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A painter should not paint what he sees but what should be seen.

quote by Paul Valery
Added by Lucian Velea
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Painter Man

Went to college, studied arts
To be an artist make a start
Studied hard, gettin my degree
But no one seemed to notice me
Painter man, painter man
Who wanna be a painter man
Painter man, painter man
Who wanna be a painter man
Tried cartoons and comic books
Dirty postcards could have done
Here was where the money laid
Classic art has had its day
Painter man, painter man
Who wanna be a painter man
Painter man, painter man
Who wanna be a painter man
Did adverts for t.v.
Household shops and brands of tea
Labels all around the cans
Who wanna be a painter man
Painter man, painter man
Who wanna be a painter man
Painter man, painter man
Who wanna be a painter man
La...la...la...la...la...la...
La...la...la...la...la...la...la...
Painter man, painter man
Who wanna be a painter man

song performed by Boney M.
Added by Lucian Velea
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Last Instructions to a Painter

After two sittings, now our Lady State
To end her picture does the third time wait.
But ere thou fall'st to work, first, Painter, see
If't ben't too slight grown or too hard for thee.
Canst thou paint without colors? Then 'tis right:
For so we too without a fleet can fight.
Or canst thou daub a signpost, and that ill?
'Twill suit our great debauch and little skill.
Or hast thou marked how antic masters limn
The aly-roof with snuff of candle dim,
Sketching in shady smoke prodigious tools?
'Twill serve this race of drunkards, pimps and fools.
But if to match our crimes thy skill presumes,
As th' Indians, draw our luxury in plumes.
Or if to score out our compendious fame,
With Hooke, then, through the microscope take aim,
Where, like the new Comptroller, all men laugh
To see a tall louse brandish the white staff.
Else shalt thou oft thy guiltless pencil curse,
Stamp on thy palette, not perhaps the worse.
The painter so, long having vexed his cloth--
Of his hound's mouth to feign the raging froth--
His desperate pencil at the work did dart:
His anger reached that rage which passed his art;
Chance finished that which art could but begin,
And he sat smiling how his dog did grin.
So mayst thou pérfect by a lucky blow
What all thy softest touches cannot do.

Paint then St Albans full of soup and gold,
The new court's pattern, stallion of the old.
Him neither wit nor courage did exalt,
But Fortune chose him for her pleasure salt.
Paint him with drayman's shoulders, butcher's mien,
Membered like mules, with elephantine chine.
Well he the title of St Albans bore,
For Bacon never studied nature more.
But age, allayed now that youthful heat,
Fits him in France to play at cards and treat.
Draw no commission lest the court should lie,
That, disavowing treaty, asks supply.
He needs no seal but to St James's lease,
Whose breeches wear the instrument of peace;
Who, if the French dispute his power, from thence
Can straight produce them a plenipotence..
Nor fears he the Most Christian should trepan
Two saints at once, St Germain, St Alban,
But thought the Golden Age was now restored,
When men and women took each other's word.

[...] Read more

poem by Andrew Marvell
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The Rhemese

NO city I to Rheims would e'er prefer:
Of France the pride and honour I aver;
The Holy Ampoule and delicious wine,
Which ev'ry one regards as most divine,
We'll set apart, and other objects take:
The beauties round a paradise might make!
I mean not tow'rs nor churches, gates, nor streets;
But charming belles with soft enchanting sweets:
Such oft among the fair Rhemese we view:
Kings might be proud those graces to pursue.

ONE 'mong these belles had to the altar led,
A painter, much esteemed, and who had bread.
What more was requisite!--he lived at ease,
And by his occupation sought to please.
A happy woman all believed his wife;
The husband's talents pleased her to the life:
For gallantry howe'er he was renowned,
And many am'rous dames, who dwelled around,
Would seek the artist with a double aim:
So all our chronicles record his fame.
But since much penetration 's not my boast,
I just believe--what's requisite at most.

WHENE'ER the painter had in hand a fair,
He'd jest his wife, and laugh with easy air;
But Hymen's rights proceeding as they ought,
With jealous fears her breast was never fraught.
She might indeed repay his tricks in kind,
And gratify, in soft amours, her mind,
Except that she less confidence had shown,
And was not led to him the truth to own.

