One thing is that I wasn't getting booked that well, and they had control over who got the awards, they had control over who sold. And they really did not want Willie or me, either one, to have a hit record. They wanted the money, but they didn't want us to be the ones.
quote by Waylon Jennings
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Related quotes
The Mother's Lesson
Come hither an' sit on my knee, Willie,
Come hither an' sit on my knee,
An' list while I tell how your brave brither fell,
Fechtin' for you an' for me:
Fechtin' for you an' for me, Willie,
Wi' his guid sword in his han'.
Hech, but ye'll be a brave man, Willie,
Hech, but ye'll be a brave man!
Ye min' o' your ain brither dear, Willie,
Ye min' o' your ain brither dear,
How he pettled ye aye wi' his pliskies an' play,
An' was aye sae cantie o' cheer:
Aye sae cantie o' cheer, Willie,
As he steppit sae tall an' sae gran',
Hech, but ye'll be a brave man, Willie,
Hech, but ye'll be a brave man.
D'ye min' when the bull had ye doun, Willie,
D'ye min' when the bull had ye doun?
D'ye min' wha grippit ye fra the big bull,
D'ye min' o' his muckle red woun'?
D'ye min' o' his muckle red woun', Willie,
D'ye min' how the bluid doun ran?
Hech, but ye'll be a brave man, Willie,
Hech, but ye'll be a brave man.
D'ye min' when we a' wanted bread, Willie,
the year when we a' wanted bread?
How he smiled when he saw the het parritch an' a',
An' gaed cauld an' toom to his bed:
Gaed awa' toom to his bed, Willie,
For the love o' wee Willie an' Nan?
Hech, but ye'll be a brave man, Willie,
Hech, but ye'll be a brave man!
Next simmer was bright but an' ben, Willie,
Next simmer was bright but an' ben,
When there cam a gran' cry like a win' strang an' high
By loch, an' mountain, an' glen:
By loch, an' mountain, an' glen, Willie,
The cry o' a far forrin lan',
An' up loupit ilka brave man, Willie,
Up loupit ilka brave man.
[...] Read more
poem by Sydney Thompson Dobell
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Book Of The Duchesse
THE PROEM
I have gret wonder, be this lighte,
How that I live, for day ne nighte
I may nat slepe wel nigh noght,
I have so many an ydel thoght
Purely for defaute of slepe
That, by my trouthe, I take no kepe
Of no-thing, how hit cometh or goth,
Ne me nis no-thing leef nor loth.
Al is y-liche good to me --
Ioye or sorowe, wherso hyt be --
For I have feling in no-thinge,
But, as it were, a mased thing,
Alway in point to falle a-doun;
For sorwful imaginacioun
Is alway hoolly in my minde.
And wel ye wite, agaynes kynde
Hit were to liven in this wyse;
For nature wolde nat suffyse
To noon erthely creature
Not longe tyme to endure
Withoute slepe, and been in sorwe;
And I ne may, ne night ne morwe,
Slepe; and thus melancolye
And dreed I have for to dye,
Defaute of slepe and hevinesse
Hath sleyn my spirit of quiknesse,
That I have lost al lustihede.
Suche fantasies ben in myn hede
So I not what is best to do.
But men myght axe me, why soo
I may not slepe, and what me is?
But natheles, who aske this
Leseth his asking trewely.
My-selven can not telle why
The sooth; but trewely, as I gesse,
I holde hit be a siknesse
That I have suffred this eight yere,
And yet my bote is never the nere;
For ther is phisicien but oon,
That may me hele; but that is doon.
Passe we over until eft;
That wil not be, moot nede be left;
Our first matere is good to kepe.
So whan I saw I might not slepe,
Til now late, this other night,
Upon my bedde I sat upright
And bad oon reche me a book,
A romaunce, and he hit me took
[...] Read more
poem by Geoffrey Chaucer
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Cleanness
Clannesse who so kyndly cowþe comende
& rekken vp alle þe resounz þat ho by ri3t askez,
Fayre formez my3t he fynde in for[þ]ering his speche
& in þe contrare kark & combraunce huge.
For wonder wroth is þe Wy3þat wro3t alle þinges
Wyth þe freke þat in fylþe fol3es Hym after,
As renkez of relygioun þat reden & syngen
& aprochen to hys presens & prestez arn called;
Thay teen vnto his temmple & temen to hym seluen,
Reken with reuerence þay rychen His auter;
Þay hondel þer his aune body & vsen hit boþe.
If þay in clannes be clos þay cleche gret mede;
Bot if þay conterfete crafte & cortaysye wont,
As be honest vtwyth & inwith alle fylþez,
Þen ar þay synful hemself & sulped altogeder
Boþe God & His gere, & hym to greme cachen.
He is so clene in His courte, þe Kyng þat al weldez,
& honeste in His housholde & hagherlych serued
With angelez enourled in alle þat is clene,
Boþ withine & withouten in wedez ful bry3t;
Nif he nere scoymus & skyg & non scaþe louied,
Hit were a meruayl to much, hit mo3t not falle.
