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At Harvard I was in charge of the comparative anatomy labs.

quote by Robert T. Bakker
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A Digital Map Of Anatomical Body

moving compositions

anatomy of mental formations
anatomy of mental formations
anatomy of mental formations
anatomy of mental formations
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anatomy of mental formations
anatomy of mental formations
anatomy of mental formations
anatomy of mental formations
anatomy of mental formations
anatomy of mental formations
anatomy of mental formations
anatomy of mental formations
anatomy of mental formations
anatomy of mental formations
anatomy of mental formations
anatomy of mental formations
anatomy of mental formations
contemplated erosions below! ! !
The body detailes concepts!

poem by Nyein Way
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Harvard Crimson

Harvard..
crimson with the blood of hundreds of millions of animals
dead in their underground vivisection labs
Harvard crimson, as the US university with the largest endowment,
invested in war, animal and fish flesh, factory farms, killer drugs
Harvard crimson, with the dollars it has stolen from the US poor.

Harvard which lost prion discoverer Stanley Prusiner, who was tired
of the university's animal flesh investments putting his research on
the back burner.

Harvard economists, destabilizers of the Russian economy

Harvard, driving the poor out of their homes, paying $4000 in the 70's
for homes in surrounding neighborhoods

Harvard, way behind Oberlin in ending exclusion of women and African
Americans

***************** ****************
Boston is the vivisection capital of the US, and Harvard receives more
vivisection dollars than any other university.

poem by O. Anna Niemus
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Poem For The Two Hundred And Fiftieth Anniversary Of The Founding Of Harvard College

TWICE had the mellowing sun of autumn crowned
The hundredth circle of his yearly round,
When, as we meet to-day, our fathers met:
That joyous gathering who can e'er forget,
When Harvard's nurslings, scattered far and wide,
Through mart and village, lake's and ocean's side,
Came, with one impulse, one fraternal throng,
And crowned the hours with banquet, speech, and song?

Once more revived in fancy's magic glass,
I see in state the long procession pass
Tall, courtly, leader as by right divine,
Winthrop, our Winthrop, rules the marshalled line,
Still seen in front, as on that far-off day
His ribboned baton showed the column's way.
Not all are gone who marched in manly pride
And waved their truncheons at their leader's side;
Gray, Lowell, Dixwell, who his empire shared,
These to be with us envious Time has spared.

Few are the faces, so familiar then,
Our eyes still meet amid the haunts of men;
Scarce one of all the living gathered there,
Whose unthinned locks betrayed a silver hair,
Greets us to-day, and yet we seem the same
As our own sires and grandsires, save in name.
There are the patriarchs, looking vaguely round
For classmates' faces, hardly known if found;
See the cold brow that rules the busy mart;
Close at its side the pallid son of art,
Whose purchased skill with borrowed meaning clothes,
And stolen hues, the smirking face he loathes.
Here is the patient scholar; in his looks
You read the titles of his learned books;
What classic lore those spidery crow's-feet speak!
What problems figure on that wrinkled cheek!
For never thought but left its stiffened trace,
Its fossil footprint, on the plastic face,
As the swift record of a raindrop stands,
Fixed on the tablet of the hardening sands.
On every face as on the written page
Each year renews the autograph of age;
One trait alone may wasting years defy,--
The fire still lingering in the poet's eye,
While Hope, the siren, sings her sweetest strain,--
_Non omnis moriar_ is its proud refrain.

Sadly we gaze upon the vacant chair;
He who should claim its honors is not there,--
Otis, whose lips the listening crowd enthrall

[...] Read more

poem by Oliver Wendell Holmes
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Two Chocolate Labs

This was wrote to my wife, Sharon about our two chocolate labs. Biloxi is male, Cherokee is female. One we named for the place we were engaged, the other the place we had our honeymoon.

When you look at our two Chocolate Labs tell me what do you see.
Do you see just two big dogs named Biloxi and the other Cherokee.

