for me?
W:
Please don't pass me by,
Oh please don't pass me by,
For i am blind, but you can see,
Yes, i've been blinded totally,
Oh now, please don't pass me by.
Well i sing this song for you blonde beasts, i sing this song for you venuses upon your shells on the foam of the sea. and i sing this for the freaks and the cripples, and the hunchback, and the
Ed, and the burning, and the maimed, and the broken, and the torn, and all of those that you talk about at the coffee tables, at the meetings, and the demonstrations, on the streets, in your mus
N my songs. i mean the real ones that are burning, i mean the real ones that are burning
I say, please don't pass me by,
Oh now, please don't pass me by,
For i am blind, but you can see,
Ah now, i've been blinded totally,
Oh no, please don't pass me by.
I know that you still think that its me. i know that you think that there's somebody else. i know that these words aren't yours. but i tell you friends that one day
You're going to get down on your knees,

[...] Read more

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Rudyard Kipling

Poor Honest Men

(A.D. 1800)


Your jar of Virginny
Will cost you a guinea,
Which you reckon too much by five shillings or ten;
But light your churchwarden
And judge it according,
When I've told you the troubles of poor honest men.

From the Capes of the Delaware,
As you are well aware,
We sail which tobacco for England-but then,
Our own British cruisers,
They watch us come through, sirs,
And they press half a score of us poor honest men!

Or if by quick sailing
(Thick weather prevailing )
We leave them behind ( as we do now and then)
We are sure of a gun from
Each frigate we run from,
Which is often destruction to poor honest men!

Broadsides the Atlantic
We tumble short-handed,
With shot-holes to plug and new canvas to bend;
And off the Azores,
Dutch, Dons and Monsieurs
Are waiting to terrify poor honest men.

Napoleon's embargo
Is laid on all cargo
Which comfort or aid to King George may intend;
And since roll, twist and leaf,
Of all comforts is chief,
They try for to steal it from poor honest men!
With no heart for fight,
We take refuge in flight,
But fire as we run, our retreat to defend;
Until our stern-chasers
Cut up her fore-braces,
And she flies off the wind from us poor honest men!

'Twix' the Forties and Fifties,
South-eastward the drift is,
And so, when we think we are making Land's End
Alas, it is Ushant
With half the King's Navy
Blockading French ports against poor honest men!

[...] Read more

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Bring It On Home To Me / You Send Me

(sam cooke)
Well if you ever want to come home to me
Ill still be here waiting
If you ever change your mind
About leaving, leaving me behind
Baby bring it to me, bring your sweet loving
Bring it on home to me
I know I laughed when you left
But now I know that I only hurt myself
Honey bring it to me, bring your sweet loving
Bring it on home to me
Let me tell you all about it
Ill give you tulips and money too
That aint all, that aint all Id do for you
If youll bring it to me, bring youre sweet loving
Bring it on home to me
You know Ill always be your slave
Until Im buried, buried in my grave
Oh honey bring it to me, bring your sweet loving
Bring it on home to me
I tried to treat you right
But you stayed out, stayed out late at night
But I forgive you
Bring it to me, bring your sweet loving
Bring it on home to me
Just remember this one thing darlin that
You, you, you send me, you know this one
You, you know darlin you send me
And I know that you, you thrill me
Honest you do, honest you do, honest you do
And I wanna tell you one thing that
And I know this one thing that
You send me honest you do, honest you do
Honest you do, let me tell you
When I get home youre always there for me
And I know that youre gonna send me
Honest you do, honest you do, honest you do
I know, I know, I know, I know, I know
Well you thrill me
Darlin youre always gonna send me

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You Send Me

Darlin' you send me
Darlin' you send me
I know you send me
Honest you do, honest you do, honest you do
You thrill me
I know you thrill me
I know you thrill me
Honest you do, honest you do, honest you do
When at first I thought it infatuation
But now it's lasted so long
And now I find myself wanting to marry you
And take you home
Whoa, you send me
Darlin' you send me
I know you send me
Honest you do, honest you do, honest you do
When at first it was infatuation
But now it's lasted so long
And now I find myself wanting to marry you
And take you home
You send me
You send me
You send me
Honest you do
You send me

