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I was unable to sleep and I would stay up and draw these little cartoons. Then a friend showed them around. Before I knew it I was a cartoonist.

quote by Lynda Barry
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Tale XVI

THE CONFIDANT.

Anna was young and lovely--in her eye
The glance of beauty, in her cheek the dye:
Her shape was slender, and her features small,
But graceful, easy, unaffected all:
The liveliest tints her youthful face disclosed;
There beauty sparkled, and there health reposed;
For the pure blood that flush'd that rosy cheek
Spoke what the heart forbade the tongue to speak,
And told the feelings of that heart as well,
Nay, with more candour than the tongue could tell.
Though this fair lass had with the wealthy dwelt,
Yet like the damsel of the cot she felt;
And, at the distant hint or dark surmise,
The blood into the mantling cheek would rise.
Now Anna's station frequent terrors wrought,
In one whose looks were with such meaning fraught,
For on a Lady, as an humble friend,
It was her painful office to attend.
Her duties here were of the usual kind -
And some the body harass'd, some the mind:
Billets she wrote, and tender stories read,
To make the Lady sleepy in her bed;
She play'd at whist, but with inferior skill,
And heard the summons as a call to drill;
Music was ever pleasant till she play'd
At a request that no request convey'd;
The Lady's tales with anxious looks she heard,
For she must witness what her Friend averr'd;
The Lady's taste she must in all approve,
Hate whom she hated, whom she lov'd must love;
These, with the various duties of her place,
With care she studied, and perform'd with grace:
She veil'd her troubles in a mask of ease,
And show'd her pleasure was a power to please.
Such were the damsel's duties: she was poor -
Above a servant, but with service more:
Men on her face with careless freedom gaz'd,
Nor thought how painful was the glow they raised.
A wealthy few to gain her favour tried,
But not the favour of a grateful bride;
They spoke their purpose with an easy air,
That shamed and frighten'd the dependent fair;
Past time she view'd, the passing time to cheat,
But nothing found to make the present sweet:
With pensive soul she read life's future page,
And saw dependent, poor, repining age.
But who shall dare t'assert what years may

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poem by George Crabbe
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Stay

Please stay with me now
Dont you let me go
Ill make it somehow
I got to let you know
That Ill make it
Somehow, some way
Though I wait on the day
What Im doings got to pay
Someway, somehow
My baby, when he cries
Its cause somethings on his mind
This world is full of lies
You and me are one of a kind
The good lord will stand behind every step
We are blind to fate, thats life, thats life
Stay, stay, stay, stay (wont you please)
Stay, stay, stay, stay
It fits, but you cant make it work
Where theres pain, theres got to be hurt
And the green grass grows from the dirt
Yeah, thats a fact of life alright
The good lord stands behind every step
We are blind to fate, thats life, thats life
Stay, oh wont you please
Stay, stay (wont you)
Stay, stay, stay, stay
Stay, stay, stay, stay
Stay, stay (right here)
Stay, stay (dont you go, no no)
Stay, stay (oh no no)
Stay, stay (stay baby baby please stay)
Stay, stay (right here, right here, right here)
Stay, stay (I want you to stay right here)
Stay, stay (we can stay here, together, together yeah)
Stay, stay (dont listen to what people say)
Stay, stay (stay, stay, listen now yeah)
Stay, stay (stay, yeah yeah now)

song performed by Erykah Badu
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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poem by Robert Browning from The Ring and the Book
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Avon's Harvest

Fear, like a living fire that only death
Might one day cool, had now in Avon’s eyes
Been witness for so long of an invasion
That made of a gay friend whom we had known
Almost a memory, wore no other name
As yet for us than fear. Another man
Than Avon might have given to us at least
A futile opportunity for words
We might regret. But Avon, since it happened,
Fed with his unrevealing reticence
The fire of death we saw that horribly
Consumed him while he crumbled and said nothing.