Next time you look at them, look at them hard.
They are more than two Chocolate Labs out in our yard.

Cherokee is a symbol of our never ending love.
She is to remind us that our marriage is blessed from above.

Cherokee is the place that I ask you to marry me by a cold rolling mountain stream.
This is the place that we will hold in our hearts and keep in our dreams.

Biloxi is a symbol of the love that we have and share.
He is to remind us of a place that is the answer to our prayers.

Biloxi is the place where our honeymoon was to be.
This is the place that sealed our love for then, now and all eternity.

Biloxi and Cherokee are more than two Chocolate Labs you see.
Yes, they are two symbols of two special places called Biloxi and the other Cherokee.

So next time you look at them, look and them with love.
These are our two special gifts to us, from heaven above.

poem by Eddie Fullbright
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
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Marmion: Canto 6 (excerpt)

Next morn the Baron climb'd the tower,
To view afar the Scottish power,
Encamp'd on Flodden edge:
The white pavilions made a show,
Like remnants of the winter snow,
Along the dusky ridge.
Long Marmion look'd:--at length his eye
Unusual movement might descry
Amid the shifting lines:
The Scottish host drawn out appears,
For, flashing on the hedge of spears
The eastern sunbeam shines.
Their front now deepening, now extending;
Their flank inclining, wheeling, bending,
Now drawing back, and now descending,
The skilful Marmion well could know,
They watch'd the motions of some foe,
Who traversed on the plain below.

XIX

Even so it was. From Flodden ridge
The Scots beheld the English host
Leave Barmore-wood, their evening post,
And heedful watch'd them as they cross'd
The Till by Twisel Bridge.
High sight it is, and haughty, while
They dive into the deep defile;
Beneath the cavern'd cliff they fall,
Beneath the castle's airy wall.
By rock, by oak, by hawthorn-tree,
Troop after troop are disappearing;
Troop after troop their banners rearing,
Upon the eastern bank you see.
Still pouring down the rocky den,
Where flows the sullen Till,
And rising from the dim-wood glen,
Standards on standards, men on men,
In slow succession still,
And, sweeping o'er the Gothic arch,
And pressing on, in ceaseless march,
To gain the opposing hill.
That morn, to many a trumpet clang,
Twisel! thy rock's deep echo rang;
And many a chief of birth and rank,
Saint Helen! at thy fountain drank.
Thy hawthorn glade, which now we see
In spring-tide bloom so lavishly,
Had then from many an axe its doom,

[...] Read more

poem by Sir Walter Scott
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Milkshake

My milkshake brings all the boys to the yard
And they're like, it's better than yours
Damn right it's better than yours
I could teach you
But I have to charge
My milkshake brings all the boys to the yard
And they're like, it's better than yours
Damn right it's better than yours
I could teach you
But I have to charge
I know you want it
The thing that makes me
What the guys go crazy for
They lose their minds
The way I whine
I think it's time
La,La,La,La,La
Warm it up
La,La,La,La,La
The boys are waiting
La,la,La,La,La
Warm it up
La,La,La,La,La
The boys are waiting
My milkshake brings all the boys to the yard
And they're like, it's better than yours
Damn right it's better than yours
I could teach you but I have to charge
My milkshake brings all the boys to the yard
And they're like, it's better than yours
Damn right it's better than yours
I could teach you but I have to charge
I see you're on it
You want me to teach thee
Techniques that freaks these boys
It can't be bought
Just the thieves get caught
Watch if you're smart
La,La,La,La,La
Warm it up
La,La,La,La,La
The boys are waiting
La,La,La,La,La,
Warm it up
La,La,La,La,La
The boys are waiting
My milkshake brings all the boys to the yard
And they're like, it's better than yours
Damn right it's better than yours
I could teach you but I have to charge

[...] Read more

song performed by Kelis
Added by Lucian Velea
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

[...] Read more

poem by Robert Browning from The Ring and the Book
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The Convocation: A Poem

When Vertue's Standard Ecclesiasticks bear,
Their sacred Robe the noblest Minds revere.
All to its Guidance do their Thoughts submit,
But such who triumph in licentious Wit;
And nauseous Mirth as high Desert esteem,
When rais'd by Scorn upon Religion's Theme
As Kings by Right Divine o'er Nations sway,
As the most worthy, their high Pow'rs obey;
Homage by all is to the Priesthood born,
And none but Fools their Heav'nly Pastors scorn.

