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Isabelle Adjani

One can be emptied out and be filled up.

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Rode to a Knight Impale - after John Keats - Ode to a Nightingale

. :) kindly refer to notes. :)

My part aches and a rousing stiffness pains
my whole as though viagra I had drank,
or loosened up some pheronomic chains
split seconds past, endorphined, anticipating prank.
'Tis not through envy that I ask a lot,
but seeking through your image happiness,
love-lipped epitome of all that please
amused muse stays aware that what you've got
conjurs wet dreams, streams’ ready eddies numberless,
straw hollow swallows spring in full-throated ease.

O, for a draught of vintage! that hath been
fat vat prime time cocked, erect in deep pelvic berth,
tasting of horny fauna’s jelly beans,
dancing tandem to tambourine song since sunny birth!
O for a beaker full of the warm south,
filled to whet winking brink noways obscene,
with beaded bubbles oozing at the brim,
of purple-hooded mouth;

That I might drink, and leave the world unseen,
and with thee knock on doors quite in the swim:
ride far away, knot solve, and quite forget
what you senses leaves had never known,
no weariness, no fever, and no fret.
Here, men lose wit to hear each other groan
as palsy shakes a few, sad, beardless chins,
where youth grows pale, and spectre-thin, and sighs;
where but to think of size baits rod with sorrow
and leaden-eyed despairs,
No, Beauty, none may mime your lustrous eyes,
where new Love pines, fears un-orgasmic morrow.

Away! away! for I will fly to thee,
not roped in by vile censors, critics’ pards,
but on untrammelled wings of intimacy,
though most dull brains perplex, their sloth retards.
Already with thee! tender is the night,
and tenderness my motto ‘tis well known
to massage tissues starry nights, sun days,
without the which love’s light
moons absence of reflection, breezes blown
through tortuous gameplays, inexperienced ways.

You should not care what flowers are at your feet,
for all is incense garland, and endows

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We Need Cash And Not Your Lip

You may not have a clue,
Or be conscious of it.
You may accept it as a part of life,
Existing.
Spending as if there is not end to it.
Until a limit has been reached,
With a lesson to begin...
Taught to you as one to teach.

You believed you were equal.
Sharing 'perks' and benefits.
But when your pockets emptied...
Quick,
Your credit also split!

You believed you were equal.
Sharing 'perks' and benefits.
You believed you were equal.
But when your pockets emptied...
Quick,
Your credit also split!
You once felt equal.

You may not have a clue,
Or be conscious of it.
You may accept it as a part of life,
Existing.
Spending as if there is no end to it.
Until your limit has been reached,
With a lesson to begin...
Taught to you as one to teach.

And then you call your creditors...
Who say to you we need some cash,
And not a promise of it!
It's needed now.
And needed fast!

You believed you were equal.
Sharing 'perks' and benefits.
You believed you were equal.
But when your pockets emptied quick...
You called your creditors who say,
They need the cash and not your lip.

You believed you were equal.
Sharing 'perks' and benefits.
You believed you were equal.
But when your pockets emptied quick...
You called your creditors who say,

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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The Witch of Hebron

A Rabbinical Legend


Part I.
From morn until the setting of the sun
The rabbi Joseph on his knees had prayed,
And, as he rose with spirit meek and strong,
An Indian page his presence sought, and bowed
Before him, saying that a lady lay
Sick unto death, tormented grievously,
Who begged the comfort of his holy prayers.
The rabbi, ever to the call of grief
Open as day, arose; and girding straight
His robe about him, with the page went forth;
Who swiftly led him deep into the woods
That hung, heap over heap, like broken clouds
On Hebron’s southern terraces; when lo!
Across a glade a stately pile he saw,
With gleaming front, and many-pillared porch
Fretted with sculptured vinage, flowers and fruit,
And carven figures wrought with wondrous art
As by some Phidian hand.

