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Slavery is malignantly aristocratic.

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The Slaves Are The Ones Holding The Guns

A culture shock.
Time to take off our bullet proof vests.
Time to put down our guns.
Let the violence end.

Children marching in formation upon the battle field.
With signs held up so high.
With rubber kisses and beatings of a life time.
Let us take note, let us make a record.
Do whats right put down your guns and join us.

Slavery is over.

A culture shock.
Time to take off our bullet proof vest.
Time to put down our guns.
Let the violence end.

Slavery is over.
Slavery is over.

Herding the cows with greener pastures.
Desire turns to lust.
Slowly our hearts start to rust.
Soon they wither away in to this black powder.
Ashes to ashes and the dust upon the dust.
Rubbing us the wrong way.
And the sparks become the flames.

Slavery is over.

Just taking orders.
Just meet your soon to be replacement.

Slavery is over.

A culture shock.
Time to take off our bullet proof vests.
Time to put down our guns.
Let the violence end.

Money changes hands once again.
Another change in the ammunition.
Brutality has no pretty face or eloquent taste.
This bitterness creates a sickness that just won't go away.

Slavery is over.

Just taking orders.
Just meet your soon to be replacement.

[...] Read more

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Murph Drag

Fellas (yeah), I'm back (back) {fade in}
The aristocratic black (black)
My whip ain't got no crack (crack)
But it got a hell of a bang (hell of a bang)
Fellas (yeah), I'm back (back)
The aristocratic black (black)
My whip ain't got no crack (crack)
But it got a hell of a bang (it's got a hell of a bang)
(What time is it?) {repeat in song)
(Come on) {repeat "777-9311" sample in song}
Everybody get ready
We got a brand new groove
Everybody cold listen
I'm gonna show U what 2 do
Kick your left on the beat y'all
Drag the other one behind
If U really wanna be hip
Then stick out your bottom lip
Now U're jammin' fine
CHORUS:
Murph Drag - Only people with money can do this dance
Can do this dance
Murph Drag - My bank roll's gettin' heavy
My bank roll's gettin' heavy in my pants
Murph Drag - Aristocratic dreams, aristocratic dreams
All the fine ladies scream
Murph Drag - Only people with money can do this dance
Can do this dance
Ho! (Murph...)
Count it
They can't mess with U, M.D. (...Drag)
Put it up
Go'n my brotha, tell 'em what time it is
Everybody get ready
We got a brand new cool
Everybody cold listen
I'm gonna show U what 2 do
But U can't talk 2 pinnacles
U can't talk 2 a gun
We are building up a brand new nation
Business is on the floor
CHORUS
(Put it up)
(We hittin', we hittin')
(Murph Drag) {repeat in BG}
I got a PhD in common sense
Can't nobody mess with me
The original jam operator
I could sell a forest trees (Yount!)
U dance 2 hard, baby (Go'n and tell her Morris)

[...] Read more

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Aechdeacon Barbour

THROUGH the long hall the shuttered windows shed
A dubious light on every upturned head;
On locks like those of Absalom the fair,
On the bald apex ringed with scanty hair,
On blank indifference and on curious stare;
On the pale Showman reading from his stage
The hieroglyphics of that facial page;
Half sad, half scornful, listening to the bruit
Of restless cane-tap and impatient foot,
And the shrill call, across the general din,
'Roll up your curtain! Let the show begin!'
At length a murmur like the winds that break
Into green waves the prairie's grassy lake,
Deepened and swelled to music clear and loud,
And, as the west-wind lifts a summer cloud,
The curtain rose, disclosing wide and far
A green land stretching to the evening star,
Fair rivers, skirted by primeval trees
And flowers hummed over by the desert bees,
Marked by tall bluffs whose slopes of greenness show
Fantastic outcrops of the rock below;
The slow result of patient Nature's pains,
And plastic fingering of her sun and rains;
Arch, tower, and gate, grotesquely windowed hall,
And long escarpment of half-crumbled wall,
Huger than those which, from steep hills of vine,
Stare through their loopholes on the travelled Rhine;
Suggesting vaguely to the gazer's mind
A fancy, idle as the prairie wind,
Of the land's dwellers in an age unguessed;
The unsung Jotuns of the mystic West.
Beyond, the prairie's sea-like swells surpass
The Tartar's marvels of his Land of Grass,
Vast as the sky against whose sunset shores
Wave after wave the billowy greenness pours;
And, onward still, like islands in that main
Loom the rough peaks of many a mountain chain,
Whence east and west a thousand waters run
From winter lingering under summer's sun.
And, still beyond, long lines of foam and sand
Tell where Pacific rolls his waves a-land,
From many a wide-lapped port and land-locked bay,
Opening with thunderous pomp the world's highway
To Indian isles of spice, and marts of far Cathay.
'Such,' said the Showman, as the curtain fell,
'Is the new Canaan of our Israel;
The land of promise to the swarming North,
Which, hive-like, sends its annual surplus forth,
To the poor Southron on his worn-out soil,
Scathed by the curses of unnatural toil;

