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But I make the observation that no one of us would do things exactly alike.

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Overnight Observation

(j. farrar/t. snow)
Looks like Im the only one here
Even the nurse is gone
But I guess I should wait cause when she left, she said
The doctor wont be long
So make yourself at home
His office is down the hall
Why do I feel uneasy?
I know he must be good
Got credentials all over the wall
I hear a voice behind me say
What seems to be the trouble, my dear?
Wont you be kind enough to step over here
It might be fever
It might be flu
To isolate it, Ill have to hold you
Overnight (observation)
Overnight (observation)
In my opinion
All we can do to isolate it
Ill hold you overnight (observation)
Overnight (observation)
Please dont think me ungrateful
But holding me overnight
Seems a little extreme
Do you always serve martinis
And turn the lights down low
Doctor, do your colleagues know?
Although you say its good for me
I really dont feel like dancing now
Somebodys waiting
And Im double-parked anyhow
It might be fever
It might be flu
To isolate it, Ill have to hold you
Overnight (observation)
Overnight (observation)
In my opinion
All we can do to isolate it
Ill hold you overnight (observation)
Overnight (observation)
Now, I may look stupid
But Ill tell you what, Ive been around a long time
And I thought I had heard everything
I tell you, they keep coming up with them
I just couldnt believe my ears when he said:
Kick off your shoes, relax my dear
Slip into something comfortable
Two seconds flat, Im out the door and down the hall
It might be fever

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Observation

You got to twist with the music to expose your body! !
And like a moving star performing in a church room;
But the observation of this muse is yours in the making,
However, it is always right to know the truth.

Observation, votes, rob, robs, brave, rave, save, sot, rate, to, bet;
But, you have to think twice if it is not in!
For, the churches are now turned into business centres.

Observation, bat, rat, star, rats, on, no, ion, ions, ton, tons, not;
And like a moving star performing ina church room!
But, the observation of this muse is now common in this country.

Observation, note, notes, be, so, or, at, as, an, near, sear, bear;
However, it ia always right to know the truth!
For, not all that glitters around us is gold.

Observation, bare, neat, seat, set, net, ten, nets, art, arts, raves;
With much work at hand to do for a living! !
Because, whatever you have around is always from hand to mouth.

Observation, bets, bent, rent, bents, rents, sent, vat, ran, sit;
But, you got to twist to the music to expose your nakedness! !
And like the muse of war in the land of trouble;
However, it is right to know the truth.

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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Observation II

Observation, Orion, sat, sea, vet, vets, Ben, boat, boats, boot;
With your works at hand to be seen by others in this town!
But, try to wake up from this negative world to know the truth.

Observation, boots, soot, sort, soon, vain, train, rain, strain, stain;
With twisted words in the churches to blindfold my people! !
However, it is right to know the truth.

Observation, brain, brains, trains, rest, nest, best, bean, beans;
Down to the river side in this village,
But, somebody dropped in the bomb to kill many! !

Observation, ear, era, are, tear, tears, tea, eat, ate, bait, sate;
Words of love and works of peace!
Bringing in the truth to satisfy the hearts of many;
For, Rome was not built in a day.

Observation, seta, vent, it, is, in, sin, tin, bin, bins, tins, bone;
Dancing with the tunes to expose your body! !
But, someone needs to tell you the truth about this muse.

Observation, bones, stone, tone, tones, one, roast, boast, vote;
Wherever and whatever with the muse of your songs! !
But, let this earth be filled with righteousness than evil.

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Cry Freedom

How can I turn away
Brother/sister go dancing
Through my head
Human as to human
The future is no place
To place your better days
Cry freedom, cry
From a crowd 10,000 wide
Hope laid upon hope
That this crowd will not subside
Let this flag burn to dust
And a new a fair design be raised
While we wait head in hands,
Hands in prayer
And fall into a dreamless sleep again
And we wave our hands
Hands and feet are all alike
But gold between divide us
Hands and feet are all alike
But fear between divide us
All slip away
There was a window and by it stood
A mirror in which
He could see himself
He thought of something
Something he had never had but
Hoped would come along
Cry freedom, cry
From deep inside
Where we are all confined
While we wave hands in fire
Wave our hands
Hands and feet are all alike
But gold between divide us
Hands and feet are all alike
But fear between divide us,
Slip away
In this room stood a little child
And in this room this little child
She would remain
Until someone might decide
To dance this little child
Across this hall
Into a cold, dark, space
Where she might never trace her
Way across this crooked mile
Across this crooked page
Cry freedom, cry
From deep inside where
We are all confined

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Alexander Pope

An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.