Yet censure not the Muse's Freedom here:
If urg'd by Errors, she must seem severe!
Tho' keen her Satyr, she no Envy bears;
Tho' Priests she lashes, she their Function spares.
Nor for ill Members such the Clergy calls,
But on their Shame, and not their Glory, falls.

Of all the Plagues with which the World is curst,
Time has still prov'd that Priestcraft is the worst.
By some, what Notions thro' the World are spread?
On Falshoods grounded, and from Int'rest bred;
Errour has still the giddy World perplext,
Whilst Scripture gilds it with some sacred Text.
This wild Opinions Strife and Faction brings,
The Bane of Nations, the Misrule of Kings.
Priests oft profane what they from Heav'n derive;
Some live by Legends, some by Murders thrive,
Some sell their Gods, and Altar-Rites deface,
With Doctrines some the Brain-sick People craze.

The Pagan prey on slaughter'd Wretches Fates,
The Romish fatten on the best Estates,
The British stain what Heav'n has right confest,
And Sectaries the Scriptures falsly wrest.

Amongst the Tribe, how few are, as they ought,
Clear in their Souls, instructive in their Thought!
The Good, like Prophets, shew their Precepts pure;
The Ill with Craft the Heav'nly Light obscure;
False to their Trust, they lead their Flocks astray,
And with their Errors cloud the sacred Way.

Tho' artless Numbers may my Verses throng,
Yet now Religion's Cause inspires my Song:

[...] Read more

poem by Richard Savage
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Wounded

Is it not strange? A year ago to-day,
With scarce a thought beyond the hum-drum round,
I did my decent job and earned my pay;
Was averagely happy, I'll be bound.
Ay, in my little groove I was content,
Seeing my life run smoothly to the end,
With prosy days in stolid labour spent,
And jolly nights, a pipe, a glass, a friend.
In God's good time a hearth fire's cosy gleam,
A wife and kids, and all a fellow needs;
When presto! like a bubble goes my dream:
I leap upon the Stage of Splendid Deeds.
I yell with rage; I wallow deep in gore:
I, that was clerk in a drysalter's store.

Stranger than any book I've ever read.
Here on the reeking battlefield I lie,
Under the stars, propped up with smeary dead,
Like too, if no one takes me in, to die.
Hit on the arms, legs, liver, lungs and gall;
Damn glad there's nothing more of me to hit;
But calm, and feeling never pain at all,
And full of wonder at the turn of it.
For of the dead around me three are mine,
Three foemen vanquished in the whirl of fight;
So if I die I have no right to whine,
I feel I've done my little bit all right.
I don't know how -- but there the beggars are,
As dead as herrings pickled in a jar.

And here am I, worse wounded than I thought;
For in the fight a bullet bee-like stings;
You never heed; the air is metal-hot,
And all alive with little flicking wings.
But on you charge. You see the fellows fall;
Your pal was by your side, fair fighting-mad;
You turn to him, and lo! no pal at all;
You wonder vaguely if he's copped it bad.
But on you charge. The heavens vomit death;
And vicious death is besoming the ground.
You're blind with sweat; you're dazed, and out of breath,
And though you yell, you cannot hear a sound.
But on you charge. Oh, War's a rousing game!
Around you smoky clouds like ogres tower;
The earth is rowelled deep with spurs of flame,
And on your helmet stones and ashes shower.
But on you charge. It's odd! You have no fear.
Machine-gun bullets whip and lash your path;
Red, yellow, black the smoky giants rear;
The shrapnel rips, the heavens roar in wrath.