But interposed
For a wide space in front, and belting all
The splendid structure with a finer grace,
A glowing garden smiled; its breezes bore
Airs as from paradise, so rich the scent
That breathed from shrubs and flowers; and fair the growths
Of higher verdure, gemm’d with silver blooms,
Which glassed themselves in fountains gleaming light
Each like a shield of pearl.

Within the halls
Strange splendour met the rabbi’s careless eyes,
Halls wonderful in their magnificance,
With pictured walls, and columns gleaming white
Like Carmel’s snow, or blue-veined as with life;
Through corridors he passed with tissues hung
Inwrought with threaded gold by Sidon’s art,
Or rich as sunset clouds with Tyrian dye;
Past lofty chambers, where the gorgeous gleam
Of jewels, and the stainèd radiance

Of golden lamps, showed many a treasure rare
Of Indian and Armenian workmanship
Which might have seemed a wonder of the world:
And trains of servitors of every clime,
Greeks, Persians, Indians, Ethiopians,
In richest raiment thronged the spacious halls.

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Henry Wadsworth Longfellow

Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

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Roan Stallion

The dog barked; then the woman stood in the doorway, and hearing
iron strike stone down the steep road
Covered her head with a black shawl and entered the light rain;
she stood at the turn of the road.
A nobly formed woman; erect and strong as a new tower; the
features stolid and dark
But sculptured into a strong grace; straight nose with a high bridge,
firm and wide eyes, full chin,
Red lips; she was only a fourth part Indian; a Scottish sailor had
planted her in young native earth,
Spanish and Indian, twenty-one years before. He had named her
California when she was born;
That was her name; and had gone north.
She heard the hooves and
wheels come nearer, up the steep road.
The buckskin mare, leaning against the breastpiece, plodded into
sight round the wet bank.
The pale face of the driver followed; the burnt-out eyes; they had
fortune in them. He sat twisted
On the seat of the old buggy, leading a second horse by a long
halter, a roan, a big one,
That stepped daintily; by the swell of the neck, a stallion. 'What
have you got, Johnny?' 'Maskerel's stallion.
Mine now. I won him last night, I had very good luck.' He was
quite drunk, 'They bring their mares up here now.
I keep this fellow. I got money besides, but I'll not show you.'
'Did you buy something, Johnny,
For our Christine? Christmas comes in two days, Johnny.' 'By
God, forgot,' he answered laughing.
'Don't tell Christine it's Christmas; after while I get her something,
maybe.' But California:
'I shared your luck when you lost: you lost me once, Johnny, remember?
Tom Dell had me two nights
Here in the house: other times we've gone hungry: now that
you've won, Christine will have her Christmas.
We share your luck, Johnny. You give me money, I go down to
Monterey to-morrow,
Buy presents for Christine, come back in the evening. Next day
Christmas.' 'You have wet ride,' he answered
Giggling. 'Here money. Five dollar; ten; twelve dollar. You
buy two bottles of rye whiskey for Johnny.'
A11 right. I go to-morrow.'
He was an outcast Hollander; not
old, but shriveled with bad living.
The child Christine inherited from his race blue eyes, from his
life a wizened forehead; she watched
From the house-door her father lurch out of the buggy and lead
with due respect the stallion
To the new corral, the strong one; leaving the wearily breathing
buckskin mare to his wife to unharness.