'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,

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Picture Picture by Tanya Markova

Picture picture ohh...
Picture picture ohh...

Picture picture ohh...
Picture picture ohh...

Picture picture ohh...
Picture picture
Picture picture ohh...
Picture picture ohh...
Picture picture

Picture picture ohh...

Nang gabing masilayan ka...
Dala-dala ko pa
Ang aking lumang camera

Picture picture ohh...
Picture picture

Picture picture ohh...
Picture picture ohh...
Picture picture

Picture picture ohh...

Campus gig noon at nag-aya ang tropa
Maraming bebot ang nagsasayaw
Nang biglang mapansin kita

What a beautiful face
At kinunan kita
What a beautiful face
Angat ka sa iba

Picture picture ohh...
Picture picture

Picture picture ohh...
Picture picture

What a beautiful
What a beautiful face

I saw her face
Mukha syang taga-a a outerspace
Si Mang Roger ako'y kinalabit
Ang sabi
Halika na balot muna

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William Cowper

Retirement

Hackney'd in business, wearied at that oar,
Which thousands, once fast chain'd to, quit no more,
But which, when life at ebb runs weak and low,
All wish, or seem to wish, they could forego;
The statesman, lawyer, merchant, man of trade,
Pants for the refuge of some rural shade,
Where, all his long anxieties forgot
Amid the charms of a sequester'd spot,
Or recollected only to gild o'er
And add a smile to what was sweet before,
He may possess the joys he thinks he sees,
Lay his old age upon the lap of ease,
Improve the remnant of his wasted span,
And, having lived a trifler, die a man.
Thus conscience pleads her cause within the breast,
Though long rebell'd against, not yet suppress'd,
And calls a creature form'd for God alone,
For Heaven's high purposes, and not his own,
Calls him away from selfish ends and aims,
From what debilitates and what inflames,
From cities humming with a restless crowd,
Sordid as active, ignorant as loud,
Whose highest praise is that they live in vain,
The dupes of pleasure, or the slaves of gain,
Where works of man are cluster'd close around,
And works of God are hardly to be found,
To regions where, in spite of sin and woe,
Traces of Eden are still seen below,
Where mountain, river, forest, field, and grove,
Remind him of his Maker’s power and love.
'Tis well, if look’d for at so late a day,
In the last scene of such a senseless play,
True wisdom will attend his feeble call,
And grace his action ere the curtain fall.
Souls, that have long despised their heavenly birth,
Their wishes all impregnated with earth,
For threescore years employ’d with ceaseless care,
In catching smoke, and feeding upon air,
Conversant only with the ways of men,
Rarely redeem the short remaining ten.
Inveterate habits choke the unfruitful heart,
Their fibres penetrate its tenderest part,
And, draining its nutritious power to feed
Their noxious growth, starve every better seed.
Happy, if full of days—but happier far,
If, ere we yet discern life’s evening star,
Sick of the service of a world that feeds
Its patient drudges with dry chaff and weeds,
We can escape from custom’s idiot sway,
To serve the sovereign we were born to obey.

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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We Must Be Thinking Alike

So many nights we didn't fight but never talked much
We just lost touch
I think we knew our dream come true was slowly dying
No denying
Now comes the time we must decide to go or stay
To get it back somehow or throw it all away
We must be thinking alike
You never held me so tight
We must be finally doing something right
I'm not about to give in
This is a fight we can win and after all this time
We must be thinking alike
Let's just stay home
I'll get a pizza and a movie we both wanna see
And later on who knows what we'll find to agree on
It's been so long
Dim down the lights, turn off the phone and the TV
I can tell the way you're smiling back at me that
We must be thinking alike
You never held me so tight
We must be finally doing something right
I'm not about to give in
This is a fight we can win and after all this time
We must be thinking alike
We must be thinking alike
Holding aech other so tight
We must be finally doing something right
I'm not about to give in
This is a fight we can win and after all this time
We must be thinking alike

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Two Alike

Two Alike

Two Entities
Pulsating alike

Two hearts
Beating alike

Two minds
Throbbing alike

Two souls
Singing alike!

