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Painting is the aesthetic side of the object but it has never been original, has never been its own goal.

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Object

You know you turn me on
Eyes so white and legs so long
But don't try to talk to me
I won't listen to your lies
You're just an object in my eyes
You're just an object in my eyes
Sophisticated smile
You seduce in such fine style
But don't try to fool me
'cause i can see through your disguise
You're just an object in my eyes
You're just an object in my eyes
But i don't mind
I just don't care
I've got no objection
To you touching me there
Object object
Object object
Object object
Object object
You know just what to do
Lick your lips
And i want you
But don't try to hold me
'cause i don't want any ties
You're just an object in my eyes
You're just an object in my eyes
But i don't mind
I just don't care
I've got no objections
To you touching me there
You're just an object object
Object object
You're just an object

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Adrienne Vittadini

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Soccer–Passion Song

Soccer–Passion Song

Soccer in the evening;
Soccer in the morning;
Soccer in spring and fall.

Soccer in the raining;
Soccer in the snowing;
Soccer in winter and summer.

Soccer in between my feet,
where I walk;
Soccer in my heart and mind,
how I live;
Soccer my love and life.

Soccer I wake up and play;
Soccer I hold it to sleep;
Soccer my work and rest.

Soccer I sing a new song;
Soccer I dance the magic steps;
Soccer my tears and joy.

Soccer my Mom buys it for me to play;
Soccer my Dad brings me to the game;
Soccer my dear Love watches me to score.

Soccer I dribble and shoot;
Soccer I pass and fall;
Soccer my glory and downfall.

Soccer I strike to attack;
Soccer I tackle to defend;
Soccer my struggle and survival.

Soccer I receive the flags and the whistles;
Soccer I get the yellow and red card;
Soccer my moves and stop.

Soccer I meet my friends;
Soccer I make my enemies;
Soccer my conflict and peace.

Soccer I play and watch;
Soccer I watch but cannot play;
Soccer my dream and reality.

Soccer I learn the rights;
Soccer I confess the fouls;

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Sex Object

Yes! No!
Yes! No!
I don't want to be your sex object
Show some feeling and respect
I don't want to be your sex object
I've had enough and that's a fact
Yes! No!
Yes! No!
I don't want to be your sex object
You play your tricks they're just perfect
I don't want to be your sex object
You turn me on then you forget
No! Why? [sex]
No! Why? [sex]
Maybe, Perhaps, Yes!
Maybe, Perhaps, Yes!
Yes! No!
Yes! No!
I don't want to be your sex object
You play your tricks they're just perfect
I don't want to be your sex object
I've had enough and that's a fact
[Spanish: No! Yes! Maybe Perhaps Yes]
No... si, si quieres
No... si, si quieres
Por que? No. Quizas.
Por que? No. A lo mejor.
Sex object
Sex object
No... si, si quieres
No... si, si quieres
Por que? No. Quizas.
Por que? No. A lo mejor.
No! Why? [sex]
No! Why? [sex]
Maybe, Perhaps, Yes!
Maybe, Perhaps, Yes!
[German?]
Sex object
Sex object
No! Why? [sex]
No! Why? [sex]
Maybe, Perhaps, Yes!
Maybe, Perhaps, Yes!
Sex object
Sex object

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Dulcimer Stomp / The Other Side

Aerosmith
Dulcimer Stomp/The Other Side
come on
lovin' you has got to be
(take me to the other side)
like the devil and the deep blue sea
(take me to the other side)
forget about your foolish pride
(take me to the other side)
oh take me to the other side
(take me to the other side)
my mama told me there'd be days like this
and man she wasn't foolin'
'cause I just can't believe the way you kiss
uh huh
you opened up your mouth with baited breath
you said you'd never leave me
you love me, you hate me, I tried to take the loss
you're cryin' me a river but I got to get across
lovin' you has got to be
(take me to the other side)
like the devil and the deep blue sea
(take me to the other side)
forget about your foolish pride
(take me to the other side)
oh take me to the other side
(take me to the other side)
I'm lookin' for another kind of love
oh lordy how I need it
the kind that likes to leap without a shove
oh honey, best believe it
to save a lot of time and foolish pride
I'll say what's on my mind, girl
you loved me, you hate me, you cut me down to size
you blinded me with love and yeah it opened up my eyes
lovin' you has got to be
(take me to the other side)
like the devil and the deep blue sea
(take me to the other side)
my conscience got to be my guide
(take me to the other side)
oh honey take me, take take take take take ow
take me to the other side
I'm lookin' for another kind of love
oh lordy how I need it
the kind that likes to leap without a shove
honey, you best believe it
now I ain't one for sayin' long goodbyes
I hope all is forgiven
you loved me, you hate me, I used to be your lover