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Marriage Bonds

I never looked for any marriage bond, ”
said Heloise to Abelard.
She knew that marriage is no magic wand,
despite the popular canard
that it consolidates relationships
that would be broken otherwise.
A lovely face can’t launch a thousand ships,
and marriage fails as a franchise
unless, instead of drifting without ease
into the boredom of routine,
the married couple sails like ships on seas,
not stretching in a limousine,
but tossed by waves whose turbulence ensures
that all emotions that they’ve felt
will amplify and not disarm amours,
providing them not a lifelovebelt,
but surfboard with which they can catch the waves,
not drowning since they do not tread
upon the other’s dreams, not bound like slaves
to rings that bound them when first wed.

Inspired by Katie Roiphe’s review of “A Vindication of Love” by Cristina Nehring in the NYT Book Review, June 21 (“Feverish Limitations”) :
Feverish Liaisons, Katie Rophe, June 21,2009
Publishers. $24.99
For most of us love is largely a matter of shared mortgage payments, evenings curled up on the couch in front of a video, or maybe a night in a hotel for an anniversary. But Cristina Nehring has a different idea. Her ardent polemic, “A Vindication of Love, ” puts forward a darker, more demanding vision of love. This is not, it should be said right away, a book without ambition: the subtitle is “Reclaiming Romance for the Twenty-First Century, ” though it is not exactly romance Nehring is writing about, but a more difficult, vital image of passion she believes we have lost. “We have been pragmatic and pedestrian about our erotic lives for too long, ” she writes, and in an examination of real and invented figures from the Wife of Bath to Frida Kahlo, she revels in love affairs that do not rely on our more hackneyed narratives. The result of Nehring’s literary and historical inquiry is a celebration of the wilder, messier connections. Her heroes and heroines tend to die, like Young Werther, who shoots himself; or try to die, like Mary Wollstonecraft, who throws herself off a bridge; or suffer, like Abelard and Heloise, one of whom is castrated and one of whom ends up in a nunnery. And yet Nehring admires these flamboyant men and women for the creative force of their affairs, for their ability to live outside the lines, for the ferocity of their feelings. She sees our modern goals of marriage, security and comfort as limited and sad, and quotes approvingly Heloise’s statement to Abelard: “‘I looked for no marriage bond, ’ she flashed. ‘I never sought anything in you but yourself.’ ”
In her most provocative and interesting chapters, Nehring argues for the value of suffering, for the importance of failure. Our idea of a contented married ending is too cozy and tame for her. We yearn for what she calls “strenuously exhibitionistic happiness” — think of family photos on Facebook — but instead we should focus on the fullness and intensity of emotion. She writes of Margaret Fuller: “Fuller’s failures are several times more sumptuous than other folks’ successes. And perhaps that is something we need to admit about failure: It can well be more sumptuous than success.... Somewhere in our collective unconscious we know — even now — that to have failed is to have lived.” Nehring sees in the grandeur of feeling a kind of heroism, even if the relationship doesnt take conventional form or endure in the conventional way. For Nehring, one senses, true failure is to drift comfortably along in a dull relationship, to spend precious years of life in a marriage that is not exciting or satisfying, to live cautiously, responsibly. Is the strength of feeling redeemed in the blaze of passion even if it does not end happily? she asks. Is contentment too soft and modest a goal? Elsewhere, Nehring interrogates our steadfast insistence on balanced, healthy relationships, our readiness to condemn doomed, impossible entanglements. She argues that it may in fact be a sign of health to enter into a relationship that is turbulent, demanding or unorthodox. She praises long-distance relationships, arduous relationships, relationships with men who are elusive, relationships the therapeutic culture adamantly opposes. She asks, “Could it be that the choice of a challenging love object signals strength and resourcefulness rather than insecurity and psychological damage, as we so often hear? ”