[...] Read more

poem by Robert William Service
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Jump Start

Written by reggie calloway and vincent calloway
Alright yaul, oh, oh, oh
(uh, oh, uh, oh, oh, oh)
Hey, hey, ooh, yeah
Feels like my batterys in need of a jump
Our love is running down, done fell into a slump
Give me a spark to get the fire burning
A get my engine movin, set these wheels a turnin
Our love could use some rejuvination
You bring the wine, Ill bring the sweet conversation
Romance is here to stay, Ill testify cause I need some today
So wont cha
Jump start my heart
Charge me up when Im runnin down
Oh, jump start my heart
Lift my feet up off the ground
When it comes to lovin, baby
Cant get enough, hot wire me
Satisfy me, dont give me up
Turn on the heat on a cold winters morning
Dont let the seasons change and nature catch me callin
Cant let this feelin just slip away
Our love was meant to last forever and a day
We cant neglect what we cherish the most
So drop your foolish pride cause I need you more and more
(nothing good comes easily)
Ooh, weve got to work it til we get it right
(you see I love you so) Ill (Ill never let you go) never let you go
(I wanna hug you) oh (and kiss you, keep you right here with me)
So wont ya jump start my heart
Oh, charge me up when Im running down
Would you do that for me, baby
Jump start my heart
Hey, lift my feet up off the ground
Oh, dont let me down
Jump start my heart
Woo, charge me up when Im running down
Would you do that for me, baby
Jump start my heart, hey, hey
Lift my feet up off the ground
Mm, dont let me down (jump)
Dont step on me now
Alright lets uncross (jump) those wire
When I say hit it, yaul hit it
Ignition, ignition
Musical interlude
Give it a little gas yaul, come on, ou!
Ooh, baby (jump) uh, oh, uh, oh, oh
I say dont stomp hard, baby (jump,jump)
(jump) lift me up

[...] Read more

song performed by Natalie Cole
Added by Lucian Velea
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

[...] Read more

poem by Robert Browning from The Ring and the Book
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Lara

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.

[...] Read more

poem by Byron
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Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

[...] Read more

poem by Byron
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There is no Charge...

Generosity of the earth,
For whatever its worth.

There is no charge

The fragrance of flowers,
At any time and hour.

There is no charge

The shade of a beckoning tree,
Offering shelter to a refugee.

There is no charge

The birds early morning orchestra,
Uplifting like chanting a mantra.

There is no charge

Motherly caress of the gentle breeze,
So soothing, stress is released.

There is no charge

Days and nights,
Nature’s cues to sleep and rise.

There is no charge

Watching the ebb and flow of ocean tide,
As the Sun sets and goes to hide.

There is no charge

did you say everything is expensive,
how can any one be happy.

What if nature gave you a whack
And tried to teach you what is lack.
Can you handle her balance sheet?
Indignant, you’ll scream, you cheat, you cheat.

poem by Mamta Agarwal
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Green Horse

The green horse strolls saddleless
the dust and grass
flowers painted on glass
images of the trademarks
on the shinning shackles

The restless strokes of darkness
the fiery strokes of fire
brave instincts for the forgetful
the lust less gaze of the
lusty framed muscles
burn….
Green horse in fire!

With the last doves retirement
the buzzing receding
and one time familiar sweatiness
return untouched
from beneath the burning flesh!

Charring anatomy of the green horse …..

should the shackles disappear:
the gypsy city welcome
the creatures of beaded pearls
the green horse

the burning anatomy…
the shinning anatomy!

poem by Anirban Sengupta
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Open Up Your Wallets...

I appreciate the participation,
However...
Why do you find it neccessary,
To interrupt my reading.

'It's not poetry.
It's some form of a narrative.
At least that's what I was taught at Harvard.'

I see.
And were you also taught at Harvard,
To be disrespectful, insidious and a flaming fool?

'That's what I mean...
This delivery is a narrative.'