[...] Read more

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Come Join The Abolitionists

Come join the Abolitionists,
Ye young men bold and strong.
And with a warm and cheerful zeal,
Come help the cause along;
O that will be joyful, joyful, joyful,
O that will be joyful, when Slavery is no more,
When Slavery is no more.
'Tis then we'll sing, and offerings bring,
When Slavery is no more.

Come join the Abolitionists,
Ye men of riper years,
And save your wives and children dear,
From grief and bitter tears;
O that will be joyful, joyful, joyful,
O that will be joyful, when Slavery is no more,
When Slavery is no more,
'Tis then we'll sing, and offerings bring,
When Slavery is no more.

Come join the Abolitionists,
Ye dames and maidens fair,
And breathe around us in our path
Affection's hallowed air;
O that will be joyful, joyful, joyful,
O that will be joyful, when woman cheers us on,
When woman cheers us on, to conquests not yet won.
'Tis then we'll sing, and offerings bring,
When woman cheers us on.

Come join the Abolitionists,
Ye sons and daughters all
Of this our own America-
Come at the friendly call;
O that will be joyful, joyful, joyful,
O that will be joyful, when all shall proudly say,
This, this is Freedom's day-Oppression flee away!
'T is then we'll sing, and offerings bring,
When freedom wins the day.

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A Classroom Assignment

On Freedom
By Thomas S. Sidney, aged 12 Years
October 21st, 1828

Freedom will break the tyrant's chains,
And shatter all his whole domain;
From slavery she will always free
And all her aim is liberty.

On Slavery
By George E. Allen, aged 12 Years
October 21st, 1828


Slavery, oh, thou cruel stain,
Thou does fill my heart with pain;
See my brother, here he stands
Chained by slavery's cruel hands.

Could we not feel a brother's woes,
Relieve the wants he undergoes?
Snatch him from slavery's cruel smart,
And to him freedom's joy impart?

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Emotional Subjection

There is no tyrant quite like feeling.
A bondage that cannot be released.
All we do will forever succumb to it.
Your suffering means that you're human.

Your mind is a warfield.
And your heart is the opposition.
No solution can truly be found.
Forever at war with yourself.

You will obey.
You will cry for it.
You will fall to your knees for it.
You will be numbed by it.
You will be reminded of it.
It cannot be neglected much longer.

Slavery is freedom.
Slavery is freedom.
Slavery is freedom.
Slavery is freedom.
You will obey.

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Aunt Chloe

.
I remember, well remember,
.
That dark and dreadful day,
.
When they whispered to me, "Chloe,
.
Your children's sold away!" 1.
It seemed as if a bullet
.
Had shot me through and through,
.
And I felt as if my heart-strings
.
Was breaking right in two. 1.
And I says to cousin Milly,
.

"There must be some mistake;
.

Where's Mistus?" "In the great house crying --
.

Crying like her heart would break. 1.

"And the lawyer's there with Mistus;
.

Says he's come to 'ministrate,
.

'Cause when master died he just left
.

Heap of debt on the estate. 1.

"And I thought 'twould do you good
.

To bid your boys good-bye --
.

To kiss them both and shake their hands,
.

And have a hearty cry. 1.

"Oh! Chloe, I knows how you feel,
.