Kryst kydde hit Hymself in a carp onez,
Þeras He heuened a3t happez & hy3t hem her medez.
Me mynez on one amonge oþer, as Maþew recordez,
Þat þus clanness vnclosez a ful cler speche:
Þe haþel clene of his hert hapenez ful fayre,
For he schal loke on oure Lorde with a bone chere';
As so saytz, to þat sy3t seche schal he neuer
Þat any vnclannesse hatz on, auwhere abowte;
For He þat flemus vch fylþe fer fro His hert
May not byde þat burre þat hit His body ne3en.
Forþy hy3not to heuen in haterez totorne,
Ne in þe harlatez hod, & handez vnwaschen.
For what vrþly haþel þat hy3honour haldez
Wolde lyke if a ladde com lyþerly attyred,
When he were sette solempnely in a sete ryche,
Abof dukez on dece, with dayntys serued?
Þen þe harlot with haste helded to þe table,
With rent cokrez at þe kne & his clutte traschez,
& his tabarde totorne, & his totez oute,
Oþer ani on of alle þyse, he schulde be halden vtter,
With mony blame ful bygge, a boffet peraunter,
Hurled to þe halle dore & harde þeroute schowued,
& be forboden þat bor3e to bowe þider neuer,
On payne of enprysonment & puttyng in stokkez;
& þus schal he be schent for his schrowde feble,
Þa3neuer in talle ne in tuch he trespas more.
& if vnwelcum he were to a worþlych prynce,
3et hym is þe hy3e Kyng harder in her euen;
[...] Read more
poem by Anonymous Americas
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Rambling, Gambling Willie
Come around you rovin gamblers and a story I will tell
About the greatest gambler, you all should know him well.
His name was will o conley and he gambled all his life,
He had twenty-seven children, yet he never had a wife.
And its ride, willie, ride,
Roll, willie, roll,
Wherever you are a-gamblin now, nobody really knows.
He gambled in the white house and in the railroad yards,
Wherever there was people, there was willie and his cards.
He had a reputation as the gamblinest man around,
Wives would keep their husbands home when willie came to town.
And its ride, willie, ride,
Roll, willie, roll,
Wherever you are a-gamblin now, nobody really knows.
Sailin down the mississippi to a town called new orleans,
Theyre still talkin about their card game on that jackson river queen.
Ive come to win some money, gamblin willie says,
When the game finally ended up, the whole damn boat was his.
And its ride, willie, ride,
Roll, willie, roll,
Wherever you are a-gamblin now, nobody really knows.
Up in the rocky mountains in a town called cripple creek,
There was an all-night poker game, lasted about a week.
Nine hundred miners had laid their money down,
When willie finally left the room, he owned the whole damn town.
And its ride, willie, ride,
Roll, willie, roll,
Wherever you are a-gamblin now, nobody really knows.
But willie had a heart of gold and this I know is true,
He supported all his children, and all their mothers too.
He wore no rings or fancy things, like other gamblers wore,
He spread his money far and wide, to help the sick and the poor.
And its ride, willie, ride,
Roll, willie, roll,
Wherever you are a-gamblin now, nobody really knows.
When you played your cards with willie, you never really knew
Whether he was bluffin or whether he was true.
He won a fortune from a man who folded in his chair.
The man, he left a diamond flush, willie didnt even have a pair.
And its ride, willie, ride,
Roll, willie, roll,
Wherever you are a-gamblin now, nobody really knows.
It was late one evenin during a poker game,
A man lost all his money, he said willie was to blame.
He shot poor willie through the head, which was a tragic fate,
When willies cards fell on the floor, they were aces backed with eights.
And its ride, willie, ride,
Roll, willie, roll,
Wherever you are a-gamblin now, nobody really knows.
So all you rovin gamblers, wherever you might be,
[...] Read more
song performed by Bob Dylan
Added by Lucian Velea
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Steamheaters
She wants a love...
She can take into her arms.
Hold her with her charms.
And sing love songs,
To allure
And captivate!
Heating...
Without setting off the alarm!
He wants a love...
No other one has had.
When it is 'his' booty...
He likes it slow not fast!
And he's glad no one has had,
To touch his booty's ass!
If that has to happen,
He knew he would be sad!
And...
'What' they want...
Maybe a bit too soon.
They need more memory moments.
Before beginning to cast eyes on that 'fullmoon'!
As they lay naked on the basement floor...
Sighing and grinding in lovebird swoons!
'WHAT? '
Steamheaters drip...
Just 'getting it'!
They both are wet,
From the basement water!
Steamheaters kiss...
With sexiness.
He sucked her tits,
'Til her husband caught her,
With his best friend...
'getin' it! '
'Uh...
For clarification,
Will you say that again, please? '
You want it sung?
'No,
I just want it heard.
I may have misunderstood!