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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Crouchin’ On The Outside

One two three four five six seven eight hey baby you're a little too late
I'm standin' on the outside lookin' in at you on the inside
Lookin' out at me on the outside lookin' in
Through the window of my madness at a place I never been
And you say you understand just what my trouble's all about
But you're sitting on the inside playing on the win side
While I'm freezing on the outside in the what's-it-all-about side
Lookin' in at you on the inside looking out

One two three four five six seven eight hey Jim let's talk about hate
I'm walkin' on the white side lookin' 'round at you on the brown side
Lookin' back at him on the black side lookin' down
And we're mouthin' words of freedom but we don't make any sound
And we clasp our hands in brotherhood and then go wash our hands
While you're stayin' on the brown side on the go-ahead-and-put-me-down side
While I'm standin' on the white side on the got-me-way-up-tight side
Lookin' back at him on the black side lookin' back

One two three four five six seven eight hey Claude don't bother to wait
You're cruisin' on the gay side lookin' straight at me on the straight side
Lookin' way at you on the gay side lookin' straight
And you're screamin' from the rooftops bout the pleasures that won't wait
And your closet's full of queenly gowns for extra special dates
And you're campin' on the gay side on the c'mon-out-and-play side
While I'm over on the trick side on the got-to-find-a-chick side
Lookin' way at you on the gay side lookin' straight
One two four seven nine eight twelve fifteen nineteen eighteen ninety-nine twenty-four else
[ sax ]
One two three four five six seven eight hey Miss hallucinate
You're boppin' on the hip side laughin' at me on the flip side
Chasin' after you on the hip side losin' my grip
And you're walkin' on a tightrope and you're tryin' not to slip
And you say you found out where it's at and give it all a try
So you're groovin' on the hip side in the come-and-take-a-trip side
I'm movin' on the square side in the show-me-when-and-where side
Chasin' after you on the hip side lookin' high
Lookin' at you on the hip side lookin' out yeah
Lookin' at you on the flip side lookin' back

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The Original Wrapper

I was sittin home on the west end
Watchin cable tv with a female friend
We were watchin the news, the worlds in a mess
The poor and the hungry, a world in distress
Herpes, aids, the middle east at full throttle
Better check that sausage, before you put it in the waffle
And while youre at it, check whats in the batter
Make sure that candys in the original wrapper
Hey, pitcher, better check that batter
Make sure that candys in the original wrapper
Reagan says abortions murder
While hes looking at cardinal oconnor
Look at jerry falwell louis farrakhan
Both talk religion and the brotherhood of man
They both sound like they belong in teheran
Watch out, theyre goin full throttle
Better check that sausage, before you stick it in the waffle
And while youre at it better check, whats in the batter
Make sure that candys in the original wrapper
Hey, pitcher, better check that batter
Make sure that candys in the original wrapper
White against white, black against jew
It seems like its 1942
The baby sits in front of mtv
Watching violent fantasies
While dad guzzles beer with his favorite sport
Only to find his heroes are all coked up
Classic, original, the same old story
The politics of hate in a new surrounding
Hate if its good and hate if its bad
And if this all dont make you mad
Ill keep yours and Ill keep mine
Nothing sacred and nothing divine
Father, bless me, were at full throttle
Better check that sausage, before you put it in the waffle
And while youre at it better check that batter
Make sure the candys in the original wrapper
Hey, pitcher, better check that batter
Make sure that candys in the original wrapper, hey, hey
I was born in the united states
And I grew up hard but I grew up straight
I saw a lack of morals and a lack of concern
A feeling that theres nowhere to turn
Yippies, hippies and upwardly mobile yuppies
Dont treat me like Im some dumb lackey
cause the murderer lives while the victims die
Id much rather see it an eye for an eye
A heart for a heart, a brain for a brain
And if this all makes you feel a little insane
Kick up your heels, turn the music up loud