[...] Read more

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The Columbiad: Book VIII

The Argument


Hymn to Peace. Eulogy on the heroes slain in the war; in which the Author finds occasion to mention his Brother. Address to the patriots who have survived the conflict; exhorting them to preserve liberty they have established. The danger of losing it by inattention illustrated in the rape of the Golden Fleece. Freedom succeeding to Despotism in the moral world, like Order succeeding to Chaos in the physical world. Atlas, the guardian Genius of Africa, denounces to Hesper the crimes of his people in the slavery of the Afripans. The Author addresses his countrymen on that subject, and on the principles of their government.

Hesper, recurring to his object of showing Columbus the importance of his discoveries, reverses the order of time, and exhibits the continent again in its savage state. He then displays the progress of arts in America. Fur-trade. Fisheries. Productions. Commerce. Education. Philosophical discoveries. Painting. Poetry.


Hail, holy Peace, from thy sublime abode
Mid circling saints that grace the throne of God!
Before his arm around our embryon earth
Stretch'd the dim void, and gave to nature birth.
Ere morning stars his glowing chambers hung,
Or songs of gladness woke an angel's tongue,
Veil'd in the splendors of his beamful mind,
In blest repose thy placid form reclined,
Lived in his life, his inward sapience caught,
And traced and toned his universe of thought.
Borne thro the expanse with his creating voice
Thy presence bade the unfolding worlds rejoice,
Led forth the systems on their bright career,
Shaped all their curves and fashion'd every sphere,
Spaced out their suns, and round each radiant goal,
Orb over orb, compell'd their train to roll,
Bade heaven's own harmony their force combine.
Taught all their host symphonious strains to join,
Gave to seraphic harps their sounding lays,
Their joys to angels, and to men their praise.

From scenes of blood, these verdant shores that stain,
From numerous friends in recent battle slain,
From blazing towns that scorch the purple sky,
From houseless hordes their smoking walls that fly,
From the black prison ships, those groaning graves,
From warring fleets that vex the gory waves,
From a storm'd world, long taught thy flight to mourn,
I rise, delightful Peace, and greet thy glad return.

For now the untuneful trump shall grate no more;
Ye silver streams, no longer swell with gore,
Bear from your war-beat banks the guilty stain
With yon retiring navies to the main.
While other views, unfolding on my eyes,
And happier themes bid bolder numbers rise;
Bring, bounteous Peace, in thy celestial throng.
Life to my soul, and rapture to my song;
Give me to trace, with pure unclouded ray,
The arts and virtues that attend thy sway,
To see thy blissful charms, that here descend,
Thro distant realms and endless years extend.

[...] Read more

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Orlando Furioso Canto 20

ARGUMENT
Guido and his from that foul haunt retire,
While all Astolpho chases with his horn,
Who to all quarters of the town sets fire,
Then roving singly round the world is borne.
Marphisa, for Gabrina's cause, in ire
Puts upon young Zerbino scathe and scorn,
And makes him guardian of Gabrina fell,
From whom he first learns news of Isabel.

I
Great fears the women of antiquity
In arms and hallowed arts as well have done,
And of their worthy works the memory
And lustre through this ample world has shone.
Praised is Camilla, with Harpalice,
For the fair course which they in battle run.
Corinna and Sappho, famous for their lore,
Shine two illustrious light, to set no more.

II
Women have reached the pinnacle of glory,
In every art by them professed, well seen;
And whosoever turns the leaf of story,
Finds record of them, neither dim nor mean.
The evil influence will be transitory,
If long deprived of such the world had been;
And envious men, and those that never knew
Their worth, have haply hid their honours due.

III
To me it plainly seems, in this our age
Of women such is the celebrity,
That it may furnish matter to the page,
Whence this dispersed to future years shall be;
And you, ye evil tongues which foully rage,
Be tied to your eternal infamy,
And women's praises so resplendent show,
They shall, by much, Marphisa's worth outgo.

IV
To her returning yet again; the dame
To him who showed to her such courteous lore,
Refused not to disclose her martial name,
Since he agreed to tell the style be bore.
She quickly satisfied the warrior's claim;
To learn his title she desired so sore.
'I am Marphisa,' the virago cried:
All else was known, as bruited far and wide.