What I thought your blurted,
[...] Read more
poem by Lawrence S. Pertillar
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Social Netowrking Of Robots
end of world war
end of world war 11
end of world scenarios
end of world thursday prophet
end of world wa rtwo
end of world war 2 france
end of world video
end of world war 1 effects
end of world vision
end of world songs
end of world war 2
end of world war 1
end of world wallpapers
end of world scenerio
end of world time clock
end of wortd
end of world wtf mate youtube
end of world west america
end of world war ii
end of world war iii
end of wrestling match signal
end of worlds
end of worldwar 2
end of world war i
end of world war two
end of wrestling match indicator
end of world war 2 wikipedia
end of world war 21945
end of world war one
end of world wite web
end of worled war 2
end of world wide ii
end of world war 2 info
end of world war two date
end of wow
end of ww 2
end of ww2
end of ww1 treaty of versailles
end of ww1 treaty
end of ww ii
end of ww2 in czechoslovakia
end of ww2 date
end of ww1 ghost photos
end of ww1 treaty of vers
end of ww 1
end of ww2 for japanese americans
end of ww-ii
end of ww2 battleship
end of wrold war 2
end of ww11
[...] Read more
poem by Rwetewrt Erwtwer
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Hit Me With A Rock
When I was a little boy
(when I was just a boy)
And my mother would call my name
(when I was just a boy)
Shed say I had to be in the house by seven
(when I was just a boy)
But Id stay out late at night
(when I was just a boy)
And when Id finally get back in
Oh, I know shed hit me, shed hit me
Shed sit me on her knees and whip me
Oh, shed hit me with a rock
Shed whip me with a rock, oh baby
Shed hit me (hit me with a rock)
Shed hit me, hit me, hit me, hit me
(hit me with a rock)
And when I was grown to be a man
(grown to be a man)
The minute the boss would call my name
(grown to be a man)
And say I had to be in the office by seven
(grown to be a man)
Im a constipated man
(grown to be a man)
And when Id finally get back in
Oh, my bossd hit me, hed hit me
Hed tie me to a chair and whip me
Oh hed hit me with a rock
Hed whip me with a rock, oh baby
Hed hit me (hit me with a rock)
Hed hit me, hit me, hit me, hit me
(hit me with a rock)
When I was grown to be president
(was the president)
The minute the congressd call my name
(was the president)
And said some papers had to be signed by thursday
(had to be signed by thursday)
Id fly away to pakistan
(was the president)
And the second that Id get back home
Oh, I know theyd hit me, theyd hit me
With leather and chains theyd whip me
Oh, theyd hit me with a rock
Theyd whip me with a rock, oh baby
Theyd hit me. (hit me with a rock)
Theyd hit me, hit me, hit me, hit me
(hit me with a rock)
Hit me, hit me, hit me
(hit me with a rock)
[...] Read more
song performed by Weird Al Yankovic
Added by Lucian Velea
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The Widow's Lullaby
She droops like a dew-dropping lily,
'Whisht thee, boy, whisht thee, boy Willie!
Whisht whisht o' thy wailing, whisht thee, boy Willie!'
The sun comes up from the lea,
As he who will never come more
Came up that first day to her door,
When the ship furled her sails by the shore,
And the spring leaves were green on the tree.
But she droops like a dew-dropping lily,
'whisht thee, boy, whisht thee, boy Willie!
Whisht whisht o' thy wailing, whisht thee, boy Willie!'
The sun goes down in the sea,
As he who will never go more
Went down that last day from her door,
When the ship set her sails from the shore,
And the dead leaves were sere on the tree.
But she droops like a dew-dropping lily,
'Whisht thee, boy, whisht thee, boy Willie!
Whisht whisht o' thy wailing, whisht thee, boy Willie!'
The year comes glad o'er the lea,
As he who will never come more,
Never, ah never!
Came up that first day to her door,
When the ship furled her sails by the shore,
And the spring leaves were green on the tree.
Never, ah never!
He who will come again, never!
But she droops like a dew-dropping lily,
'Whisht thee, boy, whisht thee, boy Willie!
Whisht whisht o' thy wailing, whisht thee, boy Willie!'
The year goes sad to the sea,
As he who will never go more
For ever went down from her door,
Ever, for ever!
When the ship set her sails by the shore,
And the dead leaves were sere on the tree.
Ever, for ever!
For ever went down from her door.
[...] Read more
poem by Sydney Thompson Dobell
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I Sold My Heart To The Junkman
Intro to: I sold my heart to the junkman
...this is a very sad song, this next song were gonna do.
The song is so sad that sometimes I have to leave the stage and
Cry in the backstage a little bit while Im singing this song. the reason
This song is so sad because this story happened to me just a little
While ago (not true, but true) (audience laughs) and it was, it was
A thing where I met this this beautiful girl, right? was she a
Beautiful girl as she was, she was nice and ... and I gave her my whole
Heart, every every bit, and she gave it back to me a month later all
Beat up, so bad and so terrible looking that
I sold my heart to the junkman !
Now I can never fall in love again....
(starts song)
...song, this is a very sad song, this next
Song were gonna do.
The song is so sad that sometimes I have to
Leave the stage and cry in the backstage a
Little bit while Im singing this song.