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Fitration Bags

2.5 gallon shopvac bags
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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Trash Bag

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Painting The Walls

painting the walls,
rolling over handprints,
cobwebs, and smoke stains....

over splashes of color,
over peels of time.
painting over the sounds

of voices whispering, laughing....
painting over tears hidden
from the world, from each other.

painting over running, and working,
working all day and half the night.
painting over children, and dreams,

folded like old clothes, and put away.
painting over notes from God,
that were often barely noticed...

painting over the nail that held
up the clock, hands moving slowly,
turning the seasons of living....

painting over the final words,
the last breath held in the hands,
of lives written in the grain....

the testimony of each feeling....
painting the walls,
and brushing the corners,

as if we never lived!

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Acid Bomb

Yeah
Move on up
Were going to the wild wild side
Ready
Hey you bomb bomb
Hey you bomb bomb
Hey you bomb bomb
Acid acid bomb (4 times)
Yeah
Move on up
Were going to the wild side
Yeah
Move on up
Were going to the wild side
Yeah
Move on up
Move on up
Move on
Going to the
Yeah
Move on up
Move on up
Move on
Wild side
Yeah
Move on up
Move on up
Move on
Going to the
Yeah
Move on up
Move on
Going to the wild side
Yeah
Move on up
Were going to the wild side
Yeah
Move on up
Were going to the wild side
Yeah
Move on up
Move on up
Move on
Going to the
Yeah
Move on up
Move on up
Move on
Wild side
Yeah

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Original Sin

Ive been looking for an original sin.
One with a twist and a bit of a spin.
Ive done all of the old ones.
Till theyve all been done in.
Now Im just looking -
Then Im gone with the wind -
Endlessly searching for an original sin.
You can dance forever.
You got a fire in your feet.
But will it ever be enough?
You know itll never be enough.
You can fly and never land.
And never need to sleep.
But will it ever be enough?
You know itll never be enough.
Not enough to make the nightmares go away.
Not enough to make the tears run dry.
Not enough to live a littel better everyday.
Everything that they taught us.
Was nothing but lies.
Everthing thing they brought us.
Was nothing but bribes.
But itll all be over now -
All I wanted was a piece of the night.
I never got an equal share.
When the stars are out of sight.
And the moon is down -
The natives are so restless tonight.
Ive been looking for an original sin.
One with a twist and a bit of a spin.
Ive done all of the old ones.
Till theyve all been done in.
Now Im just looking -
Then Im gone with the wind -
Endlessly searching for an original sin.
You can lose yourself in pleasure.
Till your bodys going numb.
But will it ever be enough?
You know itll never be enough.
You can always take whatever.
You conceivably could want.
But will it ever be enough?
You know itll never be enough.
Not enough to make the nightmares go away.
Not enough to make the tears run dry.
Not enough to live a littel better everyday.
Everything that they taught us.
Was nothing but lies.
Everthing thing they brought us.
Was nothing but bribes.

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Deeper Side

Ive found a reason to dig deep down.
Theres a part of you that I aint found thats in your deeper side.
Instead of wondering what I should do,
I tried to learn a couple things about you from your deeper side.
Show me your deeper side. (show me your deeper side)
Show me your deeper side. (show me your deeper side)
Show me your deeper side. (its a mystery)
That I would give most anything to see.
Theres a lot of things that I would know
If you would let me climb into your soul and see your deeper side.
Everybody always seems so pure,
Then they show you what their heart stands for in their deeper side.
Show me your, yeah. (show me your deeper side)
Show me your deeper side. (show me your deeper side)
Show me your deeper side. (its a mystery)
I would give most anything to see.
You think the world has got your number now.
You cry about it but you know somehow its your deeper side.
I heard you wishing you were someone else
But all thats stopping you from being yourself is your deeper side.
So, show me your deeper side. (show me your deeper side)
Please, show me your deeper side. (show me your deeper side)
Oh, show me your deeper side. (its a mystery)
I would give most anything, and, I would give most anything.
You would give most anything to see.
Show me your deeper side.