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Tannhauser

The Landgrave Hermann held a gathering
Of minstrels, minnesingers, troubadours,
At Wartburg in his palace, and the knight,
Sir Tannhauser of France, the greatest bard,
Inspired with heavenly visions, and endowed
With apprehension and rare utterance
Of noble music, fared in thoughtful wise
Across the Horsel meadows. Full of light,
And large repose, the peaceful valley lay,
In the late splendor of the afternoon,
And level sunbeams lit the serious face
Of the young knight, who journeyed to the west,
Towards the precipitous and rugged cliffs,
Scarred, grim, and torn with savage rifts and chasms,
That in the distance loomed as soft and fair
And purple as their shadows on the grass.
The tinkling chimes ran out athwart the air,
Proclaiming sunset, ushering evening in,
Although the sky yet glowed with yellow light.
The ploughboy, ere he led his cattle home,
In the near meadow, reverently knelt,
And doffed his cap, and duly crossed his breast,
Whispering his 'Ave Mary,' as he heard
The pealing vesper-bell. But still the knight,
Unmindful of the sacred hour announced,
Disdainful or unconscious, held his course.
'Would that I also, like yon stupid wight,
Could kneel and hail the Virgin and believe!'
He murmured bitterly beneath his breath.
'Were I a pagan, riding to contend
For the Olympic wreath, O with what zeal,
What fire of inspiration, would I sing
The praises of the gods! How may my lyre
Glorify these whose very life I doubt?
The world is governed by one cruel God,
Who brings a sword, not peace. A pallid Christ,
Unnatural, perfect, and a virgin cold,
They give us for a heaven of living gods,
Beautiful, loving, whose mere names were song;
A creed of suffering and despair, walled in
On every side by brazen boundaries,
That limit the soul's vision and her hope
To a red hell or and unpeopled heaven.
Yea, I am lost already,-even now
Am doomed to flaming torture for my thoughts.
O gods! O gods! where shall my soul find peace?'
He raised his wan face to the faded skies,
Now shadowing into twilight; no response
Came from their sunless heights; no miracle,
As in the ancient days of answering gods.

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The Course Of Time. Book X.

God of my fathers! holy, just, and good!
My God! my Father! my unfailing Hope!
Jehovah! let the incense of my praise,
Accepted, burn before thy mercy seat,
And in thy presence burn both day and night.
Maker! Preserver! my Redeemer! God!
Whom have I in the heavens but Thee alone?
On earth, but Thee, whom should I praise, whom love?
For Thou hast brought me hitherto, upheld
By thy omnipotence; and from thy grace,
Unbought, unmerited, though not unsought—
The wells of thy salvation, hast refreshed
My spirit, watering it, at morn and even!
And by thy Spirit, which thou freely givest
To whom thou wilt, hast led my venturous song,
Over the vale, and mountain tract, the light
And shade of man; into the burning deep
Descending now, and now circling the mount,
Where highest sits Divinity enthroned;
Rolling along the tide of fluent thought,
The tide of moral, natural, divine;
Gazing on past, and present, and again,
On rapid pinion borne, outstripping Time,
In long excursion, wandering through the groves
Unfading, and the endless avenues,
That shade the landscape of eternity;
And talking there with holy angels met,
And future men, in glorious vision seen!
Nor unrewarded have I watched at night,
And heard the drowsy sound of neighbouring sleep;
New thought, new imagery, new scenes of bliss
And glory, unrehearsed by mortal tongue,
Which, unrevealed, I trembling, turned and left,
Bursting at once upon my ravished eye,
With joy unspeakable, have filled my soul,
And made my cup run over with delight;
Though in my face, the blasts of adverse winds,
While boldly circumnavigating man,
Winds seeming adverse, though perhaps not so,
Have beat severely; disregarded beat,
When I behind me heard the voice of God,
And his propitious Spirit say,—Fear not.
God of my fathers! ever present God!
This offering more inspire, sustain, accept;
Highest, if numbers answer to the theme;
Best answering if thy Spirit dictate most.
Jehovah! breathe upon my soul; my heart
Enlarge; my faith increase; increase my hope;
My thoughts exalt; my fancy sanctify,
And all my passions, that I near thy throne

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Rucksack Full Of Stones

A Babe…
Born perfect, innocent, ready
Cast into a corrupt world

Parents eagerly present
A family heirloom
A patchwork rucksack
Part-filled with stones
To a wide-eyed child

Begins the journey…

Child given stones of many shapes, sizes
Stones of pity, sorrow, fear, trauma
Stones filled with words like “No”
Stones filled with ugly phrases
Stones filled with abuse, punishment, pain

Rucksack seams burgeon

A growing Soul shouts

“Enough”

Emptying begins…

Through lessons, experiences, prayer
One by one
Removed the stones
Rucksack lightens
By the Grace of God,
Finally emptied