The reason this song is so sad because this
Story happened to me just a little while ago
(not true, but true) (audience laughs)
And it was, it was a thing where I met this
This beautiful girl, right? was she a
Beautiful girl as she was, she was nice and ...
And I gave her my whole heart, every every bit,
And she gave it back to me a month later all
Beat up, so bad and
So terrible looking that
I sold my heart to the junkman !
Now I can never fall in love again....
Well I gave my heart to you, open, so open and trusting
And you gave it back to me, it was broken up and busting
(sold my heart) I sold my heart to the junkman
(sold my heart) I sold my heart to the junkman
I can never fall in love again
Oh and I know you took my heart, you thought that you
Could use it
When you gave it back like a toy
You broken and bruised
(sold my heart) I sold my heart to the junkman
(I sold my heart) I sold my heart to the junkman
I can never fall in love again
Now, it was a movie sad scene, I played my part
Ooh I wanted the happy ending, but all I got was
A broken heart
(all he got was a broken heart)
(I sold my heart) I sold my heart to the junkman(I sold my heart) I sold my
Heart to the junkman
I can never fall in love again
Now I swear it was a movie setting, baby I played my part
[...] Read more
song performed by Bruce Springsteen
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The Avowyng of Arthur
He that made us on the mulde,
And fair fourmet the folde,
Atte His will, as He wold,
The see and the sande,
Giffe hom joy that will here
Of dughti men and of dere,
Of haldurs that before us were,
That lifd in this londe.
One was Arther the Kinge,
Wythowtun any letting;
Wyth him was mony lordinge
Hardi of honde.
Wice and war ofte thay were,
Bold undur banere,
And wighte weppuns wold were,
And stifly wold stond.
This is no fantum ne no fabull;
Ye wote wele of the Rowun Tabull,
Of prest men and priveabull,
Was holdun in prise:
Chevetan of chivalry,
Kyndenesse and curtesy,
Hunting full warly,
As wayt men and wise.
To the forest thay fare
To hunte atte buk and atte bare,
To the herte and to the hare,
That bredus in the rise.
The King atte Carlele he lay;
The hunter cummys on a day -
Sayd, 'Sir, ther walkes in my way
A well grim gryse.
'He is a balefull bare -
Seche on segh I nevyr are:
He hase wroghte me mycull care
And hurte of my howundes,
Slayn hom downe slely
Wyth feghting full furcely.
Wasse ther none so hardi
Durste bide in his bandus.
On him spild I my spere
And mycull of my nothir gere.
Ther moue no dintus him dere,
Ne wurche him no wowundes.
He is masly made -
All offellus that he bade.
Ther is no bulle so brade
That in frith foundes.
[...] Read more
poem by Anonymous Olde English
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Now, Heart' - Some Of What I Remember When I Listen
A river is a process through time, and the river stages are its momentary parts.
—Willard Van Orman Quine
From early poems,1970s, youthful indiscretions/attempts to vocally/poetically arrive at/derive a worthwhile writer's voice. Some explication might serve or enhance these under serving, undeserving though 'striving-after' poems hidden in old journals understandably unpublished but now so with apologies which are these expiatory explanations. Recently rediscovering these early arrivals, derivative yet aspiring I recognized and reembraced an enduring self maturing, arriving into late middle age:
Obsessed newly by jazz, mad about the many miraculous lady singers, entranced all too easily as youth are wont to be by sorrows and sexual infatuations which feel, emphasis on 'feel', like love, here are two of many 'songs' as tributes and life markers to jazz singers who provided soundtrack and felt expression to my angst and easily inflated/deflated sense of self, of beloved others, and of that new territory, independent life away from parental home and childhood community discovering, blundering into the fray of separate hearts and minds, irresponsible genitals and insouciant jouissance ('juiciness', in French) , discovering then and again and again that like Walt Whitman I 'contain worlds' and many disparate selves poorly formed, most of them collective projections and expectations of who or what I wanted to be, what others wanted and expected me to be, resulting in much confusion, tumult and multitudes of momentary throw-away selves. Thus singers like Bessie Smith and Dinah Washington became anchors, warm contexts and containers, for my daily fragmentation and re-formation.
I lived on 3rd street in downtown Chattanooga, a refugee from zealous, politically conservative white evangelicals and the vestigial yet still viral Southern Confederacy. Just a block or two from where Bessie Smith was born, I used to watch from my upstairs porch the steep hilly street's comings and goings with a glimpse of the Tennessee River between tenements across the street, its persistent rich aroma heavy in the air. I imagined Bessie Smith as a little girl playing up and down the street like the kids I saw then - once, two of them gleefully chasing a frighteningly large and confused looking rat.
William—he insisted on 'Willie'—an old man down the street who knew Bessie as a little girl, used to come up to my porch after one day hearing Bessie from my phonograph singing blues onto the always busy but attentive street. One of the first and permanent things I learned from my porch is that a city street has keen, observant eyes, acute ears, omnivorously seeing/hearing everything, indifferently, perhaps, but nothing escapes it, a roving, all-knowing urban Eye of God.