AMONG the men attracted by her smiles,
Two neighbours, much delighted with her wiles;
Were often tempted, by her sprightly wit,
To listen to her chat, and with her sit;
For she had far the most engaging mien,
Of any charmer that around was seen.
Superior understanding she possessed;
Though fond of laughter, frolick, fun, and jest.
She to her husband presently disclosed
The love these cit-gallants to her proposed;
Both known for arrant blockheads through the town,
And ever boasting of their own renown.
To him she gave their various speeches, tones,
Each silly air: their tears, and sighs, and groans;
They'd read, or rather heard, we may believe,
That, when in love, with sighs fond bosoms heave.
Their utmost to succeed these coxcombs tried,

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poem by La Fontaine
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The Painter Dreaming in the Scholar’s House

in memory of the painters Paul Klee
and Paul Terence Feeley

I

The painter’s eye follows relation out.
His work is not to paint the visible,
He says, it is to render visible.

Being a man, and not a god, he stands
Already in a world of sense, from which
He borrows, to begin with, mental things
Chiefly, the abstract elements of language:
The point, the line, the plane, the colors and
The geometric shapes. Of these he spins
Relation out, he weaves its fabric up
So that it speaks darkly, as music does
Singing the secret history of the mind.
And when in this the visible world appears,
As it does do, mountain, flower, cloud, and tree,
All haunted here and there with the human face,
It happens as by accident, although
The accident is of design. It is because
Language first rises from the speechless world
That the painterly intelligence
Can say correctly that he makes his world,
Not imitates the one before his eyes.
Hence the delightsome gardens, the dark shores,
The terrifying forests where nightfall
Enfolds a lost and tired traveler.

And hence the careless crowd deludes itself
By likening his hieroglyphic signs
And secret alphabets to the drawing of a child.
That likeness is significant the other side
Of what they see, for his simplicities
Are not the first ones, but the furthest ones,
Final refinements of his thought made visible.
He is the painter of the human mind
Finding and faithfully reflecting the mindfulness
That is in things, and not the things themselves.

For such a man, art is an act of faith:
Prayer the study of it, as Blake says,
And praise the practice; nor does he divide
Making from teaching, or from theory.
The three are one, and in his hours of art
There shines a happiness through darkest themes,
As though spirit and sense were not at odds.

[...] Read more

poem by Howard Nemerov
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Fra Lippo Lippi

I am poor brother Lippo, by your leave!
You need not clap your torches to my face.
Zooks, what's to blame? you think you see a monk!
What, 'tis past midnight, and you go the rounds,
And here you catch me at an alley's end
Where sportive ladies leave their doors ajar?
The Carmine's my cloister: hunt it up,
Do—harry out, if you must show your zeal,
Whatever rat, there, haps on his wrong hole,
And nip each softling of a wee white mouse,
Weke, weke, that's crept to keep him company!
Aha, you know your betters! Then, you'll take
Your hand away that's fiddling on my throat,
And please to know me likewise. Who am I?
Why, one, sir, who is lodging with a friend
Three streets off—he's a certain...how d'ye call?
Master—a...Cosimo of the Medici,
I' the house that caps the corner. Boh! you were best!
Remember and tell me, the day you're hanged,
How you affected such a gullet's gripe!
But you, sir, it concerns you that your knaves
Pick up a manner nor discredit you:
Zooks, are we pilchards, that they sweep the streets
And count fair prize what comes into this net?
He's Judas to a tittle, that man is!
Just such a face! Why, sir, you make amends.
Lord, I'm not angry! Bid your hangdogs go
Drink out this quarter-florin to the health
Of the munificent House that harbors me
(And many more beside, lads! more beside!)
And all's come square again. I'd like his face—
His, elbowing on his comrade in the door
With the pike and lantern—for the slave that holds
John Baptist's head a-dangle by the hair
With one hand ("Look you, now," as who should say)
And his weapon in the other, yet unwiped!
It's not your chance to have a bit of chalk,
A wood-coal or the like? or you should see!
Yes, I'm the painter, since you style me so.
What, brother Lippo's doings, up and down,
You know them and they take you? like enough!
I saw the proper twinkle in your eye—
'Tell you, I liked your looks at very first.
Let's sit and set things straight now, hip to haunch.
Here's spring come, and the nights one makes up bands
To roam the town and sing out carnival,
And I've been three weeks shut within my mew,
A-painting for the great man, saints and saints
And saints again. I could not paint all night—
Ouf! I leaned out of window for fresh air.