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Freaks On This Side

Freaks on this side, the freaks on this side {x8}
When u cant find the reason 4 the smoke
Theres probably water in the fire
When everything u know aint enough 2 float your boat
And ure lookin 4 somethin thatll take u higher
Chorus:
U got 2 get down (freaks on this side, the freaks on this side)
2 a brand new sound (freaks on this side, the freaks on this side)
In the water ull drown (freaks on this side, the freaks on this
Side)
But the lost is found (freaks on this side, the freaks on this side)
Come on, baby
When confusion tries 2 tear your world apart
And the demons fight 4 power
Thats the time u got 2 listen 2 your heart
No one knows the final hour
Chorus
When u see an illusion everywhere u look
When u know the process of creation
When u understand everything in every book
Congratulations - ure in the new power generation!
(freaks on this side, the freaks on this side) {x4}
The freaks on this side! {x3}
When everybody calls the truth by a different name
And the indifference between us still remains
God is love, love is God - simple and plain
Party in this way, theres so much more 2 gain
(freaks on this side, the freaks on this side) {repeat 2 end}
(get on down, down, down, down, down)
Freaks on this side
We drownin (get on down, down, down, down, down)
Yeah, yeah
U got 2 get down
(u got 2 get down) {x2}
Its new power generation
And ure groovin 2 another jam of the year
Think it aint when it is
And we be drownin
Glug, glug like a mug
Looka here - freak on this side
The freaks on this side
Looka here - on this side
On this side
The freaks on u got it on this side

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Berenice by edgar allan poe

MISERY is manifold. The wretchedness of earth is multiform. Overreaching the wide horizon as the rainbow, its hues are as various as the hues of that arch, -as distinct too, yet as intimately blended. Overreaching the wide horizon as the rainbow! How is it that from beauty I have derived a type of unloveliness? -from the covenant of peace a simile of sorrow? But as, in ethics, evil is a consequence of good, so, in fact, out of joy is sorrow born. Either the memory of past bliss is the anguish of to-day, or the agonies which are have their origin in the ecstasies which might have been.

My baptismal name is Egaeus; that of my family I will not mention. Yet there are no towers in the land more time-honored than my gloomy, gray, hereditary halls. Our line has been called a race of visionaries; and in many striking particulars -in the character of the family mansion -in the frescos of the chief saloon -in the tapestries of the dormitories -in the chiselling of some buttresses in the armory -but more especially in the gallery of antique paintings -in the fashion of the library chamber -and, lastly, in the very peculiar nature of the library's contents, there is more than sufficient evidence to warrant the belief.

The recollections of my earliest years are connected with that chamber, and with its volumes -of which latter I will say no more. Here died my mother. Herein was I born. But it is mere idleness to say that I had not lived before -that the soul has no previous existence. You deny it? -let us not argue the matter. Convinced myself, I seek not to convince. There is, however, a remembrance of aerial forms -of spiritual and meaning eyes -of sounds, musical yet sad -a remembrance which will not be excluded; a memory like a shadow, vague, variable, indefinite, unsteady; and like a shadow, too, in the impossibility of my getting rid of it while the sunlight of my reason shall exist.

In that chamber was I born. Thus awaking from the long night of what seemed, but was not, nonentity, at once into the very regions of fairy-land -into a palace of imagination -into the wild dominions of monastic thought and erudition -it is not singular that I gazed around me with a startled and ardent eye -that I loitered away my boyhood in books, and dissipated my youth in reverie; but it is singular that as years rolled away, and the noon of manhood found me still in the mansion of my fathers -it is wonderful what stagnation there fell upon the springs of my life -wonderful how total an inversion took place in the character of my commonest thought. The realities of the world affected me as visions, and as visions only, while the wild ideas of the land of dreams became, in turn, -not the material of my every-day existence-but in very deed that existence utterly and solely in itself.