Extremely green and eager as green always is though stutteringly, and without apology, I enjoyed Willie's many stories and back pocket bottles of Old Mr. Boston Apricot Brandy, both of which—story and spirits/spirited story —dissolved or appeared to, age, racial, cultural, and sociological differences, along with those catalysts/cata-lusts, the forever alchemical Bessie and other jazz singers, Billie! Dinah! Ella! Sassy! Lil Ester Phillips! Nina Simone! to name only a few of the sensuous solutio chanteuses resolving sexual confoundaries by Miss-ambiguating sins' plethera with loose lilt and will- o-the-lisp whisper tongues.
One night Willie, much 'in the pocket'—an expression for being well onto tipsy which I've never heard from anyone but him—wanted to dance to a Bessie tune playing, 'Back Water Blues', him recalling nights as a young man in rural Tennessee where he'd worked hard days in oppressive vegetable fields then hit the after hours juke joints for 'colored, twas segregation days, ' he explained, where he would go to drink, dance then dive/delve, as it were, into the sensual mysteries of moist skin, hot breath, mutually open mouths with their commodious moans and mumbles, venial hands, always vital parts, private hearts mutually pounding ancient known rhythms, odors and tastes of gin and those slender, forbidden, now greedily stolen bites in those all too short nights with their damned intrusive dawns.
'Dawnus interuptus, ' I quipped, us both slapping knees, passing the narrative bottle fore and aft hefting moments re-grasped between us, offerings to the equally narrative river, the all-knowing hungry street.
Jumping to his feet, Willie described 'powder dancin'' (pronounced marvelously, 'powdah') which I had never heard of. Talcum powder would be copiously scattered onto the dance floor where couples in stocking or bare feet would ecstatically dance, gliding and sliding sweetly scented, muskily bent toward later glides and slides in the slippery joy of momentary allure and amour on dimmed porches or surrounding woods often enough and gratis upon delicate slabs of moonlight gratuitously dewy providing cushion for Passion's out and in, honoring and dignifying deities of skin wanting more making more skin, headlong Nature's frictional algo-rhythms indelibly scored in every/each his/her yawing yen.
Willie shouted, 'YOU GOT ANY TALC POWDER? ! '
...The jazz us trembled...
'NO! ' I bellowed, curious.
'YOU GOT ANY FLOUR? ! '
Even more curious, 'YEAH! ! '
'GO GIT IT! QUICK! ! '
He grinned an Old Mr. Boston juke-joint night-memories quaff-again grin.
Martha White, a brand of flour sold down South, has never been put to better use. Willie threw handfuls of 'Martha' over the tenement-planked living room floor as I half protested at the mess it (and me and Willie) was and would become. Completely gripped by his present-in-the-past brandy trance, a much younger man now, he suddenly grabbed me, brandied and tranced, too, my long hair flying, and danced me all over the floor the night through with swigs of Old But Now Spry 'n' Sprightly Mr. Boston with pauses to change record albums on the phonograph, 'catching up our breaths, ' he panted.
Next morning (more likely early afternoon) , Willie long gone, I awakened sprawled on the penitent porch—a cool concrete floor my sinner's bench—sweaty and thick as pan gravy, mosquito bitten, marinaded in Tennessee night mists. I staggered into the living room onto the ghostly floor powdery white, 'stroked' with two attached, or close to, sets of foot prints, heel slides and smears, a kind of 'Jackson Pollock meets Tibetan sand painting 'yazzed' yantra'**' with cigarette ashes flicked into the flickering impermanent mix. I've not powder danced since when we drank discovering oral history's joys, opened eager ears and fraternal arms forgetting fears of race and religion, age and expressed/ espressed Desire's multilingual disseminations.
I know that wheat is anciently sacred but now even more so for flour, the sight and feel of it, its unbaked smell, turns me again toward a Chattanooga 3rd street, its compass river swelling like bread nearby bearing witness still for one cannot say too much about rivers—their irreverence of edges scored, spilling themselves, proclaiming natural gods deeper than memory yet dependent upon it for traced they must be in every human activity, no matter the breech, for something there is to teach even deity though it may be wrong to do so, or hearsay to say it or sing, but the song is there for those whose ears are broken onto bottoms from which cry urgencies of Being and between, dutiful banks barely containing the straining Word.
**From Tibetan Buddhism. Visual meditation devices,
Yantras function as revelatory conduits of cosmic truths.
1. To Bessie Smith,3rd Street Chattanooga (circa 1971)
Already the river begins its sweat.