[...] Read more

poem by Robert Browning from Men and Women (1855)
Added by Veronica Serbanoiu
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Paint Me Down

Paint me down
Paint me down
Paint me down
Im walking into studio
Consider strange appeal
Paint me in the home
Im brushing up on sketchbook
Designs for love unreal
Paint me in the home
Oil and skin youll need to buy it
Consider what I mean
She sinks beneath thr moving pictures
Prepare the brush for me
Im craving with this need
Paint me down
Paint me down
Paint me down
Im soaking up the surface
Conceaiving new idea
Paint me in the home
Shes oiling up her subject
But all still life is here
Paint me in the home
All the boys with framed dimension
A cover up on lust
Hell take his pain and paint it over
Prepare the brush for me
Im craving with this need
Paint me down
Paint me down
Paint me down

song performed by Spandau Ballet
Added by Lucian Velea
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Of Pacchiarotto, and How He Worked in Distemper

I
Query: was ever a quainter
Crotchet than this of the painter
Giacomo Pacchiarotto
Who took "Reform" for his motto?

II
He, pupil of old Fungaio,
Is always confounded (heigho!)
With Pacchia, contemporaneous
No question, but how extraneous
In the grace of soul, the power
Of hand,—undoubted dower
Of Pacchia who decked (as we know,
My Kirkup!) San Bernardino,
Turning the small dark Oratory
To Siena's Art-laboratory,
As he made its straitness roomy
And glorified its gloomy,
With Bazzi and Beccafumi.
(Another heigho for Bazzi:
How people miscall him Razzi!)

III
This Painter was of opinion
Our earth should be his dominion
Whose Art could correct to pattern
What Nature had slurred—the slattern!
And since, beneath the heavens,
Things lay now at sixes and sevens,
Or, as he said, sopra-sotto—
Thought the painter Pacchiarotto
Things wanted reforming, therefore.
"Wanted it"—ay, but wherefore?
When earth held one so ready
As he to step forth, stand steady
In the middle of God's creation
And prove to demonstration
What the dark is, what the light is,
What the wrong is, what the right is,
What the ugly, what the beautiful,
What the restive, what the dutiful,
In Mankind profuse around him?
Man, devil as now he found him,
Would presently soar up angel
At the summons of such evangel,
And owe—what would Man not owe
To the painter Pacchiarotto?
Ay, look to thy laurels, Giotto!

[...] Read more

poem by Robert Browning from Pacchiarotto (1876)
Added by Veronica Serbanoiu
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Sign-Board

I will paint you a sign, rumseller,
And hang it above your door;
A truer and better signboard
Than ever you had before.
I will paint with the skill of a master,
And many shall pause to see
This wonderful piece of painting,
So like the reality.

I will paint yourself, rumseller,
As you wait for that fair young boy,
Just in the morning of manhood,
A mother's pride and joy.
He has no thought of stopping,
But you greet him with a smile,
And you seem so blithe and friendly,
That he pauses to chat awhile.

I will paint you again, rumseller,
I will paint you as you stand,
With a foaming glass of liquor
Extended in your hand.
He wavers, but you urge him-
Drink, pledge me just this one!
And he takes the glass and drains it,
And the hellish work is done.

And next I will paint a drunkard-
Only a year has flown,
But into that loathsome creature
The fair young boy has grown.
The work was sure and rapid.
I will paint him as he lies
In a torpid, drunken slumber,
Under the wintry skies.

I will paint the form of the mother
As she kneels at her darling's side,
Her beautiful boy that was dearer
Than all the world beside.
I will paint the shape of a coffin,
Labeled with one word-'lost,'
I will paint all this, rumseller,
And will paint it free of cost.