So many a time had I been on the edge,
And off again, of a foremeasured fall
Into the darkness and discomfiture
Of his oblique rebuff, that finally
My silence honored his, holding itself
Away from a gratuitous intrusion
That likely would have widened a new distance
Already wide enough, if not so new.
But there are seeming parallels in space
That may converge in time; and so it was
I walked with Avon, fought and pondered with him,
While he made out a case for So-and-so,
Or slaughtered What’s-his-name in his old way,
With a new difference. Nothing in Avon lately
Was, or was ever again to be for us,
Like him that we remembered; and all the while
We saw that fire at work within his eyes
And had no glimpse of what was burning there.

So for a year it went; and so it went
For half another year—when, all at once,
At someone’s tinkling afternoon at home
I saw that in the eyes of Avon’s wife
The fire that I had met the day before
In his had found another living fuel.
To look at her and then to think of him,
And thereupon to contemplate the fall
Of a dim curtain over the dark end
Of a dark play, required of me no more
Clairvoyance than a man who cannot swim
Will exercise in seeing that his friend
Off shore will drown except he save himself.
To her I could say nothing, and to him
No more than tallied with a long belief
That I should only have it back again
For my chagrin to ruminate upon,
Ingloriously, for the still time it starved;

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poem by Edwin Arlington Robinson
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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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poem by Robert Browning from The Ring and the Book
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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poem by Robinson Jeffers
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For Me You Are…………

Building the wall of confidence, all around my ribs
Inspiring, when am alone, even in noise
Showing me, the fairy way, when I get confused
Hauling me from, those atrocious affairs, that matters
Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
(Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
Under my heart to hide.)
Pursuing illusion, enlightening my life
Reaching, as a shadow at the time of tide
Intimacy, in the dream that comes into my mind
Yielding smile at my labor, creating zeal at my failure
(Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
Under my heart to hide.)
At every insult and every admire
Youth mind, mine even if retires
Occupying for me, the seat of mentor
Uprooting all solitary despairs
Aspiring not to be worry, else to fear
Reinforcing skeleton by self-esteem of yours
(Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
Under my heart to hide.)
Enriching my each moment, being even so bare
Animating my life, that anyone can't imagine
Nursing me, to special from alone
Grasping me in the midst of up and down
Enlivening those deadly postures of dreams
Lightening by a heavy power as thunderstorm
(Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
Under my heart to hide.)
Forgiving me for each-every mistakes done
Organizing such beautiful ceremonies
Rearranging me, trying to make me genuine
My life you are, I can't remain alone
Eagerly, have awaited for you, oh my feminine!
(Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
Now, am feeling proud, to have you like a friend in my life

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poem by Nibedit Nahak
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I Have A Woman Inside My Soul

I have a woman inside my soul,
Her eyes sombre and sad.
She waves her hand to try to reach me,
But I cant hear what she says.
I wish I knew what she says,
I wish I knew what she wants,
I wish I knew what she says to me,
I wish I knew what she means to me.
I see an asphalt road inside my soul,
Its pale even in a warm summers day.
It stretches into the mist and calls me,
But I dont know what it takes.
I wish I knew what it takes, (I wish I knew)
I wish I knew what it gives, (I wish I knew)
I wish I knew what it says to me, (I wish I knew)
I wish I knew what it means to me. (I wish I knew)
I see a tombstone inside my soul,
Its old and mossy, covered in dead leaves.
It stands with an engraving on it surface,
But I dont know what it reads.
I wish I knew what it reads, (I wish I knew)
I wish I knew what it says, (I wish I knew)
I wish I knew what it says to me, (I wish I knew)
I wish I knew what it means to me. (I wish I knew)
(yeah, yeah, yeah, yeah, yeah, hey)
I feel snow covering inside my soul,
Its hard and shining in shades of grey.
No footsteps ever made their marks,
And I dont know when it melts.
I wish I knew when it melts, (I wish I knew)
I wish I knew when it happens, (I wish I knew)
I wish I knew if it happens at all, (I wish I knew)
I wish I knew what it means to me. (I wish I knew)
I hear a stream running inside my soul,
Its cold and clear and carries a tune.
But I dont know what it sings and tells,
I dont know where it goes.
I wish I knew what it sings,
I wish I knew where it goes,
I wish I knew what it sings, (I wish I knew)
I wish I knew where it goes, (I wish I knew)
I wish I knew what it sings. (I wish I knew)
(I wish I knew)
(I wish I knew) (yeah!)
(I wish I knew)
(I wish I knew)