April to September I'll be on the porch
Come sunsets listening to cars in the
Dark and you, remembering the flour
On the floor and me and Willie in
Stocking feet dancing till dawn,
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poem by Warren Falcon
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MINNIE & WILLIE (A Tale of Two Lovers)
Gather-round folks, hear this grand tale
Of how two unlikely lovers did meet
Of Minnie Minnow and Willie Whale
A great love that knew no defeat
She swam in a school, him in a pod
They met one fine day by a reef
Willie’s pod readied to migrate abroad
His great eye caught a glimpse ever brief
Minnie was a vision of grace and style
She smiled, splayed her delicate fins
It was young Willie she’d soon beguile
This is where our love story begins;
Love struck Willie come a courtin one day
Seaweed bouquet tucked under a fluke
Asked, Schoolmarm if Minnie could play
Willie hoped he’d not get rebuked
“Suppose its alright” said Schoolmarm
“Please get her back here by noon”
Minnie was taken by Willie’s naive charm
Clearly this mammal was no one’s buffoon
Fin-in-fluke they swam to a nearby lagoon
Began then a most beautiful romance
A sweet kiss they shared that forenoon
Destined were they to a lifelong dance
In time Minnie and Willie came of age
On bended tail Willie proposed
Lo! Both sets of parents flew into a rage
Knew not of the marriage presupposed
Panicked...Minnie burst into tears
Had no idea her parents would mind
Or that they might interfere
Insisting she only marry her kind
Pod asked Elder Whale who promptly said no
Losing hope young lovers went into despair
Till Willie grabbed Minnie, said “We’ll elope! ”
“Losing you Minnie I just could not bear”
Their journey began with a swim North to South
Migrating to warm waters of Captain Cook Bay
When Minnie tired she’d ride in Willie’s mouth
Willie assured, ”Hawaii’s not that far away”
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poem by Ray Lucero
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Jamie Telfer
It fell about the Martinmas tyde,
When our Border steeds get corn and hay
The captain of Bewcastle hath bound him to ryde,
And he's ower to Tividale to drive a prey.
The first ae guide that they met wi',
It was high up Hardhaughswire;
The second guide that we met wi',
It was laigh down in Borthwick water.
'What tidings, what tidings, my trusty guide?'
'Nae tidings, nae tidings, I hae to thee;
But, gin ye'll gae to the fair Dodhead,
Mony a cow's cauf I'll let thee see.'
And whan they cam to the fair Dodhead,
Right hastily they clam the peel;
They loosed the kye out, ane and a',
And ranshackled the house right weel.
Now Jamie Telfer's heart was sair,
The tear aye rowing in his e'e;
He pled wi' the captain to hae his gear,
Or else revenged he wad be.
The captain turned him round and leugh;
Said--'Man, there's naething in thy house,
But ae auld sword without a sheath,
That hardly now wad fell a mouse!'
The sun was na up, but the moon was down,
It was the gryming o' a new fa'n snaw,
Jamie Telfer has run three myles a-foot,
Between the Dodhead and the Stobs's Ha'
And whan he cam to the fair tower yate,
He shouted loud, and cried weel hie,
Till out bespak auld Gibby Elliot--
'Wha's this that brings the fraye to me?'
'It's I, Jamie Telfer o' the fair Dodhead,
And a harried man I think I be!
There's naething left at the fair Dodhead,
But a waefu' wife and bairnies three.
'Gae seek your succour at Branksome Ha'.
For succour ye'se get nane frae me!
Gae seek your succour where ye paid black-mail,
For, man! ye ne'er paid money to me.'
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poem by Andrew Lang
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Robber & The Roadie
When willie met ronnie he was runnin up a track
He was bent down, burned out, carryin a sack
Come on boy, you got to stop and help me some
And keep this money hidden when the police come
Ronnie was shiverin and makin funny sounds
He was lookin like a fox
That was runnin from the hounds
Sure little buddy, I can lighten up your load
You half it up, Ill hit it up, Ill take it down the road
Never had a better combination been planned
cos willie was a roadie with a rock n? roll band
They were heads back, celebratin, drinkin moonshine
Heads down, here we go across another state line
Tanked up and bullet proof
They couldnt give a monkeys
Damn if he didnt hide the money in a drum case
Pack em up, hit em up, do another show
The robber and the roadie got a long way to go
Willie and ronnie
Anytime they wanted they would pull another job
Anywhere they found a place
And it was fat enough to rob
If ronnie saw the police he would make a little sign
Then willie stuck the money in the bands back line
In the main racks, bass stacks
Anywhere he thought it could
Be hidden out of sight
Until the finished out in hollywood
Split it down the middle
When they took it out the sound
The robber and the roadie got enough to go around
Willie and ronnie
The robber and the roadie
Forty seven days and they had only one to go
When the telegram arived
To say the band wouldnt show
The crowd was getting nasty and it turned into a rage
The bottles and the bodies started coverin the stage
Then the cops came running in
And breaking up the riotin
When they saw the money falling
Out the back of everything
Hey little buddy think its time to run and duck
The robber and the roadie could be runnin out of luck
Willie and ronnie had to skip it out of town
They were sittin by the highway like jackson browne
They were stickin out their thumbs
In the middle of the night
When they saw the car comin with the spinnin red light
Wide eyed, tongue tied feelin pretty stranded
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song performed by Nazareth
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Kinmont Willie
O have ye na heard o the fause Sakelde?
O have ye na heard o the keen Lord Scroop?
