The face of Garbo is an Idea, that of Hepburn an Event.
quote by Ethel Barrymore
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Garbo
She had exquisite style
She was upper class
She had supernatural grace
A mlange of aphrodite and venus
Combined with an angels face
She didnt talk to the press
She couldnt care less
She didnt even answer the phone
She said on one occasion, without persuasion:
I want to be left alone
From this moment on, from dusk till dawn
Till the end of time, Ill be with you
Youll be with me, forever in my mind
Its you I see before me, oh oh, garbo
Cest toi que je tadore, oh oh, garbo
A lovers greatest story, oh oh, garbo
They say well thats amore! oh oh, garbo
People say on the day of victory, no fatigue is felt
Garbo, its you that has the power
That makes evry mans heart melt
They say that, when the heart is a fire
Sparks fly out of the cage but beauty is like a good wine,
The taste is sweeter with age
No man can guess in cold blood
What he might do in passion
But the things that he deplores today
Are tomorrows latest fashion
Serving ones own passion
Is the greatest slavery
But if in wanting you
I become your slave
I intend no bravery
From this moment on, from dusk till dawn
Till the end of time, Ill be with you
Youll be with me, forever in my mind
Its you I see before me...
....garbo
song performed by Falco
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Event Of My Death
Event of my Death
As I Iay in the dawn of the hours waiting for my body to rest
I wonder what I will do in the event of my death….
In the event of my death most just think heaven or hell
No not me it doesn’t stop there…
In the event of my death my spirit will leave my body
My spirit will truly start living
In the event of my death I case my location,
Thinking about what led up to this…
In the event of my death I will visit all my loved ones…
My first visit will be to my king..
I will watch over him making him feel secure..
In the event of my death I will make my presence known
I will make them feel me in the heart and their surroundings…
In the event of my death I will travel…
I will hover over all the pyramids in Egypt,
I will explore all the places I’ve never been..
In the event of my death I will talk with my creator..
I will know all the answers…
Most of all In the Event of my death I will meet with my brother..
My brother and I will be together again…
In the Event of My death I will realize I’m really not dead..
In the Event of My death I will know that my spirit lives on..
I will know what living is all about…
In the Event of My death I will be immortal
I will be goddess a In the Event of My death...
I will be what I was born to be....
I will be free
I will be free of insecurities, free of poverty,
free of calamity, free of a broken heart,
Free of depression, free of negativity,
Free of racism, free of prejudice
I will be free In the Event of my Death
I will be all the things I was born to be...
I will be powerful, I will be beautiful, and I will be limitless
I will be a Goddess in the Event of my death...
Now what will you be....
Author: Templar Thomas
poem by Templar Thomas
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The Problem of the Idea
The Philosopher:
'The Problem of the 21st century
is the problem of the Origins of the Idea.'
The Idea has driven much
of human history-
a major motivator
many taken together are
Articulators;
Ideas compose all Human Dreams.
But ask what is this Idea
and silence ensues;
ask where is it
in the human mind
and we'll get charts of its activity centers
but nothing about what it is
or where it comes from.
The Scientist:
Well, we don't have to know what a thing is
to utilize it.
We can identify behaviors and integrate
them-
harness them to purpose.
Philosopher:
Sure like the Atomic Bomb. It was built because
we could integrate various disciplines
and make things go bang
without thinking of Consequence.
technical Ideas-too have consequences.
Scientist:
So you would hold up all human progress
until the over-arching Idea comes along
before we act?