song performed by Yoko Ono
Added by Lucian Velea
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Eclogue 8: To Pollio Damon Alphesiboeus

Of Damon and Alphesiboeus now,
Those shepherd-singers at whose rival strains
The heifer wondering forgot to graze,
The lynx stood awe-struck, and the flowing streams,
Unwonted loiterers, stayed their course to hear-
How Damon and Alphesiboeus sang
Their pastoral ditties, will I tell the tale.

Thou, whether broad Timavus' rocky banks
Thou now art passing, or dost skirt the shore
Of the Illyrian main,- will ever dawn
That day when I thy deeds may celebrate,
Ever that day when through the whole wide world
I may renown thy verse- that verse alone
Of Sophoclean buskin worthy found?
With thee began, to thee shall end, the strain.
Take thou these songs that owe their birth to thee,
And deign around thy temples to let creep
This ivy-chaplet 'twixt the conquering bays.

Scarce had night's chilly shade forsook the sky
What time to nibbling sheep the dewy grass
Tastes sweetest, when, on his smooth shepherd-staff
Of olive leaning, Damon thus began.

DAMON
'Rise, Lucifer, and, heralding the light,
Bring in the genial day, while I make moan
Fooled by vain passion for a faithless bride,
For Nysa, and with this my dying breath
Call on the gods, though little it bestead-
The gods who heard her vows and heeded not.

'Begin, my flute, with me Maenalian lays.
Ever hath Maenalus his murmuring groves
And whispering pines, and ever hears the songs
Of love-lorn shepherds, and of Pan, who first
Brooked not the tuneful reed should idle lie.

'Begin, my flute, with me Maenalian lays.
Nysa to Mopsus given! what may not then
We lovers look for? soon shall we see mate
Griffins with mares, and in the coming age
Shy deer and hounds together come to drink.

'Begin, my flute, with me Maenalian lays.
Now, Mopsus, cut new torches, for they bring
Your bride along; now, bridegroom, scatter nuts:
Forsaking Oeta mounts the evening star!

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poem by Publius Vergilius Maro
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Eclogue VIII

TO POLLIO, DAMON, ALPHESIBOEUS

Of Damon and Alphesiboeus now,
Those shepherd-singers at whose rival strains
The heifer wondering forgot to graze,
The lynx stood awe-struck, and the flowing streams,
Unwonted loiterers, stayed their course to hear-
How Damon and Alphesiboeus sang
Their pastoral ditties, will I tell the tale.
Thou, whether broad Timavus' rocky banks
Thou now art passing, or dost skirt the shore
Of the Illyrian main,- will ever dawn
That day when I thy deeds may celebrate,
Ever that day when through the whole wide world
I may renown thy verse- that verse alone
Of Sophoclean buskin worthy found?
With thee began, to thee shall end, the strain.
Take thou these songs that owe their birth to thee,
And deign around thy temples to let creep
This ivy-chaplet 'twixt the conquering bays.
Scarce had night's chilly shade forsook the sky
What time to nibbling sheep the dewy grass
Tastes sweetest, when, on his smooth shepherd-staff
Of olive leaning, Damon thus began.