How they hae taen bauld Kinmont Willie,
On Hairibee to hang him up?
Had Willie had but twenty men,
But twenty men as stout as be,
Fause Sakelde had never the Kinmont taen
Wi eight score in his companie.
They band his legs beneath the steed,
They tied his hands behind his back;
They guarded him, fivesome on each side,
And they brought him ower the Liddel-rack.
They led him thro the Liddel-rack.
And also thro the Carlisle sands;
They brought him to Carlisle castell.
To be at my Lord Scroope's commands.
'My hands are tied; but my tongue is free,
And whae will dare this deed avow?
Or answer by the border law?
Or answer to the bauld Buccleuch?'
'Now haud thy tongue, thou rank reiver!
There's never a Scot shall set ye free:
Before ye cross my castle-yate,
I trow ye shall take farewell o me.'
'Fear na ye that, my lord,' quo Willie:
'By the faith o my body, Lord Scroope,' he said,
'I never yet lodged in a hostelrie--
But I paid my lawing before I gaed.'
Now word is gane to the bauld Keeper,
In Branksome Ha where that he lay,
That Lord Scroope has taen the Kinmont Willie,
Between the hours of night and day.
He has taen the table wi his hand,
He garrd the red wine spring on hie;
'Now Christ's curse on my head,' he said,
'But avenged of Lord Scroope I'll be!
'O is my basnet a widow's curch?
Or my lance a wand of the willow-tree?
Or my arm a lady's lilye hand,
That an English lord should lightly me?
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poem by Andrew Lang
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Sold Me Out
I always knew that theyd get me somehow sooner or later,
But with a bullet in the head, a knife in the back,
Not a pocket calculator.
Sorry mister, youre all wiped up,
Youre all washed up,
Sold you out.
Got no dreams, got no ambition,
Cant decide, cause theres no decision,
Got no claim to any position,
Cant compete with the competition.
Youre always complaining,
Its so depressing,
But if youre old enough,
Start to confess it.
You say, you sold me out,
To get a better deal for yourself,
You sold me out,
And now we want some of your precious wealth,
Because you sold me out.
Sold me out,
Sold me out,
Sold me out.
You sold me out,
To get a better deal for yourself.
You sold me out,
And now its every man for himself.
Work all your life, put the money in the bank,
Sign on the dotted line.
Try to draw it out, the jokes on you,
Put up the empty sign.
Sorry mister, were all sold out.
Sold me out,
Sold me out,
Sold me out,
Sold me out.
You, Im talkin to you.
You sold me out,
To get a better deal for yourself.
You sold me out,
And now we want some of your precious wealth.
And sell you out,
Like you sold me out.
Are you in so deep, that you cant get out?
Got no dreams, got no ambition,
Cant decide, cause theres no decision,
Got no claim to any position,
Cant compete with the competition.
Sold me out,
Sold me out,
Sold me out,
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song performed by Kinks
Added by Lucian Velea
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What Would Willie Do
I was lost in trouble and strife, I heard a voice and it changed my life
And now it's a brand new day, and I ain't afraid to say
You're not alone when you're down and out
And I think you know who I'm talking about
When I don't know how I'll get through
I ask myself what would Willie do
What would Willie do, well he'd travel so far with nothing but a song and his old guitar
And a tour bus and some semi-trucks, thirty crew men and a little bit of luck
Well he loves all the people, the ugly and the randy
If you don't believe me take a look at the family
And they'll tell you that it's true
When skies are gray what would Willie do
Well long ago he came unto us, his words were simple but they went right through us
And the whole world sang along, but then they didn't want to hear his songs
He was gone and we thought we'd lost him
But he grew his hair and he moved to Austin
And all of the people smiled, they came to hear him sing from miles
Like a miracle all those rednecks and hippies
From New York City down to Mississippi
Stood together and raised a brew
When it's all gone wrong what would Willie do
You know sometimes I wonder when I ain't gettin' nowhere
What would old Willie do when it all gets too much to bear
And I can see him on his lonely old tour bus
And he's got his problems just like any of us
Well he'd just take a deep breath and then he'd let it all go
And he'd take another deep breath and let it all go
And he'd take another deep breath...and he'd hold it
Ah and I bet he'd feel hungry in a way that seems strange
Yeah hungry for all the things that he just can't change
Like the time he passed out in is own bedroom
And his wife sewed him up in the sheets and beat him with a broom and he forgave her
And you think that's rough, well then the IRS came and they took away all of his stuff
They took his golf course and his recording studio, and he just went out and did another show
So when it's all coming down on you
You better ask yourself what would Willie do
What would Willie do, well he'd take a little time
And talk to old rooser as he'd drive on down the line
And there's millions down that road, and with a word he's gonna lighten their load
He loves all the people no matter their races
Hell he even had a hit country song with Julio Iglesias
And that ain't easy to do, so when it's all too much, what would Willie
When the game gets tough what would Willie
When they call your bluff what would Willie do
song performed by Gary Allan
Added by Lucian Velea
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Money, Money
My baby gives me the finance blues, tax me to the limit of my revenues.