Berenice and I were cousins, and we grew up together in my paternal halls. Yet differently we grew -I ill of health, and buried in gloom -she agile, graceful, and overflowing with energy; hers the ramble on the hill-side -mine the studies of the cloister -I living within my own heart, and addicted body and soul to the most intense and painful meditation -she roaming carelessly through life with no thought of the shadows in her path, or the silent flight of the raven-winged hours. Berenice! -I call upon her name -Berenice! -and from the gray ruins of memory a thousand tumultuous recollections are startled at the sound! Ah! vividly is her image before me now, as in the early days of her light-heartedness and joy! Oh! gorgeous yet fantastic beauty! Oh! sylph amid the shrubberies of Arnheim! -Oh! Naiad among its fountains! -and then -then all is mystery and terror, and a tale which should not be told. Disease -a fatal disease -fell like the simoom upon her frame, and, even while I gazed upon her, the spirit of change swept, over her, pervading her mind, her habits, and her character, and, in a manner the most subtle and terrible, disturbing even the identity of her person! Alas! the destroyer came and went, and the victim -where was she, I knew her not -or knew her no longer as Berenice.

Among the numerous train of maladies superinduced by that fatal and primary one which effected a revolution of so horrible a kind in the moral and physical being of my cousin, may be mentioned as the most distressing and obstinate in its nature, a species of epilepsy not unfrequently terminating in trance itself -trance very nearly resembling positive dissolution, and from which her manner of recovery was in most instances, startlingly abrupt. In the mean time my own disease -for I have been told that I should call it by no other appelation -my own disease, then, grew rapidly upon me, and assumed finally a monomaniac character of a novel and extraordinary form -hourly and momently gaining vigor -and at length obtaining over me the most incomprehensible ascendancy. This monomania, if I must so term it, consisted in a morbid irritability of those properties of the mind in metaphysical science termed the attentive. It is more than probable that I am not understood; but I fear, indeed, that it is in no manner possible to convey to the mind of the merely general reader, an adequate idea of that nervous intensity of interest with which, in my case, the powers of meditation (not to speak technically) busied and buried themselves, in the contemplation of even the most ordinary objects of the universe.

To muse for long unwearied hours with my attention riveted to some frivolous device on the margin, or in the topography of a book; to become absorbed for the better part of a summer's day, in a quaint shadow falling aslant upon the tapestry, or upon the door; to lose myself for an entire night in watching the steady flame of a lamp, or the embers of a fire; to dream away whole days over the perfume of a flower; to repeat monotonously some common word, until the sound, by dint of frequent repetition, ceased to convey any idea whatever to the mind; to lose all sense of motion or physical existence, by means of absolute bodily quiescence long and obstinately persevered in; -such were a few of the most common and least pernicious vagaries induced by a condition of the mental faculties, not, indeed, altogether unparalleled, but certainly bidding defiance to anything like analysis or explanation.

Yet let me not be misapprehended. -The undue, earnest, and morbid attention thus excited by objects in their own nature frivolous, must not be confounded in character with that ruminating propensity common to all mankind, and more especially indulged in by persons of ardent imagination. It was not even, as might be at first supposed, an extreme condition or exaggeration of such propensity, but primarily and essentially distinct and different. In the one instance, the dreamer, or enthusiast, being interested by an object usually not frivolous, imperceptibly loses sight of this object in a wilderness of deductions and suggestions issuing therefrom, until, at the conclusion of a day dream often replete with luxury, he finds the incitamentum or first cause of his musings entirely vanished and forgotten. In my case the primary object was invariably frivolous, although assuming, through the medium of my distempered vision, a refracted and unreal importance. Few deductions, if any, were made; and those few pertinaciously returning in upon the original object as a centre. The meditations were never pleasurable; and, at the termination of the reverie, the first cause, so far from being out of sight, had attained that supernaturally exaggerated interest which was the prevailing feature of the disease. In a word, the powers of mind more particularly exercised were, with me, as I have said before, the attentive, and are, with the day-dreamer, the speculative.

My books, at this epoch, if they did not actually serve to irritate the disorder, partook, it will be perceived, largely, in their imaginative and inconsequential nature, of the characteristic qualities of the disorder itself. I well remember, among others, the treatise of the noble Italian Coelius Secundus Curio 'de Amplitudine Beati Regni dei'; St. Austin's great work, the 'City of God'; and Tertullian 'de Carne Christi, ' in which the paradoxical sentence 'Mortuus est Dei filius; credible est quia ineptum est: et sepultus resurrexit; certum est quia impossibile est' occupied my undivided time, for many weeks of laborious and fruitless investigation.