6/26/09

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

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Independence

Happy the bard (though few such bards we find)
Who, 'bove controlment, dares to speak his mind;
Dares, unabash'd, in every place appear,
And nothing fears, but what he ought to fear:
Him Fashion cannot tempt, him abject Need
Cannot compel, him Pride cannot mislead
To be the slave of Greatness, to strike sail
When, sweeping onward with her peacock's tail,
Quality in full plumage passes by;
He views her with a fix'd, contemptuous eye,
And mocks the puppet, keeps his own due state,
And is above conversing with the great.
Perish those slaves, those minions of the quill,
Who have conspired to seize that sacred hill
Where the Nine Sisters pour a genuine strain,
And sunk the mountain level with the plain;
Who, with mean, private views, and servile art,
No spark of virtue living in their heart,
Have basely turn'd apostates; have debased
Their dignity of office; have disgraced,
Like Eli's sons, the altars where they stand,
And caused their name to stink through all the land;
Have stoop'd to prostitute their venal pen
For the support of great, but guilty men;
Have made the bard, of their own vile accord,
Inferior to that thing we call a lord.
What is a lord? Doth that plain simple word
Contain some magic spell? As soon as heard,
Like an alarum bell on Night's dull ear,
Doth it strike louder, and more strong appear
Than other words? Whether we will or no,
Through Reason's court doth it unquestion'd go
E'en on the mention, and of course transmit
Notions of something excellent; of wit
Pleasing, though keen; of humour free, though chaste;
Of sterling genius, with sound judgment graced;
Of virtue far above temptation's reach,
And honour, which not malice can impeach?
Believe it not--'twas Nature's first intent,
Before their rank became their punishment,
They should have pass'd for men, nor blush'd to prize
The blessings she bestow'd; she gave them eyes,
And they could see; she gave them ears--they heard;
The instruments of stirring, and they stirr'd;
Like us, they were design'd to eat, to drink,
To talk, and (every now and then) to think;
Till they, by Pride corrupted, for the sake
Of singularity, disclaim'd that make;
Till they, disdaining Nature's vulgar mode,
Flew off, and struck into another road,

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They're Not Suited Totally

Two strangers,
Too soon meet...
To agree,
No one else can match their needs.

Two strangers,
Too soon meet...
To soon discover,
They're not suited totally!

After feeding sexual needs,
They're not suited totally.
Petty issues raises heat.
And they're not suited totally.
There's no cure or remedy,
That will make two strangers see...
Eye to eye,
As days go by.

Two strangers,
Too soon meet...
To agree,
No one else can match their needs.

Two strangers,
Too soon meet...
To soon discover,
They're not suited totally!

Between them there's no history.
And two strangers will never see...
Eye to eye,
As days go by.

After feeding sexual needs,
They're not suited totally.
Petty issues raises heat.
And they're not suited totally.
There's no cure or remedy,
And soon two strangers will agree...
Between them there's no chemistry.
And one of them wishes to leave.
Since there is no history.
And two strangers will never see...
Eye to eye,
As days go by.

Two strangers...
They're not suited totally!
Between them there's no history.

[...] Read more

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An Epistle To William Hogarth

Amongst the sons of men how few are known
Who dare be just to merit not their own!
Superior virtue and superior sense,
To knaves and fools, will always give offence;
Nay, men of real worth can scarcely bear,
So nice is jealousy, a rival there.
Be wicked as thou wilt; do all that's base;
Proclaim thyself the monster of thy race:
Let vice and folly thy black soul divide;
Be proud with meanness, and be mean with pride.
Deaf to the voice of Faith and Honour, fall
From side to side, yet be of none at all:
Spurn all those charities, those sacred ties,
Which Nature, in her bounty, good as wise,
To work our safety, and ensure her plan,
Contrived to bind and rivet man to man:
Lift against Virtue, Power's oppressive rod;
Betray thy country, and deny thy God;
And, in one general comprehensive line,
To group, which volumes scarcely could define,
Whate'er of sin and dulness can be said,
Join to a Fox's heart a Dashwood's head;
Yet may'st thou pass unnoticed in the throng,
And, free from envy, safely sneak along:
The rigid saint, by whom no mercy's shown
To saints whose lives are better than his own,
Shall spare thy crimes; and Wit, who never once
Forgave a brother, shall forgive a dunce.
But should thy soul, form'd in some luckless hour,
Vile interest scorn, nor madly grasp at power;
Should love of fame, in every noble mind
A brave disease, with love of virtue join'd,
Spur thee to deeds of pith, where courage, tried
In Reason's court, is amply justified:
Or, fond of knowledge, and averse to strife,
Shouldst thou prefer the calmer walk of life;
Shouldst thou, by pale and sickly study led,
Pursue coy Science to the fountain-head;
Virtue thy guide, and public good thy end,
Should every thought to our improvement tend,
To curb the passions, to enlarge the mind,
Purge the sick Weal, and humanise mankind;
Rage in her eye, and malice in her breast,
Redoubled Horror grining on her crest,
Fiercer each snake, and sharper every dart,
Quick from her cell shall maddening Envy start.
Then shalt thou find, but find, alas! too late,
How vain is worth! how short is glory's date!
Then shalt thou find, whilst friends with foes conspire,
To give more proof than virtue would desire,

