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The weakness in the company is if we fail to execute.

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The Shepherd's Dog

I.

A Shepherd's Dog there was; and he
Was faithful to his master's will,
For well he lov'd his company,
Along the plain or up the hill;
All Seasons were, to him, the same
Beneath the Sun's meridian flame;
Or, when the wintry wind blew shrill and keen,
Still the Old Shepherd's Dog, was with his Master seen.


II.

His form was shaggy clothed; yet he
Was of a bold and faithful breed;
And kept his master company
In smiling days, and days of need;
When the long Ev'ning slowly clos'd,
When ev'ry living thing repos'd,
When e'en the breeze slept on the woodlands round,
The Shepherd's watchful Dog, was ever waking found.

III.

All night, upon the cold turf he
Contented lay, with list'ning care;
And though no stranger company,
Or lonely traveller rested there;
Old Trim was pleas'd to guard it still,
For 'twas his aged master's will;--
And so pass'd on the chearful night and day,
'Till the poor Shepherd's Dog, was very old, and grey.


IV.

Among the villagers was he
Belov'd by all the young and old,
For he was chearful company,
When the north-wind blew keen and cold;
And when the cottage scarce was warm,
While round it flew, the midnight storm,
When loudly, fiercely roll'd the swelling tide--
The Shepherd's faithful Dog, crept closely by his side.


V.

When Spring in gaudy dress would be,

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Strength in weakness

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

A typical Pauline sophism?
A typical Pauline syllogism?
A typical Pauline casuistry?
A typical Pauline homily.

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

Paul was disabled, you see
Was he blind? You ask
Was he lame? You ask
Was it a speech impediment?

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

Oh! He was strong in spirit
But weak in appearance
He can’t be our leader, they said
He’s an embarrassment

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

Paul said: “Yes, I am weak
But God’s strength is made perfect
In my weakness not in my strength
So up the weak and down the strong! (my words!)

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

We are all weak in some way
Weak in our words
Weak in our walk
Weak in our talk

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Execute The Sounds

I'm on a mad style
Underground, we come cool and deadly
With that natural sound
It make you feel so free, you no turn it down
Vibe 6-19 from the Southtown
And Jah know, what I and I wanna do
Because Jah know, I am man stay true
You know Jah know, the real who is who
Ain't no time to fake it, make ya feel brand new
It goes 1,2,3. The crew is called P.O.D.
And if you wanna go to the tip top
Break it down, with that one drop - Whyoo
Execute the sounds, and positive come around
Impact the sounds, positive all around
Execute the sounds, and positive come around
Impact the sounds, positive all around
Now why mess me, try to take his crown.
Babylon test me, we gonna smash em down
Original O.G. this is my playground
Don't take me seriously, you gonna feel it now
I man, you know the harder they come
Because I man, I'm gonna get the job done
You know I man, no they don't want none
Me never have to cheat cause me already won.
19'04, home to the real hardcore.
And you don't wanna sleep, don't talk
I'll break you down with that one drop - Whyoo
Execute the sounds, and positive come around
Impact the sounds, positive all around
Execute the sounds, and positive come around
Impact the sounds, positive all around
Execute the sounds, and positive come around
Impact the sounds, positive all around
Execute the sounds, and positive come around
Impact the sounds, positive all around

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The Flower And The Leaf

When that Phebus his chaire of gold so hy
Had whirled up the sterry sky aloft,
And in the Bole was entred certainly;
Whan shoures swete of rain discended soft,
Causing the ground, felë tymes and oft,
Up for to give many an hoolsom air,
And every plain was [eek y-]clothed fair

With newe grene, and maketh smalë floures
To springen here and there in feld and mede;
So very good and hoolsom be the shoures
That it reneweth, that was old and deede
In winter-tyme; and out of every seede
Springeth the herbë, so that every wight
Of this sesoun wexeth [ful] glad and light.

And I, só glad of the seson swete,
Was happed thus upon a certain night;
As I lay in my bed, sleep ful unmete
Was unto me; but, why that I ne might
Rest, I ne wist; for there nas erthly wight,
As I suppose, had more hertës ese
Than I, for I n'ad siknesse nor disese.