[...] Read more

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Fling Out The Anti Slavery Flag

Fling out the Anti-slavery flag
On every swelling breeze;
And let its folds wave o'er the land,
And o'er the raging seas,
Till all beneath the standard sheet,
With new allegiance bow;
And pledge themselves to onward bear
The emblem of their vow.

Fling out the Anti-Slavery flag,
And let it onward wave
Till it shall float o'er every clime,
And liberate the slave;
Till, like a meteor flashing far,
It bursts with glorious light,
And with its Heaven-born rays dispels
The gloom of sorrow's night.

Fling out the Anti-Slavery flag,
And let it not be furled,
Till like a planet of the skies,
It sweeps around the world.
And when each poor degraded slave,
Is gathered near and far;
O, fix it on the azure arch,
As hope's eternal star.

Fling out the Anti-Slavery flag,
Forever let it be
The emblem to a holy cause,
The banner of the free.
And never from its guardian height,
Let it by man be driven,
But let it float forever there,
Beneath the smiles of heaven.

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Amelia Jane

In the lands away beyond the sea, where Khan and Sultan rule,
Where they drink their coffee thick and black, and sip the sherbet cool,
They have white Circassian girls for slaves, as well as the Negro black;
And it seems to me in our free land that slavery's coming back:
It's fenced about with custom and law, and they give it a prettier name.
But, spite of the paltry wage that's paid, it's slavery all the same.

In a handsome home in a stately town is worthy Mrs MacFee,
Chairwoman known of a Christian guild, for a noble dame is she:
Her doors are open to strangers all who call and leave their card;
But Amelia Jane, who left last week, declares the place was hard.
Surely Amelia Jane was wrong: she should have been happy to stay,
For she's only hanging around the town looking for work today.

Such a good woman is Mrs MacFee, toiling with voice and hand
In the cause of the poor little Indian girls away in a distant land;
Such a good woman is Mrs MacFee, for hers is an open door,
And her name's at the top of the charity list for the wives of the drunken poor.
But Amelia Jane has a hungry look, with hollows under the eyes:
She says she was starved, but everyone knows that Amelia Jane tells lies.

Such a good woman is Mrs MacFee, she has family prayers at night,
And she loves, she says, to make the lives of her poorer sisters bright.
Amelia Jane has a hardened heart: she talks of her weary feet,
And says that, in spite of all the prayers, she had never enough to eat.
It was hard to join the chorused words of 'Give us our daily bread',
And, after washing the dishes up, to stagger hungry to bed.

Once in the week Amelia Jane got out for an hour or two,
Once in a fortnight went to church with another slave she knew.
She never had time to read a book, and the changeless mill went round,
And nobody knew how she ached at night while body and soul were ground.
But these are the lies of Amelia Jane, and it's wrong to set them down,
For everyone knows that Mrs MacFee is the kindest woman in town.

Silly and light is Amelia Jane: she has no ideas of her own;
You never would think her the bright little girl that you once on a time had known.
She was clever enough when she went to school; she was pretty enough in her way;
She hasn't improved, her schoolmates think, when they met her in town today:
And it's all her fault, for, whatever the cause, I am sure that Mrs MacFee
Is a model mistress in every way, and with that you will all agree.

In the lands away beyond the sea, where Khan and Sultan rule,
Where they drink their coffee thick and black, and sip the sherbet cool,
They have white Circassian girls for slaves, as well as the Negro black;
And it seems to me in our free land that slavery's coming back:
It's fenced about with custom and law, and they give it a prettier name.
But, spite of the paltry wage that's paid, it's slavery all the same.

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Slavery or bondage

Is it not inhuman to keep person in bondage?
Can we escape it by merely saying it is practice since ages?
Is it blessings from God that you have been afforded chance?
Will it not be the gravest mistakes on your part and last chance?

It is sheer madness to keep human beings under chain
Why not allow them to mix with their brethren and remain?
Who would not be in position to read agony and plight in their eyes?
Will it be considered as prestigious position if you held many slaves?

It is product of sick mind coupled with total disregard to almighty
Whatever you do to keep somebody under yoke is simply a pity?
Is it a curse or shame to have birth in the form of human being?
Is it the prerogative of mighty, wealthy or powerful kings?

