Who among us has the strength to oppose petty egoism, those petty good feelings, pity and remorse?
quote by Ivan Turgenev
Added by Lucian Velea
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Related quotes
With A Pity That You Want
With a pity that you want,
To prove it.
With a pity that you want.
And with a pity that you want,
To prove it.
With a pity that you want.
You weep too deep,
With a pity that you want to prove it.
With a pity that you want.
To realize...
A pain you keep.
With a pity that you want,
To prove it.
With a pity that you want.
Other people who have less,
Do their best to not in public bleed.
But...
You're one of those,
With a pity that you want to prove it.
With a pity that you want.
Yes you're one of those,
With a pity that you want to prove it.
With a pity that you want.
You weep too deep,
With a pity that you want to prove it.
With a pity that you want.
And your wants are weak.
With a pity that you want to prove it.
With a pity that you want.
Other people who have less,
Do their best to not in public bleed.
But...
You're one of those,
With a pity that you want to prove it.
With a pity that you want.
Yes you're one of those,
With a pity that you want to prove it.
With a pity that you want.
You're one of those,
With a pity that you want to prove it.
With a pity that you want.
Yes you're one of those,
[...] Read more
poem by Lawrence S. Pertillar
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That Pity B-Gone!
Let that pity b-gone!
No more from me you get pity.
That pity b-gone!
You indulged and had to rid of it.
That pity b-gone.
And also going are those benefits.
If you carry on...
Like you can't handle it!
Let that pity b-gone!
No more from me you get pity.
That pity b-gone!
You indulged and had to rid of it.
That pity b-gone.
And also going are those benefits.
If you carry on...
Like you can't handle it!
We knew that pity had to split!
B-gone.
We knew that our hearts would split, and soon...
B-gone.
If we let that pity sit,
Between us....
Both of us would have a fit.
If we let that pity sit,
Both of us would have a fit.
If we let that pity sit...
Between us!
And...
You'd believe,
That I could never love you.
To leave me feeling sorry,
And blue.
But...
I would know,
How deep inside my love goes.
And protecting what I love,
Before it overflows.
Let that pity b-gone!
No more from me you get pity.
That pity b-gone!
You indulged and had to rid of it.
That pity b-gone.
And also going are those benefits.
If you carry on...
Like you can't handle it!
[...] Read more
poem by Lawrence S. Pertillar
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Get Up Off Your Pity Pot To Stop It
To wiggle out from under all doubts,
With a hanging them out to dry...
In front of passersby to eye,
Is intended to get attention.
Give those petty bits of pity,
To solicit empathy...
Away.
Today.
And...
Throw those doubts you've picked to pity,
With that selfishness that doesn't pay...
To get attention to gain.
Just get up off your pity pot to stop it.
And...
Get up off your pity pot to drop.
Just get up off your pity pot to stop it.
'Cause,
Believe this or not...
Very few are into pity.
And believe this or not...
Pity does not benefit.
Fight those doubts to stop and dropp them.
'Cause no pity benefits.
Fight those doubts to stop and dropp them.
'Cause no pity benefits.
And...
Believe this or not,
Very few are into pity.
And believe this or not...
Pity does not benefit.
Just get up off your pity pot to stop it.
'Cause,
Believe this or not...
Very few are into pity.
And believe this or not...
Pity does not benefit.
Give those petty bits of pity,
To solicit empathy...
Away.
Today.
And...
Throw those doubts you've picked to pity,
With that selfishness that doesn't pay...
To get attention to gain.
[...] Read more
poem by Lawrence S. Pertillar
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Don't Dip Yo Pity Here To Sit
Don't dip yo pity here to sit.
No permitted pity here can visit.
Don't dip yo pity here to sit.
No permitted pity here can visit.
When you tire of your weeping...
You can call on me.
But don't dip yo pity in a pit!
To leave it here to sit.
When you tire of your weeping...
You can call on me.