Wherfore I mervail gretly of my-selve,
That I so long, withouten sleepë lay;
And up I roos, three houres after twelve,
About the [very] springing of the day,
And on I put my gere and myn array;
And to a plesaunt grovë I gan passe,
Long or the brightë sonne uprisen was,

In which were okës grete, streight as a lyne,
Under the which the gras, so fresh of hew,
Was newly spronge; and an eight foot or nyne
Every tree wel fro his felawe grew,
With braunches brode, laden with leves new,
That sprongen out ayein the sonnë shene,
Som very rede, and som a glad light grene;

Which, as me thought, was right a plesaunt sight.
And eek the briddes song[ës] for to here
Would have rejoised any erthly wight.
And I, that couth not yet, in no manere,
Here the nightingale of al the yere,
Ful busily herkned, with herte and ere,
If I her voice perceive coud any-where.

And at the last, a path of litel brede
I found, that gretly had not used be,

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The Fyftene Loyes Of Maryage

Somer passed/and wynter well begone
The dayes shorte/the darke nyghtes longe
Haue taken season/and brynghtnes of the sonne
Is lytell sene/and small byrdes songe
Seldon is herde/in feldes or wodes ronge
All strength and ventue/of trees and herbes sote
Dyscendynge be/from croppe in to the rote


And euery creature by course of kynde
For socoure draweth to that countre and place
Where for a tyme/they may purchace and fynde
Conforte and rest/abydynge after grace
That clere Appolo with bryghtnes of his face
Wyll sende/whan lusty ver shall come to towne
And gyue the grounde/of grene a goodly gowne


And Flora goddesse bothe of whyte and grene
Her mantell large/ouer all the erthe shall sprede
Shewynge her selfe/apparayled lyke a quene
As well in feldes/wodes/as in mede
Hauynge so ryche a croune vpon her hede
The whiche of floures/shall be so fayre and bryght
That all the worlde/shall take therof a lyght


So now it is/of late I was desyred
Out of the trenche to drawe a lytell boke
Of .xv. Ioyes/of whiche though I were hyred
I can not tell/and yet I vndertoke
This entrepryse/with a full pyteous loke
Remembrynge well/the case that stode in
Lyuynge in hope/this wynter to begyn


Some Ioyes to fynde that be in maryage
For in my youth/yet neuer acquayntaunce
Had of them but now in myn olde aege
I trust my selfe/to forther and auaunce
If that in me/there lacke no suffysaunce
Whiche may dyspleasyr/clerely set a parte
I wante but all/that longeth to that arte


yet wyll I speke/though I may do no more
Fully purposynge/in all these Ioyes to trete
Accordynge to my purpose made to fore
All be it so/I can not well forgete
The payne/trauayle/besynes and hete

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Why Are You Waiting

What can I do Im at the door
Ive tried turning back theres no point in that now
What should I say, what should I do
Should I fix my hair oh why am I scared now
Facing the world is so hard do you know what I mean
People are so often hard and far too ready to say...hey...ohhh
Why are you waiting?
Why are you waiting?
Why are you waiting?
What if I fail (you wont fail)
Why are you waiting?
What if I fail (you wont fail, you wont fail)
Look at me stand outside the door
Like a frightened child with a nervous smile see
What should I do, what should I say
Should I speak at all
I am much too small now
Facing the world is so hard do you know what I mean
People are so often hard and far too ready to say...hey...ohhh
Why are you waiting?
Why are you waiting?
Why are you waiting?
What if I fail (you wont fail)
Why are you waiting?
What if I fail (you wont fail)
Why are you waiting?
What if I fail (you wont fail, you wont fail, you wont fail)

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Orlando Furioso Canto 20

ARGUMENT
Guido and his from that foul haunt retire,
While all Astolpho chases with his horn,
Who to all quarters of the town sets fire,
Then roving singly round the world is borne.
Marphisa, for Gabrina's cause, in ire
Puts upon young Zerbino scathe and scorn,
And makes him guardian of Gabrina fell,
From whom he first learns news of Isabel.

I
Great fears the women of antiquity
In arms and hallowed arts as well have done,
And of their worthy works the memory
And lustre through this ample world has shone.
Praised is Camilla, with Harpalice,
For the fair course which they in battle run.
Corinna and Sappho, famous for their lore,
Shine two illustrious light, to set no more.

II
Women have reached the pinnacle of glory,
In every art by them professed, well seen;
And whosoever turns the leaf of story,
Finds record of them, neither dim nor mean.
The evil influence will be transitory,
If long deprived of such the world had been;
And envious men, and those that never knew
Their worth, have haply hid their honours due.