Damon.
'Rise, Lucifer, and, heralding the light,
Bring in the genial day, while I make moan
Fooled by vain passion for a faithless bride,
For Nysa, and with this my dying breath
Call on the gods, though little it bestead-
The gods who heard her vows and heeded not.
'Begin, my flute, with me Maenalian lays.
Ever hath Maenalus his murmuring groves
And whispering pines, and ever hears the songs
Of love-lorn shepherds, and of Pan, who first
Brooked not the tuneful reed should idle lie.
'Begin, my flute, with me Maenalian lays.
Nysa to Mopsus given! what may not then
We lovers look for? soon shall we see mate
Griffins with mares, and in the coming age
Shy deer and hounds together come to drink.
'Begin, my flute, with me Maenalian lays.
Now, Mopsus, cut new torches, for they bring
Your bride along; now, bridegroom, scatter nuts:
Forsaking Oeta mounts the evening star!
'Begin, my flute, with me Maenalian lays.
O worthy of thy mate, while all men else
Thou scornest, and with loathing dost behold
My shepherd's pipe, my goats, my shaggy brow,

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poem by Virgil
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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares

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poem by Alfred Lord Tennyson
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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

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poem by Percy Bysshe Shelley
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Beowulf

LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world's renown.
Famed was this Beowulf: far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father's friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.
Forth he fared at the fated moment,
sturdy Scyld to the shelter of God.
Then they bore him over to ocean's billow,
loving clansmen, as late he charged them,
while wielded words the winsome Scyld,
the leader beloved who long had ruled….
In the roadstead rocked a ring-dight vessel,
ice-flecked, outbound, atheling's barge:
there laid they down their darling lord
on the breast of the boat, the breaker-of-rings,
by the mast the mighty one. Many a treasure
fetched from far was freighted with him.
No ship have I known so nobly dight
with weapons of war and weeds of battle,
with breastplate and blade: on his bosom lay
a heaped hoard that hence should go
far o'er the flood with him floating away.
No less these loaded the lordly gifts,
thanes' huge treasure, than those had done
who in former time forth had sent him
sole on the seas, a suckling child.
High o'er his head they hoist the standard,
a gold-wove banner; let billows take him,
gave him to ocean. Grave were their spirits,
mournful their mood. No man is able

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poem by Charles Baudelaire
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The Cock And The Fox: Or, The Tale Of The Nun's Priest

There lived, as authors tell, in days of yore,
A widow, somewhat old, and very poor;
Deep in a dale her cottage lonely stood,
Well thatched, and under covert of a wood.
This dowager, on whom my tale I found,
Since last she laid her husband in the ground,
A simple sober life, in patience led,
And had but just enough to buy her bread;
But huswifing the little Heaven had lent,
She duly paid a groat for quarter rent;
And pinched her belly, with her daughters two,
To bring the year about with much ado.
The cattle in her homestead were three sows,
An ewe called Mally, and three brinded cows.
Her parlour window stuck with herbs around,
Of savoury smell; and rushes strewed the ground.
A maple-dresser in her hall she had,
On which full many a slender meal she made,
For no delicious morsel passed her throat;
According to her cloth she cut her coat;
No poignant sauce she knew, nor costly treat,
Her hunger gave a relish to her meat.
A sparing diet did her health assure;
Or sick, a pepper posset was her cure.
Before the day was done, her work she sped,
And never went by candle light to bed.
With exercise she sweat ill humours out;
Her dancing was not hindered by the gout.
Her poverty was glad, her heart content,
Nor knew she what the spleen or vapours meant.
Of wine she never tasted through the year,
But white and black was all her homely cheer;
Brown bread and milk,(but first she skimmed her bowls)
And rashers of singed bacon on the coals.
On holy days an egg, or two at most;
But her ambition never reached to roast.
A yard she had with pales enclosed about,
Some high, some low, and a dry ditch without.
Within this homestead lived, without a peer,
For crowing loud, the noble Chanticleer;
So hight her cock, whose singing did surpass
The merry notes of organs at the mass.
More certain was the crowing of the cock
To number hours, than is an abbey-clock;
And sooner than the matin-bell was rung,
He clapped his wings upon his roost, and sung:
For when degrees fifteen ascended right,
By sure instinct he knew ’twas one at night.
High was his comb, and coral-red withal,
In dents embattled like a castle wall;