But don't dip yo pity in a pit!
To leave it here to sit.
I'll call 9-1-1...
To rescue me.
Don't dip yo pity.
Don't dip yo pity here to sit!
I'll call 9-1-1...
To rescue me.
Don't dip yo pity.
Don't dip yo pity here to sit!
No tears on my pillow.
Unless they're mine to cry.
Everyday you bring me pity.
As if your pity thrives.
Don't dip yo pity.
Don't dip yo pity here to sit!
No yo...
Don't dip yo pity.
Don't dip yo pity here to sit!
No yo!
I'll call 9-1-1...
To rescue me.
Don't dip yo pity.
Don't dip yo pity here to sit!
No yo.
I'll call 9-1-1...
To rescue me.
[...] Read more
poem by Lawrence S. Pertillar
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Samson Agonistes (excerpts)
[Samson's Opening Speech]
A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toil,
Daily in the common prison else enjoin'd me,
Where I a prisoner chain'd, scarce freely draw
The air imprison'd also, close and damp,
Unwholesome draught: but here I feel amends,
The breath of Heav'n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn feast the people hold
To Dagon, their sea-idol, and forbid
Laborious works; unwillingly this rest
Their superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease;
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of hornets arm'd, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an angel, who at last in sight
Of both my parents all in flames ascended
From off the altar, where an off'ring burn'd,
As in a fiery column charioting
His godlike presence, and from some great act
Of benefit reveal'd to Abraham's race?
Why was my breeding order'd and prescrib'd
As of a person separate to God,
Design'd for great exploits; if I must die
Betray'd, captiv'd, and both my eyes put out,
Made of my enemies the scorn and gaze;
To grind in brazen fetters under task
With this Heav'n-gifted strength? O glorious strength
Put to the labour of a beast, debas'd
Lower than bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great deliverer now, and find him
Eyeless in Gaza at the mill with slaves,
Himself in bonds under Philistian yoke.
Yet stay, let me not rashly call in doubt
Divine prediction; what if all foretold
Had been fulfill'd but through mine own default,
Whom have I to complain of but myself?
Who this high gift of strength committed to me,
In what part lodg'd, how easily bereft me,
Under the seal of silence could not keep,
[...] Read more
poem by John Milton
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Canto the First
I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.
II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.
III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.
IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.
V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.
[...] Read more
poem by Byron from Don Juan (1824)
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Gebir
FIRST BOOK.
I sing the fates of Gebir. He had dwelt
Among those mountain-caverns which retain
His labours yet, vast halls and flowing wells,
Nor have forgotten their old master's name
Though severed from his people here, incensed
By meditating on primeval wrongs,
He blew his battle-horn, at which uprose
Whole nations; here, ten thousand of most might
He called aloud, and soon Charoba saw
His dark helm hover o'er the land of Nile,
What should the virgin do? should royal knees
Bend suppliant, or defenceless hands engage
Men of gigantic force, gigantic arms?
For 'twas reported that nor sword sufficed,
Nor shield immense nor coat of massive mail,
But that upon their towering heads they bore
Each a huge stone, refulgent as the stars.
This told she Dalica, then cried aloud:
'If on your bosom laying down my head
I sobbed away the sorrows of a child,
If I have always, and Heaven knows I have,
Next to a mother's held a nurse's name,
Succour this one distress, recall those days,
Love me, though 'twere because you loved me then.'
But whether confident in magic rites
Or touched with sexual pride to stand implored,
Dalica smiled, then spake: 'Away those fears.
Though stronger than the strongest of his kind,
He falls-on me devolve that charge; he falls.
Rather than fly him, stoop thou to allure;
Nay, journey to his tents: a city stood
Upon that coast, they say, by Sidad built,
Whose father Gad built Gadir; on this ground
Perhaps he sees an ample room for war.
Persuade him to restore the walls himself
In honour of his ancestors, persuade -
But wherefore this advice? young, unespoused,
Charoba want persuasions! and a queen!'