Philosopher:
Ah, but note that progress that destroys
the planet is not
progress at all
but only a blind mistake;
one I might add,
that did not have
an Idea or Clue
[...] Read more
poem by Lonnie Hicks
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Face To Face
We never talk to one another
We just disagree
Im the one who runs for cover
And you turn your back on me
They say nothings gonna last forever
But some things are worth fighting for
Yeah, well love could bring us back together
But love dont come round here no more
The words unspoken in the night
Locked away in my heart
And Im feeling out of place
But if love is the key
Let it open the door
So well be standing -- face to face
You never want to see me face to face
Think it over
Face to face
If only it could be just face to face
Baby you and me
Face to face
I may be better off without it
I cant go on this way
Time has come to talk about it
This is our judgement day
You know we swore it would last forever
Always felt so sure it would
But its looking like now or never
Time to turn a bad thing into good
The words that echo in the night
Theyre fading away
And theyre gone without a trace
Now its up to you and me
Lets open the door
And meet each other -- face to face
Its time we saw each other face to face
To talk it over
Face to face
You know its gotta be just face to face
Baby you and me
Face to face
We gotta see each other -- face to face
And talk about it
Face to face
Hope it aint too late to meet face to face
Just you and me
(solo)
Face to face
Its time we saw each other face to face
To talk it over
Face to face
[...] Read more
song performed by Foreigner
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An Idea
An Idea can change the world, how many
things can be done from an idea, every piece
of object was an idea, sense the beginning of
time idea was the first thought created in the
mind, an idea is what surround’s every being.
But an idea is still only an idea and it can't be
felt, you cannot touch an idea or kiss it, or hold it,
ideas do not bleed or feel pain or love, an idea
cannot be seen or heard, its created in our thoughts,
but then again an idea can become real. An idea
can be what ever you which it to be, an idea can
be destructive, an idea can be brilliant, I've seen
people get killed in the name of ideas, ideas,
we walk around with a little
light bulb blinking in our thoughts, ideas.
poem by Elenushka Toledo
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When You Rush To Judgement
You have no idea,
What you've done.
You have no idea...
None.
You have no idea,
What you've done.
You have no idea...
Not a one.
Oh, oh, oh...
When you rush to judgement,
Your emotions are your worst enemy.
When you rush to judgement,
Your emotions are your worst enemy.
When you rush to judgement,
Your emotions are your worst enemy.
When you rush to judgement.
Oh, oh, oh...
When you rush to judgement.
To pass your judgements,
When you rush to judgement.
You have no idea,
What you've done.
You have no idea...
None.
You have no idea,
What you've done.
You have no idea...
Not a one.
When you rush to judgement,
You have no idea.
No idea.
None.
When you rush to judgement,
No one has an idea...
What they've done.
When you rush to judgement,
What one does...
Affects more than one.
When you rush to judgement.
When you rush to judgement.
You have no idea,
What you've done.
You have no idea...
None.
[...] Read more
poem by Lawrence S. Pertillar
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Sixth Book
THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Right Before Your Eyes
Every day i sit beside you
On the bus to madison avenue
Work in the big gray store
With the revolving doors
You don't even know my name
I guess that i'm to blame
Don't know the right things to say
So i pretend away
That i'm rudolph valentino
Pull up in my limousine
Oh, won't you come in out of the rain
Things'll never be the same
And then just like greta garbo
You stare like there's no tomorrow
And you'll know what i'm thinking of
Right before your eyes i fall in love with you
Do, do, do ...
Today i'm done with games (today i'm done with games)
Gonna ask you for your name
Say i've been watching you
I even know what you do
Maybe today i'll tell you (maybe today i'll tell you)
I've found the nerve to sell you
On a guy like me
Who wishes that he could be
Your rudolph valentino
Pull up in my limousine
Oh, won't you come in out of the rain
Things'll never be the same
And then just like greta garbo
You stare like there's no tomorrow
And you'll know what i'm thinking of
Right before your eyes i fall in love with you
Do, do, do ...
Right before your eyes i fall in love with you
Right before my eyes you'll say you love me to
Rudolph valentino
I pull up in my limousine
Oh, won't you come in out of the rain
Things'll never be the same
And then just like greta garbo
You stare like there's no tomorrow
And you'll know what i'm thinking of, oo
Do, do, do ...
song performed by America
Added by Lucian Velea
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Give Your Heart To The Hawks
1 he apples hung until a wind at the equinox,
That heaped the beach with black weed, filled the dry grass
Under the old trees with rosy fruit.