III
To me it plainly seems, in this our age
Of women such is the celebrity,
That it may furnish matter to the page,
Whence this dispersed to future years shall be;
And you, ye evil tongues which foully rage,
Be tied to your eternal infamy,
And women's praises so resplendent show,
They shall, by much, Marphisa's worth outgo.

IV
To her returning yet again; the dame
To him who showed to her such courteous lore,
Refused not to disclose her martial name,
Since he agreed to tell the style be bore.
She quickly satisfied the warrior's claim;
To learn his title she desired so sore.
'I am Marphisa,' the virago cried:
All else was known, as bruited far and wide.

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Thespis: Act I

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT I - Ruined Temple on the Summit of Mount Olympus


[Scene--The ruins of the The Temple of the Gods, on summit of
Mount Olympus. Picturesque shattered columns, overgrown with
ivy, etc. R. and L. with entrances to temple (ruined) R. Fallen
columns on the stage. Three broken pillars 2 R.E. At the back of
stage is the approach from the summit of the mountain. This
should be "practicable" to enable large numbers of people to
ascend and descend. In the distance are the summits of adjacent
mountains. At first all this is concealed by a thick fog, which
clears presently. Enter (through fog) Chorus of Stars coming off
duty as fatigued with their night's work]

CHO. Through the night, the constellations,
Have given light from various stations.
When midnight gloom falls on all nations,
We will resume our occupations.

SOLO. Our light, it's true, is not worth mention;
What can we do to gain attention.
When night and noon with vulgar glaring
A great big moon is always flaring.

[During chorus, enter Diana, an elderly goddess. She is carefully
wrapped up in cloaks, shawls, etc. A hood is over her head, a
respirator in her mouth, and galoshes on her feet. During the

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OBIIT MDCCCXXXIII (Entire)

Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.

Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.

Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.

Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.

We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.

Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,

But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.

Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.

Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.

Forgive these wild and wandering cries,

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The Cenci : A Tragedy In Five Acts

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.


ACT I

Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.


Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.


Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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Weakness In His Strength

"WEAKNESS IN HIS STRENGTH"

Quote;
Weakness in his strength
Born by hatred and raised by anger
He felt like his life was hangin on a hanger
Poor little one,
People loved his dad, but to him he was dead
Happiness.
His dad's name, in his senses
Covered by memories
And surrounded by sadness
He said he had seen the worst
But he is not the first
He had failure as his big brother
Hatred kept near them as their mother
He thanked God for every breath
But could not find the weakness in his strength

The weakness in his strength
Poor little one, with his
Weakness in his strength

Lights looked bright to others but to him
They looked deem
Funeral for his mother…
Dead and gone was Mrs. Hatred
That's the moment he forgot about hate and
Decided to move in with dad,
Living Mr. Anger alone which left him mad
Success, a beautiful lady his dad
Started dating last weak
She was introduced to him
But still felt weak
Education, who she met at school and changed his life
Who she later made his wife
Had to hire a babysitter by the name of health
After having a baby who they named wealth.

The weakness in his strength
Weakness in his strength
Started facing death.
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Walt Whitman

Carol Of Words

EARTH, round, rolling, compact--suns, moons, animals--all these are
words to be said;
Watery, vegetable, sauroid advances--beings, premonitions, lispings
of the future,
Behold! these are vast words to be said.

Were you thinking that those were the words--those upright lines?
those curves, angles, dots?
No, those are not the words--the substantial words are in the ground
and sea,
They are in the air--they are in you.

Were you thinking that those were the words--those delicious sounds
out of your friends' mouths?
No, the real words are more delicious than they.

Human bodies are words, myriads of words;
In the best poems re-appears the body, man's or woman's, well-shaped,
natural, gay, 10
Every part able, active, receptive, without shame or the need of
shame.


Air, soil, water, fire--these are words;
I myself am a word with them--my qualities interpenetrate with
theirs--my name is nothing to them;
Though it were told in the three thousand languages, what would air,
soil, water, fire, know of my name?

A healthy presence, a friendly or commanding gesture, are words,
sayings, meanings;
The charms that go with the mere looks of some men and women, are
sayings and meanings also.


The workmanship of souls is by the inaudible words of the earth;
The great masters know the earth's words, and use them more than the
audible words.

Amelioration is one of the earth's words;
The earth neither lags nor hastens; 20
It has all attributes, growths, effects, latent in itself from the
jump;
It is not half beautiful only--defects and excrescences show just as
much as perfections show.