Another Babe born
Rucksack beckons

“Not this time”

Rucksack flung
Into Wisdom’s Fire

Consumed

Ends a vicious cycle…

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Tell Me Why

That tuesday night, turned 26 and I caught your smile
laid down my life, one kiss would take me through the night
I close my eyes, I feel your touch, I see you smile
it's on my mind, it's just a dream I know, but why?
why I just can't stop wondering you're on my mind
noone tells me why, tell me why
tell me why you filled that emptiness in me
tell me why, tell me why,
tell me why you filled that emptiness in me
just to tell you goodbye
a day down the line, reality's back on my mind
yesterday's behind, the charm of love has died but why
unsatisfied with what we get used to in this life
I laid it aside, looks so pale with open eyes
so I just keep on wondering about what's on my mind
noone tells me why, tell me why
why again you filled that emptiness in me
tell me why, tell me why,
why again you filled that emptiness in me
so I tell you goodbye
tell me why, tell me why,
tell me why you filled that emptiness in me
tell me why, tell me why,
tell me why you filled that emptiness in me
tell me why, tell me why,
why again you filled that emptiness in me
so I tell you goodbye

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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Last Dance Rodeo

Your lungs fill up with concrete
Her voice is all you can hear
Red lips and a screwdriver
Wrapped around some mink-clad smear
And you know that shes a diamond
And its damned you for sure (or in this damn juke box hell)
cause fools gold only fools fools
In two-bit hotels.
But shes cooler than all that
Shes a real high-class cat
Shes queen of the last dance rodeo.
But under the gas lamp
The air is thick and velvety
Your bones filled with hunger
Your heart filled with longing
Youre no longer human
Youre an insatiable hole.
You wanna bury your face forever
In the navel of her soul
cause you know ...
All you need is a heart to call home
All you need is a heart to call home
Thats all.
Light bulbs, and nylons
And plastic chandeliers
Objects are only objects,
They cant feel when youre near.
And tangerine lips
And lily-white breasts
These things are eternal
Inside them humanity rests.
The skin is like a seashell
You listen to the soul
Like an old-time radio show.
But under the gas lamp
The air is thick and velvety
Your bones filled with hunger
Your heart filled with longing
Youre no longer human
Youre an insatiable hole.
You wanna bury your face forever
In the navel of her soul
cause you know ...
All you need is a heart to call home
Thats all.
But dont wander too far
On one constant star
Darkness exists, except where you are
Your feet are filled with wandering
They follow your own

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John Keats

Endymion: Book III

There are who lord it o'er their fellow-men
With most prevailing tinsel: who unpen
Their baaing vanities, to browse away
The comfortable green and juicy hay
From human pastures; or, O torturing fact!
Who, through an idiot blink, will see unpack'd
Fire-branded foxes to sear up and singe
Our gold and ripe-ear'd hopes. With not one tinge
Of sanctuary splendour, not a sight
Able to face an owl's, they still are dight
By the blear-eyed nations in empurpled vests,
And crowns, and turbans. With unladen breasts,
Save of blown self-applause, they proudly mount
To their spirit's perch, their being's high account,
Their tiptop nothings, their dull skies, their thrones--
Amid the fierce intoxicating tones
Of trumpets, shoutings, and belabour'd drums,
And sudden cannon. Ah! how all this hums,
In wakeful ears, like uproar past and gone--
Like thunder clouds that spake to Babylon,
And set those old Chaldeans to their tasks.--
Are then regalities all gilded masks?
No, there are throned seats unscalable
But by a patient wing, a constant spell,
Or by ethereal things that, unconfin'd,
Can make a ladder of the eternal wind,
And poise about in cloudy thunder-tents
To watch the abysm-birth of elements.
Aye, 'bove the withering of old-lipp'd Fate
A thousand Powers keep religious state,
In water, fiery realm, and airy bourne;
And, silent as a consecrated urn,
Hold sphery sessions for a season due.
Yet few of these far majesties, ah, few!
Have bared their operations to this globe--
Few, who with gorgeous pageantry enrobe
Our piece of heaven--whose benevolence
Shakes hand with our own Ceres; every sense
Filling with spiritual sweets to plenitude,
As bees gorge full their cells. And, by the feud
'Twixt Nothing and Creation, I here swear,
Eterne Apollo! that thy Sister fair
Is of all these the gentlier-mightiest.
When thy gold breath is misting in the west,
She unobserved steals unto her throne,
And there she sits most meek and most alone;
As if she had not pomp subservient;
As if thine eye, high Poet! was not bent
Towards her with the Muses in thine heart;
As if the ministring stars kept not apart,