In the morning Fayne Fraser gathered the sound ones into a
basket,
The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.
Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.
Fayne snatched for it and missed;
Michael stood by rejoicing, his rather small
Finely cut features in a dance of delight;
Fayne with one sweep flung at his face
All the bruised and half-spoiled apples in the pan,
[...] Read more
poem by Robinson Jeffers
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Face To Face
Now I've got a chick who will be with me
Anytime, day or night
But I won't put up with no runnin' around
You know it just ain't right
I'm going down...
To the town -
Out to go drink with the clowns
You stay at home...
All alone -
And don't you talk on the phone
You're comin' face to face with the guy that's gonna knock you dead
Face to face with the guy that's gonna bust your head
I'm gonna knock you on the floor
You'll beg me for no more
You're comin' face to face with me, like it or not
When I got to town
The words going 'round
That you've been seen on your back
I open the door and you were on the floor
Spreadin' for the clowns in my pack
Now you were wrong...
If you thought -
I'd take it lyin' down like a dog
I put a match...
In her snatch
She thinks she's such a hot little vamp
You're comin' face to face with the guy that's gonna knock you dead
Face to face with the guy that's gonna bust your head
I'm gonna knock you on the floor
You'll beg me for no more
You comn' face to face with me, like it or not
Tear your face apart
Waste you in the dark
Rip you like a shark
Won't think you're so smart
Face to face (face to face) you disgrace
Face to face (face to face) you disgrace
Face to face (face to face) you disgrace
Face to face
Face to face
Face to face with the guy that's gonna knock you dead
Your're comin' face to face with the guy that's gonna bust your head
I'm gonna knock you on the floor
You'll beg me for no more
You're comin' face to face with me, like it or not
You're cominc12
song performed by Quiet Riot
Added by Lucian Velea
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Lancelot And Elaine
Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.
How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.
For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares
[...] Read more
poem by Alfred Lord Tennyson
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
[...] Read more
poem by Conrad Potter Aiken
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Face Up Face Down
Welcome all my honored guests
To the utimate duel of the best of the best
At my invitation you come to compete
For the honor of suffering the final defeat
Isn't it grand what I've managed to do
By kidnapping those closest to you
I've taken their souls to lay on the line
In a winner take all duel for all time
Let's play the game
I'm sure you all know how
But watch yourselves my foolish friends
You're all in my world now
Face up, Face down. Attack or Defend
Face up, Face down. This battle's to the end
Face up, Face down. Stay on guard
Face up, Face down. Play your strongest card
My arena waits us all
I built it myself, it is just down the hall
I wish this day hadn't come so fast
You see I truly wanted your pain to last
Face up, Face down. Attack or Defend
Face up, Face down. This battle's to the end
Face up, Face down. Stay on guard
Face up, Face down. Play your strongest card
All your cunning strategies, all the tricks you try
Look like merely child's play to my Millennium Eye
Ha, ha, ha, ha! Your turn Yugi-boy
What's wrong now you look so sad?