Thus it will appear that, shaken from its balance only by trivial things, my reason bore resemblance to that ocean-crag spoken of by Ptolemy Hephestion, which steadily resisting the attacks of human violence, and the fiercer fury of the waters and the winds, trembled only to the touch of the flower called Asphodel. And although, to a careless thinker, it might appear a matter beyond doubt, that the alteration produced by her unhappy malady, in the moral condition of Berenice, would afford me many objects for the exercise of that intense and abnormal meditation whose nature I have been at some trouble in explaining, yet such was not in any degree the case. In the lucid intervals of my infirmity, her calamity, indeed, gave me pain, and, taking deeply to heart that total wreck of her fair and gentle life, I did not fall to ponder frequently and bitterly upon the wonder-working means by which so strange a revolution had been so suddenly brought to pass. But these reflections partook not of the idiosyncrasy of my disease, and were such as would have occurred, under similar circumstances, to the ordinary mass of mankind. True to its own character, my disorder revelled in the less important but more startling changes wrought in the physical frame of Berenice -in the singular and most appalling distortion of her personal identity.

During the brightest days of her unparalleled beauty, most surely I had never loved her. In the strange anomaly of my existence, feelings with me, had never been of the heart, and my passions always were of the mind. Through the gray of the early morning -among the trellised shadows of the forest at noonday -and in the silence of my library at night, she had flitted by my eyes, and I had seen her -not as the living and breathing Berenice, but as the Berenice of a dream -not as a being of the earth, earthy, but as the abstraction of such a being-not as a thing to admire, but to analyze -not as an object of love, but as the theme of the most abstruse although desultory speculation. And now -now I shuddered in her presence, and grew pale at her approach; yet bitterly lamenting her fallen and desolate condition, I called to mind that she had loved me long, and, in an evil moment, I spoke to her of marriage.

And at length the period of our nuptials was approaching, when, upon an afternoon in the winter of the year, -one of those unseasonably warm, calm, and misty days which are the nurse of the beautiful Halcyon*, -I sat, (and sat, as I thought, alone,) in the inner apartment of the library. But uplifting my eyes I saw that Berenice stood before me.

*For as Jove, during the winter season, gives twice seven days of warmth, men have called this clement and temperate time the nurse of the beautiful Halcyon -Simonides.

Was it my own excited imagination -or the misty influence of the atmosphere -or the uncertain twilight of the chamber -or the gray draperies which fell around her figure -that caused in it so vacillating and indistinct an outline? I could not tell. She spoke no word, I -not for worlds could I have uttered a syllable. An icy chill ran through my frame; a sense of insufferable anxiety oppressed me; a consuming curiosity pervaded my soul; and sinking back upon the chair, I remained for some time breathless and motionless, with my eyes riveted upon her person. Alas! its emaciation was excessive, and not one vestige of the former being, lurked in any single line of the contour. My burning glances at length fell upon the face.

The forehead was high, and very pale, and singularly placid; and the once jetty hair fell partially over it, and overshadowed the hollow temples with innumerable ringlets now of a vivid yellow, and Jarring discordantly, in their fantastic character, with the reigning melancholy of the countenance. The eyes were lifeless, and lustreless, and seemingly pupil-less, and I shrank involuntarily from their glassy stare to the contemplation of the thin and shrunken lips. They parted; and in a smile of peculiar meaning, the teeth of the changed Berenice disclosed themselves slowly to my view. Would to God that I had never beheld them, or that, having done so, I had died!