Here she comes finger-poppin, clickety-click
She says furs or diamonds, you take your pick.
She wants money, what she wants, she wants money, what she wants,
She wants money, what she wants, she wants money, what she wants,
Money money, money money money. money money, money money money.
She say, money, honey, Id rob a bank,
I just load my gun and mosey down to the bank.
Knockin off my neighborhood savings and load,
To keep my sweet chiquita in eau de cologne.
She wants money, what she wants, she wants money, what she wants,
Money money, money money money. money money, money money money.
Mama dont send me down to rob that bank again,
I got a notion that your leadin me to sin.
Wont you relax, wont you lay way back,
Dont you bug your honey bout no cadillac.
Its only bucks, you dont need no jack.
So wont you please relax and lay way back.
My babys lovin gives me such a thrill;
It gives me inspiration makin counterfeit bills.
Now some folks say the best things in life are free,
She wants money, what she wants, she wants money, what she wants,
Money money, money money money. money money, money money money.
Lord made a lady out of adams rib, next thing you know, you got womens lib.
Lovely to look upon, heaven to touch;
Its a real shame that they got to cost so much.
song performed by Grateful Dead
Added by Lucian Velea
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Patience
Pacience is a poynt, þa33e,
& quo for þro may no3t þole, þe þikker he sufferes.
&Thorn;en is better to abyde þe bur vmbestoundes
&Thorn;en ay þrow forth my þro, þa33e masse,
How Mathew melede þat his Mayster His meyny con teche.
A3t happes He hem hy3t & vcheon a mede,
Sunderlupes, for hit dissert, vpon a ser wyse:
Thay arn happen þat han in hert pouerte,
For hores is þe heuen-ryche to holde for euer;
&Thorn;ay ar happen also þat haunte mekenesse,
For þay schal welde þis worlde & alle her wylle haue;
Thay ar happen also þat for her harme wepes,
For þay schal comfort encroche in kythes ful mony;
&Thorn;ay ar happen also þat hungeres after ry3t,
For þay schal frely be refete ful of alle gode;
Thay ar happen also þat han in hert rauþe,
For mercy in alle maneres her mede schal worþe;
&Thorn;ay ar happen also þat arn of hert clene,
For þay her Sauyour in sete schal se with her y3en;
Thay ar happen also þat halden her pese,
For þay þe gracious Godes sunes schal godly be called;
&Thorn;ay ar happen also þat con her hert stere,
For hores is þe heuen-ryche, as I er sayde.
These arn þe happes alle a3t þat vus bihy3t weren,
If we þyse ladyes wolde lof in lyknyng of þewes:
Dame Pouert, Dame Pitee, Dame Penaunce þe þrydde,
Dame Mekenesse, Dame Mercy, & miry Clannesse,
& þenne Dame Pes, & Pacyence put in þerafter.
He were happen þat hade one; alle were þe better.
Bot [s]yn I am put to a poynt þat pouerte hatte,
I schal me poruay pacyence & play me with boþe,
For in þe tyxte þere þyse two arn in teme layde,
Hit arn fettled in on forme, þe forme & þe laste,
& by quest of her quoyntyse enquylen on mede.
& als, in myn vpynyoun, hit arn of on kynde:
For þeras pouert hir proferes ho nyl be put vtter,
Bot lenge wheresoeuer hir lyst, lyke oþer greme;
& þereas pouert enpresses, þa33tloker hit lyke & her lotes prayse,
&Thorn;enne wyþer wyth & be wroth & þe wers haue.
3if me be dy3t a destyne due to haue,
What dowes me þe dedayn, oþer dispit make?
Oþer 3if my lege lorde lyst on lyue me to bidde
Oþer to ryde oþer to renne to Rome in his ernde,
What grayþed me þe grychchyng bot grame more seche?
Much 3if he me ne made, maugref my chekes,
& þenne þrat moste I þole & vnþonk to mede,
&Thorn;e had bowed to his bode bongre my hyure.
Did not Jonas in Jude suche jape sumwhyle?
To sette hym to sewrte, vnsounde he hym feches.
Wyl 3e tary a lyttel tyne & tent me a whyle,
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poem by Anonymous Americas
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Stricken [from]
::record::
a teacher ::record:: helps a boy get a gun
it's about not ::record:: looking mistakable
::record::
houndstooth
accordion attache
bounty hunter provisions
::record:: I told the teacher about Pietro's
I was angry with the police again
it was not my movie
I was mixed up in campaign finance reform
I was sweet shiftless and poor
and stricken
::record::, a boy is loaded
American Express makes it ::record:: better
'providing alternatives to jail for persons who pose no danger to the community'
Loan Consolidators for your ::record:: problems
'but use purpose area #15A if primary focus is drug testing or purpose area #20 if focus is reducing jail crowding'
Effective Sanctions that Fit the ::record:: Budget
somehow I was caught up in this
and questioned about a family ::record:: resemblance
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poem by Heather Fuller
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