Has anyone seen
Such a like

In this world
Where nothing is alike?

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The American Way

1
I am a great American
I am almost nationalistic about it!
I love America like a madness!
But I am afraid to return to America
I'm even afraid to go into the American Express—


2
They are frankensteining Christ in America
in their Sunday campaigns
They are putting the fear of Christ in America
under their tents in their Sunday campaigns
They are driving old ladies mad with Christ in America
They are televising the gift of healing and the fear of hell
in America under their tents in their Sunday
campaigns
They are leaving their tents and are bringing their Christ
to the stadiums of America in their Sunday
campaigns
They are asking for a full house an all get out
for their Christ in the stadiums of America
They are getting them in their Sunday and Saturday
campaigns
They are asking them to come forward and fall on their
knees
because they are all guilty and they are coming
forward
in guilt and are falling on their knees weeping their
guilt
begging to be saved O Lord O Lord in their Monday
Tuesday Wednesday Thursday Friday Saturday
and Sunday campaigns

3
It is a time in which no man is extremely wondrous
It is a time in which rock stupidity
outsteps the 5th Column as the sole enemy in America
It is a time in which ignorance is a good Ameri-cun
ignorance is excused only where it is so
it is not so in America
Man is not guilty Christ is not to be feared
I am telling you the American Way is a hideous monster
eating Christ making Him into Oreos and Dr. Pepper
the sacrament of its foul mouth
I am telling you the devil is impersonating Christ in America
America's educators & preachers are the mental-dictators
of false intelligence they will not allow America
to be smart
they will only allow death to make America smart

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Black And White So Alike

In my journey in life, I met many people and many issues
and I used many tissues, cried many tears thru the years.
I found people of color are similar to white and alike
in so many ways, they have feelings like white people
and maybe even more, people say to me why you bother
with people of color, I say people are people, color
and white are so alike, have feelings so alike and they
can bond like anyone else, talk for hours and laughs
about little things and big things.

People of color and white are so alike I am greatful to have
met special people in my life, make me feel good when I am down,
make me laugh when I cry, tell me its okay to feel sad, and thats
not bad to feel down sometimes because thats how it is, People of color and white so alike in many ways, they share sorrow and pain, cry
and laugh together, have long or short lunch or just walk
around corner its still something to talk about.

People of color and white so alike in many ways and thats what I say
and I will miss my friend now that she moved on, but our friendship stayed on....

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One Hundred and Three

With the frame of a man, and the face of a boy, and a manner strangely wild,
And the great, wide, wondering, innocent eyes of a silent-suffering child;
With his hideous dress and his heavy boots, he drags to Eternity—
And the Warder says, in a softened tone: ‘Keep step, One Hundred and Three.’
’Tis a ghastly travesty of drill—or a ghastly farce of work—
But One Hundred and Three, he catches step with a start, a shuffle and jerk.
’Tis slow starvation in separate cells, and a widow’s son is he,
And the widow, she drank before he was born—(Keep step, One Hundred and Three!)

They shut a man in the four-by-eight, with a six-inch slit for air,
Twenty-three hours of the twenty-four, to brood on his virtues there.
And the dead stone walls and the iron door close in as an iron band
On eyes that followed the distant haze far out on the level land.

Bread and water and hominy, and a scrag of meat and a spud,
A Bible and thin flat book of rules, to cool a strong man’s blood;
They take the spoon from the cell at night—and a stranger might think it odd;
But a man might sharpen it on the floor, and go to his own Great God.

One Hundred and Three, it is hard to believe that you saddled your horse at dawn;
There were girls that rode through the bush at eve, and girls who lolled on the lawn.
There were picnic parties in sunny bays, and ships on the shining sea;
There were foreign ports in the glorious days—(Hold up, One Hundred and Three!)