The earth does not withhold, it is generous enough;
The truths of the earth continually wait, they are not so conceal'd
either;
They are calm, subtle, untransmissible by print;

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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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The Golden Age

Long ere the Muse the strenuous chords had swept,
And the first lay as yet in silence slept,
A Time there was which since has stirred the lyre
To notes of wail and accents warm with fire;
Moved the soft Mantuan to his silvery strain,
And him who sobbed in pentametric pain;
To which the World, waxed desolate and old,
Fondly reverts, and calls the Age of Gold.

Then, without toil, by vale and mountain side,
Men found their few and simple wants supplied;
Plenty, like dew, dropped subtle from the air,
And Earth's fair gifts rose prodigal as prayer.
Love, with no charms except its own to lure,
Was swiftly answered by a love as pure.
No need for wealth; each glittering fruit and flower,
Each star, each streamlet, made the maiden's dower.
Far in the future lurked maternal throes,
And children blossomed painless as the rose.
No harrowing question `why,' no torturing `how,'
Bent the lithe frame or knit the youthful brow.
The growing mind had naught to seek or shun;
Like the plump fig it ripened in the sun.
From dawn to dark Man's life was steeped in joy,
And the gray sire was happy as the boy.
Nature with Man yet waged no troublous strife,
And Death was almost easier than Life.
Safe on its native mountains throve the oak,
Nor ever groaned 'neath greed's relentless stroke.
No fear of loss, no restlessness for more,
Drove the poor mariner from shore to shore.
No distant mines, by penury divined,
Made him the sport of fickle wave or wind.
Rich for secure, he checked each wish to roam,
And hugged the safe felicity of home.

Those days are long gone by; but who shall say
Why, like a dream, passed Saturn's Reign away?
Over its rise, its ruin, hangs a veil,
And naught remains except a Golden Tale.
Whether 'twas sin or hazard that dissolved
That happy scheme by kindly Gods evolved;
Whether Man fell by lucklessness or pride,-
Let jarring sects, and not the Muse, decide.
But when that cruel Fiat smote the earth,
Primeval Joy was poisoned at its birth.
In sorrow stole the infant from the womb,
The agëd crept in sorrow to the tomb.
The ground, so bounteous once, refused to bear
More than was wrung by sower, seed, and share.

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Skies The Limit

Written by christine mcvie
If Ive been acting just a little strange
And you have noticed it too
Its cos my life has been rearranged
With the presence of you
The sky is the limit now
We can hit it on the nail
And when we do
Ill think about you
How can we fail
Can you give me one reason why
Youd ever let me down
I wont believe it baby, but Ill try
The truths goin to come around
The sky is the limit now
We can hit it on the nail
And when we do
Ill think about you
How can we fail
The sky is the limit
Oh the sky is the limit
How can we fail
Sooner or later
Ill keep the promise
I made to you
Sooner or later
It will be greater
Then we ever knew
The sky is the limit now
We can hit it on the nail
And when we do
Ill think about you
The sky is the limit now
We can hit it on the nail
And when we do
Ill think about you
How can we fail
The sky is the limit
Oh the sky is the limit
How can we fail
Oh the sky is the limit
How can we fail
The sky is the limit
Oh the sky is the limit
How can we fail
The sky is the limit
Oh the sky is the limit
How can we fail
The sky is the limit
Oh the sky is the limit

[...] Read more

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He Will Never Leave Me Alone

Flying higher and higher
Trying to tear down my sails
But let me tell you, you will fail.
With everything I have I'm still holding on
I'm not scared, but I just don't know if I'm that strong.

This is my home
Every night
Every day
So just walk the other way
I will not welcome you in with open arms

Flying higher and higher
Trying to tear down my sails
But let me tell you, you will fail.
With everything I have I'm still holding on
I'm not scared, but I just don't know if I'm that strong.

You have lied to me yet again
I tell you right now, I just don't want hear it anymore
So sick of it, and you.
I will no longer be used.
I don't care what you do.

Flying higher and higher
Trying to tear down my sails
But let me tell you, you will fail.
With everything I have I'm still holding on
I'm not scared, but I just don't know if I'm that strong.

Spread your rumors
Tell them with the thickness of all your fairy tales
My girl friend broke up with me because of them.
So what else can you do man.
Humiliation just goes so far.