[...] Read more

poem by Ella Wheeler Wilcox
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The Signboard

I will paint you a sign, rumseller,
And hang it above your door;
A truer and better signboard
Than ever you had before.
I will paint with the skill of a master,
And many shall pause to see
This wonderful piece of painting,
So like the reality.

I will paint yourself, rumseller,
As you wait for that fair young boy,
Just in the morning of manhood,
A mother’s pride and joy.
He has no thought of stopping,
But you greet him with a smile
And you seem so blithe and friendly,
That he pauses a chat awhile.

I will paint you again, rumseller,
I will paint you as you stand,
With a foaming glass of liquor
Extended in your hand.
He wavers, but you urge him –
Drink, pledge me just this one!
And he takes the glass and drains it,
And the hellish work is done.

And next I will paint a drunkard –
Only a year has flown,
But into that loathesome creature
The fair young boy has grown.
The work was sure and rapid.
I will paint him as he lies
In a torpid, drunken slumber,
Under the wintry skies.

I will paint the form of the mother
As she kneels at her darling’s side,
Her beautiful boy that was dearer
Than all the world beside.
I will paint the shape of a coffin
Labelled with one word – ‘Lost’
I will paint all this, rumseller,
And will paint it free of cost.

The sin and the shame and the sorrow,
The crime and the want and the woe
That are born there in your workshop,
No hand can paint, you know
But I’ll paint you a sign, rumseller,

[...] Read more

poem by Ella Wheeler Wilcox
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Peter Bell, A Tale

PROLOGUE

There's something in a flying horse,
There's something in a huge balloon;
But through the clouds I'll never float
Until I have a little Boat,
Shaped like the crescent-moon.

And now I 'have' a little Boat,
In shape a very crescent-moon
Fast through the clouds my boat can sail;
But if perchance your faith should fail,
Look up--and you shall see me soon!

The woods, my Friends, are round you roaring,
Rocking and roaring like a sea;
The noise of danger's in your ears,
And ye have all a thousand fears
Both for my little Boat and me!

Meanwhile untroubled I admire
The pointed horns of my canoe;
And, did not pity touch my breast,
To see how ye are all distrest,
Till my ribs ached, I'd laugh at you!

Away we go, my Boat and I--
Frail man ne'er sate in such another;
Whether among the winds we strive,
Or deep into the clouds we dive,
Each is contented with the other.

Away we go--and what care we
For treasons, tumults, and for wars?
We are as calm in our delight
As is the crescent-moon so bright
Among the scattered stars.

Up goes my Boat among the stars
Through many a breathless field of light,
Through many a long blue field of ether,
Leaving ten thousand stars beneath her:
Up goes my little Boat so bright!

The Crab, the Scorpion, and the Bull--
We pry among them all; have shot
High o'er the red-haired race of Mars,
Covered from top to toe with scars;
Such company I like it not!

[...] Read more

poem by William Wordsworth
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Light In My Darkness

as the day gets closeri ponder on what i told her she sees the light in my darkness as i wonder what she has caressed and she sees my poteintial as i am hororendously altered to what i am yet to be and she sees me for who i truely am as i slam my fist into this door a crippleing blow i should say as i lay here wondering why she sees light in my dark ness

as light filter through a darkness that is so true we wander thy dark wood wondering how to find our fate not to hate the one ho put us through wondering pondering why she sees the light filter through a darkness that is so true

as light penitrates my dark and wounded heart paying no mind to what it has healed as i seal my fate of which i take and it to claims me as a true dark but light finds my soul and she sees the light in my darkness that is so true

i am not as dark as i seem to be cuase she sees the light in me and i see the light in her which i truely pefer

and as i ponder on which i have said and i have sped down the road of life which is truely darkand she has saved me because she sees the light in my darkness of which i may contort due to the light she sees
as the darkness is contorted to see optimistically of all this strife as this knife drops to the floor as the darkness begins to contort
with this life i shall change as li lay me down to sleep i pray my soul the lord to keep if i die before i wke i pray my soul the lord to take as i partake in this in a heavenly manner i believe i see the light in my darkness as i see ture the beloved i shoved all my grief down the drain and she sees the light in my darkness as do i