Losing your soul doesn't feel that bad
Those you love have told me so
And soon my friends, you too will know
Let's play the game
I'm sure you all know how
But watch yourselves my foolish friends
You're all in my world now
Face up, Face down. Attack or Defend
Face up, Face down. This battle's to the end
Face up, Face down. Stay on guard
Face up, Face down. Play your strongest card
Face up, Face down. Attack or Defend
Face up, Face down. This battle's to the end
Face up, Face down. Stay on guard
Face up, Face down. Play your strongest card
song performed by Yu-Gi-Oh
Added by Lucian Velea
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It's that day again
Come one, come all and gather round
hear the sound
the story and tale
let not your ears fail
not now, for this is of great importance
Im not looking for acceptance
but for your deliverance
I must save you from what i did
by this vein i must forbid
you to guard your heart, for there is a lurking evil that consumes the young
an evil that rolls off the tongue
is sweet to hear, sweet to the hear, and dear
on this day on this February the thirteenth do not express
your love for someone until you address
this problem, because it's the ideas that are the worst poison
this is what ruins a person
before you profess that love, make certain
that you profess not in vain
for this is the simple trap that ensnares men
its the idea, the idea of her are you blind it's the idea thats trapped you again
Your LOVE is not true, because you are in love the idea of her
and when weeks pass and trials come... she will concur
that your love was imagined, you loved that way she made you feel
the way she held you and made you feel warm, so surreal
but that's not love, you imagined your dream girl
but fell in love with someone else, only to find that all along you loved an idea
that was the object of your love, this idea you made, let your reality unfurl
see past your blindness and see you never loved her and dont make
the mistake that i made, and dont you dare fake
this love, because you feel so lonely, don't settle for less but wait
for your real mate
it's that day, that day i remember, what not to do
now i come to you
to save, redeem, deliver, and expose this wrong this threatens the life
you need not fear if you guard your heart and trust in Him who can be trusted
your First Love, but do not forget that this world is rife
with that temptation to love the idea of a girl, dont get caught busted
the idea is so much more dangerous than the room, and yet it will
beg your love, as you attempt to wait, don't love an idea that is abstract
resist its power to attract
do not let it kill
as it has done to many before
and will do to more a score
tread carefully my friend, for you tread the ground trod by those who fell
in love with ideas so keep not your heart on your sleeve
but guard it in armor and do not tell
a girl that you love her, when you love an idea, don't be naive
poem by David Knox
Added by Poetry Lover
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Face To Face
Key:-
A - anita
R - ray
A: face to face and eye to eye
Face to face and eye to eye
Face to face and eye to eye
Face to face and eye to eye
R: leaves from the tree, fall down on the floor
Life comes and goes, you cant ignore
Touch your soul when you finally realize
Youve heard it all before all the lies
Youre on a mission, no time for wishing
It can be magic, like a magician
Face to face and eye to eye
This is your last and final try
A: face to face and eye to eye
We look the world right in the eye
Face to face and eye to eye
Youve one last chance and baby, so will i
R: will we all succeed or is it over soon?
Nobody around just stars and the moon
A race against the clock, is there some time?
Just wait for the light, wait for the sign
You made the same mistakes that you made in the past
Didnt help you out, didnt make you last
Face to face and eye to eye
This was your last and final try
A: face to face and eye to eye
We look the world right in the eye
Face to face and eye to eye
Youve one last chance and baby, so have i
R: face to face and eye to eye
This is you last and final try
A: face to face and eye to eye
We look the world right in the eye
Face to face and eye to eye
Youve one last chance and baby, so will i
A: face to face and eye to eye
We look the world right in the eye
Face to face and eye to eye
Youve one last chance and baby, so have i
song performed by 2 Unlimited
Added by Lucian Velea
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Race
Lie down, [fair 1//pheromone], and come away
Till the rain is over and gone
G-g-gimme the beat now (face the music)
Lead line (face the music)
If the air is a little thick in this room 2nite
I reckon its the result of an onslaught of separatist rookies
Overcome by this colorful sight
Talkin so fast that even they
Talkin so fast that even they
Dont know what they mean
Of all the things that base a rhyme
How is it that u everytime
Regurgitate the racist lines that keep us apart?
Thank God this aint monopoly
Ud make us all go back 2 start
Race
In the space I mark human (face the music)
Race
Face the music
We all bones when we dead
Race
In the space I mark human (face the music)
Cut me, cut u
Both the blood is red
I gotcha
Race
Race
Check it
Three seats over theres a lady black
Entrusted 2 her care is a little white girl
And the fact of the matter is
Before her momma or another kid at school
Tells her about the fallacy that 1 race rules over the other
Shed be a much-better-off-left fool (face the music)
If we never heard about the evils that those before us committed
Then how my dear, tell me now how my dear, tell me now how now would we know
And then the band say
Race
In the space I mark human (face the music)
Race
Face the music
We all bones when we dead
Race
In the space I mark human (face the music)
Cut me, cut u
Both the blood is red
I gotcha
Race
Race
(face the music)
[...] Read more
song performed by Prince
Added by Lucian Velea
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Faces
SAUNTERING the pavement, or riding the country by-road--lo! such
faces!