IF I am stretching my creative expression,
To incorporate the evolution of humanity...
With my interpretations,
By keeping up to date....
WHO are YOU to define that direction,
With attempts to confine it within your limitations?
Haven't you Harvard people done enough already?

'That's offensive!
And what is that suppose to mean? '

I have no idea!
You're the one equipped with the definitions.
And...
I am...
Quite pleased!

You were wonderful.
Ladies and gentleman.
Give this man your applause.
Wasn't he great.
Sir...
Absolutely stunning.

Thank you so much for agreeing to assist,
With my expanding reach to bring this form of expression...
To broaden a field once regarded,
As speech for the elite.
Thank you.

Now...
My next poem will be,
'Open Up Your Wallets...
Pull Out Two Twenties.

[...] Read more

poem by Lawrence S. Pertillar
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Vestigia Quinque Retrorsum

AN ACADEMIC POEM

1829-1879

Read at the Commencement Dinner of the Alumni of Harvard
University, June 25, 1879.

WHILE fond, sad memories all around us throng,
Silence were sweeter than the sweetest song;
Yet when the leaves are green and heaven is blue,
The choral tribute of the grove is due,
And when the lengthening nights have chilled the skies,
We fain would hear the song-bird ere be flies,
And greet with kindly welcome, even as now,
The lonely minstrel on his leafless bough.

This is our golden year,--its golden day;
Its bridal memories soon must pass away;
Soon shall its dying music cease to ring,
And every year must loose some silver string,
Till the last trembling chords no longer thrill,--
Hands all at rest and hearts forever still.

A few gray heads have joined the forming line;
We hear our summons,--'Class of 'Twenty-Nine!'
Close on the foremost, and, alas, how few!
Are these 'The Boys' our dear old Mother knew?
Sixty brave swimmers. Twenty--something more--
Have passed the stream and reached this frosty shore!

How near the banks these fifty years divide
When memory crosses with a single stride!
'T is the first year of stern 'Old Hickory' 's rule
When our good Mother lets us out of school,
Half glad, half sorrowing, it must be confessed,
To leave her quiet lap, her bounteous breast,
Armed with our dainty, ribbon-tied degrees,
Pleased and yet pensive, exiles and A. B.'s.

Look back, O comrades, with your faded eyes,
And see the phantoms as I bid them rise.
Whose smile is that? Its pattern Nature gave,
A sunbeam dancing in a dimpled wave;
KIRKLAND alone such grace from Heaven could win,
His features radiant as the soul within;
That smile would let him through Saint Peter's gate
While sad-eyed martyrs had to stand and wait.
Here flits mercurial _Farrar_; standing there,
See mild, benignant, cautious, learned _Ware_,
And sturdy, patient, faithful, honest _Hedge_,

[...] Read more

poem by Oliver Wendell Holmes
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Paris Went to Hilton, Uhm, Harvard

Paris, Paris you finally made it to Harvard.
Let’s party and you’ll cry if you want to,
50 Cent can be your own personal muse, Urban Poet, a poetic sage,
When he said to you, Paris, “Get the F$$k off of my stage.”
(see observation It’s My Party)
Was it because you found the solution the world’s problems?
Had you discovered how to extract in formation from DNA within seconds?
Had you discovered the link between gravity and the electromagnetic spectrum?
Or had you brokered peace between the Israeli and the Palestinian Nations,
That would end violence?
But you declared “Harvard is Hot”,
Amazing you can put three words together two of which had the same starting letter.
You are a GENIUS!
NOT! ! ! ! !
You are epitome, that means you are the highest, of a joke that Harvard Lampoon honored,
You were dishonored and rightfully so,
I hope you will peel off your blinders to hopefully see,
You are wasting your life and providing fodder for the paparazzi.
Your grandfather wanted nothing to do with you.
Paris when you’re out money, when you had fallen from the top,
Maybe I’ll find your Lampoon Award in a pawn shop.

(2-10-2008)

poem by Joe Rosochacki
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