When I see in the eyes of animals they try to see in with hopes?
Neck has deep wounds and all flies just attack when they are tied in ropes
How can we see human beings kept under bonded position?
Is it blind faith, malign intent or racial composition?

We committed slavery on the basis or race, color and poverty
We considered them inferior or property from war booty
It was altogether jungle rule and misconception in mind
Considered it as status symbol with no parrerels to find

It is against natural law of justice and to be condemned
Voice should be raised and system should be damned
Where millions die for the want of food under slavery
How can we talk of justice or an act of bravery/

I wish to perish along with millions of unfortunate souls
They may not have an idea or feel the game of fouls
They may accept as mere destiny or simple fate
Luck may sometimes come to them very very late

Slavery mushrooms out of ignorance and poverty
They have always suffered under the power of mighty
They are made to suffer under the slavery yoke
It is not only inhuman but pretty and cruel joke

Men has always tried to undermine the authority of God
Tried to play under different games and committed fraud
It is not confined to one region, race or continent
It has to be curbed altogether with contentment


My head bows in shame for all those who still suffer
We may have different ideas to tackle and differ
Still it is shameless act and need not be faced
It is His will to spare all with honor and graced

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The New Year

THE wave is breaking on the shore,
The echo fading from the chime;
Again the shadow moveth o'er
The dial-plate of time!
O seer-seen Angel! waiting now
With weary feet on sea and shore,
Impatient for the last dread vow
That time shall be no more!
Once more across thy sleepless eye
The semblance of a smile has passed:
The year departing leaves more nigh
Time's fearfullest and last.
Oh, in that dying year hath been
The sum of all since time began;
The birth and death, the joy and pain,
Of Nature and of Man.
Spring, with her change of sun and shower,
And streams released from Winter's chain,
And bursting bud, and opening flower,
And greenly growing grain;
And Summer's shade, and sunshine warm,
And rainbows o'er her hill-tops bowed,
And voices in her rising storm;
God speaking from His cloud!
And Autumn's fruits and clustering sheaves,
And soft, warm days of golden light,
The glory of her forest leaves,
And harvest-moon at night;
And Winter with her leafless grove,
And prisoned stream, and drifting snow,
The brilliance of her heaven above
And of her earth below:
And man, in whom an angel's mind
With earth's low instincts finds abode,
The highest of the links which bind
Brute nature to her God;
His infant eye hath seen the light,
His childhood's merriest laughter rung,
And active sports to manlier might
The nerves of boyhood strung!
And quiet love, and passion's fires,
Have soothed or burned in manhood's breast,
And lofty aims and low desires
By turns disturbed his rest.
The wailing of the newly-born
Has mingled with the funeral knell;
And o'er the dying's ear has gone
The merry marriage-bell.
And Wealth has filled his halls with mirth,
While Want, in many a humble shed,

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An Alliterative Amorous Answer

Alliterative Love Letter

Adored and angelic Amelia. Accept an ardent and artless amourist’s affections, alleviate an anguished admirer’s alarms, and answer an amorous applicant’s avowed ardour. Ah, Amelia! all appears an awful aspect! Ambition, avarice and arrogance, alas are attractive allurements, and abase an ardent attachement. Appease an aching and affectionate adorer’s alarms, and anon acknowledge affianced Albert’s alliance as agreeable and acceptable.

Anxiously awaiting an affectionate and affirmative answer, accept an ardent admirer’s aching adieu. Always angelic and admirable Amelia’s admiring and affectionate amourist, Albert
Wit and Wisdom 1826


An Alliterative Answer


Artless Amelia Acme’s answer adamantly admonishing artful Albert Acne’s announced amorous ambitions, and assertive advances, actively advocates appropriate alternatives. Also, attesting abhorrent Albert’s attempted abduction, Amelia asks an adequate aureate award. Advance “ amical ” arrangements are altogether abjured.

Adieu Albert!


Abused Amelia, an adorable angel, aghast and askance, acknowledges agile apostate Albert’s apparently avuncular, albeit astonishingly audacious application, and, as alleged affiancement alliances and anticipations are absent, appends an acceptable, accurate answer.