The shutting of a door disturbed me, and, looking up, I found that my cousin had departed from the chamber. But from the disordered chamber of my brain, had not, alas! departed, and would not be driven away, the white and ghastly spectrum of the teeth. Not a speck on their surface -not a shade on their enamel -not an indenture in their edges -but what that period of her smile had sufficed to brand in upon my memory. I saw them now even more unequivocally than I beheld them then. The teeth! -the teeth! -they were here, and there, and everywhere, and visibly and palpably before me; long, narrow, and excessively white, with the pale lips writhing about them, as in the very moment of their first terrible development. Then came the full fury of my monomania, and I struggled in vain against its strange and irresistible influence. In the multiplied objects of the external world I had no thoughts but for the teeth. For these I longed with a phrenzied desire. All other matters and all different interests became absorbed in their single contemplation. They -they alone were present to the mental eye, and they, in their sole individuality, became the essence of my mental life. I held them in every light. I turned them in every attitude. I surveyed their characteristics. I dwelt upon their peculiarities. I pondered upon their conformation. I mused upon the alteration in their nature. I shuddered as I assigned to them in imagination a sensitive and sentient power, and even when unassisted by the lips, a capability of moral expression. Of Mad'selle Salle it has been well said, 'que tous ses pas etaient des sentiments, ' and of Berenice I more seriously believed que toutes ses dents etaient des idees. Des idees! -ah here was the idiotic thought that destroyed me! Des idees! -ah therefore it was that I coveted them so madly! I felt that their possession could alone ever restore me to peace, in giving me back to reason.

And the evening closed in upon me thus-and then the darkness came, and tarried, and went -and the day again dawned -and the mists of a second night were now gathering around -and still I sat motionless in that solitary room; and still I sat buried in meditation, and still the phantasma of the teeth maintained its terrible ascendancy as, with the most vivid hideous distinctness, it floated about amid the changing lights and shadows of the chamber. At length there broke in upon my dreams a cry as of horror and dismay; and thereunto, after a pause, succeeded the sound of troubled voices, intermingled with many low moanings of sorrow, or of pain. I arose from my seat and, throwing open one of the doors of the library, saw standing out in the antechamber a servant maiden, all in tears, who told me that Berenice was -no more. She had been seized with epilepsy in the early morning, and now, at the closing in of the night, the grave was ready for its tenant, and all the preparations for the burial were completed.

I found myself sitting in the library, and again sitting there alone. It seemed that I had newly awakened from a confused and exciting dream. I knew that it was now midnight, and I was well aware that since the setting of the sun Berenice had been interred. But of that dreary period which intervened I had no positive -at least no definite comprehension. Yet its memory was replete with horror -horror more horrible from being vague, and terror more terrible from ambiguity. It was a fearful page in the record my existence, written all over with dim, and hideous, and unintelligible recollections. I strived to decypher them, but in vain; while ever and anon, like the spirit of a departed sound, the shrill and piercing shriek of a female voice seemed to be ringing in my ears. I had done a deed -what was it? I asked myself the question aloud, and the whispering echoes of the chamber answered me, 'what was it? '

On the table beside me burned a lamp, and near it lay a little box. It was of no remarkable character, and I had seen it frequently before, for it was the property of the family physician; but how came it there, upon my table, and why did I shudder in regarding it? These things were in no manner to be accounted for, and my eyes at length dropped to the open pages of a book, and to a sentence underscored therein. The words were the singular but simple ones of the poet Ebn Zaiat, 'Dicebant mihi sodales si sepulchrum amicae visitarem, curas meas aliquantulum fore levatas.' Why then, as I perused them, did the hairs of my head erect themselves on end, and the blood of my body become congealed within my veins?

There came a light tap at the library door, and pale as the tenant of a tomb, a menial entered upon tiptoe. His looks were wild with terror, and he spoke to me in a voice tremulous, husky, and very low. What said he? -some broken sentences I heard. He told of a wild cry disturbing the silence of the night -of the gathering together of the household-of a search in the direction of the sound; -and then his tones grew thrillingly distinct as he whispered me of a violated grave -of a disfigured body enshrouded, yet still breathing, still palpitating, still alive!

He pointed to garments; -they were muddy and clotted with gore. I spoke not, and he took me gently by the hand; -it was indented with the impress of human nails. He directed my attention to some object against the wall; -I looked at it for some minutes; -it was a spade. With a shriek I bounded to the table, and grasped the box that lay upon it. But I could not force it open; and in my tremor it slipped from my hands, and fell heavily, and burst into pieces; and from it, with a rattling sound, there rolled out some instruments of dental surgery, intermingled with thirty-two small, white and ivory-looking substances that were scattered to and fro about the floor.