hate is a fate that we we all can partake as we see the key to life as the kife is droped to the floor as the door slams into its jam life is contorted and then altered as we all can falter as the slaughter of man takes place as an ace is droped on the table as we all can tell this is a fable to be heard as a hearse takes your friend to her grave and she told me to say this that you are gay like the fey folk al i sasy this life flies by as shooting star and the i drive my car off a cliff into a tidal rift and float to the very end as i send a message to those who dont have hope and then i float to the land of the dead to spread this hate as we partake in the slaughter of man as i pretend the light was never spread and as i am beheaded by the beast with three heads as a hockey puck goes throgh a staind glass window as she is made a widow because of the war of the worlds and the darkness is once more contorted to her will and she sees me and the light in the darkness

forsay to end this fable i say to thee my life is a creed of which to be fallowed as i swallow the waters of the holyto souly depend on her to see tme for who i am truely am and thy light with in me thierein lies the secret of life which we all pass and not see as light filters through allof the dark and not lighted as my foresight is met light and dark meet for one last battle as life begins to contort and falter

then again life is always contorting to her will and the light spreads through a darkeness so trueonce more she sees the light in me in order to see the doves fly for her love for me cause she sees light in me and as i weave a tread so thin i send a message of hope in order to cope with the sin of man as i tan the hide of the beast so fierce that has dieed due to the light she brought me cuz she sees the light with in me

poem by Andy Pierce
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Spots On A Paint Rag

Spots on a paint rag trying to figure out
if they're part of a larger picture.
Daubs and smudges and smears of black and red.
Topographies of dry thick ridges of blue acrylic,
peach-coloured mesas bruised
by the encroaching violets of dusk in a painted desert.
Are these the wanna-be windows of life
who failed to achieve a whole and harmonious view
of what they're doing here swiping off knives
thick with the gore of cadmium red,
cleaning off brushes that get to go out
on the field to caress and poke
stars and trees into being? Waterboys, not players.

I say the word, life, and I feel tonight like
the heaviness of a bell that's supplanted my heart.
The right root, but the wrong blossom.
Even though I'd melt that bell
back down into raucous cannon
to defend the concept to my very last breath.
But tonight I'm tunnelling under the foundations
of the cornerstones of life to bring
the walls down on top of my head,
like an avalanche of prophetic skulls
to just get a peek inside the grand paradigm,
the white light of the gessoed underpainting.
The secret garden with low-hanging fruit
on easy street with the sacred whores of Babylon.

An existential sadness, deep as a death-wound,
as if I'd just been stabbed in the heart
by the hands of a clock that mistook me for an intruder,
undermines me from below, a pyramid built on quicksand.
As if all those who had drowned in life
like fish up over their gills in water
were swimming in the watershed of every tear
that almost makes it up over the top of the dam
I try to throw up like a manly front to what
I know I won't be able to hold back for long.

And there go the villages in the flooded valley
I tried to live among like a neighbourly mountain
come to Muhammad on the way up and down.
It's cold and lonely and the air is thin
at the peaks of experience, with only
a star and a cloud for company.
The hard diamond in the rough I used to be
has grown mushy over the years. Tears.
Imagine that. Warm, salt seas with undulant tides
of emotion coursing in and out,

[...] Read more

poem by Patrick White
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Purple And Silver

frozen evenings
on me, they camp greetings
intruding me to the dark feelings
demolishing any happy traces
that i once discovered
teardropp cases, these faces
never seem to get em' outta my head
paint in purple, paint it silver

track a train
to the valley of midnight pain
which i once suffered
i still suffer
when we look back to the spring shower
they left us, leaving poison flowers
i extracted the pulp
she wrapped the words
we made a bomb
mark our words
paint them purple, paint them silver

bang bang now check this out
heavy storm outside
reminds me of one inside
tornado of tears
volcano of fears
but they had to hit
and hit they did
birth of a kid
off color white
put up a fight
listening to 9 crimes
i've been given too much time
he did his part
i broke mine fast
paint it silver
msg delivered
paint it purple
i start to crumble

over the top
the boat beneath the blue whale
river of lost got a new sail
they met the pain at the oceans date
cross the fence in senses
sit at the last bench
bury the drench