'O Dalica!' the shuddering maid exclaimed,
'Could I encounter that fierce, frightful man?
Could I speak? no, nor sigh!'
'And canst thou reign?'
Cried Dalica; 'yield empire or comply.'
Unfixed though seeming fixed, her eyes downcast,
The wonted buzz and bustle of the court
From far through sculptured galleries met her ear;
Then lifting up her head, the evening sun
Poured a fresh splendour on her burnished throne-
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poem by Walter Savage Landor
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Bastards of Bastions
Orphaned are those,
Barely sitting in their nodded stupors.
Drifting back and forth through wishes.
With compositions of conditions,
That keep them weak.
In minds defined by a life lived,
On inner city streets.
These are bastards of bastions...
Raised to be defeated.
No one to encourage,
Made efforts to keep.
These are bastards of bastions...
Raised to be defeated.
No one to encourage,
Made efforts to keep.
So they,
Find uselessness as no crime!
As a pity rips them.
And this pity grips them.
As they validate a nonsense lived.
As a pity rips them.
And this pity grips them.
As they validate a nonsense lived.
So they,
Find uselessness as no crime!
As a pity rips them.
And this pity grips them.
As a pity rips them.
And this pity grips them.
Orphaned are those,
Barely sitting in their nodded stupors.
Drifting back and forth through wishes.
With compositions of conditions,
That keep them weak.
In minds defined by a life lived,
On inner city streets.
As a pity rips them.
And this pity grips them.
As they validate a nonsense lived.
Bastards of bastions!
As a pity rips them.
And this pity grips them.
[...] Read more
poem by Lawrence S. Pertillar
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The Growth of Love
1
They that in play can do the thing they would,
Having an instinct throned in reason's place,
--And every perfect action hath the grace
Of indolence or thoughtless hardihood--
These are the best: yet be there workmen good
Who lose in earnestness control of face,
Or reckon means, and rapt in effort base
Reach to their end by steps well understood.
Me whom thou sawest of late strive with the pains
Of one who spends his strength to rule his nerve,
--Even as a painter breathlessly who stains
His scarcely moving hand lest it should swerve--
Behold me, now that I have cast my chains,
Master of the art which for thy sake I serve.
2
For thou art mine: and now I am ashamed
To have uséd means to win so pure acquist,
And of my trembling fear that might have misst
Thro' very care the gold at which I aim'd;
And am as happy but to hear thee named,
As are those gentle souls by angels kisst
In pictures seen leaving their marble cist
To go before the throne of grace unblamed.
Nor surer am I water hath the skill
To quench my thirst, or that my strength is freed
In delicate ordination as I will,
Than that to be myself is all I need
For thee to be most mine: so I stand still,
And save to taste my joy no more take heed.
3
The whole world now is but the minister
Of thee to me: I see no other scheme
But universal love, from timeless dream
Waking to thee his joy's interpreter.
I walk around and in the fields confer
Of love at large with tree and flower and stream,
And list the lark descant upon my theme,
Heaven's musical accepted worshipper.
Thy smile outfaceth ill: and that old feud
'Twixt things and me is quash'd in our new truce;
And nature now dearly with thee endued
No more in shame ponders her old excuse,
But quite forgets her frowns and antics rude,
So kindly hath she grown to her new use.