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by from The Ring and the BookReport problemRelated quotes
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Literature and Quantum Physics

Mind spoke:

I have been the Driver of all history
for animal and man,
I've fueled Progress,
built cities,
discovered science
literature, poetry
all of this due to me:
Mind.

Imagination Spoke:

You Mind
are not of consequence
without me
Imagination.

Whatever spark might have
fired your brain
came from my fashioning
events in you Mind
to creativity,
to art
for you are merely physical seat
the vehicle,
But I Imagination
am the driver.

Body Spoke:

The two of you have no independent existence,
no living space
without me Body.

I am that temple
which houses you.

I am the physical portal
which interacts with the
world.
Whatever you can see or think Mind
or you Imagination, can imagine
is filtered thorough me Body
and flesh though I am
few doubt my ultimate power.

For surely as you both have your place
but both of you are mental most
and cannot walk or run,

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I Know Their Name

I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. I used to play with them they lived a block away
I know their name. Their father used to drive a light blue chevrolet
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. They had a dog that used to answer to Barney
I know their name. I used to play with them they lived a block away
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
(La guitar)
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I say:
I I I I I I I know their name. I know. I know. I know their name.
I I I I I I I know their name. I know. I know. I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I know their name.
I know their name.
I know their name

song performed by Men Without HatsReport problemRelated quotes
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6 Minutes Of Pleasure

Six minutes, six minutes
Six minutes, six minutes
(Sample)
I know why you're here
I ain't sayin nothin
(LL Cool J)
Aiyyo baby I know why you're here
I know what you're doing
I can see it in your eyes you're up to somethin
I know what it is, but we're still cool
And we can socialize, I'm peepin ya baby
I'm holdin back I'm not lettin go
Cause a fool doesn't have a shoulder to cry on
So, give me a kiss and you service
Whether you like a mister or a miss
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
(LL Cool J)
Baby you're my dear I know why you're here
I know why you came I know what you're thinkin
I know what you need and that's what I've got
You think I'm goin crazy no I'm not drinking
I know what you want, I made ya want it
Take my hand listen to the man
You have a plan don't even risk it
What do you want a biscuit?
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me

[...] Read more

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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.


Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

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Your love is wicked (parody)

(with apology to Koos A. Kombuis)

When you are crying
I want to strive
to be in your shadow
to feel the pain in everything,
every morning when I rise
I stumble over my bed
and chest of drawers
and when I have nausea from drinking

then I only want to eat
when you are with me,
at times I want to taste you
like wild berries
and even in my dark moods
I want to fall
deep into you

I want to make you stop
when you whisper
about the words
of evil sailors
and I want to go along
when you walk the streets
as a part of your neuroses

your favour is almost honourable
and totally unrestrained
your honour is without guilt
blinded by sin,
blinded without comfort,
blinded from love
and totally immoral

yesterday just like you
I went astray
in your urges
for a long time
with a lot of skeletons
without any phobias
or songs

it teems with LSD
and you tell
without asking
and the message that I am getting,
is that you are
a sweet mother in Africa

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