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Grandmother's Story Of Bunker Hill Battle (as she saw it from the Belfry)

'Tis like stirring living embers when, at eighty, one remembers
All the achings and the quakings of 'the times that tried men's souls';
When I talk of Whig and Tory, when I tell the Rebel story,
To you the words are ashes, but to me they're burning coals.

I had heard the muskets' rattle of the April running battle;
Lord Percy's hunted soldiers, I can see their red coats still;
But a deadly chill comes o'er me, as the day looms up before me,
When a thousand men lay bleeding on the slopes of Bunker's Hill.

'Twas a peaceful summer's morning, when the first thing gave us warning
Was the booming of the cannon from the river and the shore:
'Child,' says grandma, 'what's the matter, what is all this noise and clatter?
Have those scalping Indian devils come to murder us once more?'

Poor old soul! my sides were shaking in the midst of all my quaking
To hear her talk of Indians when the guns began to roar:
She had seen the burning village, and the slaughter and the pillage,
When the Mohawks killed her father, with their bullets through his door.

Then I said, 'Now, dear old granny, don't you fret and worry any,
For I'll soon come back and tell you whether this is work or play;
There can't be mischief in it, so I won't be gone a minute'—
For a minute then I started. I was gone the livelong day.

No time for bodice-lacing or for looking-glass grimacing;
Down my hair went as I hurried, tumbling half-way to my heels;
God forbid your ever knowing, when there's blood around her flowing,
How the lonely, helpless daughter of a quiet household feels!

In the street I heard a thumping; and I knew it was the stumping
Of the Corporal, our old neighbor, on that wooden leg he wore,
With a knot of women round him,—it was lucky I had found him,—
So I followed with the others, and the Corporal marched before.

They were making for the steeple,—the old soldier and his people;
The pigeons circled round us as we climbed the creaking stair,
Just across the narrow river—O, so close it made me shiver!—
Stood a fortress on the hilltop that but yesterday was bare.

Not slow our eyes to find it; well we knew who stood behind it,
Though the earthwork hid them from us, and the stubborn walls were dumb:
Here were sister, wife, and mother, looking wild upon each other,
And their lips were white with terror as they said, THE HOUR HAS COME!

The morning slowly wasted, not a morsel had we tasted,
And our heads were almost splitting with the cannons' deafening thrill,
When a figure tall and stately round the rampart strode sedately;
It was PRESCOTT, one since told me; he commanded on the hill.