4
[...] Read more
poem by Robert Seymour Bridges
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No No No (Can't Come Back)
Last night woke in bed
In a cold cold sweat so sweaty so funky
Dreamin of bad things to be or not to be
Haunting things like homelessness all the lonely people
Without a job car or food to eat
Leaves you a little bit paranoid well well
Can you spare a dime
But it reminds me how easily
We let our fears affect who we are
No no no cant come back
No bad feelings no no no
No sad feelings no no no
No jealous feelings no no no
No insecure feelings
No no no cant come back
No ill feelings no no no
No jealous feelings no no no
No ego trippin no no no
No insecure feelings
No no no cant come back
Had a friend in desperate need
Of a little attention compassion you see
Did I mention that friend was me nope
Whod just broken up from a love affair well well well well
I must admit I was truly hurt
And I couldnt change the facts and thats a fact
He loves her more than he loves me
And its truly just as simple as that
No no no cant come back
No bad feelings no no no
No sad feelings no no no
No jealous feelings no no no
No insecure feelings
No no no cant come back
No ill feelings no no no
No jealous feelings no no no
No ego trippin no no no
No insecure feelings
No no no cant come back
Dont care what other people say
Dont listen to them anyway
Cant let the evil get its way
Dont let bad feelings make you pay
Dont care what other people say
Dont listen to them anyway
Cant let the evil get its way
Dont let bad feelings make you pay
No bad feelings no no no
No sad feelings no no no
No jealous feelings no no no
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song performed by En Vogue
Added by Lucian Velea
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No, No, No,
Last night woke in bed
In a cold cold sweat so sweaty so funky
Dreamin' of bad things to be or not to be
Haunting things like homelessness all the lonely people
Without a job car or food to eat
Leaves you a little bit paranoid well well
Can you spare a dime
But it reminds me how easily
We let our fears affect who we are
No no no can't come back
No bad feelings no no no
No sad feelings no no no
No jealous feelings no no no
No insecure feelings
No no no can't come back
No ill feelings no no no
No jealous feelings no no no
No ego trippin' no no no
No insecure feelings
No no no can't come back
Had a friend in desperate need
Of a little attention compassion you see
Did i mention that friend was me nope
Who'd just broken up from a love affair well well well well
I must admit i was truly hurt
And i couldn't change the facts and that's a fact
He loves her more than he loves me
And it's truly just as simple as that
No no no can't come back
No bad feelings no no no
No sad feelings no no no
No jealous feelings no no no
No insecure feelings
No no no can't come back
No ill feelings no no no
No jealous feelings no no no
No ego trippin' no no no
No insecure feelings
No no no can't come back
Don't care what other people say
Don't listen to them anyway
Can't let the evil get it's way
Don't let bad feelings make you pay
Don't care what other people say
Don't listen to them anyway
Can't let the evil get it's way
Don't let bad feelings make you pay
No bad feelings no no no
No sad feelings no no no
No jealous feelings no no no
[...] Read more
song performed by En Vogue
Added by Lucian Velea
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Isn't It A Pity
isn't it a pity
you don't know what i'm talking about yet
but i will tell you soon
it's a pity
isn't it a pity
isn't it a shame
yes, how we break each other's hearts
and cause each other pain
how we take each other's love
without thinking anymore
forgetting to give back
forgetting to remember
just forgetting and no thank you
isn't it a pity
some things take so long
but how do i explain
why not too many people can see
that we are all just the same
we're all guilty
because of all the tears
our eyes just can't hope to see
but i don't think it's applicable to me
the beauty that surrounds them
child, isn't it a pity
how we break each other's hearts
and cause each other pain
how we take each other's love
the most precious thing
without thinking anymore
forgetting to give back
forgetting to keep open our door
isn't it a pity
isn't it a pity
some things take so long
but how do i explain
isn't it a pity
why not too many people
can see we're all the same
because we cry so much
our eyes can't, can't hope to see
that's not quite true
the beauty that surrounds them
maybe that's why we cry
God, isn't it a pity
Lord knows it's a pity
mankind has been so programmed
that they don't care about nothin'
that has to do with care
c-a-r-e
how we take each other's love
[...] Read more
song performed by Nina Simone
Added by Lucian Velea
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Canto the Fourth
I.
I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!
II.
She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.
III.
In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!
IV.
But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.
V.
[...] Read more
poem by Byron from Childe Harold's Pilgrimage (1818)
Added by Veronica Serbanoiu
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(Murder Poem) Shades Of Black
No empathy, no remorse, no recourse in my actions.