Flying higher and higher
Trying to tear down my sails
But let me tell you, you will fail.
With everything I have I'm still holding on
I'm not scared, but I just don't know if I'm that strong.

You dead and gone to me.
All you did out of jealousy.
Why because I don't have to lie to her.
Why because I don't have to cheat.
A breach of integrity

Flying higher and higher
Trying to tear down my sails

[...] Read more

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Cold Calling

My day started off well, but very rapidly began to turn sour,
When a company ‘cold-called’ five times in the space of an hour.
With their business practice, I was extremely far from impressed,
And their persistent calling soon began to cause me much stress.

The Asian sounding gentleman at the other end of the phone,
Politely introduced himself as somebody called Geoffrey Jones.
Whenever the phone rang after that, it, I would purposely ignore,
Worried that it was the same company calling me again once more.

They said my credit limit on my card had been raised,
But by this claim, I felt unsure and really rather phased.
So I checked my last statement and as far as I could tell,
Everything seemed in order and everything seemed well.

The man told me I was due three thousand pounds compensation.
I felt rather surprised and confused by this baffling information.
Part of me wondered if someone at my bank had made a mistake,
While part of me thought that this company probably was a fake.

When the man rang me back again, I interrupted his rapid flow,
And asked him, under which trading name his company goes.
So I typed in the company's name and looked them up online;
Soon discovering that the problem was far from being only mine!

On forums online, about the company, many people complained,
Saying that they had rung them persistently and they were a pain.
Calls from this company had filled people with worry and fear,
And many people warned other forum members to steer clear.

Cold calling is really annoying and even one phone call is bad enough,
But if they persistently ring you, it’s easy to end up in a right old huff.
The last time they called me, I was angry and, my words, I didn’t mince,
And, fingers crossed, I haven’t heard from that company again since.

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Responsibility In The Workforce

What is the work ethic
of Japanese
white-collar employees?

there are three
important components
to the work ethic

loyalty to company
a commitment to quality
peer group bonding


What do the Japanese
feel about their co-workers
and their company?

the Japanese feel
great responsibility
toward company
and co-workers


What moral attitude
are Japanese
employees taught?

Japanese employees
are taught a moral
to work in groups
to think of themselves
as part of a family


What is the Japanese
attitude to failure
in the workforce?

the white-collar executive
is extremely diligent
knowing that failure
or any errors affects
other fellow employees


What is the Japanese
attitude to sharing
profit in the workforce?

all rewards

[...] Read more

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Transocean Ltd Vision Gulf Of Mexico Does Not Count

Transocean Ltd. CEO Steve Newman scores on Gulf oil
the company noted 'the tragic loss of life' when BP PLC
exploded their Transocean's Deepwater Horizon oil rig in
the Gulf of Mexico on April 20 2010 killing 11 workers

causing the largest offshore oil spill in American history
Newman brushed the incident off proclaiming company
'exemplary' safety record which “met or exceeded certain
internal safety targets concerning frequency and severity

of its accidents, according to the filing with the Securities
and Exchange Commission on Friday.” Newman loves
putting out fire with gasoline getting big bonuses shafting
ocean environment with explosion policy profit not safety

is mean and a commission appointed by President Barack
Obama agreed stated explosion was caused by a series of
time money-saving decisions deliberately made by policy
Transocean, BP and oil services company Halliburton Inc.

These companies “created an unacceptable amount of risk.”
Newman environment can burn hang conservation ideology
reflected in blue lighter fluid burning of protective red tape
was polished off in the company regulatory filing bonuses

“appropriate as a way to recognize its executives' efforts in
'significantly improving the company's safety record' and
implementing a new internal planning system” (called burn
baby burn record 200 million gallons spilled oil stupidity)

Transocean Ltd further boasting 'exemplary' safety record
executives efforts 'significantly improving the company's
safety record' proudly continued stated “Those efforts have
'enabled the company to maintain its financial flexibility

during a challenging period, ('the tragic loss of life') while,
at the same time, positioning the company for sustained
growth in the future.' Achieved without handicap safety
first life saving policy limiting losing profit unforgivable

Transocean Ltd. CEO Steve Newman soaks up a calculated
by The Associated Press $5.8 million compensation package
after spilling 200 million gallons of oops accident crime oil
into beautiful Gulf of Mexico because nature does not count


Copyright © Terence George Craddock
Source article ‘Transocean gives safety bonuses despite deaths’ by Jordan Robertson, AP Business Writer.

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