Aggressively accosted, Amelia acts advisedly, asking an acceptably authentic apology affirming all Albert’s avowed affiancement allegations as archetypal authoritarian autocratic attempts at annulling Amelia’s autonomy. Also, Albert’s absolutely alarmingly acquisitive ambitions afford anguish, anxiety, and, afterall, acute anger. All are anathema, as Albert, an adder, assumed angelic approbation after an abject attempt at abrogating and appropriating all Amelia’s assets.

Agamous Albert’s age, adiposity, and abnormally abrasive accents also argued against amorous agglutination. Agamy appeared advisable as Amelia always aspired at attaining an absolute amour, assiduously avoiding ambiguity. Ardent admiration activated Albert’s appetite as Amelia’s allure and accomplishments attracted all-round applause.

Amelia and Albert are at an apogee. Alliance anticipations are antilogical as Amelia’s aplomb and articulateness, and Albert ’s anthropomorphic antics are as antipodes apart as Aphrodite and an anthropoid ape. Acataleptic Albert, Amelia’s antithesis, acting almost as an aggressive animal, abused Amelia’s adolescent acquaintance, Anabelle, an alluring afro actress, - actually auditionning as an aria alto, - adventuring affront abruptly abbreviated.

Albert’s apologists are accomplices aiding and abetting an attack (after anticipating advantages agreed aforehand) .... At Ashcloth Abbey altar agnostic Albert asked Assyriac Abyssinian Archdeacon Ahasuerus and Arabian acolyte Abdul abn Abdulaziz abn Abdullah Abu an aboveboard absolution although Abbott Abraham Allsaints’ anterior abjuration altered all accomodating actions.

Apprehending arrogant acquiline Albert’s arbitrary approach, Amelia appositely acted appropriately, adjusting apparel. Applause and approbation are apropos.

Albert abusively alledges aristocratic alabaster Amelia’s assent - an assumption as absurd as an ass astride an advocate assiduously assembling an ascorbic acid apparatus!

Abstemious Amelia’s abilities attract acclaim - above all admirable administrative aptitudes, artistic aims, analytical assurance, amiability and amenability. Altruistic Amelia amalgamating agreeableness and authority, always assists aliens.

Alcoholic Albert’s abominations abound, as aforementioned as all adults agree, admonishing an aggressive ambiance........Albert apes affability!

Abusive adulation appalls, accelerates aversion and attracts adverse acknowledgements alienating affirmative adhesions. Allegorical accolades, artificially addressed, accumulate absurdities. although amiable acolytes are acceptable additions. Argot argues against acceptance as avid adventurers assume affected accents -, acquiring added artificial accomplishments.


Addressing amoral Albert, and apprehending amorphous arrangements, Amelia advises acrimonious Albert’s accepting any alternative Abigail, Alice and Anabella, as affianced amourette. Auburns are also admired as are armed assegaie’d ashanti, andalousian, algonquin, anabaptist and amerindian amours:

Abigail, Ada, Adrienne, Adriana, Adelaide, Agatha, Aglaë, Alice, Aliette, await Albert,
Aline, Alison, Amy Amanda, Amandine Andrea, Angela, Angelica, Ann, anticipate Albert
Anna, Annabelle, Anne, Annette, Angelina, Annick, Annie, Andrée, Anthea, alleviate Albert
April, Ariane, Ariane, Arlette, Armande, Armelle, Ashley, Astarte, Ava, appreciate Albert
.....And Albert annoys Amelia! - aggravating!

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No Secret: The Rwandan Genocide

A remote source of the Nile,
the Kagera River originates in Burundi.
On its way to Lake Victoria it flows
into a steep gorge along the natural border
between Rwanda and Tanzania.
Before entering the ravine,
the river cascades in a small waterfall
that swells in the rainy season.

As the Kagera sweeps down from
the highlands it carries within its currents
vast clusters of uprooted trees embedded
in gigantic dollops of elephant grass.
In the spring and summer of 1994
it was still much the same.
However, this time also thousands
of human corpses floated on the river.