All I see is things in shades of black.
I was abandon as a child.
I'm alone as a man.
The goodness of the damned.
Oh how I wish I had a plan.
Something set in stone.
With many regrets I walk this life feeling like a reject.
A failure all on my own.
I don't need no help from you never did.
No empathy, no remorse, no recourse in my actions.
All I see is things in shades of black.
Their is poison in the water.
Their is treachery afoot.
Oh Oh just come look.
The blood has been spilt and they have no clue I did it you.
I don't even care if they did.
I'll take as many I can.
When everything has gone so wrong.
Sitting staring out the window with a revolver in you in hand.
What choices are left?
No empathy, no remorse, no recourse in my actions.
All I see is things in shades of black.
A nightmare of solutions unfold.
Each bloody as the next.
How can you ever truly live with it.
Settling for only second best.
The black knight ego's of arrogance.
Tunnel vision fills his eyes.
All he's after is the prize.
I doesn't matter who gets hurt on his way to it.
With deliverance I give you pain.
A message from someone who truly insane.
No empathy, no remorse, no recourse in my actions.
All I see is things in shades of black.
No empathy, no remorse, no recourse in my actions.
All I see is things in shades of black.
No empathy, no remorse, no recourse in my actions.
All I see is things in shades of black.
And it is time for my greatest attack.
As if anyone should be proud of such a thing.
The sweat pours off my brow as I become the butcher of butchers.
A dissection of a living to dead body.
Someone help this man, oh please anybody.
The urges to kill won't stop.
[...] Read more
poem by Ace Of Black Hearts
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The Sorcerer: Act II
DRAMATIS PERSONAE
Sir Marmaduke Pointdextre, an Elderly Baronet
Alexis, of the Grenadier Guards--His Son
Dr. Daly, Vicar of Ploverleigh
John Wellington Wells, of J. W. Wells & Co., Family Sorcerers
Lady Sangazure, a Lady of Ancient Lineage
Aline, Her Daughter--betrothed to Alexis
Mrs. Partlet, a Pew-Opener
Constance, her Daughter
Chorus of Villagers
(Twelve hours are supposed to elapse between Acts I and II)
ACT II-- Grounds of Sir Marmaduke's Mansion, Midnight
Scene--Exterior of Sir Marmaduke's mansion by moonlight. All the
peasantry are discovered asleep on the ground, as at the end
of Act I.
Enter Mr. Wells, on tiptoe, followed by Alexis and Aline. Mr. Wells
carries a dark lantern.
TRIO--ALEXIS, ALINE, and MR. WELLS
'Tis twelve, I think,
And at this mystic hour
The magic drink
Should manifest its power.
Oh, slumbering forms,
How little ye have guessed
That fire that warms
Each apathetic breast!
ALEXIS. But stay, my father is not here!
ALINE. And pray where is my mother dear?
MR. WELLS. I did not think it meet to see
A dame of lengthy pedigree,
[...] Read more
poem by William Schwenck Gilbert
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Be Good Johnny
Skip de skip, up the road
Off to school we go
Dont you be a bad boy johnny
Dont you slip up
Or play the fool
Oh no ma, oh no da,
Ill be your golden boy
I will obey evry golden rule
Get told by the teacher
Not to day-dream
Told by my mother:
Be good be good
Be good be good be good
Be good be good be good be good (johnny)
Be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good (johnny)
Be good be good.
Are you going to play football this year, john?
No!
Oh, well you must be going to play cricket this year then,
Are you johnny?
No! no! no!
Boy, you sure are a funny kid, johnny, but I like you! so tell me,
What kind of a boy are you, john?
I only like dreaming
All the day long
Where no one is screaming
Be good be good
Be good be good be good
Be good be good be good be good (johnny)
Be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Johnny!
song performed by Men At Work
Added by Lucian Velea
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
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