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poem by John Dryden
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Last Instructions to a Painter

After two sittings, now our Lady State
To end her picture does the third time wait.
But ere thou fall'st to work, first, Painter, see
If't ben't too slight grown or too hard for thee.
Canst thou paint without colors? Then 'tis right:
For so we too without a fleet can fight.
Or canst thou daub a signpost, and that ill?
'Twill suit our great debauch and little skill.
Or hast thou marked how antic masters limn
The aly-roof with snuff of candle dim,
Sketching in shady smoke prodigious tools?
'Twill serve this race of drunkards, pimps and fools.
But if to match our crimes thy skill presumes,
As th' Indians, draw our luxury in plumes.
Or if to score out our compendious fame,
With Hooke, then, through the microscope take aim,
Where, like the new Comptroller, all men laugh
To see a tall louse brandish the white staff.
Else shalt thou oft thy guiltless pencil curse,
Stamp on thy palette, not perhaps the worse.
The painter so, long having vexed his cloth--
Of his hound's mouth to feign the raging froth--
His desperate pencil at the work did dart:
His anger reached that rage which passed his art;
Chance finished that which art could but begin,
And he sat smiling how his dog did grin.
So mayst thou pérfect by a lucky blow
What all thy softest touches cannot do.

Paint then St Albans full of soup and gold,
The new court's pattern, stallion of the old.
Him neither wit nor courage did exalt,
But Fortune chose him for her pleasure salt.
Paint him with drayman's shoulders, butcher's mien,
Membered like mules, with elephantine chine.
Well he the title of St Albans bore,
For Bacon never studied nature more.
But age, allayed now that youthful heat,
Fits him in France to play at cards and treat.
Draw no commission lest the court should lie,
That, disavowing treaty, asks supply.
He needs no seal but to St James's lease,
Whose breeches wear the instrument of peace;
Who, if the French dispute his power, from thence
Can straight produce them a plenipotence..
Nor fears he the Most Christian should trepan
Two saints at once, St Germain, St Alban,
But thought the Golden Age was now restored,
When men and women took each other's word.

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poem by Andrew Marvell
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Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.

Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.

Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.

1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.

Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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poem by Ella Wheeler Wilcox
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OBIIT MDCCCXXXIII (Entire)

Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.

Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.

Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.

Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.

We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.

Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,

But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.

Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.

Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.

Forgive these wild and wandering cries,

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poem by Alfred Lord Tennyson
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Just For Fun

Cartoons
Just for fun
Just sitting around doing nothing
Having no worries, no responsibilities
No school
Just cartoons
And sugar cereal
Just cartoons
And more sugar cereal with extra sugar on it
Just cartoons
And more sugar cereal with extra sugar on it
It is fun to be a kid when you can be a kid
And when no one is watching, you put even four sugars on your sugar cereal
Or you just scoop up a few spoons of sugar into your mouth and love the way it melts in your mouth, just for fun
And when no one is watching you jump on the couch and the bed and you run through the house and you knock things over and you don’t pick them up because you are kid and you are just having fun
And you laugh and you giggle and you dance funny dances
You watch more cartoons
Eat more sugar cereal and dig through the box for the toy
And take more spoons of sugar
While watching cartoons
Just for fun.

poem by Connie Webb
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Fundamental of Liar Chapter CX: Ability

It’s not unable, it’s just not a favor
It’s not unable, it’s just reluctance
It’s not unable, it’s just not my style
It’s not unable, it’s just wrong
It’s not unable, it’s just no time
It’s not unable, it’s just out of place
It’s not unable, it’s just not consideration
It’s not unable, it’s just objection
It’s not unable, it’s just not effective
It’s not unable, it’s just stubbornness
It’s not unable, it’s just not important
It’s not unable, it’s just mercy

poem by Maria Sudibyo
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