A man came out at exercise time from one of the cells to-day:
’Twas the ghastly spectre of one I knew, and I thought he was far away;
We dared not speak, but he signed ‘Farewell—fare—well,’ and I knew by this
And the number stamped on his clothes (not sewn) that a heavy sentence was his.

Where five men do the work of a boy, with warders not to see,
It is sad and bad and uselessly mad, it is ugly as it can be,
From the flower-beds laid to fit the gaol, in circle and line absurd,
To the gilded weathercock on the church, agape like a strangled bird.

Agape like a strangled bird in the sun, and I wonder what he could see?
The Fleet come in, and the Fleet go out? (Hold up, One Hundred and Three!)
The glorious sea, and the bays and Bush, and the distant mountains blue
(Keep step, keep step, One Hundred and Three, for my lines are halting too)

The great, round church with its volume of sound, where we dare not turn our eyes—
They take us there from our separate hells to sing of Paradise.
In all the creeds there is hope and doubt, but of this there is no doubt:
That starving prisoners faint in church, and the warders carry them out.

They double-lock at four o’clock and the warders leave their keys,
And the Governor strolls with a friend at eve through his stone conservatories;
Their window slits are like idiot mouths with square stone chins adrop,
And the weather-stains for the dribble, and the dead flat foreheads atop.

No light save the lights in the yard beneath the clustering lights of the Lord—

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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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Byron

English Bards and Scotch Reviewers: A Satire

'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare

'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.


Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.

O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.

Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.

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Argemone

The terrible night-watch is over,
I turn where I lie,
To eastward my dim eyes discover
Faint streaks in the sky ;
Faint streaks on a faint light that dapples
And dawns like the ripening of apples,
Closes with darkness and grapples,
And darkness must die.

And the dawn finds us where the dusk found us
The quick and the dead ;
Thou dawn-slaying darkness around us,
Oh ! slay me instead !
Thou pitiless earth that would sever
Twain souls, reuniting them never,
Oh, gape and engulf me for ever,
Oh, cover my head !

The toils that men strive with stout-hearted,
The fears that men fly,
I have known them, but they have departed,
And thou hast gone by.
Men toiling, and straining, and striving,
Are glad, peradventure, for living ;
I render for life no thanksgiving,
Glad only to die.

Too alike to me now are all changes,
Naught gladdens, naught grieves.
Alike, now, pale snow on the ranges,
Pale gold on the sheaves.
Alike now the hum of glad bees on
Green boughs, and the sigh of sad trees on
Sere uplands, the fall of the season,
The fall of the leaves.

Alike now each wind blows the breezes
That kiss where they roam,
The breath of the March wind that freezes
In the rime of the loam ;
The storm-blast that lashes and scourges,
And rends the white crests of the surges,
As it sweeps with the thunder of dirges
Across the sea foam.

Alike now all rainfall and down-fall,
Foul seasons and fair ;
Let the rose on my patch or the thorn fall,
I heed not, nor care ;
Nor for grey light of dawn, nor for dun light

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Arthur Eddington

For the truth of the conclusions of physical science, observation is the supreme Court of Appeal. It does not follow that every item which we confidently accept as physical knowledge has actually been certified by the Court; our confidence is that it would be certified by the Court if it were submitted. But it does follow that every item of physical knowledge is of a form which might be submitted to the Court. It must be such that we can specify (although it may be impracticable to carry out) an observational procedure which would decide whether it is true or not. Clearly a statement cannot be tested by observation unless it is an assertion about the results of observation. Every item of physical knowledge must therefore be an assertion of what has been or would be the result of carrying out a specified observational procedure.

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Arthur Eddington

For the truth of the conclusions of physical science, observation is the supreme Court of Appeal. It does not follow that every item which we confidently accept as physical knowledge has actually been certified by the Court our confidence is that it would be certified by the Court if it were submitted. But it does follow that every item of physical knowledge is of a form which might be submitted to the Court. It must be such that we can specify (although it may be impracticable to carry out) an observational procedure which would decide whether it is true or not. Clearly a statement cannot be tested by observation unless it is an assertion about the results of observation. Every item of physical knowledge must therefore be an assertion of what has been or would be the result of carrying out a specified observational procedure.

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