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Touch My Body

Can you , can you ,
can you , can you , can you
Touch my body make me feel like I never felt
deliver it make me shiver up from head to toe
move my waist line side to side
come on push up on me im feeling hot tonight
can touch my body make me feel like I never felt
deliver it make me shiver up from head to toe
move my waist line side to side
come on push up on me im feeling hot tonight
What i gotta do to get a little closer to you (to you)
i been watching you i really want to get to know you (know you)
im kinda felling your vibe as i look in your eyes
and your watching my thighs moving left to right
so whatcha wanna do (wanna do)
you come to me and i'll come to you (ohh)
Can you touch my body make me feel like i never felt
deliver it make me shiver up from head to toe
move my waist line side to side
come on push up on me im feeling hot tonight
can touch my body make me feel like I never felt
deliver it make me shiver up from head to toe
move my waist line side to side
come on push up on me im feeling hot tonight
If I could be alone with you this is what I would do (I would do)
I would grab you by the hand and begin to show you ( show you ) (yeah)
how to make it real hot never want it to stop
take it up to the top make my body rock
so whatcha gonna do (gonna do)
you come to me and Ill come to you (oh , oh , oh)
Can you touch my body make me feel like I never felt
deliver it make me shiver up from head to toe
move my waist line side to side
come on push up on me im feeling hot tonight
can touch my body make me feel like i never felt
deliver it make me shiver up from head to toe......
move my waist line side to side
come on push up on me im feeling hot tonight
Now can you rocket up (rocket up)
dont stop just move your waist line from side to side
now as you push it up (push it up)
and do the body right (do the body right , do the body right)
now can you rocket up (rocket up)
dont stop just move your waist line from side to side
now as you push it up (push it up)
and do the body right (do the body right , do the body right)
Can you touch my body make me feel like I never felt
deliver it make me shiver up from head to toe
move my waist line side to side
come on push up on me im feeling hot tonight

[...] Read more

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Finis Exoptatus

Boot and saddle, see, the slanting
Rays begin to fall,
Flinging lights and colours flaunting
Through the shadows tall.
Onward ! onward ! must we travel ?
When will come the goal ?
Riddle I may not unravel,
Cease to vex my soul.

Harshly break those peals of laughter
From the jays aloft,
Can we guess what they cry after ?
We have heard them oft ;
Perhaps some strain of rude thanksgiving
Mingles in their song,
Are they glad that they are living ?
Are they right or wrong ?
Right, 'tis joy that makes them call so,
Why should they be sad ?
Certes ! we are living also,
Shall not we be glad ?
Onward ! onward ! must we travel ?
Is the goal more near ?
Riddle we may not unravel,
Why so dark and drear ?

Yon small bird his hymn outpouring,
On the branch close by,
Recks not for the kestrel soaring
In the nether sky,
Though the hawk with wings extended
Poises over head,
Motionless as though suspended
By a viewless thread.
See, he stoops, nay, shooting forward
With the arrow's flight,
Swift and straight away to nor'ward
Sails he out of sight.
Onward ! onward ! thus we travel,
Comes the goal more nigh ?
Riddle we may not unravel,
Who shall make reply ?

Ha ! Friend Ephraim, saint or sinner,
Tell me if you can—
Tho' we may not judge the inner
By the outer man,
Yet by girth of broadcloth ample,
And by cheeks that shine,
Surely you set no example

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True Action!

We are laborer,
Absolutely Pure laborer!
Then why, suffering, complaining,
On own stresses, about unnecessary sweats and toiling!

Work that must be inspired,
Where worker should never come to tire.
No exhaustion but the enjoyment while working,
And true nobler are enthusiastic about goal pursuing!

True Goal is not achieving the goal,
But striving to reach the goal is the real goal.
One should keep the goal to shoot at the highest emplacement,
So that one can enjoy his whole life without getting retirement.

Goal should be so high so that none can reach,
Why should ideal be kept so high so that it can’t be reached?
Striving to reach the highest is the moment where we grow,
Reaching the goal is the end of the goal, hence it will simply blow.

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