Rwanda and Burundi
are two tiny African countries,
each with a territory somewhat smaller
than Belgium. Most of the population
belong to Hutu tribes,
who are traditionally crop growers.

But beginning in the 1300s
warrior herdsmen
from the highlands of Ethiopia
migrated to the region.
They originally spoke Somali or Oromo,
but in adopting the local Bantu language
and settling among the Hutus,
they became known as Tutsis.

The German colonists favoured
the Ethiopian look of the Tutsi minority.
They employed them as overseers
in the administration of Ruanda-Urundi,
as the colony was called then.

Then during the First World War Belgium
took over governing the territory
but continued to support the Tutsis
as the ruling class.

In 1919 Brussels received a mandate
from the League of Nations to administer
the colony. The Belgian colonists divided
Tutsis and Hutus on the basis
of cattle ownership, church documents,

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Oscar Wilde

The fact is, that civilization requires slaves. The Greeks were quite right there. Unless there are slaves to do the ugly, horrible, uninteresting work, culture, and contemplation become almost impossible. Human slavery is wrong, insecure, and demoralizing. On mechanical slavery, on the slavery of the machine, the future of the world depends.

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Oscar Wilde

Civilization requires slaves. Human slavery is wrong, insecure, and demoralizing. On mechanical slavery, on the slavery of the machine, the future of the world depends.

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Slavery

I found blinded slavery: a persons’
Present tied to their parents’ past that urge
Them to yield to their traditions, worsened
By ancient spirits, fettered and scourged.
I found muted slavery: which mated
The life of a man to a wife he hates
And places her body in a hated
Husbands bed deadening both lives and fate.
I found deafened slavery: which stifles
The soul and heart of man rendering him
An empty echo, no voice, pitiful
Shadow of a body, a grim phantom.
No emancipation proclamation
Freed man from self-imposed subjugation.

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A Voice From The Factories

WHEN fallen man from Paradise was driven,
Forth to a world of labour, death, and care;
Still, of his native Eden, bounteous Heaven
Resolved one brief memorial to spare,
And gave his offspring an imperfect share
Of that lost happiness, amid decay;
Making their first approach to life seem fair,
And giving, for the Eden past away,
CHILDHOOD, the weary life's long happy holyday.
II.

Sacred to heavenly peace, those years remain!
And when with clouds their dawn is overcast,
Unnatural seem the sorrow and the pain
(Which rosy joy flies forth to banish fast,
Because that season's sadness may not last).
Light is their grief! a word of fondness cheers
The unhaunted heart; the shadow glideth past;
Unknown to them the weight of boding fears,
And soft as dew on flowers their bright, ungrieving tears.
III.

See the Stage-Wonder (taught to earn its bread
By the exertion of an infant skill),
Forsake the wholesome slumbers of its bed,
And mime, obedient to the public will.
Where is the heart so cold that does not thrill
With a vexatious sympathy, to see
That child prepare to play its part, and still
With simulated airs of gaiety
Rise to the dangerous rope, and bend the supple knee?
IV.

Painted and spangled, trembling there it stands,
Glances below for friend or father's face,
Then lifts its small round arms and feeble hands
With the taught movements of an artist's grace:
Leaves its uncertain gilded resting-place--
Springs lightly as the elastic cord gives way--
And runs along with scarce perceptible pace--
Like a bright bird upon a waving spray,
Fluttering and sinking still, whene'er the branches play.
V.

Now watch! a joyless and distorted smile
Its innocent lips assume; (the dancer's leer!)
Conquering its terror for a little while:
Then lets the TRUTH OF INFANCY appear,
And with a stare of numbed and childish fear
Looks sadly towards the audience come to gaze

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Delta Blues

From Mali to Memphis,
And of the odyssey of the West Africans in the name of slavery;
But today, a Blackman has made it to the top! !
Yes, the 44th U.S. President,
And like the Delta Blues with the petals of love.

Do not let your spirit down my friend!
But go for your dreams always by working towards them;
And from the sandy banks of the rivers of West Africa,
But the spirit of the slavery still lives on.

Delta Blues,
To be stoned to death of to be shot with arrows;
But slavery came in and took them away!
And like a premature birth to my people,
However, you will surely reach the heights if you surely believe.

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