[...] Read more

poem by Talal Athar
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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Paint Dimensionality Soul In Oils

if I painted pictures
I would draw you in charcoal
wash away drama tears in watercolours
paint dimensionality of durability soul in oils
span a universe of senses touch emotions thoughts

if I painted pictures
I would paint dream images
I would paint visions of inner mind's eye
I would paint life in veils swirling kaleidoscopic moods
I would paint canvasses imprinting fabric expanding universes

but I travel eons far
load canvasses are too heavy
I walk journey through many phase worlds
seasons landscapes in many climates beckon bled feet
I paint mind songs in words life haunting edges spaces

swallow flame words into soul at own risk
I paint distances between seen unseen at world's edges
I paint portraits above beneath mask as multi veils
I paint shift faces figures skin deeds intended done deeds
I paint poetry life in shifting kaleidoscopic images souls

poem by Terence George Craddock
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David

My thought, on views of admiration hung,
Intently ravish'd and depriv'd of tongue,
Now darts a while on earth, a while in air,
Here mov'd with praise and mov'd with glory there;
The joys entrancing and the mute surprize
Half fix the blood, and dim the moist'ning eyes;
Pleasure and praise on one another break,
And Exclamation longs at heart to speak;
When thus my Genius, on the work design'd
Awaiting closely, guides the wand'ring mind.

If while thy thanks wou'd in thy lays be wrought,
A bright astonishment involve the thought,
If yet thy temper wou'd attempt to sing,
Another's quill shall imp thy feebler wing;
Behold the name of royal David near,
Behold his musick and his measures here,
Whose harp Devotion in a rapture strung,
And left no state of pious souls unsung.

Him to the wond'ring world but newly shewn,
Celestial poetry pronounc'd her own;
A thousand hopes, on clouds adorn'd with rays,
Bent down their little beauteous forms to gaze;
Fair-blooming Innocence with tender years,
And native Sweetness for the ravish'd ears,
Prepar'd to smile within his early song,
And brought their rivers, groves, and plains along;
Majestick Honour at the palace bred,
Enrob'd in white, embroider'd o'er with red,
Reach'd forth the scepter of her royal state,
His forehead touch'd, and bid his lays be great;
Undaunted Courage deck'd with manly charms,
With waving-azure plumes, and gilded arms,
Displaid the glories, and the toils of fight,
Demanded fame, and call'd him forth to write.
To perfect these the sacred spirit came,
By mild infusion of celestial flame,
And mov'd with dove-like candour in his breast,
And breath'd his graces over all the rest.
Ah! where the daring flights of men aspire
To match his numbers with an equal fire;
In vain they strive to make proud Babel rise,
And with an earth-born labour touch the skies.
While I the glitt'ring page resolve to view,
That will the subject of my lines renew;
The Laurel wreath, my fames imagin'd shade,
Around my beating temples fears to fade;
My fainting fancy trembles on the brink,
And David's God must help or else I sink.

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poem by Thomas Parnell
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Venus and Adonis

Even as the sun with purple-colour'd face
Had ta'en his last leave of the weeping morn,
Rose-cheek'd Adonis tried him to the chase;
Hunting he lov'd, but love he laugh'd to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac'd suitor 'gins to woo him.
'Thrice fairer than myself,' thus she began,
'The field's chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee, with herself at strife,
Saith that the world hath ending with thy life.
'Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know:
Here come and sit, where never serpent hisses;
And being set, I'll smother thee with kisses:
'And yet not cloy thy lips with loath'd satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety;
Ten kisses short as one, one long as twenty:
A summer's day will seem an hour but short,
Being wasted in such time-beguiling sport.'
With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
Being so enrag'd, desire doth lend her force
Courageously to pluck him from his horse.
Over one arm the lusty courser's rein
Under her other was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire
He red for shame, but frosty in desire.
The studded bridle on a ragged bough
Nimbly she fastens;--O! how quick is love:--
The steed is stalled up, and even now
To tie the rider she begins to prove:
Backward she push'd him, as she would be thrust,
And govern'd him in strength, though not in lust.
So soon was she along, as he was down,
Each leaning on their elbows and their hips:
Now doth she stroke his cheek, now doth he frown,
And 'gins to chide, but soon she stops his lips;
And kissing speaks, with lustful language broken,
'If thou wilt chide, thy lips shall never open.'
He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;