Faces of friendship, precision, caution, suavity, ideality;
The spiritual, prescient face--the always welcome, common, benevolent
face,
The face of the singing of music--the grand faces of natural lawyers
and judges, broad at the back-top;
The faces of hunters and fishers, bulged at the brows--the shaved
blanch'd faces of orthodox citizens;
The pure, extravagant, yearning, questioning artist's face;
The ugly face of some beautiful Soul, the handsome detested or
despised face;
The sacred faces of infants, the illuminated face of the mother of
many children;
The face of an amour, the face of veneration;
The face as of a dream, the face of an immobile rock; 10
The face withdrawn of its good and bad, a castrated face;
A wild hawk, his wings clipp'd by the clipper;
A stallion that yielded at last to the thongs and knife of the
gelder.
Sauntering the pavement, thus, or crossing the ceaseless ferry,
faces, and faces, and faces:
I see them, and complain not, and am content with all.
Do you suppose I could be content with all, if I thought them their
own finale?
This now is too lamentable a face for a man;
Some abject louse, asking leave to be--cringing for it;
Some milk-nosed maggot, blessing what lets it wrig to its hole.
This face is a dog's snout, sniffing for garbage; 20
Snakes nest in that mouth--I hear the sibilant threat.
This face is a haze more chill than the arctic sea;
Its sleepy and wobbling icebergs crunch as they go.
This is a face of bitter herbs--this an emetic--they need no label;
And more of the drug-shelf, laudanum, caoutchouc, or hog's-lard.
This face is an epilepsy, its wordless tongue gives out the unearthly
cry,
Its veins down the neck distended, its eyes roll till they show
nothing but their whites,
Its teeth grit, the palms of the hands are cut by the turn'd-in
nails,
The man falls struggling and foaming to the ground while he
speculates well.
[...] Read more
poem by Walt Whitman
Added by Poetry Lover
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Thurso’s Landing
I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.
II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,
[...] Read more
poem by Robinson Jeffers
Added by Poetry Lover
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As I Sat Alone By Blue Ontario's Shores
AS I sat alone, by blue Ontario's shore,
As I mused of these mighty days, and of peace return'd, and the dead
that return no more,
A Phantom, gigantic, superb, with stern visage, accosted me;
Chant me the poem, it said, that comes from the soul of America--
chant me the carol of victory;
And strike up the marches of Libertad--marches more powerful yet;
And sing me before you go, the song of the throes of Democracy.
(Democracy--the destin'd conqueror--yet treacherous lip-smiles
everywhere,
And Death and infidelity at every step.)
A Nation announcing itself,
I myself make the only growth by which I can be appreciated, 10
I reject none, accept all, then reproduce all in my own forms.
A breed whose proof is in time and deeds;
What we are, we are--nativity is answer enough to objections;
We wield ourselves as a weapon is wielded,
We are powerful and tremendous in ourselves,
We are executive in ourselves--We are sufficient in the variety of
ourselves,
We are the most beautiful to ourselves, and in ourselves;
We stand self-pois'd in the middle, branching thence over the world;
From Missouri, Nebraska, or Kansas, laughing attacks to scorn.
Nothing is sinful to us outside of ourselves, 20
Whatever appears, whatever does not appear, we are beautiful or
sinful in ourselves only.
(O mother! O sisters dear!
If we are lost, no victor else has destroy'd us;
It is by ourselves we go down to eternal night.)
Have you thought there could be but a single Supreme?
There can be any number of Supremes--One does not countervail
another, any more than one eyesight countervails another, or
one life countervails another.
All is eligible to all,
All is for individuals--All is for you,
No condition is prohibited--not God's, or any.
All comes by the body--only health puts you rapport with the
universe. 30
Produce great persons, the rest follows.
[...] Read more
poem by Walt Whitman
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