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Joey

Born in red hook, brooklyn, in the year of who knows when
Opened up his eyes to the tune of an accordion
Always on the outside of whatever side there was
When they asked him why it had to be that way, well, he answered, just
Because.
Larry was the oldest, joey was next to last.
They called joe crazy, the baby they called kid blast.
Some say they lived off gambling and runnin numbers too.
It always seemed they got caught between the mob and the men in blue.
Joey, joey,
King of the streets, child of clay.
Joey, joey,
What made them want to come and blow you away?
There was talk they killed their rivals, but the truth was far from that
No one ever knew for sure where they were really at.
When they tried to strangle larry, joey almost hit the roof.
He went out that night to seek revenge, thinkin he was bulletproof.
The war broke out at the break of dawn, it emptied out the streets
Joey and his brothers suffered terrible defeats
Till they ventured out behind the lines and took five prisoners.
They stashed them away in a basement, called them amateurs.
The hostages were tremblin when they heard a man exclaim,
Lets blow this place to kingdom come, let con edison take the blame.
But joey stepped up, he raised his hand, said, were not those kind of men.
Its peace and quiet that we need to go back to work again.
Joey, joey,
King of the streets, child of clay.
Joey, joey,
What made them want to come and blow you away?
The police department hounded him, they called him mr. smith
They got him on conspiracy, they were never sure who with.
What time is it? said the judge to joey when they met
Five to ten, said joey. the judge says, thats exactly what you get.
He did ten years in attica, reading nietzsche and wilhelm reich
They threw him in the hole one time for tryin to stop a strike.
His closest friends were black men cause they seemed to understand
What its like to be in society with a shackle on your hand.
When they let him out in 71 hed lost a little weight
But he dressed like jimmy cagney and I swear he did look great.
He tried to find the way back into the life he left behind
To the boss he said, I have returned and now I want whats mine.
Joey, joey,
King of the streets, child of clay.
Joey, joey,
Why did they have to come and blow you away?
It was true that in his later years he would not carry a gun
Im around too many children, hed say, they should never know of one.
Yet he walked right into the clubhouse of his lifelong deadly foe,
Emptied out the register, said, tell em it was crazy joe.
One day they blew him down in a clam bar in new york

[...] Read more

song performed by Bob DylanReport problemRelated quotes
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Dont Mess Me Up

Climb aboard with me baby
We gotta give this thing a start
Go rocking into the feature film
And well rip the seats apart
But if you gotta treat me wrong
Dont mess me up
Well stop in the side sweet baby
And give your heart a check
Well dont mess me cause you might get
My finger burns around your neck
So if you gotta treat me wrong
Dont mess me up
The pink champagne I brought you baby
You emptied every drop
Dont you try to chain me up
But I have make you stop
Im giving in to you baby
And take you to the party hop
Your sure to cause a scene
In your red blue jeans
And we dance till five oclock
But if you gotta treat me wrong
Dont mess me up
Dont mess me up like that
The cold champagne I brought you baby
You emptied every drop
Dont you try to chain me up
But I have to make you stop
Climb aboard with me baby
We gotta give this thing a start
Go rocking into the feature film
Then well rip the seats apart
But if you gotta treat me wrong
Dont mess me up
But if you gotta treat me wrong
Dont mess me up
Well if you gotta treat me wrong
Dont mess me up
Dont mess me up no more

song performed by Electric Light OrchestraReport problemRelated quotes
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The Fog

Here in this town they have all got the blues
As the paper boy takes off without any news
Angels have wings you can feel free to use
The corner store drugs you can freely abuse
And Im yelling and screaming cause baby youre driving me crazy
So life on your own has been vacant and cold
Everyones getting somewhere and youre getting old
Career opportunities they all have been sold
Along with your body and most of your soul
And Im yelling and screaming cause baby youre driving me crazy
If I could spare more remorse from my emptied out pores I would maybe
Cause the fogs getting thicker the worlds spinning fast
The chaos is building, its going too last
And its so hard to see and youre so hard to find
The days when I think I am losing my mind
So keep painting pictures of beautiful scenes
Striking the canvas with deep blues and greens
When you start frowning they think youre obscene
As you work overtime to make sure they can dream
Im yelling and screaming cause baby youre driving me crazy
If I could spare more remorse from my emptied out pores I would maybe
Cause the fogs getting thicker the worlds spinning fast
The chaos is building, its going too last
And its so hard to see and youre so hard to find
The days when I think I am losing my mind
And we yell and we scream
As the fogs getting thicker the worlds spinning fast
The chaos is building, its going to last
And its so hard to see and youre so hard to find
The days when I think I am losing my mind
And the fogs getting thicker the worlds spinning fast
The chaos is building, its going to last
And its so hard to see and youre so hard to find
The days when I think I am losing my mind

song performed by Maroon 5Report problemRelated quotes
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Saddled Strapped To Meanings

Feeling lower holding onto woes...
While hoping to ride high on bling.
Dreaming woes will let them go...
While hoping to ride high on bling.