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poem by William Shakespeare (1593)
Added by Dan Costinaş
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Venus and Adonis

'Vilia miretur vulgus; mihi flavus Apollo
Pocula Castalia plena ministret aqua.'

To the right honorable Henry Wriothesly, Earl of Southampton, and Baron of Tichfield.
Right honorable.

I know not how I shall offend in dedicating my unpolished lines to your lordship, nor how the world will censure me for choosing so strong a prop to support so weak a burden only, if your honour seem but pleased, I account myself highly praised, and vow to take advantage of all idle hours, till I have honoured you with some graver labour. But if the first heir of my invention prove deformed, I shall be sorry it had so noble a god-father, and never after ear so barren a land, for fear it yield me still so bad a harvest. I leave it to your honourable survey, and your honour to your heart's content; which I wish may always answer your own wish and the world's hopeful expectation.

Your honour's in all duty.

Even as the sun with purple-colour'd face
Had ta'en his last leave of the weeping morn,
Rose-cheek'd Adonis hied him to the chase;
Hunting he loved, but love he laugh'd to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-faced suitor 'gins to woo him.
'Thrice-fairer than myself,' thus she began,
'The field's chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee, with herself at strife,
Saith that the world hath ending with thy life.
'Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know:
Here come and sit, where never serpent hisses,
And being set, I'll smother thee with kisses;
'And yet not cloy thy lips with loathed satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety,
Ten kisses short as one, one long as twenty:
A summer's day will seem an hour but short,
Being wasted in such time-beguiling sport.'
With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
Being so enraged, desire doth lend her force
Courageously to pluck him from his horse.
Over one arm the lusty courser's rein,
Under her other was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.
The studded bridle on a ragged bough
Nimbly she fastens:--O, how quick is love!--
The steed is stalled up, and even now
To tie the rider she begins to prove:

[...] Read more

poem by William Shakespeare
Added by Veronica Serbanoiu
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I Want To Paint

I

I want to paint
2000 dead birds crucified on a background of night
Thoughts that lie too deep for tears
Thoughts that lie too deep for queers
Thoughts that move at 186,000 miles/second
The Entry of Christ into Liverpool in 1966
The installation of Roger McGough in the Chair of Poetry at Oxford
Francis Bacon making the President's Speech at the Royal Academy dinner

I want to paint
50 life-sized nudes of Marianne Faithfull
(all of them painted from life)
Welsh Maids by Welsh Waterfalls
Heather Holden as Our Lady of Haslingden
A painting as big as Piccadilly full of neon signs and buses
Christmas decorations and beautiful girls with dark blonde hair shading their faces

I want to paint
The assassination of the entire Royal Family
Enormous pictures of every pavingstone in Canning Street
The Beatles composing a new national anthem
Brian Patten writing poems with a flamethrower on disused ferry boats
A new cathedral 50 miles high made entirely of pram wheels
An empty Woodbine packet covered in kisses
I want to paint
A picture made from the tears of dirty-faced children in Chatham Street

I want to paint
I LOVE YOU across the steps of St. George's hall
I want to paint

Pictures
II

I want to paint
The Simultaneous and Historical Faces of Death
10,000 shocking pink hearts with your name on
The phantom negro postmen who bring me money in my dreams
The first plastic daffodil of spring pushing its way
Through the OMO packets in the supermarket
The portrait of every sixth-form schoolgirl in the country
A full-scale map of the world with YOU at the centre
An enormous lily-of-the-valley with every flower on a separate canvas

Life-sized jelly babies shaped like Hayley Mills
A black-and-red flag flying over Parliament
I want to paint
Every car crash on all the motorways of England

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poem by Adrian Henri
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