Those saddled strapped to meanings,
Can't seem to free from setbacks...
That keep them trapped on thoughts of bling.

Some see their cups near emptied up!
That keeps them trapped on thoughts of bling.
Some see themselves with just bad luck.
That keeps them trapped on thoughts of bling.
And some may dig in deeper ruts.
That keeps them trapped on thoughts of bling.
And bottled up they cuss so much.
That keeps them trapped on thoughts of bling.

Those saddled strapped to meanings,
Can't seem to free from setbacks...
That keep them trapped on thoughts of bling.

Some see their cups near emptied up!
That keeps them trapped on thoughts of bling.
Some see themselves with just bad luck.
That keeps them trapped on thoughts of bling.

Feeling lower holding onto woes...
While hoping to ride high on bling.
Dreaming woes will let them go...
While hoping to ride high on bling.

Some may dig in deeper ruts,
While hoping to ride high on bling.
And bottled up they cuss so much.
While hoping to ride high on bling.

Those saddled strapped to meanings,
Can't seem to free from setbacks...
That keep them trapped on thoughts of bling.

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Now Let Us Begin

man if he is true to be man, is more real if he is at first
less of himself, when he is empty, when he is emptied,
when he is emptying. It is like the stomach, you feel it more
when it is empty rather than when it is full
it speaks to you when it is hungry

it grunts
it growls
it even howls
and sometimes it whistles

than when it is bloated with so much food
and wine and desserts.Because in hunger, in the hopelessness
of our state, in the emptiness of our being
we know where we will place

everything.


we will know our dreams, we meet our hopes,
for the first time
we know precisely when to wish,
and where to put them

when we are emptying,
when we are emptied
and now we are sure when we are filling.

let us begin.

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A Song in Time of Revolution. 1860

THE HEART of the rulers is sick, and the high-priest covers his head:
For this is the song of the quick that is heard in the ears of the dead.

The poor and the halt and the blind are keen and mighty and fleet:
Like the noise of the blowing of wind is the sound of the noise of their feet.

The wind has the sound of a laugh in the clamour of days and of deeds:
The priests are scattered like chaff, and the rulers broken like reeds.

The high-priest sick from qualms, with his raiment bloodily dashed;
The thief with branded palms, and the liar with cheeks abashed.

They are smitten, they tremble greatly, they are pained for their pleasant things:
For the house of the priests made stately, and the might in the mouth of the kings.

They are grieved and greatly afraid; they are taken, they shall not flee:
For the heart of the nations is made as the strength of the springs of the sea.

They were fair in the grace of gold, they walked with delicate feet:
They were clothed with the cunning of old, and the smell of their garments was sweet.

For the breaking of gold in their hair they halt as a man made lame:
They are utterly naked and bare; their mouths are bitter with shame.

Wilt thou judge thy people now, O king that wast found most wise?
Wilt thou lie any more, O thou whose mouth is emptied of lies?

Shall God make a pact with thee, till his hook be found in thy sides?
Wilt thou put back the time of the sea, or the place of the season of tides?

Set a word in thy lips, to stand before God with a word in thy mouth;
That “the rain shall return in the land, and the tender dew after drouth.”

But the arm of the elders is broken, their strength is unbound and undone:
They wait for a sign of a token; they cry, and there cometh none.

Their moan is in every place, the cry of them filleth the land:
There is shame in the sight of their face, there is fear in the thews of their hand.

They are girdled about the reins with a curse for the girdle thereon:
For the noise of the rending of chains the face of their colour is gone.

For the sound of the shouting of men they are grievously stricken at heart:
They are smitten asunder with pain, their bones are smitten apart.

There is none of them all that is whole; their lips gape open for breath;
They are clothed with sickness of soul, and the shape of the shadow of death.

The wind is thwart in their feet; it is full of the shouting of mirth;
As one shaketh the sides of a sheet, so it shaketh the ends of the earth.

[...] Read more

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